The Joey Bishop Show: Versions 1, 2, 3, and 4!

Although the Rat Pack have all passed on, their influence still surrounds us. We can listen to Frank Sinatra’s music channel on Sirius. Jerry Lewis and Dean Martin movies still play late at night. Sammy Davis Jr. and Peter Lawford can both be seen on a variety of sitcom reruns. One member we don’t see as often is Joey Bishop. While he is not as well known as the other friends, he actually was the only one of the group who starred in his own sitcom.

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Two series went by the name “The Joey Bishop Show.” One was a sitcom and aired from 1961-1965, producing 125 episodes. For most of the run, Joey played a talk show host named Joey Barnes. The other show was an actual talk show that he hosted which ran from 1967-1969 and produced 682 episodes.

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This blog looks at the sitcom created by Danny Thomas and Louis F. Edelman specifically for Joey Bishop. Danny served as executive producer, and the show was filmed at Desilu Studios before a live audience. When it debuted in 1961, it was filmed in black and white. One episode was shot in color and then the second and third seasons followed suit. NBC canceled the show after season three and CBS picked it up but filmed that season in black and white again. I imagine fans of the show weren’t happy to go from color to gray tones again; it would be like visiting Oz and then being sent back to Kansas.

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Version 2

Like The Andy Griffith Show, the pilot was an episode of the Danny Thomas Show. Joey played Joey Mason who was an incompetent public relations staffer. Danny arrives in Los Angeles exhausted but has no place to stay and is forced to sleep at Joey’s house with his parents and his two sisters, the younger one being Stella, an aspiring actress played by Marlo Thomas.

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Before airing the next fall, the pilot had some revisions. Now Joey’s last name was Barnes. His father was dropped from the cast but two family members were added:  a younger brother named Larry (Warren Berlinger) and a brother-in-law Frank (Joe Flynn) who was married to Betty (Virginia Vincent), the older sister. His mother continued to be played by Madge Blake who would go on to play Aunt Harriet on Batman.

Joey continued his public relations career and supports his family. The secretary at the PR firm, Barbara (Nancy Hadley) is his girlfriend. A lot of the plots revolve around family members taking advantage of Joey’s influence which they think is significant but is really almost nonexistent.

The show didn’t do well in the ratings, so it was retooled once again. Betty, Frank, and Barbara were all dropped from the show. The series was renewed for a second season, but the show would change its format again.

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Newly married

From season two on, Bishop became the host of a New York City talk show. The cast from the first season disappeared altogether in this fourth reincarnation. Abby Dalton plays Joey’s wife Ellie. The couple now live in a posh apartment building and, at the end of the second season, they have a baby boy. Hilda (Mary Treen) is the Barnes’ maid and baby nurse, and she often trades insults with Joey similar to the banter Florence and George had on The Jeffersons a decade later. The Jillsons (Joe Besser and Maxine Semon) are the superintendents of the building. Like Howard’s mother on The Big Bang, Maxine is heard but not seen. Guy Marks played Freddie, Joey’s manager.

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Version 3

There were some rumors that Joe Flynn had been let go the prior season because he was too popular; this would mean that Bishop was so insecure that he was willing to totally revamp his show to get rid of one character. That doesn’t seem to make sense. However, Cynthia Lowry’s column in The Evening Independent from September of 1963 reported that “Actor’s feuds can be very fierce. Joe Flynn, who now plays the sarcastic Captain Binghamton in McHale’s Navy still is so annoyed with The Joey Bishop Show that he doesn’t even mention it in his list of acting credits – although he included brief appearances on Hawaiian Eye, Ozzie and Harriet, and The Eddie Fisher Show. Flynn played a sharp-tongued ne’er do well brother-in-law during the first year of the Bishop comedy, a role that was swept away with a lot of others when the series was completely revamped.”

One review for the second season by Bob Thomas, AP Movie-TV Writer in the Ocala Star-Banner from August of 1962 stated:

“About the only resemblance between last season’s Joey Bishop show and the coming season’s is the name. It’s still The Joey Bishop Show, NBC having vetoed the comedian’s suggestion to call it The New Joey Bishop Show. Bishop fans may be startled to find their hero is no longer a press agent but a late-night television comic. Furthermore, he has jettisoned his mother, bless her heart, for a curvy wife. And he has acquired a whole new bunch of pals. That Joey was able to make these changes is one the minor miracles of television. Just about everyone, Joey especially, agreed that something was wrong with last season’s shows. When a series pulls a wrongo, it is usually yanked at the first sign of spring. But the series had somehow managed to best its competition on ABC and CBS and rack up an impressive rating. So, when Joey promised a clean sweep in format for the next season, NBC went along. I found Joey in the midst of his fourth show, and absolutely happy – for him. That is, he smiled every 15 minutes. I asked what went wrong the first season. ‘I showed up,’ he replied. But on a more analytical basis, he continued: ‘We did many things wrong. We didn’t have enough time to prepare. We violated a very basic concept in comedy. When you have a clever comedian -and in modesty I think I am-you surround him with funny people. When you have a funny comedian, you surround him with clever people. I made the mistake of working with clever people,’ he said. ‘Now I am working with funny people – Guy Marks, who is a bright young comedian; Joe Besser, who can get laughs just walking on stage; and Abby Dalton from the ‘Hennessy Show, a brilliant talent.’

Photo: sitcomsonline.com

Another review a few weeks later agreed: “Joey Bishop also returned to NBC – on Saturday night. This season he is more poised, more famous, and a successful established night club comedian. He also picked up a wife on the show. The first show involved one of those typical newlywed situations that television situation comedies specialize in. High point of the show, however, was an imitation by Guy Marks, who plays Joeys manager, of a flamingo. Don’t ask how they managed to get that in, but it was very funny! —-”

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Despite the rumors, Bishop proves he’s a team player

Once again there was talk of feuding between the star and a cast member, this time Guy Marks, because he was receiving great reviews. Marks was around for the first 18 episodes and when he left, Corbett Monica came on board as Larry Corbett, Joey’s head writer.

The Montreal Gazette in January of 1963 featured an article by Dorothy Kilgallen that explained, “It’s no secret that the parting between Joey Bishop and Guy Marks was far from friendly, but no one revealed that they were close to the fisticuffs stage.” Some cast members sided with Marks. Other cast members claimed Joey was not egotistical and wanted everyone to succeed. I was not able to determine whose version was closer to the truth, but it is not surprising that the show didn’t last as long as it could have between constant cast changes and in-fighting on the set.

There were also some controversies regarding the writing on the show. In the book Sitcom Writers Talk Shop by Paula Finn, Irma and Austin Kalish who wrote for many great sitcoms in the sixties and seventies were interviewed. She asked the pair if they ever recycled stories for show. They responded no, and continued with this story:

IK: We were once writing The Joey Bishop Show, and we went in to pitch shows to the story editor.

AK: We pitched five shows to him.

IK: And he said, Those sound like good ideas, but you know, I have to pitch them to Joey first. And then our agent called and told us he got word that Joey didnt like any of those ideas. Fine.

AK: Five weeks later–week after week after week after week after week–

IK: Our ideas came on.

AK: Our ideas were stolen. Eventually that guy, the story editor on The Joey Bishop Show, came to us for a job. Needless to say, what goes around comes around.”

Another great writer, Joel Rapp, shared another story about this series. We had a contract for six Joey Bishop Shows and we wrote the first one, and then we went to watch the taping. And there were about three words of our script left in what they finally shot. We asked the producer what happened, and he said Joey got hold of the script, and he changed everything. But we still got the writer credit, which was fine. So then we wrote a second script, and the same thing happened. So for the third script, we turned in thirty-six blank pages, and we were fired. And it was fine with us. We were making plenty of money and had other jobs.”

Of course, many guest stars appeared on the show as themselves being interviewed by Joey, including The Andrews Sisters, Edgar Bergen, Milton Berle, Willie Davis, Don Drysdale, Robert Goulet, Don Knotts, Jerry Lewis, Jack Paar, and Andy Williams.

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Other guest stars who appeared on the show in roles other than themselves included Jack Albertson, Parley Baer, Frank Cady, Jackie Coogan, Nancy Kulp, Sue Ane Langdon, Howard McNear, Barbara Stanwyck, and Dawn Wells.

The theme song was also axed from the first season. “Sometimes I’m Happy” by Irving Caesar and Vincent Youmans was exchanged for “Joey” by Sammy Cahn and Jimmy Van Huesen.

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During the third season, one episode was filmed but never shown. John F. Kennedy was a friend of the Rat Pack. On November 15, 1963 Vaughn Meader, who often impersonated the President, was filmed in an episode as the impersonator of President Kennedy. A week later the assassination in Dallas occurred, and the episode was never seen live or in syndication. Most of the sources I consulted could never determine if the episode had been archived or destroyed.

Following all the changes, the ratings had increased during season two but season three saw lower ratings once again, and NBC decided not to renew the show. At the same time, Danny Thomas decided not to return for a twelfth season in his show, so CBS picked up Joey’s show. However, the show went up against the much-loved Bonanza, and the ratings never recovered, so CBS then canceled the show after the fourth season.

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Chuck Rothman, who wrote a blog about the show May 28, 2017 on blogspot.com, described it as “filled with gentle comedy. The jokes may have worn a little thin, but the stories hold up surprisingly well. Barnes is a decent guy with a sense of humor and Bishop’s relaxed and subtle style—he never appeared to work to be funny—was charming to watch.”

Another viewer on imdb wrote that “personally, I failed to see the humor of the situations in this show that centered around a dull, middle-aged man who was still living with his mother . . . who was repeatedly being fired from his job.”

Obviously, they were describing two different versions of the show, but there certainly was a difference of opinion.

If you never had a chance to watch the show, Antenna TV began airing it in 2017; the network even transferred the first season’s 35mm film to a more modern technology so it can also be aired. Currently, you can view the show on Antenna TV at 7-8 am (EST) weekdays and 3-4 am (EST) Saturdays.

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I have watched a few of the shows on Antenna TV and enjoyed them. All the episodes I was able to watch were during the final three seasons, but it would be interesting to catch a couple from the first year and compare them.












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Mary Ann vs Ginger: Dawn Wells and Tina Louise

While all the girls loved David Cassidy growing up in the 1960s and 1970s, guys had a harder choice.  They were always asked to choose between Jeannie and Samantha and Mary Ann vs. Ginger. Ginger and Mary Ann didn’t seem to have much in common.  Unfortunately, that was also true of Dawn Wells and Tina Louise. Let’s look at their careers and their time as cast members on Gilligan’s Island.

Dawn Wells

Dawn Wells was born in October of 1938 in Reno, Nevada. Her father was a real estate developer and she seemed to have a happy childhood, gardening and horseback riding. Her parents divorced when she was young, but they shared custody. She was bright, an honor roll student. She was also on the debate team and her class treasurer. She won Miss Nevada. Originally, she wanted to be a doctor or a dancer, but bad knees reduced her choices and then she took drama at Stephens College. She was bit by the acting bug and transferred to the University of Washington, earning her degree in theatre.

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After school, Dawn moved to Hollywood and began working in both theater and movies. Her first film was Palm Springs Weekend in 1963. In the early 1960s, she appeared in about 20 shows, many of them westerns.

In 1964 she was offered the role of Mary Ann Summers on Gilligan’s Island. She enjoyed her time with the show. In a September 27, 2014 LA Times article by Susan King, she said, “Bob Denver, who played the bumblingly sweet Gilligan, was a comic genius. Alan Hale Jr., who embodied the teddy bearish Skipper, was a wonderful man. I never saw him angry.” She also adored Jim Backus and Natalie Schafer. Russell Johnson wrote the foreword for one of her books. The only member of the cast she hasn’t had contact with was Tina Louise.

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In the original Gilligan’s Island theme song, Mary Ann and the Professor were not mentioned. They were referred to as “the rest” and then later the lyrics became “the Professor and Mary Ann.” Wells has mentioned in several articles that Bob Denver was the one that got the change made.

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Wells embraces her character and people respond in a positive way. People who grew up watching the show see her as friendly and unassuming. Like Barbara Eden and others who suffered from typecasting, she sees her time as Mary Ann in a positive view: “Mary Ann has been such a big part of my life, it’s really impossible to get away from it. But why would I want to? Everywhere in the world that I go, I am greeted with love. . . I created a character that meant something to some people and it has lasted.”

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However, Wells admits that most of the cast suffered from stereotyped views of their roles on the show. She worked hard to continue acting, performing in more than 66 theatrical productions, as well as countless voice-overs and commercials.

She had married Larry Rosen in 1962, but they divorced the same year her role as Mary Ann ended.

After the demise of Gilligan, she received other roles, appearing in 24 shows from 1967-2018, but in many of them she played Mary Ann, not a character like Mary Ann, but the actual Mary Ann from Gilligan’s Island.

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In 1998, she opened the Dawn Wells Film Actors Boot Camp in Idaho. She also designed a line of clothing for physically challenged people, “Wishing Wells Collections” and launched a beauty line, “Classic Beauty.” She also wrote two books, a cookbook from the show and A Guide to Life: What Would Mary Ann Do?

Dawn Wells has taken her role of Mary Ann and let it be part of her without limiting herself. She willingly accepts the character as part of herself, but she has continued to grow and expand her career. I think when Mary Ann was rescued from the island, she probably had a very similar career.

Tina Louise

Tina Louise was born in New York City in 1934. Like Wells, her parents also divorced when she was quite young. She first appeared on Broadway in “Li’l Abner” while a teenager. She was given good reviews and was offered a role in her first movie, God’s Little Acre in 1958. She then began studying with Lee Strasberg.

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During this time, she made one album, “It’s Time for Tina,” a collection of classics from composers such as George Gershwin, Jule Styne and Cole Porter.

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After making several movies, she returned to Broadway, starring with Carol Burnett in “Fade In, Fade Out.” Like Dawn Wells, Louise accepted a number of roles on television in the early 1960s, also many westerns.

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Tina left the Broadway show to take the part of Ginger Grant on Gilligan’s Island.  Surprisingly, she was not the first choice and replaced Kit Smythe who was cast in the pilot. Unlike Wells, she did not appear to enjoy her time with the show. Many articles have been written about her dissatisfaction with the fact that she thought she would be the star of the show instead of one of seven more equal cast members. The other cast members describe her as professional but unhappy. She distanced herself from the show as soon as it ended, not participating in future projects.

Also, like Wells, Tina married but divorced after five years.

Louise made quite a few movies after her time on Gilligan and continued to work in television, appearing on 27 different series including Bonanza, Love American Style, Kojak, Marcus Welby, and The Love Boat.

Again, like Dawn Wells, Tina Louise has expanded her acting career into other venues. In 2005 she got a lot of money for 80 lines of voice-over work for a gaming machine, MegaJackpots which were located in casinos across the country.

She also penned three books so far, Sunday: A Memoir in 1997 and two childrens’ books, When I Grow Up in 2007 and What Does a Bee Do? in 2009. She has also spent time volunteering in literacy projects and providing tutoring for school children.

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Louise has also discovered a love of abstract painting and has exhibited her work around New York, recently at the Patterson Museum of Art.

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Unlike Dawn Wells, Tina Louise did not embody her character of Ginger but has instead refused to be associated with the show and her role. Both actresses went on to forge new careers for themselves and became successful in various fields. It’s too bad that they are the only remaining crew members left from the show and do not get along. As you can see from comparing their lives, they do have quite a bit in common, and their acting journeys have been similar. They have said they do not dislike each other; they just never formed a deep friendship.

How Much Luggage Do You Need for a Three-Hour Trip? The Story of Gilligan’s Island

Today we begin a month-long look at Gilligan’s Island.  I admit I was never a big Gilligan fan, but there are so many dedicated viewers that I decided it was time to take a closer look.  Today we look at the series, and in the following weeks, we’ll look at the actors who appeared in the cast.

Gilligan's Island (US TV Series)

Gilligan’s Island was created by one of my favorite producers, Sherwood Schwartz. It aired from September 1964 till April of 1967, producing 98 episodes and a ton of other versions of the show which aired as new series or television movies, including the hard-to-believe Harlem Globetrotters on Gilligan’s Island.

THE HARLEM GLOBETROTTERS ON GILLIGAN'S ISLAND, Alan Hale, Jr., Bob Denver, Curly Neal, 1981. (c) Uni

The premise of the show was that on a three-hour tour, the SS Minnow became shipwrecked on a deserted island after a typhoon. Seven castaways now must make the island their home as they wait to be rescued. We have the captain of the ship, the Skipper (Alan Hale), his first-mate Gilligan (Bob Denver), millionaire Thurston Howell III (Jim Backus) and his wife Lovie (Natalie Schafer), movie star Ginger Grant (Tina Louise), the girl next door Mary Ann (Dawn Wells), and the Professor (Russell Johnson). All they have is a transistor radio and whatever they had on the ship.

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CBS gave the okay for Schwarz to film the pilot. Schwartz wanted Jerry Van Dyke for Gilligan, but Van Dyke said it was “the worst thing” he ever read. He turned down the script and accepted the role of Dave Crabtree on My Mother the Car.

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The pilot was titled “Marooned.” Seven characters were in the pilot, but only the Skipper, Gilligan and the Howells were going to be in the ongoing series. These were the only castaways mentioned in the pilot theme song. The final day of filming for the pilot was November 22, 1963, the day of Kennedy’s assassination. The staff was crowded around a radio between scenes trying to get the updated news. In the opening of the episodes in the first season, as the Minnow leaves the harbor, you can see an American flag flying at half staff as a tribute to Kennedy.

After seeing the pilot, several changes were requested. The first change was to the theme song. Originally it was written by the talented John Williams and sung by Schwartz and was a Calypso-sounding song. The lyrics were quite different from the song we recognize today. The background music and laugh track were the same for both the pilot and the ensuing shows. The three characters who were not part of the series at first were the same characters that later appeared . . . sort of. The Professor was a high school teacher played by John Gabriel, Ginger was an actress but also a secretary played by Kit Smythe, and Mary Ann was Bunny, a dumb blonde stereotype played by Nancy McCarthy.

Because so many changes happened between the pilot and the first episode, the pilot was not aired until 1992 when it was broadcast on TBS.

The first season was filmed in black and white but later colorized for syndication The second and third seasons were filmed in color.

While the pilot had been filmed in Hawaii,  the show was taped at a lagoon built at the CBS Radford Studios in Studio City, Los Angeles. The film was supposed to be shot in Malibu, but it was too foggy. The Ventura Freeway was nearby and when traffic was too loud, production had to halt. The lagoon would become a parking lot in 1995.

There were four boats that “played” the part of the SS Minnow. One was used in the opening credits which had been rented in Honolulu for the filming of the pilot. One was used in the opening credits for the final two years. One was shown in beach scenes and the fourth was built at the studio.

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The eventual theme song was called “The Ballad of Gilligan’s Isle,” and was written by Schwartz and George Wyle. There were two versions, one for the first season which referred to Mary Ann and the Professor as “the rest,” and another version for the last two seasons which specified “The Professor and Mary Ann.” Dawn Wells credits Bob Denver for going to bat for her and Johnson threatening to take his name out of the song if they were not added.

For the opening credits, the song was:

Just sit right back

And you’ll hear a tale

A tale of a fateful trip

That started from this tropic port

Aboard this tiny ship

The mate was a mighty sailing man

The skipper brave and sure

Five passengers set sail that day

For a 3-hour tour, a 3-hour tour

The weather started getting rough

The tiny ship was tossed

If not for the courage of the fearless crew

The Minnow would be lost, the Minnow would be lost

The ship set ground on the shore of this

Uncharted desert isle

With Gilligaaan

The Skipper too

A millionaire, and his wife

A movie star

The Proffessor and Mary Ann

Here on Gilligan’s Isle

 

For closing credits, the lyrics were:

So, this is the tale of our castaways

They’re here for a long long time

They’ll have to make the best of things

It’s an uphill climb

The first mate and his skipper too

Will do their very best

To make the others comfortable

In the tropic island nest

No phone, no lights, no motor cars

Not a single luxury

Like Robinson Crusoe

It’s primitive as can be

So, join us here each week my friends

You’ll sure to get a smile

From 7 stranded castaways

Here on Gilligan’s Isle!

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Most of the episodes can be categorized into five themes. (1) One of the castaways make some useful object from local material. These could be anything from their bamboo huts to hot water pipes to a stethoscope to a pedal-powered car. They just could not produce anything that could get them off the island! (2) Visitors would often appear on the island. We’ll learn about some of the guest stars on the show in our last monthly blog. None of these visitors ever help the characters get rescued. Unbelievably, Ginger, Gilligan, and Mr. Howell all had look-alikes end up on the island, causing trouble for them. (3) Dreams occur a lot. When we see them, all the characters are part of the dream.  Apparently, the hot weather made them sleepy. (4) News from the outside world, usually heard on the radio, caused trouble on the island. (5) Strange objects showed up on the island from time to time like a WWII mine or radioactive vegetable seeds.

Despite many corny scripts and imagination-stretching storylines, the show received solid ratings all three years. When it went into syndication, it grew in popularity. Many of the stars from Gilligan play their characters from the show in other series’ television episodes in the 1970s and 1980s.

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The last episode was called “Gilligan the Goddess.” Unfortunately, the castaways were not rescued. A fourth season was expected or perhaps Schwartz would have saved them. In season three, the show was on Monday nights competing with The Monkees.  Schwartz was assured it would be back because it had higher ratings than The Monkees. Gunsmoke, which aired Saturday nights, was given the potential ax. However, CBS president William Paley pressured the executives who then moved Gunsmoke to Monday night and cancelled Gilligan’s Island.

One funny fact I read about was how often the US Coast Guard received telegrams from citizens who were pleading for them to make an effort to rescue the cast from Gilligan’s Island. The Coast Guard sent these telegrams to Schwartz.

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I can’t say that after learning more about the show, it made my favorites list, but there are definitely worse shows on television than Gilligan’s Island. If it was one of your favorites, you’ll enjoy hearing about the stars who played the castaways. I certainly learned they were just as interesting a group of people in real life as they were on the isle they called home for three years.