As we wind up our What in the World? blog series this month, we end with Bracken’s World. Just like the other shows we covered, this one began in the sixties, 1969, and just like the others, it was on for less than two seasons.
Dorothy Kingsley created the series for NBC. This was her only foray into television; she was a screenplay writer for most of her career. Kingsley wanted to concentrate on the “little people” who work at the studio, rather than the executives. In one blog I read that props from Twentieth Century Fox where the show was filmed were often carted around in the background for authenticity. It would be fun to go back and make a list of the props that were shown around the set; specifically mentioned were props from Planet of the Apes and Land of the Giants.
Watch.plex.tv.com captures the essence of the show in its description “In the glitzy realm of Century Studios, powerful executive John Bracken shapes Hollywood’s fate, navigating ambition, romance, and betrayal through the eyes of his astute secretary Sylvia, who holds the key to both secrets and success.”
Century Studios was a movie studio. John Bracken owned the company, and he was never seen during the first season. Similarly to the way Charlie interacted with Charlie’s Angels, we only heard Bracken on the telephone, voiced by Warren Stevens. Sylvia Caldwell (Eleanor Parker) was his secretary. There were some impressive cast members in this show including stunt man Dennis Cole, Jeanne Cooper, Madlyn Rhue, Linda Harrison, Elizabeth Allen, Karen Jensen, and Laraine Stephens. Most of them played starlets waiting for their big break. Peter Haskell as producer Kevin Grant seemed to be responsible for a lot of the success of the show. Tom Selleck had a recurring role of Roger Haines during the first season. The characters dealt with the problems of the movie industry—drugs, sex, alcohol, and amoral executives.
Being a Hollywood studio, there were also a lot of great guest stars including Anne Baxter, Shelley Fabares, Sally Field, Lee Grant, Carolyn Jones, Ricardo Montalban, Edward G. Robinson, Martin Sheen, Richard Thomas, Forrest Tucker and Raquel Welch.
The series was on Friday nights in the hole filled when Star Trek was canceled. It was referred to as the “Friday night death slot.” The show’s competition was Love American Style and CBS Friday Night at the Movies, which started an hour before Bracken’s World did. I’m not sure when this death slot switched because at that same time, I recall loving Friday nights in the early seventies featuring The Brady Bunch, The Partridge Family, Room 222, The Odd Couple, and Love American Style.
The show’s ratings were not good, so for the second season, things were changed a bit. Parker left part way through season one because she didn’t like the scripts. We now got to see John Bracken in person, but he sounded like Leslie Nielsen who played him instead of John Warren. Dennis Cole was also shown out the door.
Jeanne Cooper had a very different view of the show than Parker. Cooper played one of the starlet’s mom who was also her agent. She said that it allowed viewers to go behind the scenes of a movie studio to get a realistic depiction of what happened when the cameras were off. She said that the cast can take much more time filming movies to discuss the script, but that is not the way television works, and Parker never understood the difference between the two mediums. Cooper felt the writing was much more sophisticated than shows had produced before and that it led the way for shows like LA Law and Boston Legal.
According to Cooper, there were two reasons for the demise of the show. One was that she said Bracken should never have been exposed. He should have stayed a voice who ran a studio like a Louis B. Mayer type. She also said the show was very expensive to produce. Often shows were ordered six at a time back then which gave the crew some wiggle room to have a few expensive shows and then cut back when it got viewers locked in to average out the cost. NBC would only buy two or three at a time. Finally, Stan Rubin, the executive producer, said NBC had to agree to a minimum of four-episode commitments at a time and they refused, so the show was canceled.
The show did seem to be a bit ahead of its time. Perhaps if it had debuted a few years later, it would have found more viewers.
This month we are “Examining Our Favorite Medical Series.” Beginning in 1969 and staying on the air for seven seasons, this show was a show that the entire family could agree to watch. In fact, on The Partridge Family, there is at least one episode where the Partridges are watching Marcus Welby, MD.
Marcus Welby (Robert Young) is a family doctor who truly likes and knows his patients. Sometimes he even made house calls. Dr. Steven Kiley (James Brolin) is his business partner and they both rely on Nurse/Office Manager Consuelo Lopez (Elena Verdugo).
Produced by David Victor and David J. O’Connell, the show aired on Thursday nights. Victor also produced episodes of Dr. Kildare as well as The Man from U.N.C.L.E., Owen Marshall, Counselor at Law, and Lucas Tanner, among others. O’Connell produced episodes from several series but he was kept busy in the Editorial Department for a slew of shows, including Tales of West Fargo, Bachelor Father, Leave It to Beaver, The Jack Benny Show, Wagon Train, McHale’s Navy, and The Munsters. (In the future, I will definitely look into a show about editors for a blog.)
Welby and Kiley were very different. Kiley rode a motorcycle to work while Welby drove a sedan. Welby was a widower; he started his career as a doctor in the US Navy during the war. He enjoyed sailing on the ocean. Welby often wanted to use more radical treatments than his younger partner who was more conservative in his patient care. A lot of ailments were tackled on the series including impotence, depression, brain damage, breast cancer, epilepsy, Alzheimer’s, rape, and abortion.
Photo: WorthPoint.com
The two doctors had a private practice with operating privileges at Lang Memorial Hospital. Both doctors had girlfriends, Myra (Anne Baxter) and Janet (Pamela Hensley). Welby’s daughter (Christine Belford) and grandson (Gavin Brendan) were often on the set as was Kathleen Faverty (Sharon Gless), an assistant program director.
In season two the show made it to number one for ABC. Both Young and Brolin won Emmys and the show won an Emmy for Outstanding Dramatic Series.
After seven seasons of medical storylines, the show’s viewership began to wane. Many of the medical series were running out of steam at that time. Once ratings continued on the decline, the show was canceled.
Photo: decider.com
However, eight years later, The Return of Marcus Welby, MD aired. Young and Verdugo continued their roles although Brolin was no longer available. It must have done well, because a second movie was filmed in 1988–Marcus Welby, MD – A Holiday Affair. This would be the last acting role Young would accept.
I have many fond memories of watching this show when I was young with my family. Marcus Welby reminded me of our family doctors; he was kind, gentle, smart, and had a great bedside manner. And he made house calls! Don’t get me wrong, there are still many doctors with his characteristics and they kind of make house calls now over the computer but it’s not the same. Thanks, Dr. Welby, for caring for all of us for seven years.
Since this month is a Potpourri Month, I thought it might be fun to look at the career of stuntmen on television. I’m calling this one “Propourri” because you have to be well trained to do these types of stunts.
Left to right: stuntmen Bob Miles, Bob Herron, Whitey Hughes, actor Michael Dunn, stuntman John Hudkins, Bill Shannon, and actor Quintin Sondergaard. Photo: famousfix.com
A stuntman or stuntwoman is a person who performs dangerous action sequences in a movie or television show. They have usually had extensive training to do these perilous moves safely. Sometimes they are hired as a team with a stunt crew, rigging coordinator, and special effects coordinator.
Stuntmen like Evel Knievel are daredevils who perform for a live audience. If someone fills in for a specific actor all the time, they are stunt doubles. So, what type of stunts do these professionals perform? Sometimes it’s car crashes, explosions, fights, or falls.
The first stuntmen to entertain audiences were performers who traveled around, often in circuses. Later these types of performers worked with Buffalo Bill and in shows that celebrated the Old West.
Today we are going to concentrate on television performers. Currently, stunt professionals must be certified to obtain the insurance producers need to obtain.
The Academy of Television Arts and Sciences now awards Emmys for stunt coordinators but there is no Oscar for this work.
Life-threatening injuries are not uncommon in this work and sadly, deaths do still occur. While most of my research found stuntmen killed in movies, I only found one relating to television. In 1985, Reid Rondell was killed in a helicopter explosion filming Airwolf.
I thought it would be fun to look at the careers of a few stuntmen from the golden age of television. Most of these men made their money in films, but all three of them had successful careers working on television shows as well.
Whitey Hughes
Photo: findagrave.com
Whitey Hughes was born in 1920 in Arkoma, Oklahoma. He grew up on a farm, so in addition to working with plows and horse teams, he learned to break horses with his father. When he was sixteen, the family moved to Los Angeles. After graduating from high school, Whitey became a Screen Actors Guild member in 1947.
Whitey began his movie career in 1946. During the fifties, he worked on a lot of western films. Hughes said that in the early part of his career, he often had to be a double for the leading lady. (We’ll come back to this subject later in the blog.) He did stunt work for a variety of actresses including Anne Baxter, Rita Hayworth, Barbara Hershey, Virginia Mayo, Stephanie Powers, and Lana Turner.
Photo: westernclippings.com
Speaking of women, one of the roles, Whitey loved best was being the husband of Dotti; they were married for seventy years.
During the fifties, Whitey worked on a lot of westerns including Cheyenne. In the sixties, you would see him on Rawhide or as Kurt Russell’s double on The Magical World of Disney. If you want to see him in action, the best show to watch would be The Wild Wild West; his crew did some amazing things on that show and Whitey coordinated the stunt work for 1965-1968.
The eighties found him in Fantasy Island, Wonder Woman, and BJ and the Bear while in the nineties he was part of Little House on the Prairie and The Fall Guy. His last work was in a movie in 1998. In 2009, Whitey died in his sleep. It is good he died peacefully; I can’t imagine the toll that this type of work took on his body for fifty years.
Hal Needham
Photo: themoviedatabase.com
Hal Needham was born in 1931 in Memphis, Tennessee. He served as a paratrooper in the US Army during the Korean War. After the war, he worked as an arborist doing tree-topping services. He was also the billboard model for Viceroy Cigarettes while he was trying to establish his career in Hollywood.
Hal’s first big job was the stunt double for Richard Boone on Have Gun, Will Travel. From 1957-63 he was in 225 episodes. During the sixties, he would show up in many television series including Laramie, Wagon Train, Laredo, The Wild, Wild West, Star Trek, Gunsmoke, Big Valley, and Mannix.
Hal was the highest-paid stuntman in the world. That seems fitting because during his career he broke 56 bones, broke his back twice, punctured a lung, and lost a few teeth.
Needham was responsible for wrecking hundreds of cars, fell from many buildings, was dragged by horses, perfected boat stunts and was the first human to test the car airbag.
He revolutionized the work of stuntmen and worked to get his craft recognized and appreciated. He mentored up-and-coming professionals.
With Burt Reynolds Photo: youtube.com
His career transitioned from a stuntman to a stunt coordinator to a second unit director to a director. In all, he would work on 4500 television episodes and in 310 films, according to imdb.com. He made his directing debut on a movie he wrote called Smokey and the Bandit with Burt Reynolds and would go on to direct Hooper and The Cannonball Run for Reynolds among other series and films.
In 1977 Gabriel Toys debuted the Hal Needham Western Movie Stunt Set with a cardboard saloon movie set, lights, props, a movie camera, and an action figure that could break through a balcony railing, break a table and crash through the window. They have become highly collectible.
Photo: pinterest.com
Needham owned a NASCAR race team. He also set a Guinness World Record as the financier and owner of the Budweiser Rocket Car which is now on display at the Smithsonian’s National Air and Space Museum.
He also managed to win both an Emmy and an Oscar. Reynolds and Needham were close friends; Needham lived in Reynold’s guest house for 12 years and their relationship was used as the basis for the plot in Once Upon a Time in Hollywood.
Bob Herron
Bob Herron was born in 1924 in California. When his parents divorced, he moved to Hawaii with his father. The swimming and high diving he did there was a boost to his stunt career. His mother married Ace Hudkins who was a supplier of horses to the movie industry. Herron helped his stepfather in this business before enlisting in the Navy.
Photo: imdb.com
In 1950 he began doing stunt work. His first job was on Rocky Mountain with Errol Flynn and he was shot off horses. This would be a piece of cake compared to his role in Oklahoma Crude where he fell 55 feet from the top of an oil derrick into a stack of boxes.
In the sixties, he began his stunt work on television. He was in Gunsmoke, I Spy, I Dream of Jeannie, The Man from UNCLE, The Girl from UNCLE, Star Trek, Mission Impossible, Get Smart, and Bonanza. He doubled for Ross Martin in The Wild, Wild West. During the seventies, he appeared on Petrocelli, Little House on the Prairie, Marcus Welby, The Mary Tyler MooreShow, The Rockford Files, Kojak, and Charlie’s Angels among other shows. He was still going in the eighties doing his stunts on Hart to Hart, Magnum PI, Remington Steele, the Dukes of Hazzard, Matt Houston, Airwolf, The A-Team, and MacGyver. Despite being almost seventy, he continued in the nineties on shows like Father Dowling’s Murder Mysteries, The Wonder Years, and Murder She Wrote.
I did smile a bit to see shows like I Dream of Jeannie and The Mary Tyler Moore Show on this list. The Jeannie episode is one where she brings her great-grandfather to Cocoa Beach to show Tony how to desalinate water and the Mary episode is one where Sue Anne falls in love with someone who doesn’t return the feelings. I guess it proves you never know where a stunt person will show up.
I don’t know how he managed to survive sixty years performing dangerous stunts but he must have been in amazing physical shape.
I did promise to come back to men having to double for women in the forties and fifties. Thankfully, that is no longer the case, and women’s numbers are increasing among the 3400 stunt performers in SAG.
Former gymnast Shauna Duggins did the hard fighting work in Jennifer Garner’s show Alias. Because pay is determined by union contracts, stuntwomen do not suffer from the pay discrimination that sometimes shows up in the industry. Stunt performers are paid a minimum of $1005 for one day of work and they can negotiate higher pay based on their experience.
Shauna Duggins and Jennifer Garner Photo: broadwayworld.com
Duggins was at the University of California Davis when she first thought about being a stuntwoman. She learned more about martial arts and spent hours working out in gyms after graduation. In 2000 she auditioned for stunt work in The X Files as Krista Allen’s double and got the job. Then she was in Charlie’s Angels for Kelly Lynch and Cameron Diaz.
It was after that movie that she got the role on Alias where she worked for five years. To protect these women, SAG has a 24/7 hotline for performers to phone if they feel they have been the victim of sexual abuse.
In 2018 Duggins won an Emmy after twenty years in the business. Her advice to young women who decide to make this their career: “train as much as you can in various skills. Go to different gyms with stunt performers, train with all of them and just learn from each other.”
I’m glad we took some time to learn about the tough and dangerous job these performers do. It was so interesting to learn a little bit about some of these industry stars.
We are winding up the blog series, “One-Named Detectives,” and I think we saved the most interesting private eye for today: Columbo.
Photo: americana.com
Columbo was on the air from 1971-2003, the longest of the five detectives we looked at in this series (Cannon, Kojak, Mannix, Matlock, and Columbo), but oddly had the fewest episodes with 68 (Cannon had 120, Kojak had 117, Matlock with 181, and Mannix had the most with 194).
Richard Levinson and William Link created Columbo (they also were the force behind Mannix). Levinson and Link met in junior high and they were a writing team until 1987 when Levinson passed away. This show was a bit different; it actually had two pilot episodes in 1968 and 1971. It originally aired from 1971-1978 in The NBC Mystery Movie series. It alternated with McMillan and Wife, McCloud and Hec Ramsey. ABC revived the show from 1989-2003, but it was not a weekly show then either. Falk didn’t want a weekly show, so the series was scheduled for one Wednesday a month. For season two, the series was moved to Sunday nights where it continued until 1978.
Falk with Hector Elizondo–Photo: columbophile.com
In the original concept for the show, Columbo was described as smooth-talking and cultured. The first choice for an actor to play the role was Bing Crosby who declined. When Falk showed up for his audition, he came in wrinkled clothing, aimlessly chattered, and seemed a bit scatter brained so the producers changed the character.
The show had some interesting directors. One of the directors on the show was Steven Spielberg who directed “Murder by the Book.” Falk himself directed the final episode of season one, “Blueprint for Murder.” Nicholas Colasanto who played Coach on Cheers directed two of the shows, “Etude in Black” and “Swan Song.” Patrick McGoohan directed five episodes (including three he guest starred in), as well as producing and writing two others. Falk’s friend actor Ben Gazzara directed “A Friend in Deed” and “Troubled Waters.”
On Columbo, we see the crime being committed long before we meet Lt Columbo (Peter Falk), so we know who committed the crime from the beginning. The fun of the episode is in watching Columbo investigate the crime and how he solves it. Columbo never introduces himself with his first name and no other character in the show uses it either. In season four, Colonel Rumford asks Columbo if he has a first name, and his response is “I do, but usually only my wife uses it.” Apparently, in one episode, a badge is scanned and lists his name as Frank, but William Link stated that Columbo was written without a first name.
Photo: pinterest.com
Columbo was a very disheveled detective who always showed up in a rumpled raincoat, smoking a cigar and appearing as if he was not quite all there. Falk used his own wardrobe for the character. The infamous raincoat was one he bought for $15 in 1967 when he got caught in a New York City rainstorm.
However, behind the façade of an inept policeman was a brilliant mind. He asked a lot of seemingly non-essential questions and paid attention to every detail. After interviewing a suspect, he always said, “Just one more thing.” Falk improvised during filming. He might ask for a pencil, search for something or throw in an unscripted line and did it to create a genuine confusion on the part of the other actor so it appeared more realistic.
This was definitely a one-man show, but there were a few characters who had recurring roles: Mike Lally played a bartender in 25 episodes, John Finnegan was Barney on 13 shows, and Bruce Kirby as Sgt George Kramer was seen nine times.
Photo: recordonline.com
Columbo’s car is a 1959 Peugeot 403. Apparently, only 504 convertibles with two doors were made that year. When NBC cancelled the series, the car was sold. ABC had to locate a replacement when they picked the show up later. You can tell the difference because the license plate from NBC seasons was 044-APD and the plate from ABC shows was 448-DBZ.
Most of the suspects on the show were clever, wealthy people who think they have covered their tracks and have a solid alibi.
For only 68 episodes, there were a lot of famous guest stars on the show. Some stars even portrayed two different criminals including Jack Cassidy, Robert Culp, George Hamilton, Patrick McGoohan, and William Shatner. Other guest stars showing up were Anne Baxter, Johnny Cash, Faye Dunaway, Jose Ferrer, Ruth Gordon, Lee Grant, Janet Leigh, Vera Miles, Ray Milland, Leonard Nimoy, Donald Pleasence, Dick Van Dyke, and Robert Vaughn.
Falk with Dick Van Dyke–Photo: amazon.com
There was a variety of music written for each episode of the show. The Mystery Movie Theme was written by Henry Mancini and was used for the NBC shows. Both Quincy Jones and Mike Post also wrote versions of The Mystery Movie theme. One song uniquely belonging to Columbo was “This Old Man.” Falk can be heard humming or whistling it in various episodes after it was introduced in a 1973 show.
The show received thirteen Emmys during its run. Falk won the Emmy the first season and again in 1976. He was nominated in 1973, 1977 and 1978 but lost to Richard Thomas, James Garner and Ed Asner respectively. The series was nominated in 1972, 1973, 1976, 1977, and 1978 (winners were Elizabeth R Masterpiece Theater; The Waltons; Police Story; Upstairs, Downstairs; and The Rockford Files).
Photo: wallpapersplanet.net
The show was very popular and was broadcast in 44 countries. There is a statue of Columbo in his coat in Budapest, Hungary on Falk Miksa Street. The story behind it is that according to then-mayor Antal Rogan, Falk is a relative of Falk Miksa who was a Hungarian writer and politician, but I could not verify if that was true or not. What is true is that it was put up in 2014 at a cost of $63,000.
When he is questioning witnesses, Columbo often throws in random references to his wife and or something the couple liked to do, but we never see her in the series. However, later a show was created, Mrs. Columbo starring Kate Mulgrew. Falk’s real-life wife Shera Danese was cast in six of the Columbo episodes, always appearing as a different character.
A group of novels was adapted from the Columbo tv series by MCA written by Alfred Lawrence, Henry Clements, and Lee Hays.
Columbo has been a popular show in syndication and can currently be seen on ME TV Sunday nights. The shows run from 70-98 minutes which probably makes syndication interesting. The entire set is available on DVD for about $50.
Unfortunately, Peter Falk was diagnosed with dementia in 2007, and by 2009 he could not recognize photos of himself and did not remember playing Columbo. He passed away in 2011.
Columbo
It’s been fun looking at these five detectives for this series. When I put this together, I chose five private eyes I thought would make good articles. What I didn’t realize, is that four of them were all from the same era. In fact, in 1973, Columbo was on Sunday nights followed by Mannix and both were in the top twenty and on Wednesday nights Cannon was on followed by Kojak and both were in the top ten. The following year, Sunday nights featured Kojak before Mannix which was still in the top 20 and they were on at the same time as Columbo. Cannon eventually moved to Sunday night but also spent part of the year on Wednesdays where it was also in the top twenty. Matlock debuted in the late eighties, after the other shows except Columbo had all gone off the air.
Cannon, Kojak, Mannix, Matlock, and Columbo—five very different types of detectives who had one thing in common: good writing. Check them all out and I’d love to hear which one is your favorite.
We are in the midst of our western series, and today we turn our attention to a show that was on ABC for four years, from 1965-1969: The Big Valley. Created by A. I. Bezzerides and Louis F. Edelman and produced by Levy-Gardner-Laven (a trio of Jules V. Levy, Arthur Gardner, and Arnold Laven).
Photo: amazon.com
The series is set on the Barkley Ranch in the 1870s, home of the Barkleys, one of the wealthiest families in the area. The ranch is based on the 30-acre Hill Ranch which existed from 1855-1931. Lawson Hill was murdered in 1861 ad then his wife Euphemia ran it. They also had three sons and one daughter. Today the ranch is covered by Camanche Reservoir waters. The exterior shot of the house used in the show was also Tara in Gone with the Wind.
Photo: pinterest.com
On Big Valley, Victoria Barkley (Barbara Stanwyck) runs the ranch with the help of her sons Jarrod (Richard Long), Heath (Lee Majors), and Nick (Peter Breck) and daughter Audra (Linda Evans).
Barbara Stanwyck Photo: pinterest.com
Heath was her husband’s illegitimate son, but she considered him her own child. He never met his father who had never been told of his existence; Heath learned it from his mother on her deathbed.
The boys of Big Valley Photo: tapatalk.com
Jarrod was an attorney and was refined and well educated. He was briefly married but his wife was killed shortly after by a bullet meant for him. Nick was the younger, hot-tempered son who helped his mother run the ranch. He was a soldier in the Union Army during the Civil War. He had a great sense of humor and was very loyal to his family.
Linda Evans Photo: insp.com
Audra was rather bold for the times. She was a tomboy but had a soft heart and tended to children at the local orphanage.
There was another younger Barkley, Eugene (Charles Briles), who was a medical student at Berkeley. He was seen off and on through season one, then drafted into the army and never really mentioned again.
Considering that the show was only on the air four years, a lot of stars appeared. A small sample includes Jack Albertson, Lew Ayres, Anne Baxter, Milton Berle, Charles Bronson, John Carradine, Yvonne Craig, Yvonne DeCarlo, Richard Dreyfuss, Robert Goulet, Julie Harris, Ron Howard, Cloris Leachman, Gavin MacLeod, Leslie Nielsen, Regis Philbin, Lou Rawls, Pernell Roberts, Wayne Rogers, Katharine Ross, William Shatner, and Adam West.
Lou Rawls guest star Photo: imdb.com
The Big Valley was a western but with a few twists and never predictable. It was the first time a woman would have the lead in a western. The Barkleys may have been wealthy, but they were raised right. They were hardworking and fought for the underdog, making sure justice prevailed. However, it was not a cliché; no one could be trusted and nothing was exactly as it looked. Characters who appeared angelic ended up being truly evil.
Photo: hulu.com
Unfortunately for the show, it was coming in at the end of the western’s popularity and was never in the top 30 during its time on the air. The other new shows that began when it did included Get Smart, I Dream of Jeannie, Hogan’s Heroes, Lost in Space, F Troop, and The Wild Wild West.
However, it received good reviews, and in 1966, Stanwyck was nominated and won the Emmy for drama series. She would also be nominated in 1967 and 1968, losing to Barbara Bain from Mission Impossible both years.
The theme was composed by George Duning. In 1966, a soundtrack from the show was released in mono and stereo versions. During his career Duning would work on more than 300 movie and television scores.
Like many television shows in the fifties and sixties, Dell Comics published six comic books based on the show. For some reason, I did not see much in the way of merchandising for this show compared to other westerns or shows from the sixties.
Photo: pinterest.com
The cast got along well. Evans and Stanwyck were exceptionally close and rehearsed at Barbara’s house every Saturday. When Arthur Gardner was interviewed on the Television Academy, he said that Stanwyck mentored the younger cast members. He said “he could not praise her enough” for the work she did.
Photo: pinterest.com
It’s too bad the show didn’t begin earlier in the decade; it might have been able to stay on the air a bit longer. It was a unique concept with a powerful woman as the star. You can currently see it on Me TV on Saturdays as well as a few other networks.
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