Father of the Bride is Better on the Big Screen

We’re continuing our blog series, “The Movie Came First.” Today we get to learn more about Father of the Bride. Whether you gravitate to Elizabeth Taylor and Spencer Tracy in the original movie or Kimberly Williams-Paisley and Steve Martin in the remake, you might have enjoyed the television show which aired in 1961. All three versions feature a father whose daughter is getting married, as he deals with the emotional pain of losing her, the financial reparations, and the disorganized turmoil that goes into planning the wedding.

The movie starred Elizabeth Taylor as Kay Banks with Spencer Tracy and Joan Bennett as her parents, Ellie and Stanley. Her fiancé Buckley Dunstan is portrayed by Don Taylor and his parents are Billie Burke and Moroni Olsen as Doris and Herbert. The film was nominated for Academy Awards for Best Actor in a Leading Role (William Holden won for Sunset Boulevard), Best Picture (All About Eve was the winner), and Best Writing, Screenplay (also Sunset Boulevard as winner).

Stanley narrates his feelings and perspectives throughout the film. For example, he talks about losing his daughter: “Who giveth this woman? This woman. But she’s not a woman. She’s still a child. And she’s leaving us. What’s it going to be like to come home and not find her? Not to hear her voice calling “Hi Pops” as I come in? I suddenly realized what I was doing. I was giving up Kay. Something inside me began to hurt.”

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He also shares his thoughts on weddings: “I would like to say a few words about weddings. I’ve just been through one. Not my own. My daughter’s. Someday in the far future I may be able to remember it with tender indulgence, but not now. I always used to think that marriages were a simple affair. Boy meets girl. Fall in love. They get married. Have babies. Eventually the babies grow up and meet other babies. They fall in love. Get married. Have babies. And so on and on and on. Looked at that way, it’s not only simple, it’s downright monotonous. But I was wrong.”

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In 1961 the movie was reworked for the small screen, produced by MGM Television. The characters remained the same. In the tv version, Leon Ames was Stanley, Ruth Warrick was Ellie, Myrna Fahey was Kay, Burt Metcalfe was Buckley, Ransom Sherman was Herbert, and Lurene Tuttle was Doris. We also see Ruby Dandridge cast as their housekeeper Delilah and Rickie Sorenson as Tommy, Kay’s little brother.

The first shows in season one featured an animated cupid holding a magic wand to start the show, but the season transitioned into a photo of the entire cast gathered on the Banks’ staircase.

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The sponsors of the show were Campbell’s Soups and General Mills.

I was surprised to see that there were 24 writers but then in looking through the episodes, the majority of the shows mirrored the movie so closely it was more of rewriting than writing.

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The show aired on Friday nights and its competition was The Dinah Shore Show and 77 Sunset Strip. I would have thought given the adult themes of 77 Sunset Strip, this show would be a popular family show to watch. However, the ratings must not have been very good, because it was cancelled after one season. Not many of the shows debuting this fall even lasted the season. In addition to Father of the Bride, the following shows were cancelled: The Bob Cummings Show, The Hathaways, Holiday Lodge, Ichabod and Me, Margie, Mrs. G Goes to College, Oh, Those Bells, One Happy Family, Room for One More, and Window on Main Street. The successful season debuts included Car 54 Where Are You?, The Dick Van Dyke Show, Mr. Ed, Hazel, The Lucy Show, and The Joey Bishop Show.

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YouTube has the opening credits, but I could not find anywhere to watch episodes of this show. I guess my recommendation would be to forget about the show and watch the 1950 or 1991 movie version. I’m not often a fan of reboots of movies, but I love the Steve Martin-Diane Keaton version of this movie, so both films are great choices. Better yet, watch them both and then choose your favorite.

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Family Ties Bind Us Together

Last week’s blog was about Meredith Baxter.  Today we are taking a more in-depth look at one of the shows she is best known for, Family Ties.

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Steven (Michael Gross) and Elyse Keaton (Meredith Baxter) are liberal ex-hippies with three children when the show starts out: super conservative son Alex (Michael J. Fox), shopping maven, boy-crazy daughter Mallory (Justine Bateman), and easy-going Jennifer (Tina Yothers). Later they have a baby and Andrew (Brian Bonsall) is added to the family. The name Keaton was a tribute to Diane Keaton. (One fun fact is that Both Baxter and Gross had the same birthday, being born June 21, 1947.)

The concept was based on the life of Gary David Goldberg and his wife Diane when they transitioned from flower children to suburban family. Goldberg explained that “It really was just an observation of what was going on in my own life with my own friends. We were these old, kind of radical people, and all of a sudden, you’re in the mainstream . . . now you’ve got these kids and you’ve empowered them, and they’re super intelligent, and they’re definitely to the right of where you are. They don’t understand what’s wrong with having money and moving forward.”

Debuting in 1982, the show was on for seven years, producing 172 episodes.

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Originally Ed O’Neill was considered for the role of Steven, and Matthew Broderick was slated to play Alex. When Broderick’s father became ill, he had to decline. (Broderick’s father played Baxter’s father on the show Family in the 1970s.) Another source simply stated that Broderick decided he didn’t want to move to LA. Fox made the role his own and won three Emmys. Despite his disdain of his parents’ ethics and lack of materialism, Alex was a likable character. When Goldberg explained why he liked Alex but not Alex’s philosophy, he said, “With Alex, I did not think I was creating a sympathetic character. Those were not traits that I aspired to and didn’t want my kids to aspire to, actually . . . But at the end of Family Ties, when we went off the air, then The New York Times had done a piece and they said, ‘Greed with the face of an angel.’ And I think that’s true . . . [Michael J. Fox] would make things work, and the audience would simply not access the darker side of what he’s actually saying.”

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Steven and Elyse went to school in Berkeley; he is now the manager of a public radio station in Columbus, Ohio and Elyse majored in architecture.  Although she has been a stay-at-home mom, during the run of the show, she is now ready to return to work.

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Fox with Scott Valentine, Mallory’s boyfriend Nick

Rounding out the cast was Alex’s friend Skippy (Marc Price), Mallory’s boyfriend Nick (Scott Valentine), and Ellen (Tracy Pollan) who was Fox’s girlfriend and later wife in real life.

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The theme song is a memorable one. “Without Us” was written by Jeff Barry and Tom Scott. For the first season, it was performed by Dennis Tufano and Mindy Sterling, and for some reason, it switched to Johnny Mathis and Deniece Williams for the rest of the show’s run.

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Freddie J. Rymond was the set decorator for the show. In an article “The Set Design of Family Ties” by Cathy Whitlock in 2012, we catch a glimpse of the thought process of Rymond’s creation.

“Rymond explains, ’Most sitcoms evolved around the living room in those days, and they all pretty much had the same furnishings. Rymond received numerous requests from viewers regarding the kitchen set’s appliances; of particular interest was the Wolf commercial-style range, an item that was gaining popularity in the consumer-driven ’80s. Executive producer Gary David Goldberg, who was very specific about the set’s decor, had a Wolf range in his home in Los Angeles. The kitchen was the epicenter of the Keaton family’s activity and one of the multi-camera sitcom’s three primary sets. . . At its best, set decor defines and supports a character—here, hanging above the bed of Alex P. Keaton is a poster of conservative icon William F. Buckley, Jr., rather than, say, Farrah Fawcett, who was probably the more popular poster subject of the time. The bedside WKS lamp comes from the local public television station where father Steven Keaton works. Rymond used what he called a ‘conglomeration’ of accessories to decorate youngest daughter and resident tomboy Jennifer’s bedroom. A pop-cultural mélange consisting of a Cleveland Browns pennant, a white iron–and-brass bed, and a world-globe throw pillow round out the set. Mom and dad Elyse and Steven’s master bedroom was reminiscent of so many interiors of the ’80s—shelves filled with clutter and white porcelain figurines, tchotchkes and knickknacks from a lifetime of family vacations.

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Although the show was a comedy, it tackled some dark subjects including alcoholism, incest, and death. In one of the earliest episodes, Mallory is scared and confused when “Uncle Arthur, a close friend of the family and her father’s co-worker at the television station, makes a pass at her. Meanwhile, Steven prepares a farewell tribute to Arthur to air during the station’s pledge drive. In season five, Alex works with a renowned professor on an economics paper. Reviewing the final content, he finds the hypothesis is incorrect, but the professor wants to submit it with false data. During the final season, the Keatons are delighted by a surprise visit from Elyse’s Aunt Rosemary. The family starts to notice a difference in her actions, and Rosemary finally admits she is becoming forgetful. A doctor diagnoses the onset of Alzheimer’s disease.

The finale was a very emotional time for the entire cast. In an article “Cutting the ‘Family Ties’” by Daniel Cerone on May 2, 1989, some of the stars discuss what the week was like. In the final episode, Alex gets his dream job on Wall Street and is moving to New York City.

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The article interviewed the cast. “‘We taped the last episode in front of an audience of family and friends,’ said 27-year-old Michael J. Fox, who joined the show in 1982 as an unknown Canadian-born actor and parlayed his role as the conservative, wise-cracking Alex Keaton into a flourishing film career. ‘I was fine until the curtain call, then I started weeping. I felt like an idiot, until I looked around and realized I had company.’ Baxter also commented on the end of the show, ‘This week has been so much more grueling than anyone expected,’ said Meredith Baxter Birney, who plays Alex’s mother, Elyse Keaton. ‘Everyone involved thought the show would just sort of take care of itself. No one was prepared for what we went through. It was awful.’”

Goldberg also discussed the finale, “‘Last night was extraordinarily emotional,’ agreed 44-year-old Gary David Goldberg, whose UBU Productions produces ‘Family Ties’ in association with Paramount Network Television. ‘It was a very surreal feeling. We started a half-hour late because everyone was crying and we had to redo their makeup. The sadness is overwhelming. It’s like raising a great kid who you love to have around, and then he has to leave you and go to college.’”

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Although the show was based on the differences between the generations, it was not their differences that made the show one of the most-watched sitcoms of the decade. Despite their range of values, the kids loved and respected their parents. The parents truly liked their kids. While the show was very funny, it was also heart-warming. There was unconditional love in the family. Alex could be very sarcastic to Mallory, but then we would see them having an intimate conversation in the kitchen late at night. While the elements that separated the characters is what drew us to the show, it was the qualities and love that they shared that kept us coming back.

Kate Jackson: She Teaches Us to Listen with Our Ears but To Hear with Our Heart.

In my blog last week, we learned a bit about the unique show, Dark Shadows. One of the young, unknown actresses who received a role in the show was Kate Jackson. She was born Lucy Kate Jackson in Birmingham, Alabama in 1948.

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Jackson started her post-high school education at the University of Mississippi as a history major but then transferred to the Birmingham Southern College, choosing classes in speech and the history of the theater. After an apprenticeship at the Stowe Playhouse in Vermont, Jackson moved to New York City to study at the American Academy of Dramatic Arts. Jackson found work as an NBC page and tour guide. In 1970, she accepted the role of Daphne on Dark Shadows.

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Daphne on Dark Shadows

She would go on to star in several television series during her career. She has also tried her hand at producing and directing.

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Kate on Bonanza

Kate appeared in several shows in the early seventies including The Jimmy Stewart Show and Bonanza. In 1972, she was offered the role of Jill Danko in The Rookies. Jill was married to Mike Danko (Sam Melville), one of three Southern California policemen featured in the show.

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Her appearance in James at 16 brought her the first Emmy nomination.

In 1976 she was offered the role that made her most famous: Sabrina Duncan on Charlie’s Angels. Jackson was credited with naming the show as well. Originally called “Alley Cats,” Leonard Goldberg told her the title had to be changed and she pointed at a photo of three female angels on the wall. Another change was characters. Jackson was offered the role of Kelly Garrett but felt Sabrina Duncan suited her better.

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She stuck with the show until the end of the third season. During that time, scheduling conflicts forced her to turn down the offer to star in Kramer vs Kramer which Meryl Streep won an Oscar for. Fawcett had left the show after season one.

Jackson was nominated twice for Outstanding Lead Actress in a Drama Series for her role of Sabrina Duncan. I understand her loss in 1978 to Sada Thompson for Family, but I’m not sure I can agree with 1977’s loss to Lindsay Wagner for the Bionic Woman, especially since Sada Thompson was again in the running, as was Michael Learned for The Waltons.

It sounds like they had a lot of fun filming Charlie’s Angels, but it was a grueling schedule. Jackson mentioned that the three women did a lot of ad-libbing on camera. She discussed one scene where Smith was sitting on the couch, Jackson was sitting on the arm and Farrah was standing behind them. Farrah’s character was supposed to turn and walk out the door, but as she did so, she tapped Jackson on the shoulder knowing she would lose her balance and fall on the floor. Kate told her she couldn’t believe she did that. She said “Farrah was walking out the door and looked back at me and laughed. It was actually in the show. I saw it in the show that week. They left it in. They left in a lot of the stuff we did.”

One thing Kate took with her from the show was her close friendships with Farrah Fawcett and Jaclyn Smith. After Fawcett’s death, Jackson was quoted as saying “When the first year of Charlie’s Angels ended, our friendship didn’t. It just grew stronger and closer through the years. I don’t know what the connection that the three of us have is, but it is there, and it is something extremely special. I think that is the reason the show worked. I think it’s even better than the movies because we truly cared about each other and still do. It was a pleasure and a privilege.”

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During her time on Charlie’s Angels, Kate married her first husband, Andrew Stevens. They divorced in less than two years. Unfortunately, Jackson’s love life would continue in this pattern when she married David Greenwald and divorced in less than two years followed by Tom Hart whom she divorced within two years.

In 1983, Kate returned to the small screen on the Scarecrow and Mrs. King. The show lasted until 1987 with 89 episodes. In this one-hour drama, she played Amanda King, a housewife and mother. Bruce Boxleitner was a spy code-named Scarecrow and the two worked together to help save the country. Amanda had to keep her role a secret. Kate’s partner in The Rookies, Sam Melville, appeared in Scarecrow as Joe King, Amanda’s ex-husband.

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Scarecrow and Mrs. King

During her time as Amanda, Jackson was diagnosed with a malignant tumor and underwent a procedure and radiation treatments.

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Baby Boom

After Scarecrow’s cancellation, Jackson decided to try one more series in 1988-89, Baby Boom, based on a successful movie starring Diane Keaton. The show did not get the desired ratings, and it was cancelled within the first year. That probably was good for Jackson because in 1989 her doctors found cancer that the previous operation had missed. She endured a partial mastectomy and reconstructive surgery. Jaclyn Smith waited at the hospital while her friend was in surgery. Jackson had publicly said “the range of emotions you go through is amazing . . . but I made a conscious decision to be positive.” Smith and Jackson were given great news afterward: the lymph nodes were clean.

In 1995, Kate found herself back in the hospital for surgery to correct an atrial septal defect, a tiny hole in her heart. During this same year, Jackson adopted a son.

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Sabrina the Teen-aged Witch

Throughout her time starring in various series, she continued to show up in television shows like Sabrina, the Teen-aged Witch and Criminal Minds. She also managed to find time to appear in seven big-screen and 23 made-for-television movies.

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Since 2007, she has been out of the public eye most of the time. With her health back on track and a child to raise, I’m hoping she found a happy place to relax and enjoy life. One thing she shared while she was going through her health issues was good advice that inspired me: “Listen with your ears, but hear with your heart. It’s one of the most important things I’ve ever learned. It’s true in art, in life—in everything.” I couldn’t agree more.

MacMillan and Wife: The Show That Bridged the Generation Gap

Before launching into this week’s topic, I wanted to say thank you to everyone who has been following and reading my blog. This week begins my fourth year writing this blog. I was worried I would find enough topics to fill the first year but next year is already outlined, so another year of classic television is on the way. It has been a lot of fun, and I’ve learned a lot.

This month we are looking at crime-solving duos.  We start our series learning a bit more about McMillan and Wife. McMillan and Wife began as part of The Sunday NBC Mystery Movie which included Columbo and McCloud. The shows rotated each week, so fewer episodes were produced of each than a typical weekly show.

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McMillan and Wife debuted in 1971 and was on the air until 1977, yet only forty episodes were produced. Leonard Stern was the creator, writer, and executive producer of the show; he previously produced Get Smart.

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Stewart “Mac” McMillan (Rock Hudson) was an attorney and US Navy veteran who apparently had been involved in some CIA activities. He is now Commissioner of Police in San Francisco. He gets involved in high-profile cases. His wife is Sally (Susan St. James), and her father was a detective for the San Francisco Police Department; she learned a lot from him and helps her husband solve crimes. Sargent Charlie Enright (John Schuck) helps Mac with his cases. Sally and Mac have no children (it’s confusing because Sally was pregnant twice on the show, but the children are never mentioned in the show later). Their housekeeper Mildred (Nancy Walker) also lives with the couple. Mildred’s character resembles the role Thelma Ritter played in Pillow Talk, where Hudson starred with Doris Day. She is a sarcastic, hard-drinking woman and is always ready to offer her opinion, but she is devoted to Mac and Sally.

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Once Hudson was cast as Mac, the show got priority in development. Several actresses were considered for the role of Sally, including Diane Keaton and Jill Clayburgh, but Hudson was most comfortable with St. James.

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Hudson was 21 years older than St. James, but their relationship worked. Mac is supposed to be in his 40s and Sally in her 20s (he was 46 at the time and she was 25). Sally is self-confident and is not afraid to speak her mind. However, she is also a wife who loves her husband, and one of the running gags on the show is that Mac had dated a lot of women in his past, and when Mac and Sally are out and about, they typically run into some gorgeous woman who says, “Hi Mac.” Sally usually responds with a jealous comment or a withering look. The difference in their ages actually worked well for demographics. Hudson appealed to older viewers while St. James attracted younger viewers.

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Often the cases Mac solves happen during events the couple attends. One episode featured a burglary at a charity event they were attending; once they found a skeleton in their house after an earthquake. Another show had Mac abducted by mobsters and replaced with a surgically-made twin replacing him.

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An interesting fact is that the interior of their house in the pilot episode was in fact Hudson’s home. In the first regular episode, the MacMillans bought a new house. In the final season, the setting changed to an apartment.

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Sally and Mac led a glamorous life. The scripts were well written, and the dialogue was witty and clever. The couple was often compared to Nick and Nora Charles in the Thin Man movies. Mac and Sally have a lot of their best conversations after they go to bed at night.

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Sally was known for wearing a football jersey for her nightgown. The jersey was an authentic 49ers Jersey, number 18, George Washington, a wide receiver. Washington was a four-time Pro Bowler. He made a guest appearance on the show in season four, “Guilt by Association.”

Considering that there were only forty episodes produced, this show had an incredible number of guest stars. I apologize for the long list, but it’s the only way to capture how impressive it is. The stars included sport celebrities Dick Butkus, Rosie Grier, Alex Karras, and Bobbie Riggs.

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It also featured a Who’s Who of television sitcom royalty: John Astin, Meredith Baxter, Tom Bosley, Michael Constantine, Bert Convy, Wally Cox, Richard Deacon, William Demarest, Donna Douglas, Barbara Feldon, Norman Fell, Buddy Hackett, Larry Hagman, Alan Hale, Shirley Jones, Stacy Keach, Bernie Kopell, Julie Newmar, Charlotte Rae, Charles Nelson Reilly, Dick Sargent, Natalie Schafer, Susan Sullivan, Karen Valentine, and Dick Van Patten.

The show, like McCloud and Columbo, was quite popular with viewers. The ratings were impressive until the sixth season.

Unfortunately, the last season had too many changes to overcome. St. James decided to leave to concentrate on her movie career. Schuck left to star in the sitcom, Holmes and Yo-Yo, and Walker left for her own sitcom, The Nancy Walker Show. Sadly, Walker and Schuck would have been better off staying because both their shows lasted only 13 episodes. St. James starred in a couple of movies, but they weren’t anything memorable. She would go on to star in Kate and Allie in 1984.

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On the show, Sally was killed in an airplane crash. Mildred was said to leave to open a diner, so her sister Agatha (Martha Raye) took over her job. Schuck made a few appearances but was said to have been given a promotion to lieutenant which kept him too busy to assist Mac much. The show may have been able to overcome one of these changes but not all of them. Much of the strength of the show was the relationship between Mac and Sally. Walker’s funny bantering and actions provided a comedic relief for the show. When Raye took over, she was just scatterbrained and loud; the appeal of Walker was not part of her character.

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It’s wonderful the show lasted five good seasons, but it might have lasted many more if the original cast had been retained. At the other end of the spectrum, Columbo aired off and on until 2003 and is remembered by more viewers.

DVDs were released for all six seasons between 2005 and 2014. With only forty shows in the series, this would be a fun binge-watching week-end show to tackle.

I’m Feeling A Little Looney!

Today we get to explore one of my favorite animation sitcoms.  If you wait long enough, everything comes back into style. In looking at new movies which will debut in the next few years, we have remakes coming of A Star is Born, Dirty Dancing, and Hitchcock’s classic The Birds. All-white kitchens that were popular in the 1950s have returned.  One of the photos below is from the 1960s and one is from the past year.  Can you tell which is which?

In my opinion, most of the reboots are lackluster and not nearly as good as the originals. Case in point is the Parent Trap.  The original Disney version with Hayley Mills is much better than the remake with Lindsay Lohan.   Sometimes a gem is created.  Father of the Bride with Steve Martin and Diane Keaton is just as entertaining, if not better, than the original.

 

From 1930 through 1969, Warner Brothers produced tons of Looney Tunes cartoons – the golden age being 1944-1964. Many of us grew up with these cartoons and watched them in syndication with our kids. In 1996, many of these characters were featured in Space Jam, and a new generation of fans was created. In May of 2011, Warner Brothers again debuted Looney Tunes. Created by Spike Brandt and Tom Cervone, 52 episodes were produced in two seasons of shows that ran until August of 2014 on The Cartoon network. in reading the reviews of the shows and perusing blogs about the show, many people felt cheated by this new adaptation and considered it a betrayal of the Looney Tunes branding.  I, on the other hand, loved them.

 

In 2011, the gang had grown up just as I had.  Bugs Bunny lived in a wealthy, middle-class neighborhood.  He made his fortune inventing a new carrot peeler; he even won a Nobel prize. The 30-minute sitcom included adult-oriented humor and dialogue-driven scripts, but it also appealed to kids. We had three different generations watching it at our house and everyone enjoyed it.

 

Bugs has a great sense of humor.  He is extremely patient which is good because Daffy now lives with him.  Their relationship is a cross between Felix and Oscar on The Odd Couple and George and Jerry on Seinfeld. Daffy tries a variety of get-rich quick schemes but none of them pan out.  He can’t hold a job.  He is either fired for incompetence, or he quits from laziness.  He is constantly making trouble for Bugs with his friends and neighbors. Daffy is self-focused and rude to everyone.  However, he truly wants to be a good friend and his heart sometimes gets in the way of his hare-brained schemes, no pun intended. Both characters are voiced by Jeff Bergman.

 

The rest of the Looney Tunes characters are also in the show. Porky (voiced by Bob Bergen) is highly intelligent and interested in culture.  Daffy often tries to manipulate him. Porky quit his boring corporate job and opened his own catering service. He also serves on the city council.   We see Porky writing and performing opera on episodes.

 

Speedy Gonzales (played by Fred Armisen) runs a pizza joint called Pizzarriba.  The rest of the cast often dines there.

 

Several minor characters are Bugs’ neighbors.  Yosemite Sam (Maurice LaMarche voices him) lives next door and causes no end of problems for Bugs who tolerates him almost as well as he does Daffy. Granny lives across the street with Tweety. Voiced by the amazing June Foray, Granny was an allied spy during World War II and now teaches piano. I’m not sure of all the details but apparently the show did not have permission to use the witch Hazel so Lezah who looks identical to her lives down the street (voiced by Roz Ryan).

Elmer Fudd shows up now and again as a local news reporter.

 

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Lola, who appeared in Space Jam, is again Bug’s girlfriend. She is a bit scatter-brained and fast talking, but likable. (Kristen Wiig plays Lola.)

 

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Daffy also has a long-suffering girlfriend, Tina.  Tina is a female duck who works at The Copy Place. She’s very practical, and tries to get Daffy to grow up and become responsible. (Tina was voiced by Jennifer Esposito and Annie Mumolo.)

 

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There is a bit of a Friends-like atmosphere about the show. The characters have character flaws, but they are all likable and fun loving. The plots feature adult problems and issues:  dating, careers, fulfilling dreams, and mundane chores like going to the DMV.

 

There are three episodes that stand out for me as my favorites.

Newspaper Thief (2011) and Spread Those Wings and Fly (2013) are two shows that feature a lot of the humor that makes this show so much fun.

In Newspaper Thief, Daffy accuses the neighbors of stealing his newspaper. Bugs lectures him, and they plan a dinner party for Daffy to apologize.  Instead of apologizing, he gets Porky to help him set up a trap to capture the thief. There are some great one-liners in the show.

 

In Spread Those Wings and Fly, Daffy and Porky go to hear a motivational speaker. Daffy is a skeptic and wants nothing to do with it. Of course, he is reeled in and buys books and motivational tapes. Porky understands the goal is to fly by pursuing your dreams, but Daffy takes it literally.  He takes flying lessons, planning on becoming a pilot.  He is terrible and wrecks the plane. He then becomes a stewardess, wearing high heels and is dressed like a female, even though Bugs explains guys can be flight attendants now.  He quits when he realizes he literally flies back and forth to a city and doesn’t get any time to sight see. The ending of the show has everyone invited to Porky’s opera debut.  Porky has pursued his dream of singing and performs for his friends.  He is amazing, but Daffy totally misses the talent and complains about him the entire time.  Before they leave, the camera pans to Daffy’s feet and shows him still wearing the high heels.  He tells Bugs he likes the height they give him.

 

My favorite show though is Best Friend Redux. Bug’s best friend Rodney, whom he met at Camp when they were young,  comes to visit for a couple of days. Daffy tries to figure out if he or Rodney is Bug’s best friend. Bugs tells him adults don’t have best friends; they just have friends. Daffy tries to make Bugs jealous by hanging out with Porky.  When that doesn’t work, and he gets bored listening to Bugs and Rodney reminisce, Daffy steals Lezah’s time machine.  He goes back to camp and convinces Rodney to go home because they overbooked. It works, although Little Porky who was at the camp in another cabin gets brought back to the future. Daffy takes him to the adult Porky’s house and drops him off.  He goes home only to realize that Bugs doesn’t know him.  Lezah explains Daffy can’t change history without changing the present.  She said because Bugs never met Rodney, he never met Daffy because he meets Daffy at the post office mailing a letter to Rodney. Daffy realizes his error and goes back in time, taking little Porky with him. He stops Rodney’s bus and takes him back to camp to introduce him to Bugs. Then he puts Little Porky into their cabin instead of the boring one he was supposed to be in. At the end of the show, Rodney realizes why Daffy looks familiar.  He says he looks like their camp director, Chuck Winnanatke which confuses Bugs who says that was not the camp director’s name. Daffy quickly gets them to change the subject.

 

It seems like most people love or hate this reboot of Looney Tunes.  Take a day this winter and have a Looney Tunes fest.  Both seasons are available on DVD. You can revisit your nostalgic youth while enjoying the show from an adult point of view. I’d love to hear what you think of the show.