A Tribute to Doris Day

In my tribute to television stars who passed away in 2019, I chose to end the series and the year with Doris Day. I have been a fan of hers for decades, and my heart was very sad when she left us in May. She died on a Monday; the day before was Mother’s Day, and we happened to watch Pillow Talk that day which I thought became a fitting tribute.

Although Doris Day is a huge star, she only has 45 acting credits, and 43 of them are movies. Of her two television appearances, one was for her voice only on The Governor and JJ. However, because her star was so bright, her five seasons of The Doris Day Show allows her to be included in the television star category.

As a disclaimer, I have to say that while I adored her in her movies, especially the comedies, I was not as big a fan of the television show. It was not a bad show, but it took a lot of liberties with format, as I mentioned in my Kaye Ballard blog earlier this month.

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Doris had a lot of valleys as well as mountains in her life journey. Born in 1922 as Doris Mary Ann Kapelhoff, she wanted to be a dancer. At 14 she had formed a dancing act with Jerry Doherty. When they won $500 at a local contest, they traveled to Hollywood to check out the possibilities there. They were optimistic about a career for them in California, so they returned home to pack up their belongings and make the move permanent. Unfortunately, the night before they were scheduled to leave, Doris was involved in an accident when a train hit a car she was a passenger in. Her dancing career ended before it really began.

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Her parents had divorced when she was young and her father was a music teacher and choir master. One of her brothers died before she was born and the other one, Paul, was a bit older than her. Following in her father’s footsteps, she took singing lessons, and by age 17 was touring with the Les Brown Band. The trombonist, Al Jorden, captured her heart and they married in 1941. Her two years of marriage was a deep valley; Al was abusive and soon after the birth of their son, Doris asked for a divorce. Her second marriage to George Weidler lasted less than a year.

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Doris’s agent convinced her to make that trek to Hollywood again to tape a screen test for Warner Brothers. She was immediately signed to a contract. Her first role was in Romance on the High Seas in 1948. They kept her busy. She made two films in 1949, three in 1950 and five in 1951. Audiences were attracted to her “girl-next-door” personality, beauty, and singing ability.

In 1951 she met Marty Melcher. They married, and he adopted her son Terry who would become a successful record producer. Her marriage to Marty seemed happy, but the union would also have its tragedies. Her brother Paul passed away in 1958.

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Pillow Talk, one of my favorite’s

She continued starring in movies throughout the fifties and in 1959, Pillow Talk, with co-star Rock Hudson, debuted and catapulted her to a new level. Melcher, who had become her agent, signed her to an unrealistic amount of work which led to her being diagnosed with exhaustion about this time. During the 1960s he had signed deals for Please Don’t Eat the Daisies (1960), Midnight Lace (1960), Lover Come Back (1961), That Touch of Mink (1962), Billy Rose’s Jumbo (1962), The Thrill of It All (1963), Move Over Darling (1963), Send Me No Flowers (1964), Do Not Disturb (1965), The Glass Bottom Boat (1966), Caprice (1967), The Ballad of Josie (1967), Where Were You When the Lights Went Out? (1968), and With Six You Get Eggroll (1968).

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That Touch of Mink

It was a grueling schedule, but Day was always the perfectionist and a professional, so she gave 100% to each production. Melcher had mentioned she could star in a television show which she objected to. Shortly after their discussion, Melcher passed away. To her shock, Doris was informed not only did he sign her to the television deal despite her refusal, but he had squandered millions of dollars, and she was basically broke. (Later she was awarded $22 million in court against an investor Melcher had worked with.)

She had no choice but to tackle the television series to try to recoup some of her money.

From 1968-1973 she would star in The Doris Day Show, which was almost like three different shows. The original concept was that widow Doris Martin and her two sons left the city to move back to her dad’s ranch. The theme song was “Que Sera Sera,” the song that would become synonymous with Doris.

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In the second season, Doris drives back and forth from San Francisco to the ranch after getting a job as a secretary at Today’s World magazine. Rose Marie plays Myrna Gibbons, her friend at work.

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In season three, the family moves into an apartment in San Francisco that is rented from the Palluccis who own a restaurant on the ground floor. Doris got to work with Billy de Wolfe again. He played her neighbor, a cranky bachelor who doesn’t like noise, especially made by children. However, he has a soft spot and becomes close to the family.

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In the fourth and fifth seasons, there is no mention of the father, the kids, or the Palluccis! Doris is now a single person and is a staff writer for Today’s World.

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When this show was good, it was really good, but often it was so-so; however,  the skill of actors involved in the show kept it at a higher level. The first season was a bit corny with life down on the ranch. The second season felt like everyone was almost ready to break into song to celebrate the decency and clean-living of the country versus the corrupt city life. Season three it started coming into its own. Even though some of the characters were a bit stereotyped, the stars carried it.

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The final two seasons were probably what the concept of the show should have been all along. After all, we viewed Doris as the country girl who moved to the city. She knew just what life would be like there and wanted to experience it all but retained just enough of her wholesomeness and morals to be likable and a bit innocent.

However, the ratings don’t really support my thesis. The show came in at #30 for season 1, #10 for season 2, #20 for season 3, #23 for season 4 and #37 for season 5. I’m guessing the real issue behind the lower-than-expected ratings was a result of scheduling and the constant changing of formats. The show began Tuesday nights against The Red Skelton Show and 60 Minutes. Season 2 it landed on Monday nights where it would remain. Season 2 and 3 it was opposite Mayberry RFD and The Carol Burnett Show. Season 4 it went against Here’s Lucy and The Sonny and Cher Show, and the last season was also Here’s Lucy and then the debut of The New Bill Cosby Show. The targeted audience was probably split. The same group who watched Doris Day would also be a fan of Carol Burnett, Red Skelton, and Lucille Ball. These three shows were all in the top 15 during this time.

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I’m not sure why the show ended. Some references claim Day was tired and quit; others say the network cancelled the show. Either way, I think Doris was ready for retirement and certainly deserved it. One thing that doesn’t vary is that all the reviews I read, even those that criticized the format changes or the corniness of some situations, said it was a great show and that Doris Day made it fun and believable. I didn’t read any reviews that were negative about the show overall. Sometimes the quarterback truly does carry the team. And to be clear, there were many great teammates on the series during its run.

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Doris gave marriage one more try in 1976 when she wed Barry Comden but they divorced in 1982. After that Doris settled into Carmel, California where she devoted her energies to animal rights. She and her son owned a boutique hotel, Cypress Inn.  

Although Doris was never happy in marriage, she developed life-long, satisfying friendships with several men. Her costar Rock Hudson and she were very close. He called her Eunice just because he said when he thought of her as a Eunice, it made him laugh.

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She was also very close to Billy de Wolfe. They first worked together in 1950 on the set of Tea for Two. He told her he didn’t see Doris Day when he looked at her; he saw Clara Bixby, and that remained his nickname for her from then on.

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The great Billy de Wolfe

While The Doris Day Show can’t compete with Pillow Talk, it shouldn’t have to. It was what it was, and considering it wasn’t a show Doris even wanted to take on, she did her best with the crazy format changes and made it something worth revisiting. It may not be her best work, but it is far better than many television shows.

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Doris was a truly great star. She was a consummate performer, gave everything she had to her scripts, and was never a diva or complainer. She worked hard for three decades and then earned a long retirement. Although I was sad when she was taken from us, she lived a long and full life, with its share of tragedy and joy. She left us an amazing variety of movies to remember her by. Thank you Doris for leaving us a legacy of comedy and drama to enjoy in our retirement.

Do We Have Reservations? Yes We Do.

February has finally arrived.   Some of us are getting a bit tired of winter, so this is a popular month for travel to a warmer destination.  If you aren’t able to physically get away, stay home and watch the February Sweeps, the only time you’re guaranteed new episodes of your favorite show for a month straight.  This week I decided to look at sitcoms set in hotels or resorts.  I did not discuss Fantasy Island or The Love Boat because I thought we could talk about them another time.

resort

Based on the length of many of these shows, the hotel business is a tough one to be successful in. Let’s look at a bunch of shows that didn’t last too long.

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Stanley was a show starring Buddy Hackett and his girlfriend played by Carol Burnett that aired in 1956. Stanley ran a newsstand in the lobby of a New York City hotel. The hotel owner was played by Paul Lynde.  The show was cancelled in March of 1957, supporting the philosophy that no news is good news.

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Happy starred George and Gracie’s son, Ronnie Burns. Ronnie was married to a woman played by Yvonne Lime and they were co-owners and managers of the Desert Palm, a ritzy resort. Included in the cast was their Uncle Charlie and the co-owner played by Doris Packer.  Happy was their son who commented on what was going on, sort of like Family Guy’s Stewie.  It was a summer entry in 1960, but 9 months later it gave birth to a cancellation which made the cast not Happy.  I don’t know why, but apparently viewers could accept a talking horse or a talking car, but not a talking baby.

Another show that began as a summer replacement was Holiday Lodge in 1961. Johnny Wayne and Frank Shuster, two comedians from Canada, played social directors at a New York state hotel. They tried to provide entertainment but always ran into trouble, including being taken off the air after a few episodes.

The Bill Dana Show was interestingly based on the character Jose Jiminez developed by Dana for the Steve Allen Show and later brought to the Danny Thomas Show.  In 1963 The Bill Dana Show portrayed Jiminez as a bellhop at the New York City Park Central Hotel and the show centered on him trying to get used to life outside Mexico. Often his dream sequences took him into bizarre situations.  The most interesting fact about this show might be that the house detective was played by Don Adams who went on to star in Get Smart. Jimeniz’s dream became a nightmare when the show was cancelled after 42 episodes.

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One of the most controversial shows to air on television in the 1970s was Hot L Baltimore debuting in the fall of 1975.  Many stations refused to air the show because it was lewd and racy.  Norman Lear, the producer behind All in the Family, Maude, and The Jeffersons developed the concept based on a play. The cast was made up of a desk clerk, his girlfriend, the manager, a hooker, an unemployed waitress, a dying man, a gay couple, and an eccentric woman. After four months, the waitress was not the only one unemployed because the show was done.

The Last Resort was developed by MTM in 1979, the company that created The Mary Tyler Moore Show, Rhoda, and Phyllis. The resort, set in the Catskills in upper New York, included a bunch of college students working their way through school. It featured a stereotyped crew including the brilliant premed student, a bookworm, a snob, an overweight clumsy guy, the pastry chef who left her wealthy husband to pursue her career, a Japanese chef, and a maitre’d who ran the place like a drill sergeant. It was cancelled after three episodes. Retooled, it came back in December only to be finished for good in March when the last resort of The Last Resort was no more.

Checking In must be in the running for the shortest show to appear on television. In 1980, Marla Gibbs, playing Florence the maid on The Jeffersons, got her own show, transferring to a hotel in New York City where she was the head housekeeper. She answered to a snobby manager played by Larry Linville who would later become Frank Burns on M*A*S*H. The rest of the cast included an assistant, a house detective, a maintenance supervisor, and a bellboy. After several weeks, the hotel was shut down and Florence went back to working for The Jeffersons.

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The Golden Girls was one of the most beloved shows in television, but I’m guessing few people remember The Golden Palace which debuted in 1992.  After Dorothy got married, the other three characters decide to invest in a hotel in Miami. Only two employees are left at the hotel:  a manager and a chef. After 24 shows, no one was left at the hotel.

In 1999 Payne, a remake of the British show Fawlty Towers hit the air.  Set in a California inn, Whispering Pines, the hotel was owned by Royal Payne and his wife Constance.  It went on the air in March.  At the end of April, the network ended its Payne by taking two aspirins and cancelling the show.

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Compared to some of the shows, Whoopi! might have seemed successful, lasting an entire season.  Set in the Lamont Hotel in New York City, a one-hit wonder musician played by Whoopi Goldberg decides to put her money into a hotel and run it the way she sees fit.  She has an assistant from Iran, a brother who is a conservative Republican, and his girlfriend who is white but acts more African American than the black members of the hotel. Of course, these three characters give her much controversy to deal with.  The network, acting as referee, blew the whistle and cancelled the entire thing after one year.

In 2008 Do Not Disturb debuted.  If you missed it, don’t feel bad.  It debuted on Fox and featured The Inn, a hip Manhattan hotel.  The staff is not as competent as they appear to their guests. The manger is arrogant, the head of human resources is loud and tactless, the front desk clerk is an aging model who does not want to be a desk clerk or older, the reservations clerk is a famous musician wannbe, and the head of housekeeping has problems at home. The network, not wanting to disturb the viewing public, pulled the plug after three shows. Larry, played by Jesse Tyler Ferguson, would go on to star in Modern Family in 2009.

Before you begin to think shows about hotels are doomed, let’s check in with four successful shows that knew how to make a profit.

From 1996-2001 The Jamie Foxx Show on WB featured Jamie Foxx as a musician who moves to California to work at his aunt and uncle’s (played by Ellia English and Garett Morris) hotel, King’s Tower.  He has two co-workers played by Christopher B. Duncan and “Fancy” played by Garcelle Beauvais. He is interested in Fancy, but she doesn’t feel the same until the final two seasons when they become engaged. The show aired 100 episodes before the network finally got reservations.

Disney’s Suite Life of Zach and Cody set in the Tipton Hotel ran from 2005-2008. The twins lived in the hotel because their mother was the lounge singer.  Somewhat like Eloise at the Plaza, the boys got into mischief and interacted with other employees including the wealthy heiress London Tipton, the candy counter salesgirl Maddie Fitzpatrick, and the manger Marion Moseby.  In 2008 the show sailed off, literally, and became Suite Life on Deck running until 2011.

With 184 episodes, Newhart debuted in 1982. With its quirky cast of characters, it became a big hit. Set in Vermont, Dick Loudon (Bob Newhart) is a writer who buys the hotel and runs it with his wife Joanna (Mary Frann). Their handyman George Utley (Tom Poston) and their maid Stephanie Vanderkellen (Julia Duffy) make life both easier and more difficult at the inn. Later Dick becomes a local television celebrity working with Michael Harris (Peter Scolari) who marries Stephanie.  Larry, (William Sanderson) his brother Darryl (Tony Papenfuss) and his other brother Darryl (John Voldstad) are memorable characters.  Darryl and Darryl never speak until the final episode.  That finale has the best ending ever in a television series when Bob Newhart wakes up in bed, tells his wife he had a really weird dream, and we see the wife is Suzanne Pleshette, his wife Emily from The Bob Newhart Show in which he played a psychiatrist from 1972-78. This series delightfully captured the life in a small New England town until 1990.

While Newhart is hard to top, my favorite hotel sitcom is Petticoat Junction which featured the Bradley Girls from 1963-1970. Kate (Bea Benaderet) ran the hotel with her three daughters Billie Jo, (Jeannine Riley till 1965, Gunilla Hutton until 1966, and Meredith MacRae until 1970), Bobby Jo (Pat Woodell until 1965 and Lori Saunders through 1970, and Betty Jo (Linda Henning), along with her Uncle Joe (Edgar Buchanan). The Shady Rest is near Hooterville, so we get to know a variety of town folk including Sam Drucker who runs the general store; Floyd and Charley, who run the Cannonball train; and Steve Elliott, crop duster, who is Billie Jo’s boyfriend first but later marries Betty Jo; and we run into the Ziffels and the Douglases from the show Green Acres. It’s a charming and heart-warming show loaded with loveable but zany characters. It ran for 222 episodes, even surviving the death of Bea Benaderet, who was replaced by Janet Craig (June Lockhart), a woman doctor who moves into the hotel. The amazing Charles Lane shows up throughout the series as Homer Bedloe, a railroad employee whose sole mission is shutting down the Cannonball.

If you can’t physically travel this month, take some time and watch a season or two of Newhart or Petticoat Junction, and you can still get away and experience life in a small-town hotel.