We are in the midst of our “Men of August” series and today we to learn about another Wisconsin resident, Al Molinaro. Last week we delved into the career of Tom Bosley; Molinaro and Bosley were castmates on Happy Days but made their way there on very different paths.
Al’s parents immigrated from Italy. His father had a true success story. He began his life in America at age 15 working as a water boy with a railroad crew heading west. He met and married his wife in Kenosha, Wisconsin where they settled down to raise their family of ten children. Al was born in 1919.
Al’s father, Raffaele, owned a restaurant/hotel and sponsored hundreds of Italians so they could make their way to the United States. Al’s brother Joseph became the district attorney for Kenosha County, and his brother George served thirty years in the Wisconsin State Assembly.
After high school, Al became a union leader at the Vincent-McCall Furniture Spring Factory. A year later, he later took a position with the City of Kenosha as assistant to the city manager. A friend of his had relocated to California to work in the aircraft industry and encouraged Al to give it a try.
In 1940, Al left Wisconsin for a career in California. Although Al would never live in Kenosha again, it held a special place in his heart and later in his life, he said that “I love that town; I love it. If it wasn’t that I left it for show business, I’d still be there today.”
His first job in Los Angeles was with Reginald Denny’s Hobby Shop. He began working odd jobs in the television industry such as a live action animator at George Pal’s studios. He then worked for a bill collecting company until he had saved enough money to open his own collection agency. Although he moved on to another career, he held onto the collection agency until he retired. During this time, he also got involved in real estate. One of his properties was purchased for a huge retail mall which gave Molinaro the funds he needed to pursue an acting career.
During this time, he met his wife, Helen Martin, and they married in 1948, eventually divorcing in 1980.
Al began receiving television roles in 1969. He first appearance was on Green Acres. Lisa opens a box of cereal only to find real gemstones in her box of Crickly Wickly. It turns out jewel thieves hid their stolen goods in the box in a Chicago factory. You know this will be a fun episode right from the beginning when the credits show up graffitied on a wall behind the crooks. Al was one of those crooks, and he would show up in two other Green Acres episodes. He also appeared on Bewitched, Get Smart, That Girl, and Love American Style.
He took an improv class where he met Penny Marshall. In 1970, Penny introduced Al to her brother Garry which would change his acting journey. When The Odd Couple was casting for roles, Al wanted an audition for the role of Murray Greshler, the police officer who played poker with Oscar and Felix. Garry didn’t think he was right for the role, so he resisted, but Al was so persistent, he finally brought him in and ended up offering him the job.
After the show ended, Garry offered Al the role of Al Delvecchio, replacing Pat Morita who was leaving Happy Days as the owner of Arnold’s. Happy Days was set in Milwaukee, a city Al was very familiar with. While on the show, Molinaro suggested that Robin Williams be cast in a role John Byner declined which led to a new career for Williams.
In 1981, Al married Betty Farrell. About this same time, he was one of the cast members who made the transition from Happy Days to the show’s spinoff, Joanie Loves Chachi.
After portraying a restaurant owner on the air for many years, Al became one in real life when he and Anson Williams (Potsie on Happy Days) opened a chain of diners called Big Al’s.
Molinaro continued to receive acting offers from Garry for some of his movies, but he felt he had to turn them down. He couldn’t reconcile his role with the language in movies that he felt was offensive. As he said, “I can’t work in movies with Garry because I’m so square that I won’t be in a movie that has four-letter words in it. . . . You gotta live with yourself.”
Molinaro retired from acting in the early nineties but continued to appear in commercials for another decade. His commercial career included being the spokesperson for Cortaid Hydrocortisone Cream, Mr. Big Paper Products, and 42 spots for On-Cor Frozen Foods.
Al was diagnosed with Alzheimer’s in the mid-90s. He died from complications from an infected gallbladder in 2015.
Considering Al was only an actor for 22 years or so, he created several of our favorite characters. He seemed to have a full life and stayed very humble. Happy Days would not be the same without Al, and he added a lot of humor to The Odd Couple’s weekly poker nights. A true success story; I’m glad he provided us with so many memorable moments without sacrificing his personal moral standards.
Since January was all about female sitcom actresses, this month we give the men their fair due. We begin this series, “The Men of August,” with Tom Bosley. Anyone who was a Happy Days fan knows why Bosley is part of this line-up.
Bosley was born in Chicago in 1927. His father was in real estate and his mother was a concert pianist. After graduating from high school, he served in the Navy during WWII. His father was in WWI and then served again in WWII, building army bases on the coast.
Following the war, he attended DePaul University in Chicago, declaring his major as Pre-Law. He had to take night classes because the day classes were full, and after getting tired of teachers not showing up, he switched to a radio school, hoping to be an announcer because he loved baseball, but acting eventually tugged at his heart.” In 1949 and 1950 he performed at the Woodstock Opera House in Woodstock, Illinois with Paul Newman. He was in the first live television show ever done in Chicago which was a production of Macbeth, about 1948 (on WBKB).
In the early fifties, he moved to New York and held a variety of jobs, including coat checker at Lindy’s restaurant, doorman at Tavern on the Green, and Wall Street bookkeeper. He continued to audition for his big break. During the fifties while he was looking for work, he shared rent with another Chicago actor trying to make it in the entertainment business: Harvey Korman.
With one foot in Broadway and one in television, Bosley took on a variety of roles in his early career. In 1955 he appeared in a television production of “Alice in Wonderland” as the Knave of Hearts. In 1959, he won a lot of acclaim as New York mayor Fiorello H. La Guardia in the Broadway musical “Fiorello!” and won a Tony award. Bosley would later return to Broadway in the 1990s taking on the roles of Maurice in “Beauty and the Beast” and as Cap’n Andy in “Show Boat.”
In the 1960s he explored motion pictures and landed his first role as a suitor of Natalie Wood in Love with the Proper Stranger.
Although he continued to appear in the big screen, the little screen took up most of his time in the sixties and early seventies. In 1962 he played opposite Tony Randall and Boris Karloff in “Arsenic & Old Lace.” His face became a familiar one showing up in Car 54, Where Are You?, Bonanza, Get Smart, Route 66, Dr. Kildare, The Mod Squad, The Streets of San Francisco, Bewitched, McMillan and Wife, and Marcus Welby, among others.
It was also during this decade he married Jean Eliot. They were married until she passed away in 1978.
In 1974 he accepted the role that would make him a household name. “Love and the Television Set” was one of the four skits appearing on an episode of Love American Style, and I actually remember watching it. Garry Marshall developed it as a pilot, but the network wasn’t interested in turning the pilot into a show when it first came up. However, once George Lucas released American Graffiti in 1973, also starring Ron Howard, ABC took another look at the period show. The first two seasons, the show focused more on Richie Cunningham as he interacted with his friends and family. Jerry Paris (Jerry Helper on The Dick Van Dyke Show) directed 237 of the episodes. Happy Days was described as relentlessly ordinary. The plots revolved around the same types of problems most teens experienced in the fifties: dating, wanting to be popular, peer pressure, and similar issues.
Bosley originally turned down the role but reconsidered after reading the script more thoroughly; he was drawn to a scene between Howard and Richie that moved him. Bosley said he also was looking for some security. His wife was sick at the time, and they thought she might have epilepsy, which was later determined to be a brain tumor; he wanted an easier schedule in order to care for his wife and help raise his daughter.
He captured the sometimes cranky, but lovable, Howard Cunningham perfectly. He might not agree with his children, but he was always there for them, and he was apparently always there for his castmates who all remembered him as a kind, fatherly figure.
For a decade, Bosley developed the role of Howard into a much-loved sitcom father. Bosley said none of the characters were well defined in the early scripts. The cast developed their characters as relationships developed. He described the actors as a baseball team that never made errors; they just clicked and had a wonderful rapport.
During the run of the show, his wife passed away from her tumor, and in 1980 he married actress Patricia Carr whom he stayed married to until his death.
When the show ended, Bosley was immediately offered another role. Although he appeared in a variety of shows in the early eighties, including five episodes of Love Boat, he moved from Milwaukee to Maine to help Jessica Fletcher solve mysteries on Murder, She Wrote. Bosley said the role of Jessica was written for Jean Stapleton, but then she did not want to do it so it was offered to Angela Lansbury. He and Angela had worked together in the past, so he did the pilot. It was supposed to be a one-time role, but they brought him back nineteen times without a contract. As Sheriff Amos Tupper, he spent four years trying to figure out why so many murders took place in peaceful Cabot Cove. He then retired from the police force and moved to live with his sister.
He actually did work with a sister in his next role on Father Dowling Mysteries. As Father Frank Dowling by day, he moonlighted, solving mysteries with his assistant Sister Stephanie Oskowski (played by Tracy Nelson, Rick Nelson’s daughter and granddaughter of Ozzie and Harriet).
Bosley described Father Dowling as being a lot like himself: calm, quiet, and caring. While murders occurred on the show, there was no violence. When they were casting the part for the housekeeper, they described the character as a Mary Wickes type, and Bosley told them to just get Mary Wickes, and he loved working with her. He enjoyed that show more than any of the other shows he worked on. The cast was totally caught off guard when it was cancelled. The network wanted to do a show with James Earl Jones and Richard Crenna. They gave Crenna’s agent a short-time period to agree to the show and he agreed before the limit ended, so the network was forced to delete a show from the current schedule to make room for this new show and they chose Father Dowling; the James Earl Jones show, Pros and Cons, also about several private detectives, and was dropped after 12 episodes.
When the show ended in 1991, his career definitely did not. When asked if he was going to retire, he replied, “Don’t be silly—actors spend half of their careers in retirement.” He continued appearing in a variety of shows (39 in all) until his death in 2010 from a staph infection.
There are several actors I get confused by at times because of their similarities. One is Ray Walston from My Favorite Martian with Jonathan Harris from Lost in Space. The other is Tom Bosley with David Doyle from Charlie’s Angels. At least I felt better about my mental error after doing research on Bosley. Apparently, David Doyle was named “Bosley” on the show because people confused the two actors so often.
I’m sure Tom Bosley would have made an excellent attorney or announcer, but I’m happy that he followed his acting passion, and I’m thankful for the five decades he was willing to entertain us with his special gift.
For those of you who are big fans of the “National Day of” calendars, you know that there are celebrations for National State Days. In my blog this month, we are learning about celebrities from those National State Days. We begin with National Minnesota Day and one of the stars born there is Marion Ross.
Marion was born in Watertown, MN in 1928. She moved from Waconia to Wilmar and then to Albert Lea. She must have always had stars in her eyes because at age 13 she changed the spelling of her name from Marian to Marion because she thought it would look better on a marquee. After her sophomore year in high school, she enrolled at the MacPhail Center for Music in Minneapolis. A year later, her family moved to California where she graduated from Point Loma High School.
Ross was named Most Outstanding Actress at San Diego State University; however, her major was archeology. After graduating in 1950, she did some summer theater in California and then began auditioning for films. The year she graduated, she eloped with Freeman Morse. They were married for 18 years.
Marion was successful in her movie career. Her first film was Forever Female with Ginger Rogers and William Holden in 1953. She would appear in 26 movies including The Glenn Miller Story and Sabrina. Ross recalled her time in Hollywood. She says it was a great time to be an actor. “All the stars ate in the studio’s dining room. Marlene Dietrich would come swooping into the room, and a hush would fall over the place. Those early days in Hollywood were just so thrilling, almost more than I could bear.”
Ironically, her first television role on Calvacade of America also took place in 1953. She would go on to have an amazing television career with more than 140 different roles on the small screen. While most of her appearances in the fifties were on the drama shows or westerns, she did show up on Life with Father as an Irish maid from 1953-55. She also was a teacher on The Donna Reed Show.
Ross on Perry Mason
The sixties found her primarily on dramas such as Outer Limits, Dr. Kildare, and The Fugitive. However, she also received recurring roles on three series: The Gertrude Berg Show, Mr. Novak, and Paradise Bay. She was Mary Morgan on Paradise Bay, a soap opera set in California. Although the show was only on for a year, she appeared on 158 episodes before it ended.
Her last role of that decade landed her on The Brady Bunch. When the kids get sick, Mike calls the boys’ male doctor and Carol calls the girls’ female doctor. Instead of choosing one, they decide to keep seeing their same patients.
The early seventies kept Ross busy on shows such as Hawaii Five-0, Love American Style, and Marcus Welby. In 1974 that Love American Style skit led to the show Happy Days where Marion reprised her role as Marion Cunningham. She continued her role as biological mother to Richie and Joanie (and poor Chuck occasionally) and as a surrogate mother to Fonzie for eleven years.
In May of 2020, Ross did an interview on TVLine.com with Matt Webb Mitovich. He asked if she had a favorite episode from the show. She said there were two that were definitely favorites. One was when Marion gets mad at the family because they expect so much. She stood up for herself, told Howard he could have his food and took it out uncooked and put it in front of them, then storms out the door and went to work at Arnold’s. Her other favorite was the scene when she did the tango with Fonzie. She said Henry Winkler caught on right away but she had to work with a coach for a week to get it down right.
She also discussed the softball team Garry Marshall put together to keep everyone out of trouble in the off season. She said they played all over the US and continued, “And then at one point, we were invited to go to Europe. We went to Germany and played softball with the US infantry which was incredible. And then once our show was totally over, after we did our last show at Paramount, we all got on a plane at the crack of dawn and flew to Okinawa and played softball with the US infantry there.” She played rover but said she could hit. Her strategy was to hit the ball and then run with her arms raised up. Everyone was so afraid of hitting “the old lady” she would make it on first base.
After the demise of Happy Days, Marion wasn’t content to sit back and enjoy life. She continued her television appearances and from 1984-2018 you could catch her on a variety of shows including Night Court, MacGyver,Grey’s Anatomy, and Hot in Cleveland. She had recurring roles on another six series. She played several different women named Emily on The Love Boat, as the iron-willed Jewish matriarch on Brooklyn Bridge, mean Grandmother Forman on That Seventies Show, Drew’s mother on TheDrew Carey Show, Marilyn Gilmore on The Gilmore Girls, and Ida Holden on Brothers and Sisters.
Marion was also able to get back on the stage. She took roles in “Arsenic and Old Lace”, “Steel Magnolias”, “Long Day’s Journey into Night”, “The Glass Menagerie”, “Pippin”, and “Barefoot in the Park.” She also toured the country in a one-woman show as poet Edna St. Vincent Millay in “A Lovely Light.”
In 2008 the Albert Lea Civic Theater in Albert Lea, Minnesota changed the name of its venue to the Marion Ross Performing Arts Center. Marion retired in 2018. She could then concentrate on some of her hobbies which include gardening, reading, spending time with family, watching movies, listening to the radio, praying, and singing. Marion’s two children are also in the entertainment business, Jim as an actor and Ellen Kreamer as a writer/producer on many shows including Friends and one of my recent favorites, Trial & Error.
In 2018 Ross published her memoir, My Days, Happy & Otherwise. The book is described as “funny, poignant, and revealing.” It features Garry Marshall’s final interview, a foreword from Ron Howard, conversations with her own children, and her entire story.
With the Covid pandemic continuing, Ross is happy to be spending her time at her California home being in her garden and spending time with family. As she put it, “It is such a wonderful time to bond and connect with family even if we are not together. I also have been calling friends to see how they are and have a little chat.” Some good motherly advice for all of us.
As we check out some of my favorite actresses this month, this week we learn about one of the most prolific actresses on the small screen. With more than 170 credits between 1938 and 2004, June Lockhart had a very successful career.
Perhaps destiny planned for June to become an actress. Both her parents, Canadian-born Gene and English-born Kathleen Lockhart, were actors and she traveled with them as a young child while they performed. Although she was born in New York City in 1925, she was brought up in Beverly Hills.
She was only 8 when she took the role of Mimsey in “Peter Ibbetson” at the Metropolitan Opera.
In 1938, at age 13, June made her film debut in A Christmas Carol with her parents. She appeared in more than thirty movies, including Meet Me in St. Louis, Sergeant York, All This and Heaven Too, and The Yearling.
In 1948, she won a Tony for Outstanding Performance by a Newcomer for her role in “For Love or Money.”
Although her appearances in film and on Broadway would have been a lucrative career n themselves, it was in television that she found most of her fame. In 1949 she accepted a role on The Ford Theater Hour. During the 1950s she would make 56 appearances on drama theater shows. In addition, she was in Gunsmoke, Have Gun Will Travel, Rawhide, and Wagon Train.
In 1951 she married John Maloney. In 1959 they divorced and that same year, she married John Lindsay whom she was married to until 1970.
But it was in the television show, Lassie from 1958-1964 that she became a household name as Ruth Martin, Timmy’s (Jon Provost) mother. The show was about the Martin family’s life on the farm and the heroics of Timmy’s dog Lassie.
The 1960s continued to be very productive for her as an actress. She appeared in a variety of television shows, including the dramas Perry Mason, The Man from UNCLE, and The Alfred Hitchcock Hour and the comedies Bewitched, Family Affair, and The Beverly Hillbillies.
She also starred in two long-lasting sitcoms. From 1965-1968 she was Maureen Robinson on Lost in Space. On the show, a family with three children travel with Major Don West to colonize a new planet. Dr. Zach Smith is a stowaway who tried to sabotage their mission by throwing their ship off course and ends up having to live with the people he thought were his enemies.
In an interview with Bill Mumy who played her son Will on Lost in Space, he said that Lockhart always made time for the kids on the set. He said she kept them occupied between takes which she didn’t need to do. He said “she spent a lot of time nurturing Angela’s and my developing thought processes. Teaching us.”
In 1968 she was offered a role as Dr. Janet Craig for the final two seasons of Petticoat Junction. Bea Benaderet, the star, passed away in 1968, and Janet filled in as a “mother” to the girls.
Although she would not take on any additional regular roles for sitcoms, she continued to keep busy through the 1970s, 1980s, 1990s, and 2000s. During these decades , she could be seen on Love American Style, Marcus Welby, Adam-12, Police Story, ElleryQueen, Happy Days, Magnum PI, Falcon Crest, Quincy, Murder She Wrote, FullHouse, Roseanne, Drew Carey, Grey’s Anatomy, and in Beverly Hills 90210 where she had a recurring role, along with 33 other series.
Her last acting role was an animation movie, Bongee Bear and the Kingdom of Rhythm, in 2016. She passed away in 2019, apparently from old age.
Lockhart was an interesting person as well as a successful actress. She hosted the Tournament of Roses parade for eight years and the Macy Thanksgiving parade for five years.
During my research, I learned several surprising things about her. She was an Ambassador for the California State Parks system. She won the NASA award for Exceptional Public Achievement Medal for inspiring the public about space exploration in 2013. She served as a panelist with several White House correspondents on a quiz show Who Said That in the fifties. That job provided her with an open invitation to attend White House briefings which she did and said were fun.
Her hobbies included gold mining, antique motorcars, lighter-than-air aircraft, and learning about the Old West. She kept medical texts near her bed for nighttime reading. She was a member of a kite-flying club. She also loved old steam engines.
Her husband bought her a 1923 Seagrave pumper fire engine named “Cordelia Delilah Lindsay” which she drove around even though it got two miles to the gallon. She actually had the largest parking space at the studio.
If all those facts aren’t interesting enough, in an interview with Bill Mumy by the Archive of American Television, he relayed that she loved rock and roll. In 1967, she hired the Allman Brothers Band (then called Hour Glass) to play at her house. She took Angela Cartwright and Bill to the Whiskey-A-Go-Go. He also said that “in the 1980s she carried a picture of only one person in her wallet and it was David Bowie.”
I’m truly impressed that with as busy as she was as an actress, she made time for both her two daughters and her television children, and enjoyed a ton of hobbies as well. It seems she had a joy for learning about new things and continued to add interests to her life. She was a great role model for all of us.
We are in the middle of my “Don’t Judge Me” blogs. Today I am picking up my gavel to make a ruling on Sirota’s Court.
This sitcom made its debut December of 1976. By April of 1977, it had disappeared from the airwaves. It was produced by Peter Engel Productions and Universal Television.
The show followed Judge Matthew Sirota (Michael Constantine) who sits on the bench for the night court. He works with, and has an off-again, on-again romantic relationship with, court clerk Maureen O’Conner (Cynthia Harris). The liberal public defender is Gail Goodman (Kathleen Miller) who battles with private attorney Sawyer Dabney (Ted Ross) and assistant district attorney Bud Nugent (Fred Willard). Bailiff John Belson (Owen Bush) has the judge’s back. Like the Mary Tyler Moore Show, the series devotes time to Judge Sirota’s professional and private lives.
If that concept sounds eerily familiar, it should. Seven years after Sirota’s Court left the air, Night Court appeared. Maybe Sirota’s Court was ahead of its time or could not survive the scheduled competition, but it’s hard not to see Night Court as an almost identical clone of this show. The newer judicial comedy featuring Harry Anderson would last nine seasons and produce 193 episodes.
In the original version, the Honorable Sirota incorporates a sense of humor and a boatload of common sense into his courtroom. Being in a large metropolitan city, Sirota is a surprisingly compassionate judge, considering the bizarre cases, the odd clients, and the eccentric court comrades he has to deal with. He often had to take on the role of referee between public defender Goodman who was trying to make the world a better place however she could, attorney Dabney who only cared about making a buck, and totally inept assistant district attorney Nugent.
The show employed a lot of different writers for only thirteen episodes. Twelve different writers were credited on the series. Some of the plots included Judge Sirota trying to prevent being named one of the ten worst judges in America, dealing with dentists who were using laughing gas on election night, or the night a full moon brings in an even more ridiculous roster of bizarre situations to rule on.
The show was on Wednesday nights. There was no way this series was going to obtain satisfactory ratings going up against All in the Family and Baretta. All in the Family was in the seventh year of its nine-year reign and still was in the top twenty. Baretta, which was in its third year, had a solid following and was in the top ten. In addition, the show took a lot of heat for one of its episodes, “Court Fear,” when the judge performed a same-sex wedding. It’s creator, Peter Engel, mentioned several times that the show “never got cancelled, it just sort of faded away.” Another factor may have been too many writers. Considering Jack Winter wrote 4 of the 13 episodes, that left 11 writers covering the other 9 shows. Perhaps there was not enough time to fully develop the characters with so many different perspectives.
Considering there were only 13 episodes, it’s impressive that Sirota’s Court was nominated for an Emmy for Outstanding Art Direction or Scenic Design for a Comedy Series and for a Golden Globe for Constantine for Best Performance by an Actor in a Television Series, Musical or Comedy. Constantine was up against Tony Randall for The Tony Randall Show, Freddie Prinze for Chico and the Man, Alan Alda for MASH, and winner Henry Winkler for Happy Days.
Unfortunately, I could not find DVDs for this show anywhere, even the rare and hard-to-find DVD sites. It would be interesting to compare it with NightCourt and see how similar the two shows actually were. My ruling is that the show was competent to stand trial, but the powers that be were too quick to negotiate a settlement.
During our blog journey this month, we have gone back in time to Sherwood Forest and then sped forward to the 1860 Wild West. Today, as we continue with “Living in the Past: Timeless Comedies,” we time travel 80 years ahead and land in Washington DC in 1942. When we arrive, we find ourselves in the midst of The Goodtime Girls, a show that debuted in 1980 and was created by Lenora Thuna in association with Garry Marshall’s Henderson Productions and Paramount Television.
The women, all familiar stereotypes, live together in a small attic apartment. There is dumb-blonde Loretta (Georgia Engel), girl-next-door Betty (Lorna Patterson), level-headed Edith (Annie Potts), and arrogant Camille (Francine Tacker). They must learn to depend on each other and navigate life working in jobs to help aid the war effort.
Rounding out the cast were their landlords, Mr. and Mrs. Coolidge (Marcia Lewis and Merwin Goldsmith), their buddy Frankie (Adrian Zmed) who’s a cab driver, and was rejected from military duty because of his flat feet, and his pal Benny (Peter Scolari). Frankie and Benny lived on another floor of the home.
Edith, Betty, and Loretta were living in the apartment and already feeling confined and crowded. Camille, a reporter, covering the plight of people dealing with a housing shortage in the capital, is then added by the landlords when she loses her apartment. Camille’s personality didn’t help her earn a warm welcome by the other women. Edith works for the Office of Price Admissions, Betty was at the US Secretary of War’s office, and Loretta worked for General Culpepper (Richard Stahl) at the Pentagon. I was not sure what the Office of Price Admissions was. After a little research, I learned that it began in 1941 and was set up to establish price controls on nonagricultural commodities and rationing essential consumer goods during WWII. One of the first products to receive their ruling on rationing was automobile tires. The Office was disbanded in May of 1947.
The shortage of consumer goods and men didn’t help the situation the women found themselves in either. Loretta was the only married tenant, but Edith is the one who tended to “mother” the other girls, doling out advice and wisdom. Frankie and Benny often joined the girls’ adventures.
This was one of the few Garry Marshall series that didn’t become a hit. Several guest stars appeared during the season including Happy Days’ Scott Baio as Edith’s brother and Laverne and Shirley’s Michael McKean as a bitter soldier confined to a wheelchair.
The mostly forgotten theme song, “When Everyone Cared” was written by Charles Fox and Norman Gimbel.
The show never connected with viewers. It began life on ABC on Tuesday nights following Happy Days which should have ensured its success. It tested very well with audiences. Rather than a fall debut, the show began January 22, 1980. After the February sweeps (older viewers will fondly recall the exciting sweeps month followed by “nothing new in March”), the show went off the air. Its competition was the WhiteShadow and a show I don’t remember at all, California Fever. (The description on imdb was “Vince and Ross are suburban LA teenagers enjoying disco, surfing, cars, and the rest of the Southern California lifestyle. Musical Vince runs an underground radio station and mechanical Ross is into custom cars.” It only lasted ten episodes, so I guess I’m not the only one who doesn’t remember it.)
Goodtime Girls returned in April for three weeks on Saturday night and then was pulled again. Although the show was cancelled in May, five of the remaining episodes were aired in August on Friday nights. For some reason, episode 3, “Night and Day” was never shown.
I’m not sure why the show never caught on. It had a great cast but most viewers didn’t appreciate the comic aspects of the show. Laverne and Shirley and Mork and Mindy could get away with more slapstick routines than many shows airing in the eighties. At this time, M*A*S*H was still going strong, and if you were doing war humor, it would be a hard show to compete with. Maybe this show just seemed too banal and predictable. It was always discussed as being character driven; perhaps the characters were too typecast to be interesting.
As a noteworthy item of information, I don’t think Betty and Camille got along much better after the show ended. Robert Ginty who was married to Francine Tacker for three years later wed Lorna Patterson only fifty days after his divorce became final. However, their marriage only lasted six years.
Unfortunately, the audience was not having as good a time as the cast. I have never seen the show in reruns, and there is no mention of a DVD ever having been released. Learning about so many shows that didn’t make it helps us appreciate those series that became mega-hits. If nothing else, the demise of this show made it possible for Scolari to accept a role on Bosom Buddies.
Continuing our series about “Valerie,” today we look at a slice of American life from the 1970s. It’s hard to emphasize how much the movie Saturday Night Fever changed American culture. In the movie, a high school graduate played by John Travolta, escapes his hard life by dancing at the local disco. The hippie culture of the late 1960s and early ‘70s was shoved aside by the bold and brash disco era. It was hard to go anywhere without the background soundtrack of the movie being heard. Extravagant clothing and three-piece suits were back in style, along with platform shoes and blingy jewelry.
A year after the movie debuted, a new show called Joe and Valerie appeared in April of 1978. Joe (Paul Regina) works at his father’s plumbing store. He meets Valerie (Char Fontane) at the disco and they get romantically involved. However, Joe’s roommates, Paulie (David Elliott), a hearse driver, and Frankie (Bill Beyers/Lloyd Alan), a spa worker and chauvinist, have their opinions on the romance as does Valerie’s divorced mother Stella (Arlene Golonka). Rounding out the cast were Robert Costanzo as Joe’s father Vincent and Rita/Thelma (Donna Ponterotto), Valerie’s best friend.
The series was produced by Bob Hope’s production company, Hope Enterprises, and his daughter Linda served as executive producer. Bill Persky, who had been one of the forces behind That Girl, directed the first episode.
The writers for the show included Howard Albrecht, Hal Dresner, Bernie Kahn, and Sol Weinstein. Kahn and Dresner also served as producer for an episode each. Art direction was credited to Bruce Ryan and shop coordinator to Edwin McCormick.
The series was divided into two parts; in 1978 the episodes show Joe and Valerie meeting, falling in love and planning their future. Jumping to January 1979, the episodes center around the couple beginning their married life. Four half-hour episodes aired in April and May of 1978. Four half-hour episodes were set to air in January, but only three did; the final episode never was played on the air.
Episode 1, “The Meeting” aired April 24, 1978. Joe and Valerie meet at the disco and fall in love when Joe bets his roommates that he can take Valerie away from her dancing partner.
Episode 2, “The Perfect Night” aired May 1, 1978. Valerie arranges dates for Frank and Paulie. She sets up Frank with her best friend Thelma and the date is a disaster. The woman she set Paulie up with ended up getting married the night before, so Valerie is frantically looking for a substitute. Albrecht and Weinstein were credited as writers.
Episode 3, “Valerie’s Wild Oat” aired May 3, 1978. Joe and Valerie’s romance hits a potential roadblock when Valerie finds out that her new boss at the store is her ex-boyfriend Ernie (Marcus Smythe).
Episode 4, “The Commitment” aired May 10, 1978. When Valerie’s mother is unexpectedly called away for the weekend, Joe and Valerie face the prospect of spending their first night together. Joe loves Valerie too much to stay but worries how his roommates will react if he doesn’t.
Episode 5, “The Engagement” aired January 5, 1979. Joe and Valerie break the news to their parents that they are going to live together and looking for a place to live through a rental service which adds to the confusion.
Episode 6, “The Wedding Guest” aired January 12, 1979. Joe and Valerie learn that a gangster’s funeral has been scheduled at the same time as their wedding at the church.
Episode 7, “The Wedding” aired January 19, 1979. The newly married couple look back at the events that occurred around their wedding. Some of the problems included Vince wanting Valerie to wear his wife’s old-fashioned wedding dress, Frank and Paulie fighting over who is best man, and Valerie’s mother threatening to stay away from the wedding if her ex-husband comes.
The final episode, “Paulie’s First Love,” was never aired.
This was a bad year for series’ debuts. A number of shows flopped during this year including Hizzoner, Sweepstakes, and Supertrain, none of them making it to more than nine episodes.
Char Fontane (also listed as Fontaine occasionally) was born in California in 1952. She passed away from breast cancer in 2007. Before being cast in Joe and Valerie, she appeared on a variety of tv series in the 1970s and a couple after: LoveAmerican Style (1972), The FBI (1973), Barnaby Jones (1979), Supertrain (1979), Sweepstakes (1979), The Love Boat (1979), and Nero Wolfe (1981). In the mid-1980s she took a role in a made-for-tv movie, The Night the Bridge Fell Down and two movie roles: Too Much (1987) and The Punisher (1989). She was not credited with any roles after the 1989 movie.
Paul Regina was born in Brooklyn in 1956 and passed away from liver cancer in 2006.
Before his role on Joe and Valerie, he had parts in The Hardy Boys/Nancy Drew Hour and Police Woman both in 1978. After the show ended, his career stayed fairly busy. Throughout the 1980s and 1990s, he could be seen on many popular television shows including Benson, Gimme a Break, TJ Hooker, Hunter, and EmptyNest. He would be cast in three series: Zorro and Son in 1983, Brothers from 1984-89, and The Untouchables in 1993-94. He also had a recurring role as a lawyer on LA Law between 1988-1992.
Post 2000 before his death he was in Law and Order several times as well as two movies, The Blue Lizard and Eddie Monroe.
David Elliott had a successful career going when he received the role of Paulie. He began with several roles on tv including a mini-series, Pearl, that Char Fontane was also in. From 1972-1977, he had a role in The Doctors in 272 episodes. Before beginning Joe and Valerie, he had a role on Angie in 1979.
After the show ended, he continued showing up in television series including TJHooker, St. Elsewhere, Simon and Simon, and Murder She Wrote. He ended his credited acting career with seven movies in the 1990s.
He is an interesting guy. After dropping out of high school, he drove a cab in New York. He was a professional boxer, ran a PI business in Hollywood, received his pilot’s license, sat on the board of a major labor union, and traveled extensively through every continent except Africa and Antarctica. Recently he earned a certificate in both long and short fiction from the UCLA Writer’s program and has written a novel, The Star Shield, about a body guard trying to rescue a kidnapped movie star. Currently he is working on a collection of short stories.
The role of Frankie was played by two different actors, Bill Beyers in 1978 and Lloyd Alan in 1979.
Bill Beyers was born in New York in 1955 and died in 1992 in Los Angeles. His first role was that of Frankie on Joe and Valerie. Following the end of that show he was cast in several series including Barnaby Jones, Quincy ME, The Incredible Hulk, CHiPs, Too Close for Comfort, and Murder She Wrote. He had a recurring role on Capitol, appearing in 24 episodes from 1982-1987.
Lloyd Alan was in 1952. He might have had the shortest career of the cast. Before being cast in Joe and Valerie, he was in an episode of Eight is Enough. After he appeared in The Love Boat, Knight Rider, and Baywatch. His last credited acting job was 1998. I was unable to locate a photo of Lloyd Alan.
The actors with the longest careers were Robert Costanzo who played Joe’s father Vince; Arlene Golonka who was Stella, Valerie’s mother; and Donna Ponterotto who played Rita/Thelma, Valerie’s best friend.
Donna Ponterotto had a successful career following the cancellation of Joe and Valerie. She came to the show having appeared on The Police Story, Happy Days, and Rhoda.
Following the show, she appeared on Trapper John MD, Laverne and Shirley, TheLove Boat, Who’s the Boss, Murder She Wrote, Night Court, Murphy Brown, ER, Mad About You, Third Rock from the Sun, and NYPD Blue among others. Her last film was Sharkskin in 2015.
Arlene Golonka grew up in Chicago where she was born in 1936. She began taking acting classes when she was quite young. At age 19, she headed for New York and began a career on Broadway. In the 1960s she relocated to Los Angeles. She continued to appear in movies and appeared in dozens of television programs during the next three decades. While she is probably best known as Millie on Mayberry R.F.D., she has appeared in many respected series.
Golonka came into Joe and Valerie with a strong resume. She had made appearances in shows such as The Naked City, Car 54 Where Are You, The Flying Nun, Big Valley, Get Smart, I Spy, That Girl, M*A*S*H, All in the Family, Barnaby Jones, Alice, The Rockford Files, and Love American Style. She made five appearances on The Doctors with David Elliott.
After Joe and Valerie, she continued to receive many roles including on FantasyIsland, The Love Boat, Simon and Simon, Benson, and Murder She Wrote. Her last appearance was on The King of Queens in 2005, and she is now retired.
Robert Costanzo was born in New York in 1942. He also came into the show with a very strong string of shows, having been in Rhoda, The Bob Newhart Show, and Lou Grant. He also was in several profitable movies including Dog Day Afternoon, The Goodbye Girl, and Saturday Night Fever.
Following the end of Joe and Valerie, he would continue his successful career. Costanzo has been cast in recurring roles in ten shows: Last Resort, Checking In, The White Shadow, Hill Street Blues, LA Law, 1st Ten, Glory Days, NYPD Blue, Charlie and Grace, and Champions. He has continued to take roles on other series including Barney Miller, Alice, Who’s the Boss, Family Ties, St. Elsewhere, The Golden Girls, Friends, and Murder She Wrote.
His movie career has also been very successful, and he is remembered for his roles in Used Cars, Total Recall, Die Hard 2, and Air Bud.
Currently Costanzo is still acting and has several movies debuting in the next couple of years.
I have to admit I do not remember Joe and Valerie, and obviously I did not watch it, but I don’t think I missed much. It’s fun to learn about some of the more obscure shows that had a brief flicker in television history. There are many more shows that lasted for less than 20 episodes than there are the classics we remember today. If nothing else, the show captures a unique time in American history.
We’ve all experienced that moment we’re at the grocery store and see someone we know, but we can’t remember their name or how we know them. Maybe it was work or school, or their kids were friends with ours. Sometimes we even remember we spent a lot of time with them and like them, but the name and relationship is just not there.
This month we are meeting some of our television friends that we’ve gotten to know, even if we can’t remember their names or what we watched them on. We’ll learn more about eight different character actors. We start off the month learning about Edward Andrews and Herb Edelman.
Edward Andrews from Doris Day and Disney comedies. Anyone who grew up in the
1960s or 1970s will remember this military man with a grandfatherly softness to
Andrews was born in Georgia in 1914. His father was a minister and their family moved a lot; he lived in Pittsburgh; Cleveland; and Wheeling, West Virginia. He had a very small part in a James Gleason production at age 12. He attended college at the University of Virginia. In 1935, he got his first part in a Broadway production, “So Proudly We Hail.” He continued in Broadway for the next twenty years, including a touring production of “I Know My Love” with Lunt and Fontaine. During that time, he took a leave from his career to serve in WWII. He was a Captain and commanding officer of Battery C with the 751st Artillery Battalion of the Army.
In 1955 he married Emily Barnes and they would have three children, remaining together until his death. About the same time, his movie career took off. Andrews looked older than his age which helped him get parts for older roles. He could play a grandfather, then turn around and handle a sleazy businessman or legalistic bureaucrat. He portrayed George Babbitt in Elmer Gantry in 1960. He worked for Disney playing the Defense Secretary in both The Absent-Minded Professor (1961) and Son of Flubber (1963). I remember him fondly in Doris Day’s movies, The Thrill of It All (1963), Send Me No Flowers (1964), and The Glass Bottom Boat (1966). One of his last roles was Grandpa Howard in Sixteen Candles in 1984. His movie credits totaled 46.
Edward also kept busy with television appearances. One of the first actors to guest star on television, in 1950, Andrews was on Mama. As early as 1952, he began acting in the variety of drama shows on television. During the 1950s he would appear in eighteen of these shows including The US Steel Hour, Robert Montgomery Presents, Studio One in Hollywood, and Omnibus.
He showed up in westerns including The Real McCoys, Bonanza, Gunsmoke, and Rawhide. We saw him on medical and legal dramas such as Ben Casey,The Defenders, The Bold Ones, Ironside, and Owen Marshall, Counselor at Law. Mysteries and crime thrillers also found a place for him. You might remember him from Naked City, The Wild Wild West, The Mod Squad, Hawaii Five-0, McMillan and Wife, and Quincy, ME.
Like his films, he seemed to excel in comedy. Andrews played George Baxter in the pilot for Hazel, but unfortunately when the show went into production, the part was recast with Don DeFore. He would guest star in some of the most popular sitcoms, including The Phil Silvers Show, The Andy Griffith Show, I Dream of Jeannie, Bewitched, The Paul Lynde Show, Love American Style, The Bob Newhart Show, and Three’s Company.
In 1964 he starred in Broadside. Commander Adrian (Edwards) is not happy when a group of Waves are posted to his station on the South Seas island Ranakai. His men no longer have focus, so he spends the series trying to get the women relocated.
In 1970 he had a recurring role on The Doris Day Show as Colonel Fairburn. He also starred as Harry Flood in the show Supertrain in 1979. Playing on the Love Boat and Hotel themes, the show was about a bullet train that had new passengers each episode.
Perhaps Andrews will be best remembered for his guest starring role on two Twilight Zone episodes, “Third From the Sun” (Andrews plays a company man who thinks a coworker William, a nuclear engineer, and his friend Jerry are going to steal a spaceship to leave Earth) and “You Drive” (Andrews hits a newspaper boy and then flees the scene, trying to hide the crime).
In all, he appeared on 118 different television series as well as made-for-television movies.
Andrews enjoyed playing a character actor. He said it ensured more work and longevity in his career. He was quoted as saying, “What you get are people who speak to you. They know you from somewhere, but they don’t think of you as an actor. They stop and say, ‘Harry, how’s everything in Miami?’ I’ve learned by experience not to argue with them.”
In March of 1985, Andrews had a heart attack and passed away at age 70. With his white hair, and horn-rimmed glasses, Andrews was an adaptable character actor. Whether he was playing a lovable doctor, a nosy coworker, a fun-loving grandfather, or a despicable murderer, he was believable. He truly was a great character.
Another fun actor
everyone will recognize is Herb Edelman. Herb was born in Brooklyn, New York in
1933 in the midst of the Depression. Tall, lanky, and prematurely bald, he
would go on to have a long career in movies and television.
Originally, Edelman wanted to be a veterinarian, and he went to school at Cornell but left after his first year. He served in the Army as an announcer for Armed Forces Radio. After he left the service, he started college again, this time studying acting at Brooklyn College. Once again, he dropped out. He made a living as a hotel manager and a cab driver.
In the mid-1960s he began both his film and television careers. Some of his best-known roles were in the movies. He played Harry Pepper, a wise-cracking telephone operator, in Barefoot in the Park and Murray the Cop in The Odd Couple, as well as Harry Michaels in California Suite.
However, it was television where he received most of his work. In the 1960s, he began his career, appearing on a variety of shows, including That Girl, The Girl from U.N.C.L.E., and The Flying Nun. During these years he also dated and married Louise Sorel who he was wed to for six years.
In 1968, he accepted the role of Bert Gamus in The Good Guys. Bert and his friend Rufus (Bob Denver) open a diner, their dream. Bert’s wife Claudia (Joyce Van Patten) helped him serve customers.
In the 1970s, his career continued as he appeared in many shows every year. Some of the hit series we saw him on during this decade include Room 222, Bewitched, McMillan and Wife, The Partridge Family, Love AmericanStyle, Maude, Happy Days, Barney Miller, Kojak, and Charlie’s Angels.
In 1976, he was again cast in a show, Big John Little John. Edelman was a middle school teacher who drank out of the fountain of youth on vacation. Afterward, he would randomly turn into a thirteen-year-old and worked to keep the secret from his friends and coworkers. The show was short-lived.
Edelman’s work schedule did not slow down in the 1980s. He would have roles in the cast of five television shows and spent time in between guest starring on other shows such as Trapper John, Highway to Heaven, The LoveBoat, and thirtysomething.
From 1980-81, he was cast as Reggie on Ladies’ Man, about a woman’s magazine with one male journalist. From 1981-82, he appeared as Commissioner Herb Klein on Strike Force. This show followed a strike force team that handles cases too difficult for the mainstream officers. The following year, he was Harry Nussbaum on Nine to Five, the show based on the movie about a group of office workers. From 1984-88, he was cast as Richard Clarendon on St. Elsewhere, a teaching hospital.
Although his roles decreased in the 1990s, he had one of his most memorable roles during those years as Stanley Zbornak, Dorothy’s ex-husband, on Golden Girls; he was nominated twice for his role on the show.
In 1990, he played Sergeant Levine on Knot’s Landing. Knot’s Landing was a night-time soap about the lives of the wealthy who live in a coastal suburb of LA. His last recurring role was Lieutenant Artie Gelber on Murder She Wrote, about a mystery writer who helps solve crimes.
Edelman died much too early in 1996 from emphysema at age 62.
who was unforgettable in his movie and television roles. Whether playing a repairman,
a cop, a teacher, or a ex-husband, he always came through as an authentic
Anyone who watched the Dick Van Dyke Show knows that the supporting cast was a big part of the show. While Sally and Buddy helped Rob come up with the perfect jokes at work, Millie and Laura were a great comedy team at home. Ann Guilbert continued to find other great supporting roles after the show ended. She was still fine-tuning those roles when she passed away in 2016. She was then playing a grandmother on Life in Pieces.
Ann Morgan Guilbert was born in Minneapolis, MN in 1928. She was an only child and her father worked for the Veterans’ Administration. He moved the family around for jobs quite often. Growing up, she lived in Tucson, AZ; Asheville, NC; Livermore, CA; and El Paso, TX. The family was in Milwaukee, WI during her high school years.
Until she was
14, Ann wanted to be a nurse, but from that time on, she knew she had the
When her father took a job in San Francisco, Ann decided to go with her parents and attended Stanford University where she majored in theater arts. Her first part there was as Topsy in “Uncle Tom’s Cabin.” She realized that she liked to make people laugh.
While in school,
she met fellow major George Eckstein. They married in 1951. Although they majored
in theater arts, George went to law school and Ann worked as a legal secretary.
During the summer when George was off, they went to Ashland, Oregon for the
Shakespeare Festival where she specialized in playing “nutty” ladies. George
was drafted and sent to El Paso; Ann went with him. She was involved in the Little
joined the Screen Actors Guild, there was an actress named Ann Gilbert, so Ann
was asked to change her name. She went with her real name, Ann Morgan Guilbert.
Morgan was her mother’s maiden name. (Her mother was related to Mayflower passenger
practiced law for a short time and decided he wanted to get back into the
entertainment business. He got a job producing The Billy Barnes Revue. Ann had
a part in the show and Carl Reiner saw her in that performance in two different
Before The Dick Van Dyke Show, Guilbert made
three appearances on television on My
Three Sons, Hennessey, and Alfred Hitchcock Presents.
who played her husband on The Dick Van
Dyke Show, had been a friend of her and her husband for a long time. He
took Ann in to audition for the role of Millie, his wife. She was hired and was
on the show for the entire five years it was on the air. Millie was based on one
of Reiner’s neighbors from New York who would do things like take out the
garbage on the wrong day or paint herself into a corner of a room. She said she
wasn’t given a contract for the first two years. During the third season,
Reiner wanted to provide her with one, but she said things had been going along
Ann became pregnant early in the first season. She was afraid to tell Reiner, worrying she would be replaced because it was so early in the show’s life. However, he was very happy for her, and they hid her pregnancy behind large tops or props. That baby is actress Hallie Todd, who is best known as Lizzie’s mother on LizzieMcGuire. George and Ann would have another daughter Nora, an acting teacher and writer.
Ann’s favorite part of the show was Thursdays when the cast would sit around the table with the writers to look at the new script. Ann thought their writers were hysterical. Some of them included Reiner, Garry Marshall (who would go on to create The Odd Couple, Happy Days, Laverne and Shirley, and Mork and Mindy), as well as Bill Persky and Sam Denoff (who wrote for many shows, including That Girl.) Everyone had a say in the script and could throw out one-liners or make suggestions.
The Dick Van Dyke Show ended in 1966 and that same year George and Ann divorced. George was best known for being the writer and producer of The Fugitive.
she never watched the reruns much. She recalled, “When I do see them, it seems
like it never happened. I just can’t remember it at all.” Once the show ended,
Ann, like so many fellow actresses, was typecast as Millie. During the 1970s
and 1980s, she would guest star on some of the best sitcoms on the air
including The Andy Griffith Show, I Dream of Jeannie,Room 222, The Partridge
Family, Love American Style, Barney Miller, Cheers, and Newhart.
In 1969 Ann
married character actor Guy Raymond. About that time, she decided to give Broadway
a try. Her daughter said Ann loved performing on stage and that is when she
felt her career was most important. She appeared in “The Matchmaker,” “Arsenic
and Old Lace”, “Waiting for Godot”, “To Kill a Mockingbird”, “Harvey”, “Green Grow
the Lilacs”, among others. She won the Helen Hayes Award for Outstanding Lead
Actress in a Non-Resident Production in 1988 for her role of Alma in “The
Immigrant: A Hamilton County Album”.
appeared in eight movies during her career including A Guide for the Married Man, Viva
Max!, and Grumpier Old Men.
But Guilbert didn’t give up on television. In 1990, she starred in The Fanelli Boys. Ann played Teresa Fanelli. She is a recent widow living in Brooklyn and heading for Florida to live when her adult boys all move back in. Frankie is a ladies’ man, Ronnie dropped out of school, Dom is a scammer, and Anthony runs the family business, a funeral home which is $25,000 is debt. Teresa’s brother Angelo is a priest who gives advice to the boys, but not always good advice.
She made several guest appearances in the 1990s but had recurring roles on EmptyNest, Picket Fences, and Seinfeld.
The role many younger tv fans know her best is Yetta in The Nanny. She would join the cast, appearing in 56 shows between 1993 and 1999. She had fun doing the role. When she met with the wardrobe staff, they decided she would dress outrageously. She was able to wear sequined jackets, jazzy pants, and crazy tops. She also appreciated working with Ray Charles, who played her boyfriend.
time, her second husband passed away in 1997.
Ann would continue guesting on shows into the 2000s, including Grey’s Anatomy in 2015 and Modern Family in 2013. She also was cast in the show Getting On from 2013-2015. This was a dark comedy on HBO that took place in the geriatric wing of a financially failing hospital. Laurie Metcalf of Roseanne and The Big Bang also was part of the cast.
Her last series was Life in Pieces. She played Gigi, Joan’s mother. She was in two episodes before she passed away in 2016. One of the episodes, “Eyebrow Anonymous Trapped Gem” was dedicated to her memory. In a tribute to her, each of the four stories involve her character.
Her doctor had been trying to convince her to give up her several-pack-a-day cigarette habit, but she refused and talked about it often. She died from cancer at age 87.
Cheers to a funny lady who kept us laughing for more than fifty years.
We all have those family members who seem to find fun catch phrases which get repeated by friends. Then there are those relatives who say something that drives us crazy and overuse expressions. That is what we’re talking about today: catchphrases from our favorite television shows. I prepared a list of twenty phrases that caught on with viewers. What seems strange to me are expressions that come from a series or movie that were never actually said. For example, “Play it again Sam,” from Casablanca is a well-known phrase. However, that line was never said in the actual movie. You often hear someone say, “Beam me up Scotty,” but once again, it was never said in Star Trek. The closest line was only used once, and it was, “Beam us up, Mr. Scott.”
I’ll list these memorable phrases by shows alphabetically and tell you how often they were used: none, one, fun, or overdone. I also rate them: green light means I like it, yellow if it was getting close to being overkill, and red for those expressions that never should have been used at all. Here we go.
The A Team – Pity the fool
Mr. T often says this on commercials, public appearances,and as a guest on other shows, but he never said it on The A-Team. Mr. T explained how this phrase came about on the Conan show one night, “When you pity someone, you’re showing them mercy. I didn’t start this pity stuff, it was in the bible. You’ll find pity so many times in the Bible and fool so many times, so I put ‘em together. Pity the fool,” Mr. T said. He added, “Lotta guys in the Bible [were] asking for pity. And then a lot of them were saying, I did a foolish act. So, I put ‘em together.”
Not only has he trademarked the phrase, but he actually had a series developed around the phrase which was the title of the show. It aired in October of 2006 and was off the air by November 6, so I pity the fool who stuck money into it.
Rating: None, Green– I can’t really give it a light because it was never used but it was a good expression at the time.
Alf – I kill me
The Tanner family members weren’t often amused by Alf’s jokes. When no one responded or someone shook their head at him, he was often heard to say, “I kill me.”
The phrase was so popular, a poster and a t-shirt were sold featuring it.
Rating: Fun, Green – I also thought Alf was pretty funny, even when the Tanners were not as impressed.
Alice – Kiss my grits
While Flo was a warm-hearted person who would do anything to help a friend, or Mel, she didn’t take any sass from anyone. Whenever someone did something to irritate her, she responded, “Kiss my grits.”
Rating: Overdone, Yellow– Only Flo could get away with using the phrase so often, but it did become a bit too much.
The Andy Griffith Show – Nip it in the
Barney liked being on top of situations and being in charge.When something happened whether it was questionable behavior by Opie or a dangerous criminal activity being plotted, he was heard to say, “Just nip it, nip it in the bud.”
Rating: Fun, Green –Barney Fife was just a great character.
Big Bang Theory – Bazinga
Sheldon learned about sarcasm during season 2 of the show. Whenever he said something sarcastic or something that proved others wrong in a humorous way, he would utter, “Bazinga.” The first time he used it, it was not actually in the script, but he added it and it stuck.
Rating: Fun-ish, Green– I added the “ish” because it can be overdone some shows
The Brady Bunch – Marcia, Marcia, Marcia
Jan didn’t like being the middle child. While Cindy was the cute younger one and Marcia the pretty older one, Jan often felt left out. When she was upset Marcia was getting attention or doing something she wanted to do, she would pout, “Marcia, Marcia, Marcia.”
In the Season 3 episode, “Her Sister’s Shadow,” Jan said, “all I hear all day long at school is how great Marcia is at this or how wonderful Marcia did that. Marcia, Marcia, Marcia!” Jan did not say the phrase much, but viewers sure did.
Rating: One, Green – I think every middle child understood what Jan meant. Apparently, viewers loved it, because it is an iconic quote for being only said one time. Actually, I always thought Jan was the cool one.
Columbo – Just one more thing
When the bad guy thought he had gotten away with a crime, Columbo would often turn around and say, “Just one more thing,” and that “thing” was usually the evidence he needed to arrest someone.
Rating: Fun, Green – Even when we knew it was coming, it was fun to see how the villain of the week realizes he has been found out.
Diff’rent Strokes – What you talkin’
Arnold was the “cute” kid in the Drummond family and often made others laugh. Whenever Willis said something Arnold didn’t want to do or thought should not happen, he would look at his brother and say, “What you talkin’ ‘bout Willis?”
Rating: Overdone, Red– Ok, I know I have a bias because this was one of those Norman Lear shows my readers know I don’t care for, but I do remember at the time, it was used a bit too often on the show. There is a fine line between defining a character and stereotyping a character.
Friends – How you doin’?
Joey was definitely the ladies’ man on Friends. He was always searching for his next social conquest. When he met a girl he wanted to get to know better, he often drawled, “How you doin?” It was a basic pick-up line, but he was so good looking, it almost always worked. While it became his catchphrase, it was not used for the first time until Season 4.
Rating: Fun, Yellow – It was a fun expression that is still used today but it was getting close to being overused.
Full House – Have mercy
Typically, it was Uncle Jesse who said, “Have mercy,” but occasionally another character would use it. He says Garry Marshall always told him he needed a catch phrase. He took on “Have mercy,” and it was probably one of the most-used phrases ever during the run of the show.
Rating: Fun, Green– I can still hear the exact tone of his voice whenever he used the line.
Get Smart – Missed it by that much
Maxwell Smart often messed up a spy mission, and 99 always saved the day. Often when the bad guys were put away and he was analyzing what had gone wrong, he would say, “Missed it by that much” which usually meant he was nowhere near to taking care of business.
Rating: Fun, Green– Everything on this show was fun and there were enough catch phrases that none of them took over.
Good Times – Dy-no-mite!
The Evans were a close-knit family who lived in the projects. JJ was an artist and the class clown. His favorite expression was “Dy-no-mite!”
He revived his catch phrase in several Panasonic commercials in the mid-1970s.
Rating: Overdone, Yellow– Sorry, it’s my Norman Lear bias again, but I feel like not only did JJ Evans overuse this phrase, but you heard it from viewers everywhere you went. I agree that imitation is the sincerest from of flattery, so it worked, and people liked it, but I thought it was overdone.
Happy Days – Sit on it
I think every cast member used the phrase “Sit on it” at one point or another. It was said when someone said something or insinuated something a character didn’t like.
Rating: Overdone, Yellow– This was a fun phrase when it started but it was overused and overused by everyone on the show.
Hawaii Five-O – Book ‘em Danno
The original Hawaii Five-O would end each arrest with Steve saying “Book ‘em Danno.” They did not resurrect the phrase for the current Hawaii Five-0. However, if you were watching the November 30th episode in 2018, you saw the conclusion of an older cold case homicide and a comic book created the ending to the mystery and in the book, McGarrett did say, “Book ’em Danno.”
Rating: Overdone, Green– It was over used although it did not occur on each episode, but I gave it green because it worked and fit the situation when it was used.
Hogan’s Heroes – I know nothing
Sargent Schultz began saying “I know nothing” when he didn’t want to answer questions Hogan asked him. He realized Hogan could always get him to talk by offering him food of some type. Later, the prisoners were not afraid of telling Schultz things they were doing or planning to foil the Nazis’ plans, and whenever he heard them talking about an upcoming mission, he also emphatically said, “I know nothing.”
Rating: Fun, Green– Schultz said it a lot but that was fitting for his character.
The Honeymooners – Bang, zoom, to the moon, Alice
This particular phrase is quoted a lot. Actually, Ralph Kramden had many similar expressions such as Bang, zoom” or “To the moon Alice,” but they all had similar wording and inferred that he was threatening her. The phrase would not go over well in a show today. However, Alice was never worried. She knew Ralph loved her and was all bark and no bite. Of course, one of the expressions he also used in a lot of shows was “Baby, you’re the greatest.”
Rating: One, Red – I only saw one episode that used the exact wording that has become a quote of the show. While I know it was innocent fun back then, I can’t say I was ever fond of the expression.
I Love Lucy – Lucy, you got some ‘splaining to do
Lucy always had some type of scheme in the works to get something she wanted. Often, it was something her husband had forbidden her to do. When he found out what she was up to, he often said, “Lucy, you got some ‘splaining to do” in his Cuban accent. Like Ralph Kramden, he rarely said this exact phrase; instead, he would tell her to “splain what happened” or “try to splain why you are here” or something along those lines. Viewers picked up on the exact wording that gets repeated still.
Rating: One, Green – Desi used similar words but not this exact phrase. However, when he used it, it was always an appropriate use because Lucy had done something that did need to be explained.
Laugh In – Sock it to me
Because so many people on the show say, “Sock it to me” started by Judy Carne, it has become a famous line. Of course, the celebrity who got the most attention saying it was Richard Nixon.
Rating: Fun, Yellow– It was still fun because it was used in different situations and with different celebrities but if the show had continued, it might have been overdone.
Lost in Space – Danger Will Robinson
Even kids who never heard of Lost in Space, quote “Danger Will Robinson” when they want to warn someone about an issue. The funny thing is it was only said one time on the show, but like The Brady Bunch, viewers have made it their own and it is now part of our lexicon.
Rating: One, Green– Although it was only said once, viewers have made it into a well-loved expression.
Welcome Back Kotter – Up your nose with a rubber hose
This was probably one of the most unusual catch phrases. The Sweathogs gave the image that they would not put up with nonsense and they made the rules. One of Vinnie Barbarino’s favorite insults was “Up your nose with a rubber hose.”
Rating: Fun, Green– I was not a huge fan of Welcome Back Kotter, but the phrase fit Barbarino, and he had enough other expressions, it was not overused.
I hope you had fun looking back at some of the expressions we grew up with in the 1960s, 1970s, and 1980s. It’s interesting to think about what current shows will produce catch phrases that kids will still be using in 2050.