As we continue our theme of Funny Duos, today we delve into Wendy and Me, starring George Burns. This one debuted on ABC in fall of 1964 and was canceled by the next season.
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Gracie Allen passed away from a heart attack in 1964. She had quit the Burns and Allen show to get away from the fast pace of show business. Burns wasnât ready to retire, so he agreed to star in this sitcom with Connie Stevens.
Burns, a former entertainment performer, owns an apartment building where Wendy Conway (Stevens) lives with her husband Jeff (Ron Harper). Burns practices singing for five or six hours a day just in case he is able to make a comeback. There were a lot of complaints, so he had to buy the building to keep practicing. Also in the cast was Danny Adams (James T. Callahan), a friend of Jeffâs whoâs a playboy, and Mr. Bundy (J. Pat OâMalley), the superintendent.
Like his previous show, Burns can watch a television playing Wendy and Me and talk to the audience about the events. This show was also similar to Burn and Allen in that George is the straight man while Stevens is the naĂŻve, bit ditzy, scatterbrained blonde who is an airline stewardess and Jeff is a pilot. As George says, âhaving Wendy help you is like being lost in a desert for four days and then having someone give you a glass of sand.â
A running gag on the show is that Wendy celebrates everything from when she and Jeff had their first date to when she first put sugar in his coffee.
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The show aired Monday nights. It was sandwiched between No Time for Sergeants, a military comedy, and The Jack Benny Show. However, its competition was The Lucy Show and The Andy Williams Show. The Andy Griffith Show was on before The Lucy Show, and both were top-ten hits so the struggle for viewers was challenging.
Actually the show was well written and I thought the dialogue was great. If this had been the original version of this show, it probably would have been a big hit. Iâm guessing that it was hard to compete with Gracie and with her having just passed away, it felt wrong to cheer for me to root for someone else in her place. While those feelings might have come into some of the audience draw, Iâm guessing the tough competition was this showâs biggest hurdle. It probably could have drawn viewers from younger generations who never saw the original Burns and Allen, but when it was up against The Lucy Show that followed The Andy Griffith Show, the viewers chose NBC. The Andy Williams Show also struggled in this time slot. Â If you want to check out a fun show from the sixties, this would definitely be a fun one to watch.
This month we are talking about classic television shows. Because it was early in the history of television, many of these shows began on the radio. Our series today was no different. It had a lot of lives. Like Ozzie and Harriet Nelson or Our Miss Brooks, it went from radio to television to film. However, in addition to those different genres, this show probably has the record for the first reboot. Today we learn all about The Life of Riley.
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The Life of Riley began on the radio. Throughout the forties, you could tune in to hear Chester Riley, voiced by William Bendix, getting into a lot of different trouble while his long-suffering wife Peg (Paula Winslow), tried to help him. He had two kids, Babs (Barbara Eller) and Junior (Tommy Cook, Bobby Ellis, Scotty Beckett). His best friend Jim Gillis was often in the middle of the screw-ups with him. Another recurring character favorite was Rileyâs friend Digby OâDell, local undertaker, played by John Brown.
The family lived in California, and Riley was a blue-collar worker; he was a riveter at the Cunningham Aircraft plant. Â Riley is stubborn and opinionated, and knows his way is the right way. His family and neighbors think otherwise.
The original radio concept was created to star Groucho Marx, but the sponsor could not see Marx in a sitcom role. Gummo Marx who had become an agent, worked with the original sponsors, The American Meat Institute, to develop the show. Later the show was sponsored by Proctor and Gamble and then by Pabst Blue Ribbon Beer.
In 1949 in a weird twist, there was a film version coming out as well as an ABC Blue Network television sitcom. Bendix had signed on for the film, so that prevented him from playing Riley on television. The film did well, earning $1.6 million.
đˇiamachildoftelevision.com The Jackie Gleason Riley
Jackie Gleason took on that role with Rosemary DeCamp as Peg. Gloria Winters was Babs, Larru Reese was Junior, Sid Tomack was Gillis, and Brown continued to play OâDell. It only was on the air from October 1949 to March 1950. Iâm not sure why it disappeared from the schedule so quickly. Producer Irving Brecher and Pabst Brewing Co. could not agree on extending the series to a 39-episode season. Apparently, the ratings were not high enough for the sponsor to want to continue with the series. It competition was a Feature Theater on Dumont and Suspense on CBS. Suspense also began in 1949 and began as a radio show. It was an anthology series that often featured literature adapted for television. It was on the air until 1954, although the radio show was on the air from 1942-1962. However, it won the first Emmy Award for Best Film Made For and Shown on Television. Six shows were nominated, but the only other show remembered today was The Lone Ranger.
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In 1953, a reboot was made for NBC. William Bendix was back as Riley and this series continued on the air for six seasons. In this second, better-known series, Marjorie Reynolds was Peg, Lugene Sanders was Babs, and Wesley Morgan was Junior. Gillis was played by Tom DâAndrea and his wife Honeybee was played by Gloria Blondell. Digger OâDell was not mentioned. John Brown had been named on the Hollywood Blacklist during the McCarthy debacle years, so he was prevented from taking the role. Many people use Rileyâs catch phrase, even if they are not sure where it was originally from: âWhat a revoltinâ development this is.â Riley made $59 a week, and money was often one of his concerns.
Four of the six seasons found the show in the top 30, and 217 episodes were produced. Oddly, season five was filmed and broadcast in color, while season six was back to black and white. The show was on Friday nights for its entire run. The first three seasons it faced its biggest competition against Topper for two years and Our Miss Brooks for season three.
Dell Comics featured the show in one of its comic books in 1958. It was included in the Four Color series. It has held its value with most editions going for about $200-$300 online.
While I have watched a fair number of episodes of The Life of Riley, I have to admit it was never one of my favorites. Shows from this era are very hit or miss with me. I do like all the versions of Our Miss Brooks, and I love Burns and Allen and Jack Benny, but I got quickly got tired of the circumstances Riley continually found himself in and his mispronunciation of words and his lack of knowledge which he never realized. I am also in the small, small minority of people who felt the same way about I Love Lucy. I can watch one or two episodes here and there but not on a regular basis, although the scripts and acting on I Love Lucy carried it much further than Life of Riley.
However, Life of Riley was popular in the fifties and is still well-known today, so it found its audience of fans. If you want to try it out, there are limited opportunities. Interestingly, there is a DVD of the Gleason episodes and there are several recordings available of the radio show. However, for the Bendix television series, I could only find one option and half the shows are Our Miss Brooks so it is not even an entire season, just two episodes. I could not find any networks currently streaming the show either.
October is âWhat a Character,â blog series month, and we are taking a look at some of our favorite character actors. This blog features the wonderful Isabel Randolph.
Randolph was born in Chicago in 1889. After high school, Isabel began performing in regional theater throughout the Midwest until the mid-1930s. She married J.C. Ryan, a Chicago newspaperman, in 1917. Unfortunately, he passed away at a young age and she raised their two girls. She was the leading lady at the Princess Theater in Des Moines, Iowa. In a 2012 article, Ryan Ellett quoted Conrad Nagel as saying the Princess Theater “was recognized as one of the outstanding stock companies of the entire country, and is still referred to by some of the old timers as the best of them all.” Ralph Bellamy also spent time with the theater.
Photo: spicyonion.com
In the thirties, Randolph decided to try out radio. She was on the air on Fibber McGee and Molly from 1935-1943. She played a variety of roles but was best known for Mrs. Abigail Uppington, a society matron. During this time, she also was in several other soap opera-type shows. When the McGees moved their show to Hollywood, Isabel went to California with them where she took a chance at motion pictures.
Isabel specialized in the âgrand dameâ roles which continued into her film career. Of her 110 acting credits, 69 of them were for movies on the big screen, her first being in 1939 in The Women.
In 1953, she made the foray into television. Her first role was on The Dick Tracy Show in 1951, based on the popular comic strip.
In 1952, she got her second role, and her first recurring role in a sitcom, when she was offered the part of neighbor Mrs. Boone in Meet Millie. Meet Millie was about Millie Bronson (Elena Verdugo), a secretary who lives with her mother (Florence Halop) in Queens. Her boss is JR Boone (Roland Winters) and she sometimes dates his son Johnnie (Ross Ford). Family friend and poet Alfred Prinzmetal (Marvin Kaplan) often drops by. We donât hear about this show very often but it was on for four years and produced 124 episodes.
Randolph did a variety of work in television throughout the rest of the fifties. She did a lot of theater programs, westerns, and also comedies including Burns and Allen, The Ann SothernShow, December Bride, and The Bob Cummings Show.
Photo: facebook.com
She had another recurring role during the last season of Our Miss Brooks when she played Ruth Nestor who ran a private boarding school. John Rich was the director on the show. He loved the cast and said especially Eve Arden was a joy to work with, very nice and very funny. He described the entire cast as âadorable.â
Although she didnât have a recurring role on Ozzie and Harriet, she was on the show five times between 1956-61. My favorite of her roles on that show was âBusy Christmasâ when she played Mrs. Brewster and was heading the Christmas caroling group.
During the sixties, Isabel kept busy. She appeared on Perry Mason three times, twice on The Andy Griffith Show, The Joey Bishop Show, Ben Jarrod, Arrest and Trial, and Many Happy Returns.
Tom Tully and Randolph as Clara Petrie with Photo: motionpictures.com
Her last recurring role was that of Mrs. Petrie on The Dick Van Dyke Show. In last week’s blog, we looked at one of the best Dick Van Dyke episodes, “Pink Pills and Purple Parents.” When Sally considers taking one of Buddyâs pain pills for her headache, Rob relates a time when Millie gave Laura some of her relaxation pills. Laura takes her first one when Robâs parents arrive and as she becomes more nervous, she continues to take pills. Eventually, she is a bit loopy making strange comments, forgetting to put ice cream in the sundaes, and dancing to music before passing out. Robâs parents are sure she has a drinking problem but later find out what happened. Randolph is a gem in this episode.
Randolph passed away in 1973 of undisclosed reasons.
Randolph with Ozzie Nelson–Photo: youtube.com
Sadly, like so many of our great character actors, there is not as much information about Isabel’s life. Character actors deserve to have more websites or books of their own. Isabel played the snobby rich woman in many of her roles, but I always think of her as an elegant, gracious mother type. Thank you, Isabel, for so many decades of entertainment and memorable characters. She was a character, indeed.
As we finish up our âMen of Augustâ series, I think Iâve saved the best for last. Today we look at the career of a man who had more than 400 acting credits during six decades: William Schallert.
Photo: comforttvblogspot.com
Schallert was born in Los Angeles, California. His father, Edwin, was a drama critic for the Los Angeles Times and his mother, Elza, was a magazine writer and radio host. She interviewed some of the most famous people in the entertainment industry. Being in LA, he went to high school with Alan Hale Jr., Nanette Fabray, and Micky Rooney.
Schallert was also a composer, pianist, and singer. His first love had been music, and he studied composition with Arnold Schoenberg. Unfortunately, he realized that some of the other students were more adept at hearing the music in their heads than he could and that would inhibit his making a living from composing.
William decided to be an actor and registered at the University of Southern California. He left school temporarily to join the Army Air Corps as a fighter pilot during WWII. Following the war, he returned to school, graduating in 1946. That same year he was one of the cofounders of the Circle Theater. Sydney Chaplin was one of his friends at the theater, and in 1948, his brother Charlie directed Schallert in a production of W. Somersetâs Maughamâs âRain.â
From 1947-1951, William appeared in 14 big-screen films, including Mighty Joe Young in 1949. He would go on to accept roles in seventy more films during this career, but for this blog, Iâm going to concentrate on his television career, or we could be writing and reading for days.
Schallert married Leah Waggner in 1949. They were together for their entire lives, dying a year apart from each other. Waggner was also an actress and appeared with him in several episodes including The Patty Duke Show and The Dick Van Dyke Show.
With wife Leah Waggner on The Dick Van Dyke Show–Photo: facebook.com
During his career, he appeared in a lot of crime shows and westerns, but he could also do comedy as seen by his appearances on Burns and Allen, Father Knows Best, The Jack Benny Show, The Andy Griffith Show, The Dick Van Dyke Show, Bewitched, That Girl, The Partridge Family, and Love American Style. Some of these were his favorite appearances.
Photo: pinterest.com
On the Partridge Family, he was able to use some of his music skills as Red Woodloe, a folk singer. The episode of The Dick Van Dyke Show, âA Word a Day,â got a huge laugh for Schallert. It was similar to the episode when Rob is convinced that he and Laura got the wrong baby and Ritchie belongs to another family who he invites over and opens the door only to find Greg Morris, an African American. In this one, Ritchie begins using profanity and they assume itâs one of his new friends and invite the parents over to see what type of uncouth people they are and Rob opens the door to find William Schallert, a reverend.
The admiral he played on Get Smart was one of his favorite all-time characters. William said, âThe admiral was a charming character.â
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From 1979-1981, Schallert was the president of the Screen Actors Guild and was active in SAG issues and committees afterward.
During his six decades of acting, Schallert had recurring roles on eleven different series. The first was The Adventures of Jim Bowie in 1957. This show was set in the Louisiana Territory in 1830 and featured the people that Jim Bowie met there.
In 1958, William became part of the cast of Hey, Jeannie about Jeannie MacLennan, a Scottish woman, who has immigrated to New York and her adjustment to city life.
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1959 found him on Phillip Marlowe as Lt Manny Harris. The same year he also began portraying Leander Pomfrit, a teacher on The Many Lives of Dobie Gillis. That role lasted three years.
It was in 1963 that he received the role that made him a household name. As Martin Lane, Pattyâs father and Kathyâs uncle, on The Patty Duke Show. The show was on the air for three seasons, producing 104 episodes. Martin was the patient, wise father who knew when to give advice and when to step back and watch a small failure for a learning experience.
Photo: washingtonpost.com
He and Patty became very close in real life. In an interview with the Closer Weekly, Schallert discussed their relationship. âWhen I think of her, sheâs family as far as Iâm concerned. We had a very close relationship. Whenever I saw her it was always like greeting one of my kids. She just had a wonderful quality and I got to know her over the years and she was admirable in a lot of ways. She really did her best to raise her own kids and she certainly had very little help in her own life to do that, but she was very mature and she did a lot of growing up very fast. People take that kind of thing for granted far too easily, and she doesnât get the credit she deserves for that.â
When the Patty Duke Show ended, Schallert began doing voiceover work in commercials and with his warm and friendly manner, it was a lucrative career for him for two decades, including the voice of Milton the Toaster for Pop Tart commercials. He said it was wonderful, âAll you had to do was go in there and do it, you didnâtâ have to put makeup on, you didnât have to learn anything. I also had a knack for timing.â
Although he had a successful voiceover career, his acting career was far from over. He would show up as a regular cast member on five more series before his career ended: The Nancy Walker Show, The Hardy Boys/Nancy Drew Hour, The Waltons, The New Gidget Show, and The Torkelsons. I especially loved his casting in Nancy Drew. When I read those books as a grade-school kid, he was exactly as I pictured Nancyâs dad Carson Drew in my mind.
Nancy Drew Hour–Photo: williamschallert.com
His last role was on Two Broke Girls in 2014. In that year, he announced he was suffering from peripheral neuropathy and had to wear leg braces some but also had to rely on a wheelchair most of the time. He passed away two years later from an undisclosed condition.
It sounds like Schallert had an amazing life. Growing up in Los Angeles and learning from his parents about theater and radio must have been a lot of fun. He said those connections led to a lot of opportunities like going to Shirley Templeâs birthday parties. Then he started a theater at a young age, worked in television from 1951-2014, appeared in more than eighty movies, had a successful voiceover career, raised four great kids and enjoyed a long-lasting marriage. What a legacy to leave behind.
We are winding up our blogs for May, and I have a confession to make. For some reason, I failed to notice that there were five Mondays in May, so when I published my blog last week, I realized that I was short one blog. While scrambling to find a topic that still fit in with the other shows we learned about this month, it occurred to me that this weekâs actress appeared on The Ann Sothern Show and I Love Lucy. She was also part of the cast of December Bride and Pete and Gladys. So, today we will learn about the woman behind Hilda Crocker: Verna Felton.
Photo: imdb.com
Verna Felton was born in Salinas, California in 1890. Verna entered show business at the young age of nine. Her father died just before her ninth birthday. He was a doctor, but he kept no records of payments due, and there was little cash in his account. Verna had performed at a local benefit for flood victims, where she caught the attention of a road show manager. He offered Verna a job, and after the death of her father, her mother accepted the job on her behalf. Verna grew up involved in theater community.
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She was called âLittle Verna Felton, the Child Wonder. By age 13 she was performing with the Allen Stock Company that toured the western United States and British Columbia in Canada. By age 20, she had a play written specifically for her by Herbert Bashford called âThe Defiance of Doris.â
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She continued building her stage resume, acting in a variety of plays.
In 1923 Verna married Lee Millar who conducted the band in the acting troop. He was also a movie actor in the thirties and forties. Verna and Lee were married until his death in 1941. Their son Lee Carson Millar was born in 1924 and would also go on to become an actor who appeared on many of the most popular shows in the fifties and sixties.
From about 1930-1950, Verna could be heard on the radio. Her voice could be detected on a variety of shows including Red Skelton, Hattie Hirsch on Point Sublime, Dennis Dayâs mother on his show, and a regular on both The Abbott and Costello Show and The Great Gildersleeve.
Photo: wiki.com
After transitioning from stage to radio, it was no surprise that Vernaâs career in the forties and early fifties was spent on the big screen.
Television was a natural progression, and, in 1951, Verna had her first tv roles: as a nurse on Amos and Andy and as Mrs. Day on the Enzio Pinza Show. She continued her radio role as Dennis Dayâs mother on his television show in 1952.
With Lucille Ball
During the early fifties, you could catch her on many of the most popular shows: The Adventures of Ozzie and Harriet, I Love Lucy, Burns and Allen, The Bob Hope Show, The Halls of Ivy, I Married Joan, and Whereâs Raymond?
Verna would become best known as Hilda Crocker. She played that character on December Bride from 1954-1959 and again on Pete and Gladys during the 1960-61 season, a total of 182 episodes. She was nominated for an Emmy for Best Supporting Actress in 1958 and 1959. In both years, she lost to Ann B. Davis for Love That Bob.
With Spring Byington on December Bride Photo: pinterest.com
Between the two series, she made appearances on The Many Loves of Dobie Gillis, The Real McCoys, The Ann Sothern Show, Miami Undercover, and The Jack Benny Show. She also accepted roles on a handful of shows after her life as Hilda, including My Three Sons, Wagon Train, and Dennis the Menace.
Felton had voiced several animation characters for Disney including the fairy godmother in Cinderella, the Queen of Hearts in Alice in Wonderland, Aunt Sarah in Lady and the Tramp, and Winifred the Elephant in The Jungle Book.
After voicing these fun characters, it was only natural for her to find a television animation character to play, and she found the perfect one in Pearl Slaghoople, Wilmaâs mother on The Flintstones. Pearl looked a lot like Wilma but not as young or slim. She originally had red hair like her daughter which later became gray. She did not care for Fred and didnât think he was good enough for Wilma and often nagged him to do better.
In 1966 Verna passed away from a stroke. Walt Disney would die a few hours later. About 25% of the movies Verna made were for Walt. Jungle Book, the last movie she made for him would debut a year after the two stars died.
Although Vernaâs television career only spanned fourteen years, she appeared in many of the eraâs best shows. She did Broadway, radio, cinema, and animation as well and had a very full and successful career. It was fun getting to know Verna Felton a bit better.
Today we get to spend some time learning about one of the earliest sitcoms, December Bride, which aired on CBS from 1954-59. It began life as a radio show in 1952.
Cast of December Bride–Photo: tumbral.com
The show was created by Parke Levy who wrote the episodes as well and claimed to base Lily on his own mother-in-law. He owned 50% of the program; Desilu, producer, owned 25%; and CBS owned 25%. Harry Morgan said he liked Desi Arnaz very much. They cast rarely saw Lucy and saw Desi frequently but not in a negative way; he just might show up to see how things were going. (As an aside, I remember an interview with Bob Schiller, who wrote for this show along with many others, loved the name of âParke Levyâ and said it sounded like a Jewish housing development in New York.) Levy also wrote the film scripts for My Friend Irma and My Friend Irma Goes West.
Spring Byington and Frances Rafferty–Photo: vintagetvandmore.com
One fun fact is that both Fred de Cordova and William Asher were directors for this sitcom. Both would go on to long careers; de Cordova would produce The Tonight Show and Burns and Allen, direct My Three Sons, and both produce and direct for The Jack Benny Show. Asher would go on to direct I Love Lucy and Alice and both produce and direct most of the Bewitched episodes.
Spring Byington–Photo: pinterest.com
Spring Byington starred as Lily Ruskin, a lively widow who was looking for the right man.
Dean Miller and Frances Rafferty–Photo: pinterest.com
She lives with her daughter Ruth Henshaw (Frances Rafferty) and son-in-law Matt (Dean Miller) who help her in the search, as does her best friend, Hilda Crocker (Verna Felton).
Lily stays busy writing an advice column for the LA Gazette, âTips for Housewives.â
Verna Felton–Photo: upperjacksonco
Pete Porter (Harry Morgan) is her next-door neighbor who also shows up often. (Next week we will learn about his spin-off from this show, Pete ân Gladys.) Pete enjoyed watching Matt and Lilyâs interactions which he viewed as positive, unlike his relationship with his mother-in-law which he viewed negatively.
A lot of guest stars showed up including Jack Albertson, Morey Amsterdam, Desi Arnaz, Edgar Bergen, Madge Blake, Barbara Eden, Zsa Zsa Gabor, Nancy Kulp, Fred MacMurray, Howard McNear, Isabel Randolph, and Mickey Rooney
Harry Morgan–Photo: wikimedia.com
The scripts seemed about what you would expect for this era. In one of the funniest shows, Lily fails to deliver plans for Matt and as a result, Desi Arnazâs family room collapses. In another one, Lily arranges for Pete to take riding lessons because his fear of horses is standing in the way of him earning a huge commission selling insurance to a wealthy ranch owner.
The gold standard for this decade seems to be Ozzie and Harriet Nelsonâs show and the writing doesnât measure up to that but seems like a fun show to watch.
Maxwell House Coffee was their sponsor for the entire run of the show.
The show was on Monday nights after I Love Lucy and had top-ten ratings for the first four years. For season five, the network moved it to Thursdays, where it was up against Zorro and The Ed Wynn Show. Ratings declined significantly, and it was cancelled. Fans have noted that the last seasonâs scripts were not as well written and the show had probably run its course.
Harry Morgan discussed the show for the Academy of Television interviews. He said it was a nice show to work on; he described it as “fluffy and light” and “typical for the time.” He said he enjoyed doing the show, all the cast was wonderful, especially Spring who was an amazing actress, and he became good friends with Dean Miller and Frances Rafferty. He said that it was a well-done show and he had a lot of fun during those five years.
I watched the episode about Desi’s family room caving in. Morgan’s description was pretty accurate. The show might not present deep philosophical moments, but it was well written. One of the bright spots was Desi’s butler played by Richard Deacon. I can certainly think of worse ways to spend a few hours than watching several of these classic television episodes.
As we continue with our âThey Call Me Wilsonâ series, today we learn about the career of Don Wilson. With 33 movie credits, he only starred in seven television shows, but if you were a fan of Jack Benny or Batman, you will recognize him immediately.
Photo: oldtimeradio.com
Wilson was born in 1900 in Nebraska. Not much is known about his early life, but in one interview in 1980, he mentioned he went to high school in Boulder, CO. He played football at the University of Colorado and was an excellent golfer.
Denver was also the place he began his radio career, singing on KFEL in 1923. Wilson talked about a group he was part of, the Columbia Trio, in Denver beginning in 1925; they played on the radio and appeared in clubs when they needed a late substitute. One of their clients for commercials was for Piggly Wiggly and the store brought the three musicians to California when the company decided to open up new stores in California and renamed them the Piggly Wiggly Trio.
By the end of the decade, he was working full time at station KFI and later at KHJ both in Los Angeles. In an interview later in his life, he said he bought a Packard from Earle C. Anthony, and the Cadillac sponsor Don Lee, who owned KFI did not take it kindly and fired Wilson.
Apparently, he couldnât decide which direction he wanted his career to go. During the early thirties, he worked as a sportscaster and covered the opening of the 1932 Summer Olympics for NBC. He also announced five Rose Bowls. He was mentored by Ted Hussey and said he was the greatest sports announcer bar none as well as a generous and knowledgeable man.
He took on Broadway roles in 1932 and 1934. He also began radio announcing for programs in the mid-thirties, first working with Benny in 1934.
Being perhaps indecisive, he also had a hard time with his love life. His first marriage was to Lucy Saufley in 1927; in 1940, he divorced Saufley and he married Peggy Kent whose father was president of 20th Century Fox. In 1942, the same month his divorce became final , he married a Polish countess, Marusia Radunska and this relationship lasted seven years. When he married his fourth wife, Lois Corbett in 1950, he finally found a lifetime partner.
He would be a member of the Jack Benny television family for 31 years, but when he was hired, although it was as a permanent cast member, he was at least the fourth announcer in two years to work on the show. Wilson said he thinks he was chosen partly because he laughed at all the right lines. He said luckily, in person, Benny was much more generous with his salary than was portrayed on the show.
When Benny made the foray into television in 1950, Wilson went along and would continue to costar on the show until it ended in 1965.
The cast of The Jack Benny Show-Photo: tvtropes.com
Although Don was listed as announcer for the Benny show, like Harry Von Zell on Burns and Allen, he was really part of the cast. His good-natured, friendly manner and booming Midwestern voice made him a pleasant person who often took the brunt of jokes by Benny, often due to his 6 foot, 300-pound physique. Wilsonâs wife Lois appeared as his wife on the show for fifteen years, so it was a family affair. She also acted on other radio shows.
Benny producer Irving Fein, said Don âwas a great foil for Jack. He was the hearty announcer who tried to get the commercial on the air and Jack would try to thwart him. Sometimes Don would have the Sportsmen Quartet sneak in the commercial. Don would tell Jack the Sportsmen were going to do a song. Then they would sing a chorus of a song and the final chorus would be the commercial.â The first commercial Wilson pitched on the show was for General Tires. Jell-O, part of General Foods, sponsored the show for ten years, and Lucky Strike then took over for another fifteen years.
Photo: jackbennypodcast.com
His coworkers said he rarely misspoke his lines, but when he did, they took advantage of it. In an interview on speakingofradio.com, Don told a story that during one 1950 broadcast, he relayed a bunch of information and Jack asked him when he learned all that and Don said he read it in columnist Drew Pearsonâs article, but he mistakenly said Dreer Pooson. Later during the murder-mystery story, Benny approached Frank Nelson and asked, âPardon me, are you the doorman?â Instead of the written line, Nelson asked, âWell who do you think I am, Dreer Pooson?â That line got a lot of applause and laughter.
He said Benny was a quiet listener and preferred to stay in the background reacting to other actors. However, Wilson said that âwhen he was eventually on, he could top everybody. . . He wasnât a one-liner comedian . . . he was a real thoroughbred professional, start to finish. He always demanded the very, very best that he could possibly get and if ever there was an irreplaceable man, Jack Benny would be that man.â
Wilson with Jack Benny and Dennis Day–Photo: radiospirits.info
Don discussed how the show worked. He said âJackâs philosophy was that the bigger he could make the supporting people, the bigger the Jack Benny Show became and the bigger Jack Benny therefore became.â Wilson said he was thoughtful and generous and would not allow anything off-color in the show, so it was fit for family watching. He said in one episode, Benny sat off to one side and the cast spoke to him, but he didnât actually utter a line until the last few minutes of the show. He said Jack often came up with the idea for a show but then turned it over to the writers and let them do their part.
He said some of his most enjoyable shows were when he traveled with Jack performing for military audiences. Jack would try to move the brass, so the enlisted men could have front-row seats.
Wilson did announcing work for a variety of programs in the heyday of radio. He worked with Bing Crosby, Fanny Brice, and Alan Young. He also worked for Chesterfield when they sponsored a show with Glenn Miller. When Miller went into the war, Harry James took over that spot, and Don continued working with him.
Wilson said in the early years of television, they did two live presentations, one for the east coast and one for the west coast. In between they would tweak lines and rehearse those changes. Eventually, the show was taped, so the cast did not have to do two live performances.
Radio Guide, in addition to other award groups, awarded Don the Announcer of the Year Award for fifteen years straight.
While on Bennyâs show, Don also made several appearances on other television shows in the fifties and sixties. He showed up on Screen Directors Playhouse in 1955 and on The Red Skelton Show in 1959. He was a preacher on Death Valley Days in 1959.
Photo: radiospirits.com
In the sixties, he could be seen in the Mel-O-Toons in 1960 which presented short, five-minute stories often based on fairy tales. He was also on Harrigan and Son in 1961. His last role was after Jack Benny went off the air. He was Walter Klondike, a newscaster spoof on Walter Kronkite, on Batman in 1966.
Photo: yidio.com
Don passed away due to a stroke in 1982.
I really enjoyed listening to several interviews with Don. He was so appreciative of his career and the people he was able to work with during his entertainment opportunities. Listening to someone who was able to get in on the beginning of radio and then do the same thing with television was very interesting and informative. I hope he realizes how much we all appreciated him.
Mister Peepers was one of the first popular sitcoms. It aired from July of 1952 until June of 1955. The show starred Wally Cox as Robinson J. Peepers. Peepers was a junior high school science teacher. A great cast surrounded him including history teacher Harvey Weskit (Tony Randall), Harveyâs wife Marge (Georgann Johnson), county nurse Nancy Remington (Patricia Benoit), English teacher Mrs. Gurney (Marion Lorne), and athletic coach Frank Whip (Jack Warden). (In the pilot, the coach was played by Walter Matthau.) Peepers developed a relationship with nurse Nancy, and her parents (Ernest Truex and Sylvia Field) also became part of the cast.
Photo: blogspot.com
The show featured some slapstick as well but it was not the primary form of humor. In one episode, the uncoordinated Mr. Peepers was playing basketball in the gym alone and somehow got stuck in the basket. In order to fulfill the evening obligations that he promised, he brings Mrs. Gurneyâs flower club into the gym so he can lecture to them about potting soil while playing chess with a rival schoolâs champion as promised to Mr. Gurney.
Photo: wikiwant.com
Mr. Peepers is kind. In one episode, after injuring his finger, absent-minded Mrs. Gurney tries to help by bandaging it. In addition to using half a roll of tape, Robinson informs Nancy that she bandaged the wrong finger.
Mister Peepers is a likable guy. He has some eccentric characteristics which make us like him even more. For example, he has an elaborate ritual to get his locker to open; on bring your pet to school day, he has to hide a cow; and sometimes he does things we all want to. On one episode, he comes upon a hopscotch board on the sidewalk and just like we would want to do, he plays it not realizing his girlfriend is watching him. However, Robinson has a bit of rebellion and sarcasm that keeps him from being too much of a goody-two-shoes.
Photo: tumblr.com
Tony Randallâs character Harvey was supposed to be a small role, but the producers liked him so much he became a regular. He is best friends with Robinson but they couldnât be more different. Harvey is a ladyâs man. However, Mr. Peepers only has eyes for Nancy even though it takes her a while to realize he is interested in her. The couple ties the not in 1954, producing a huge ratings boost.
In real life, Cox was experiencing the same situation when he married Marilyn Gennaro about the same time. When Benoit became pregnant in real life, she was also pregnant on the show.
When the Peepers found out they were having a baby, American Character Dolls Co wanted to make a âPeepers Baby Dollâ in 1955. Polling indicated that viewers were hoping for a girl, so it went into production. Mister Peepers was cancelled before the doll debuted, but the company sold it anyway, although they did change the name.
Photo: blogspot.com
The show was aired live with an audience of 2500 at the New Century Theatre in New York. Preserved on 16mm kinescopes, there are currently 102 of the original 127 episodes in existence. The kinescopes are being preserved by the UCLA Film and Television Archive and a DVD set has been produced.
The Ford Motor Company needed a summer replacement on Thursday nights so Mister Peepers debuted then. NBC decided it was too much pressure to do a live show, so it was cancelled. Fans were irate. After 2000 people called to complain and 15000 letters were received, the network had second thoughts, but their schedule was full.
MR. PEEPERS — Aired 09/15/1953 — Pictured: (l-r) Wally Cox as Robinson Peepers, Tony Randall as Harvey Weskitt (Photo by NBCU Photo Bank/NBCUniversal via Getty Images via Getty Images)
However, that fall, an opening occurred when Doc Corkle was cancelled after only three episodes. How bad does a show have to be to get axed after three episodes in 1952? I donât know, but the summary of the show is that âDoc is a dentist plagued with money problems, teenage daughter problems, and a screwball stepsister Melinda.â
It says a lot about the quality of Mister Peepers that it was rated so highly and watched by so many fans because it was up against Private Secretary with Ann Sothern and The Jack Benny Show on Sunday nights. Tough competition.
Photo: sitcomsonline.com
Critics liked the show and it was nominated for best situation comedy for the Emmys in 1953, 1954, and 1955. Wally Cox, Tony Randall, and Marion Lorne were all nominated as well. Each of the years the show was nominated it went up against Our Miss Brooks, Burns and Allen, and I Love Lucy which won in 1953 and 1954; Make Room for Daddy won in 1955. NBC made Wally Cox postcards which they handed out to tourists on the lot.
Wally Cox was an interesting guy. He was a brilliant man who studied acting with Stella Adler. His roommate was Marlon Brando whom he had been best friends with since grade school. His mother and grandmother were writers, and his dad was in advertising. Before he was able to earn a living in acting, he taught the lindy hop for $1.50 a lesson and made cuff links and tie clasps. While doing part-time jobs, he began doing standup at clubs like The Blue Angel and Village Vanguard.
Unfortunately, a lot of people will remember him only for his appearances on Hollywood Squares and as the voice of Underdog the cartoon hero. He was also famous for a Jockey Shorts commercial when he quipped, âOutside I might look like Wally Cox but inside I feel like Tyrone Power.â He passed away much too early, dying from a heart attack at 48.
Photo: latimes.com
Although Wally Cox was not Mister Peepers, their humor was similar. Cox wasnât brash but he experienced life with a quiet subtle manner and was a genuinely funny guy. In discussing his time on the show, Cox said, âMr. Peepers put me on the map and I love him.â Iâm sure like many actors who were stereotyped early in their career, it was a bit of a love/hate relationship.  Iâm sure you will love him too if you are able to watch some of the episodes. Retro TV aired them in the past, but I donât see the show on its current schedule. I also found the DVDs on amazon.com. Happy viewing!
We are in the third blog of our series âThe Men of November.â Born Charles Thomas Aldrich Jr. in 1906, Gale Gordon is remembered fondly for being Lucille Ballâs nemesis on several of her television sitcoms.
Photo: oldtimeradio.com
Both his parents were entertainers, and they traveled to England to perform when he was only one. For eight years, he lived in England. After returning to the United States for a few years, Gordon returned to London to complete his education at the Woodbridge School in Suffolk.
Gale at 19 Photo: lucyfan.com
Gale followed in his parentsâ footsteps, and his first theatrical job was as an extra in âThe Dancersâ in 1923. Richard Bennett (father of Constance and Joan Bennett) starred in the stage production. Gordon worked as Bennettâs dresser, and Bennett taught him all about make-up, mentored him as an actor, and helped him to develop his voice.
By 1925, Gordon traveled to Hollywood, tackling roles in stage, film, and radio. Gordon talked about his first radio performance: âThey asked me to come to a Hollywood studio in 1926 and try this new thing called âradio.â They didnât pay me, of course. They just wanted to fill up some time. So, I sang, âIt Ainât Gonna Rain No More, No Moreâ and accompanied myself on the ukulele. You might say I almost killed radio before it was born. I havenât played an instrument on the air since.â
Photo: radiospirits.com
In seven short years, Gordon became the highest-paid actor in radio in Hollywood. He was the male lead for Mary Pickford in her serial. He was on almost every popular show on the air. It wasnât unusual for him to appear on three or more programs in a week. Gordon was the first actor to play Flash Gordon in 1935.
His radio work also provided some other benefits. While appearing on an episode of Death Valley Days in New York, he met Virginia Curley. They married in 1937.
Gale and Virginia Photo: lucyfan.com
In 1941, after playing primarily dramatic roles, Gordon became a regular on Fibber McGee and Molly. Playing Mayor LaTrivia, Gale was on the show for a dozen years. There was a brief interruption in 1942 when he left the show and enlisted in the US Coast Guard for three years. He rose to the rank of Petty Officer First Class, and his service took him around the world to many dangerous places.
One of the roles he is best known for was Principal Osgood Conklin on Our Miss Brooks. Gordon described Conklin in a TV Guide interview: âThere was nothing subtle about Osgood. No nuances. Just a lot of very satisfying acid, bluster, and bellowing, with an occasional weak moment of cordiality thrown in for leavening. It was practically impossible to overplay him. Even when he was being cordial, he was like an elephant trying to waltz.â
In 1950, he could be heard as John Granby on Granbyâs Green Acres which later became the sitcom Green Acres.
With Bea Benederet Photo: wikipedia.com
While trying to reign in the chaos at Madison High School as Osgood Conklin, Gale was also the refined banker, Rudolph Atterbury, on My Favorite Husband, Lucille Ballâs radio comedy. Atterburyâs wife was played by Bea Benederet.
As television gained popularity, it was inevitable that some of radioâs favorite shows would make the transition to the small screen. While it was entirely possible to play several different characters on the radio, television production didnât offer the same flexibility. When My Favorite Husband was retooled for television as I Love Lucy, Ball planned on bringing Gordon and Benederet along with her. However, Gale was committed to Our Miss Brooks, and Bea was playing a major role on Burns and Allen on television.
Asked about those days, Gale described himself as âa quiet, reserved, pipe-smoking homebody.â He said he always had a good balance of professional and personal interests. In addition to acting, he wrote books (Nursery Rhymes for Hollywood Babies and Leaves from the Story Trees), painted, and maintained a ranch. He and Virginia bought a 150-acre property about three hours away from Hollywood. They grew carob trees. Gordon was not a rancher in name only; he raised the trees, built the house, installed the plumbing, completed carpentry and handiwork, put in a swimming pool, and built a two-story building that served as garage and studio.
Our Miss Brooks Photo: amazon.com
In 1952, Eve Arden decided to take Our Miss Brooks to television. While Gale continued his role as Conklin on the show, he also guest starred on a couple of I Love Lucy episodes. Our Miss Brooks had a successful run for four years.
When the show ended in 1956, CBS was quick to sign Gordon on for another show. They paired him with Bob Sweeney in The Box Brothers (sometimes called The Brothers). Unfortunately, the series only lasted for 26 weeks.
The Box Brothers Photo: imdb.com
In 1958, Gordon was a regular on Sally where he played department store owner Bascomb Bleacher. He also appeared with Walter Brennan on The Real McCoys.
In 1959, December Bride which aired from 1954-1959, went off the air, spinning off a new show Pete and Gladys starring Harry Morgan and Cara Williams. Morgan appeared as Pete Porter on December Bride. On the new show, Gale played Peteâs Uncle Paul.
Dennis the Menace Photo: pinterest.com
In 1962 he was cast as Mr. Wilson on Dennis the Menace. At the same time, Lucille Ball was creating a new show, The Lucy Show. She wanted Gordon to appear as Mr. Barnsdahl, a banker. When he was not available, Lucille turned to Charles Lane. She said she loved working with Lane, but always wanted to work with Gale again, so when Dennis the Menace was cancelled, she quickly signed Gordon; Lane moved over to Bea Benederetâs new sitcom, Petticoat Junction, as the despicable Homer Bedloe. And thus Theodore J. Mooney was born.
Photo: welovelucy.com
For the next eleven years, through several different series titles, Lucy and Gale worked together. They would both retire in 1974. When describing his time on Lucyâs shows, Gale related in a Good Morning America interview in 1982 that âI always had a wonderful feeling of anticipation going to work every week, which is very, very rare. I donât care what business you are in. But to really look forward to getting into the nitty gritty and working hard for four daysâwhich is all the time we had to do the showâis really unique. To look forward to it for eleven years, thatâs doubly unique.â He went on to praise Lucy for her work ethic: âHer attitude has never changed. Every show she ever did was always the most important show of her life. And I think that is the secret of her success.â
Photo: oldtimeradio.com
One surprising thing I learned was that Gordon was known for his ability to do cartwheels. He can be seen doing them on several episodes of Hereâs Lucy. At the time, he was earning $25,000 an episode. Compare that to today when the stars of The Big Bang Theory received a million dollars an episode.
Gale and Virginia enjoyed twenty years of retirement. Virginia would pass away in 1995 at Red Terrace Health Center in Escondido, California. One month later, Gordon died from lung cancer at the same facility.
In 1999, Gale was inducted into the Radio Hall of Fame. Known for playing a variety of gruff, formal professionals, everyone knew that the bellow and bluster his characters spewed was great acting. In real life, Gale was one of the sweetest, kindest men around. He once said, âI am never nastyâunless I get paid for it.â
Photo: wikipedia.com
Itâs hard to describe the influence Gale Gordon has had on generations of actors and the number of hours of entertainment he has provided to generations of television and radio fans. Itâs always fun to listen or watch Connie Brooks trying to pull a fast one over on Osgood Conklin or Lucy Carmichael trying Mr. Mooneyâs patience with her latest scatter-brained plan. Thank you Gale Gordon!
This month my blog theme is âDonât Judge Me.â Weâll take a look at sitcoms featuring judges. The first show on the docket is I Married Joan. Debuting on NBC in 1952, the show starred Joan Davis and Jim Backus and was typically described as the marriage of a respected judge and his scatterbrained wife, Joan and Bradley Stevens. It ran for three seasons and produced 98 episodes.
Photo: dvdtalk.com
The early shows begin in the judgeâs chambers where he recalls one of his wifeâs wacky adventures followed by the episode and ending with the judge summing up his tale of his wifeâs mishap and its similarity to a case he was working on. It was very similar to I Love Lucy; however, this show featured more slapstick comedy by Davis. Marc Daniels directed both shows. The shows also were both filmed in Los Angeles at General Service Studios and debuted October 15 (one year apart). Time hated the showââIt might have better been left on the shelf.â Variety, on the other hand, found it filled with âcomic zest and vitality.â
I Married Joan was created and produced by Joan Davis Enterprises. She was a successful businesswoman and a workaholic. Joan earned $7500 a week; in todayâs equivalent, that would be about $70,000 per episode. Joan was apparently not a very easy person to work for or with. Sherwood Schwartz wrote about a third of the episodes. (He would later go on to create The Brady Bunch and GilliganâsIsland.) He did not care for Davis and said that Joan made one of the writers stick close to her when they ran through the show because she often wanted a better joke substituted. Jesse Goldstein also wrote a third of the shows. He had written for Burns and Allen and Red Skelton.
Photo: youtube.com
Other actors also complained about working with Joan. Apparently, Backus detested her because she was not kind to the crew and fellow actors. Sandra Gould (who would later appear as Gladys Kravitz on Bewitched), Hal Smith, and Hope Summers (who both showed up in Mayberry as Otis the drunk and Beeâs friend Clara) confirmed Backusâ stories. There are a couple of other stories floating around that Joan once slapped a child for asking for her autograph and threw a temper tantrum at a salon, knocking over a bottle of bleach. Backus had worked with her on radio before signing on for this role, so Iâm surprised he had not been aware of her work abuses before. She was described as a bit quiet and shy in her non-work life and spent her spare time fishing, golfing, watching boxing, or reading her extensive gag files.
Rounding out the cast were Dan Tobin as their friend Kerwin, Geraldine Carr as Mabel, Sheila Bromley as Janet, Sandra Gould as Mildred and Hal Smith as Charlie.
Photo: pinterest.com
For seasons two and three, Joanâs daughter Beverly Wills played Joanâs sister on the show. I guess it was a family affair because Henny Backus, Jimâs wife, also had a role on one episode as Mrs. Bunker.
The plots were about what you would expect on a show from this time era. In one, Joan and her friend admire each otherâs houses and decide to swap for a week which quickly cures them of their envy. When Joan finds a dress that her husband is hiding for a friend for his wife; she assumes it is for her and âaltersâ it–a lot. In one episode, Joan wonders what life would be like if she had never married. In another show, she realizes she doesnât have enough chicken to serve when Brad brings unannounced guests home. Any of these plots could have come from Burns and Allen, The Ann Sothern Show, Our Miss Brooks, or The Life of Riley.
Photo: wikipedia.com
However, in one show, Joan crawls into an enormous commercial soup pot in order to spy on the kitchen crew to learn the recipe for a chefâs famous soup. As you would expect, all the ingredients suddenly begin to get thrown in all around her. Even reading this description, you can picture Lucille Ball in the predicament. Perhaps this is another reason the show didnât succeed. It was just too similar to the top-rated show in the nation.
Photo: youtube.com
Many people remember the theme-song lyrics.
I married Joan What a girl, what a whirl, what a life. Oh I married Joan What a find, love is blind, what a wife! Giddy and gay, all day she keeps my heart laughinâ Never know where her brain has flown. To each his own Canât deny thatâs why I married Joan. I married Joan!
Photo: youtube.com
For the entire three seasons it was on the air, it was up against Arthur Godfrey and His Friends on CBS and news shows on ABC for seasons one and two. The show did so-so in the ratings for the first season. The second season the ratings increased to the number 3 show. Part of it might have come about from the negative publicity Arthur Godfrey got when he fired Julius LaRosa. The third season Disneyland was on ABC, and the ratings declined again. The ratings were especially low in the New York market, so the show was cancelled. HowdyDoody had just gone off the air, so reruns of the show replaced the popular kidsâ show in the mornings. Jim Backus had signed a three-year contract and declined to come back; Iâm not sure if that contributed to the cancellation of the show or not.
Photo: wikimedia.com With guest star Bing Crosby
Joan Davis tried to get a few other sitcoms on the air in later years; one interesting idea was for a woman astronaut who was training for a flight to the moon. She officially retired in 1959 and passed away in 1961 after suffering a heart attack.
Photo: wikipedia.com
Jim Backus would go on to have a very successful career. He would cross paths with Sherwood Schwartz again when he accepted the role of Thurston Howell III on Gilliganâs Island. A fun aside is that when the I Married Joan sets were later re-used, Backusâ lines were found written in various places.
Photo: youtube.com
As I noted earlier, the theme for my blog this month is âDonât Judge Me.â In that spirit, I am trying not to judge Joan Davis too harshly without learning more about her as a person. One thing I have learned in writing television blogs for so long is that several of my favorite characters were not my favorite people; I decided long ago that I could adore the character and abhor the actor. Fortunately, most of the actors in classic television were wonderful people.
Photo: sitcomsonline.com
I do remember watching this show in reruns in the late seventies and early eighties. It was not really my cup of tea, but I am not a big lover of slapstick comedy. Most of the fans that bought the DVDs (91%) gave the series 5 stars and made comments like âextremely funny,â âI couldnât stop laughing,â and âclever writing and great comic acting.â If you are an I Love Lucy fan, you should probably give I Married Joan a try. There are worse ways to spend an evening.