Is It A Western? A Spy Show? A Thriller? No, It’s The Wild Wild West

There was no specific category for the Wild Wild West when it first debuted in 1965.  Part western, part spy show, part thriller.  Now, it might be called steampunk. Westerns had been extremely popular through the 1950s and into the 1960s, but in the mid-1960s, the spy genre was gaining ground. Creator Michael Garrison combined the two. Secret Service agents Jim West (Robert Conrad) and Artemis Gordon (Ross Martin), work for President Ulysses Grant and travel the country by luxury train, the Wanderer.  Oh yeah, and they have a ton of technology to make the job more exciting. Artemis is a master of disguise.  Like James Bond, they had clever gadgets on hand, beautiful women in the wings, and delusional, but brilliant, enemies to fight against.

Photo: decades.com

The series debuted in 1965 and ran for four seasons, resulting in 104 episodes. Unfortunately, Garrison died a year into the show and didn’t live to see its completion. The show was filmed at CBS Studio Center. The 70-acre lot was used for Gunsmoke, Rawhide, and Gilligan’s Island as well.

The theme song was written by Richard Markowitz. The intro had an animated sequence that continued to be filled in throughout the show. This was quite unique to this program.

Conrad claimed to be the 17th actor to audition for the role of James West. Originally, Rory Calhoun was announced as the co-star. Conrad wore three-inch heels to hide that he was only 5’8”. Due to his height, the casting office was barred from hiring women over 5’6” for the show. The first few episodes used stuntmen, but Conrad felt that it slowed production down too much, so he volunteered to do his own stunts. During season three, he fell from a chandelier and hit a concrete floor, leaving him with a concussion and weeks of hospitalization for dizziness.

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Ross played over 100 different characters during the run of the series. He sketched out the ideas for the characters himself and then worked with the make-up artists to get the right look. During the fourth season, Martin broke a leg when he dropped a rifle, stepped on it, and rolled his foot over it. When the shell ejected, it burned his eye. Ross also suffered from a heart attack in 1968. Several other agents “filled” in for Martin while he recuperated.

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Considering the show was only on for four years, it featured a number of guest stars including Ed Asner, John Astin, Jim Backus, Ed Begley, Victor Buono, Jackie Coogan, Yvonne Craig, Sammy Davis Jr., Jack Elam, Norman Fell, Bernard Fox, Mary Frann, Beverly Garland, Alan Hale Jr., Boris Karloff, Richard Kiel, Ted Knight, Harvey Korman, Martin Landau, Sue Ane Langdon, Peter Lawford, Ida Lupino, Burgess Meredith, Agnes Moorehead, Phyllis Newman, Leslie Nielsen, Carroll O’Connor, Pat Paulsen, Suzanne Pleshette, Richard Pryor, Don Rickles, Pernell Roberts, Katherine Ross, William Schallert, Vito Scotti, Ray Walston, Jesse White, and Keenan Wynn.

The train was also a co-star of the show. The spies had two different trains. The first was used for season one when the shows were filmed in black and white. It was a Sierra Railroad No. 3 which was not built until 1891, a mere technicality I guess. The Rogers Locomotive and Machine Works built it in New Jersey. Footage was shot in Jamestown, California. This same train was the Cannonball in Petticoat Junction.

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The shows filmed in color featured a train decorated with green and gold and it was full of fun gadgets. This one was built in 1875 by the Baldwin Locomotive Works in Philadelphia. It was used in many films over the years.

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Both these trains are on display at the Nevada State Railroad Museum. They were only featured in exterior shots. The interiors of the trains were designed by art director Albert Heschong with set decorator Raymond Molyneaux. It reportedly cost $35,000 in 1965. To put this in perspective, the average house in 1965 cost less than $4,000! The train was as resourceful as West and Gordon. A remote control under the table could immediately lock the door. A statue turned upside down unlocked a wall safe. A telegraph set was hidden in a book on the desk. Pistols could be fired by activating a fireplace switch. The pool table had exploding balls while cue sticks could fire bullets.

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Many of the guest stars were villains in the show. The most famous villain was Dr. Miguelito Loveless played by Michael Dunn. He had a recurring role, appearing on ten episodes. He always managed to escape at the end of the show. West and Artemis never did catch him, and a TV movie filmed later relays that he died in 1880 from ulcers brought on by the stress of his plans always being foiled by West and Gordon.

Like Batman, Jim West always seems to have the right gadget at his disposal when he needs it. Some of his more fun props included a sleeve gun as well as a gun concealed in his heel. He also occasionally carried a blowtorch in his heel. Passkeys were stored under his lapel. He kept a variety of fuses sewn into hems in his clothes. To descend into a pit or be hoisted up on a roof, he had a hand-held motor-driven winch. Glass cutters which often are useful were available. Wires placed in his hat had many uses. Battery-powered drills helped the boys escape metal cages. His kit bag held a large balloon. A miniature player made villains think shot guns were being fired. Of course, every smart secret service man wears a bulletproof vest and is always equipped with tear gas or smoke bombs. They even had a cigar that would produce smoke when thrown on the ground and a coin that exploded when exposed to heat.

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There typically were two fights in each episode choreographed by Whitey Hughes. Following the 1968 assassinations of Dr. Martin Luther King and Robert Kennedy, a National Commission on the Causes and Prevention of Violence was formed. Violence on television was listed as one of the problems, and The Wild Wild West was cited as a violent show. So, despite high ratings, the series was cancelled near the end of its fourth season as a concession to Congress over television violence.

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However, the show was then released into syndication and at one time was listed on 99 different local channels, so the violence on television was not curbed by its cancellation.

Several books and comic books were created based on the show. In 1979, the two stars returned to television with a movie, The Wild Wild West Revisited. In 1980, they showed up again in More Wild Wild West. Rumors existed that the duo would do a reboot of the series, but Ross died in 1981 so it never came to fruition.

A movie was made in 1999 based on the original show, but it was not received well. Will Smith later expressed regret for his role in the film. The Golden Raspberry (Razzie) is awarded to the worst films. When the 1999 film was awarded five Razzies, Conrad accepted them on behalf of the movie to show his displeasure with the remake.

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The show’s success primarily stemmed from the fact that Artemus and West trusted each other completely, and their banter and technological gadgets made the show a pleasure to watch. And did I mention, the boys loved women on and found a romance on every show. We’ll let the characters have the last word:

Artemus Gordon: “Naomi. ’My sweetness’. That’s what Naomi means in Hebrew, did you know that ?”

Naomi Buckley: “Really ? And what does Artemus mean ?”

James West: “It means ’He who wastes little time‘.”

Photo: filmscoremonthly.com

Artemus Gordon: “I didn’t know you liked toys.”

James West: “Toys, no. Dolls, yes.”

Mister Ed:

In the 1960s we had some crazy sitcom situations: a wife who was a witch, a genie who was found in a bottle, a dead mother who inhabited a car, and the Munsters who tried to adjust to a normal human world.  One show that was not that incredible was Mister Ed. If someone said they were writing a show about a talking horse, it should sound a bit far-fetched, but when you watched the show, it all seemed quite plausible. Let’s take a look at what made Mister Ed a fairly well-written and enjoyable series.

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Mister Ed was developed by Arthur Lubin, a producer and director. Lubin had worked on the Francis the talking mule movies. He wanted to make a similar show for television. He was unable to gain the rights to Francis, but then he heard about children’s author Walter R. Brooks. Brooks had a series of short stories about a talking horse. His stories were published by Bantam, but since he passed away in 1958, he was never able to see the television show his work inspired.

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The pilot was financed by George Burns and filmed at his McCadden Studio. It was titled “Wilbur Pope and Mister Ed.” Scott McKay played Wilbur Pope, Sandra White played his wife, and Mr. Ed was played by a chestnut gelding that was temperamental and difficult to work with.

 

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Lubin was not able to sell the show to one of the major networks, so he financed it as a syndication sitcom. The cast was switched up a bit. Bamboo Harvester, a golden Palamino, was brought in as Ed and his voice was kept secret at the time but was Rocky Lane, an older Western star.

Allan Young came on board as the now named Wilbur Post, and Connie Hines played his wife Carol. Young was actually a blonde but in the black and white version, his hair blended into the horse’s, so Connie Hines’ hairdresser would dye Young’s hair brunette. Originally Lubin discussed naming it The Alan Young Show, but Alan did not want to do that in case it bombed. He did, however, buy into the show, which resulted in his earning a lot of money later.

Ed’s singing voice was provided by Sheldon Allman. However, the line “I am Mister Ed” at the end of the theme song was done by the song’s composer, Jay Livingston.

Jay Livingston and Ray Evans wrote the theme song. An instrumental version was used for the first seven episodes, and then lyrics were added. The lyrics are:

A horse is a horse, of course, of course.

And no one can talk to a horse, of course.

That is, of course, unless the horse is the famous Mister Ed.

Go right to the source and ask the horse.

He’ll give you the answer that you’ll endorse.

He’s always on a steady course.

Talk to Mister Ed.

People yakkity-yak a streak and waste your time of day,

But Mister Ed will never speak unless he has something to say.

A horse is a horse, of course, of course.

And this one’ll talk ’til his voice is hoarse.

You never heard of a talking horse?

Well listen to this: I am Mister Ed.

 

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The first 26 episodes were so popular, CBS picked it up. It aired on CBS from October 1961 until February 1966. During the sixth season, CBS moved the show from the prime time schedule and broadcast it on later on Sunday afternoon. There are 143 episodes in all, and they were all filmed in black and white.

 

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Photo: Hooniverse.com

Lubin got Studebaker Packard Corporation to sponsor the show in syndication which it continued to sponsor once CBS picked it up. The Posts own a 1962 Lark convertible. Studebaker’s sales plummeted in the early 1960s, and production stopped in 1963. From then on, Ford provided the cars seen on the show.

Ed also had a double named Pumpkin, a quarterhorse, which was his stunt double. Later Pumpkin was featured in a pudding commercial and went on to appear in another Filmways Presentation show, Green Acres.

The Posts live in Los Angeles. Wilbur was an architect.

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Photo: youtube.com

The Posts’ neighbors and friends were Roger and Kay Addison played by Larry Keating and Edna Skinner.  Keating died in the middle of the series, and Edna continued on the show. Later Wilbur’s former commanding officer, Col. Gordon Kirkwood (Leon Ames) and his wife Winnie (Florence MacMichael) moved into the Addisons’ home.

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Both the Addisons and the Kirkwoods think Wilbur is a bit nuts. They often hear him talking to himself and, to cover for Ed, he gets involved in a lot of awkward situations. Wilbur is also a bit accident prone.

Wilbur’s wife resented the time Wilbur liked to spend with his horse instead of her. Her father, Mr. Higgins (Jack Albertson), thought she should leave Wilbur and considered him a “kook.”

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Mr. Ed only talks to Wilbur. The only reason given for Ed refusing to talk to anyone else is that he thought Wilbur was the only person worth talking to. It worked because Ed was not treated as an unbelievable horse who could talk. He appeared as an equal character. Ed was also quite intelligent. He could read and play chess. He was able to use the phone to get information.  Bamboo Harvester really could answer the phone; he just could not have a conversation. He was also able to open the barn door. Ed would also pout at times when he didn’t get his way and threatened to run away a lot.

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Photo: itschess.blogspot

In an online article, “The World of Mr. Ed-What You Didn’t Know About the Talking Horse,” written by Ed Gross on April 24, 2018, he quoted Ben Starr who wrote 42 of the episodes. He explained that the reason the show worked was because he and producer Lou Derman “really knew how to do that show because we figured out how to make it work for kids and grownups. You had to take care of the grownups, and that was our secret.”

Mister Ed featured a lot of famous guest stars including Mae West, Clint Eastwood, George Burns, Zsa Zsa Gabor, Leo Durocher, Jon Provost, Sebastian Cabot, Donna Douglas, Irene Ryan, Alan Hale Jr., Neil Hamilton, William Bendix, Sharon Tate, and Jack LaLanne.

 

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Bamboo Harvester was trained by Les Hilton.  At a time when trainers could be considered somewhat cruel, Hilton was always respectful of his animals and never used force or abuse on them. Hilton had to be on the set whenever the horse was. To make Ed appear to be talking, Hilton originally used a nylon thread to open his mouth. Bamboo Harvester was quite smart though and learned to talk on cue whenever Hilton touched his hoof. A story made the rounds that Ed was made to talk by applying peanut butter to the horse’s mouth, but later Young admitted he made that up because it was more interesting than the real story.

 

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Bamboo Harvester appeared to be a professional. He usually only needed one take to complete his action. Hilton had to teach him to play a variety of sports including riding a skateboard. However, when he got tired of working for the day, he just walked off the set. He received twenty pounds of hay and a gallon of sweet tea daily.

Apparently Young and the horse became close. Young had a great respect for his co-star and after the show ended, he would make trips to see Bamboo Harvester in his retirement.

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I could not find a definite date of death for the horse. There are a lot of conflicting stories about it. Young claimed that the horse was in a stable in California where he lived on Hilton’s property. One version is that one day when Hilton was out of town, Bamboo Harvester was given a tranquilizer because he was having trouble getting up and he died hours later. Another story I read was that the horse was euthanized in 1970 in Oklahoma. He was reported to be suffering from arthritis and kidney problems.

One story I did confirm is that a horse did die in February of 1979 in Oklahoma, but it was not Bamboo Harvester, but a horse that posed for still pictures for the show which led to false reports of his being Mr Ed when he died.

Apparently, a reboot was planned for the Fox network in 2004, starring Sherman Hemsley as the voice of Mr. Ed, David Alan Basche as Wilbur, and Sherilyn Fenn as Carol. I could not find any information whether a pilot was ever filmed or not.

Another movie version was discussed in 2012 when Waterman Entertainment announced they were developing a new feature film based on the television show. Once again, I could not find any further information on the movie.

 

Mister Ed was popular during its run. A lot of collectible products were created in the 1960s including comic books and board games.

Mister Ed was not a show on my “must-watch” list, and I don’t watch a lot of the reruns. However, when I do catch one, I never feel like I wasted my time. The show worked and felt believable. Currently, it is not on either Me TV or Antenna TV, but it is available on DVD.

Go Green, Green Acres That Is

In the 1950s, a lot of the top shows were set in residential or suburban areas:  Father Knows Best, Ozzie and Harriet, the Donna Reed Show, and December Bride to name a few.  In the early 1960s, the rural sitcom became the hottest genre.  In 1963 The Beverly Hillbillies was #1, Petticoat Junction was #4, and The Andy Griffith Show was #5. Filmways offered Paul Henning the chance to produce a new rural show with no pilot necessary.  Filmways was created in 1952, and the company was behind many successful shows including The Debbie Reynolds Show, The Pruitts of Southampton, Mr. Ed, The Addams Family, and Cagney and Lacey.

Paul Henning approached Jay Sommers to create the new rural comedy. Sommers based the series on a radio show he had written in 1950 —  Granby’s Green Acres.  Granby was based on a book, Acres and Pains by S.J. Perelman. The radio show only lasted for 13 episodes and starred Gale Gordon and Bea Benaderet. Granby was a former banker who moved to the country to run a farm.  He also had a daughter, and the general store owner was a major character, Will Kimble, played in the first episode by Howard McNear. A couple of titles proposed were Country Cousins and The Eddie Albert Show, but the final decision was Green Acres.

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Green Acres ran on CBS from 1965-1971 with solid ratings. It produced 170 episodes, all filmed in color.  Richard Bare directed most of the shows. At the end of each episode, Eva Gabor would say “This has been a Filmways presentation dahling.”

While the Beverly Hillbillies took a family out of the mountains and put them in Beverly Hills, Green Acres went with the opposite scenario.

The premise of the show was that Oliver Douglas  who had been a busy attorney in New York City decides he wants to move to the country to run his own farm. His wife Lisa  does not agree. He buys a farm unseen in Hooterville. We are never told where Hooterville is, and I think everyone has their own idea of which state it might be in. The house and farm are more run-down and dilapidated than Lisa ever imagined in her worst nightmare.  The citizens of Hooterville are a quirky set of characters.

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The debut show was done as a documentary narrated by John Daly, a former newscaster and the host then of What’s My Line.  Eddie Albert and Eva Gabor appeared on What’s My Line later in the fall as a thank you to Daly. As you can see below, Oliver’s mother is horrified by his choice.

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The theme song is memorable and tells the backstory of the Douglases:

Oliver: Green Acres is the place to be – Farm living is the life for me –Land spreading out so far and wide – Keep Manhattan, just give me the countryside.

Lisa: No, New York is where I’d rather stay – I get allergic smelling hay – I just adore a penthouse view – Darling, I love you but give me Park Avenue

Oliver: The chores

Lisa: The stores

Oliver: Fresh air

Lisa: Times Square

Oliver: You are my wife

Lisa: Goodbye city life

Both: Green Acres, we are there

Snippets of country and New York city were shown while the stars sing, and ends with both of them in the same pose as “American Gothic” by Grant Wood.

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Like the Andy Griffith Show, the series worked because of the interaction between these Hooterville citizens who become believable for us. Let’s meet the cast of characters.

Oliver Wendell Douglas (Eddie Albert) – Oliver is intelligent, hard-working, and practical to a fault.  He has to deal with a kooky wife, a disapproving mother (played by Eleanor Audley who was only 5 months older than Albert), and the quirky neighbors that surrounded him. However, Oliver has a respect for the wisdom these people have about farming and rural life.  Despite the fact that he seems to be the only sane person in the valley, it’s obvious he truly has an affection for the folks he lives with.

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Lisa Douglas (Eva Gabor) – Lisa grew up in a wealthy Hungarian family. Her misuse of the English language is one of her endearing qualities. She has a hard time adjusting to farm life.  In one episode she is using a stapler to fix Oliver’s socks.  While Oliver is telling her how woman for centuries have sewn socks, Fred Ziffel, the most experienced farmer in Hooterville enters the room and tells her he notices she is mending socks; his wife does it the same way. Despite the fact that Lisa did not want to leave the city, she adapts to living in the country quickly and develops an understanding with the neighbors Oliver never attains.

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Eb Dawson (Tom Lester) – Eb is the farmhand who lives with the Douglases.  He comes off as naïve, but we understand Eb is much smarter than he lets on.  He is always trying to get less work for more money.  He calls them Mom and Dad which Lisa loves but drives Oliver crazy.

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Mr. Eustace Haney (Pat Buttram)- Mr. Haney is the unethical and dishonest salesman who originally sold Oliver the farm, which belonged to his family. He is always showing up to sell them something they need at outrageous prices. [Pat Buttram was Gene Autrey’s sidekick in the movies and tv; Smiley Burnette, Charley, who runs the Cannonball, the local train on Green Acres and Petticoat Junction, was Autrey’s sidekick in radio and movies and  Buttram replaced him when he moved on.]

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Sam Drucker (Frank Cady) – Sam was a busy guy; he ran the general store, he was the newspaper editor, was the only printer in town, he was part of the volunteer fire department, he was the justice of the peace, and he’s the postman. Apart from Oliver, he was the smartest and most sane person in the valley, and he and Oliver often commiserated about the crazy life going on around them.

Hank Kimball (Alvy Moore) – Mr. Kimball was the county agricultural agent who was supposed to help Oliver adjust to farming. He often loses his train of thought and rarely follows through on the news or information he is supposed to relay.

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The Monroe Brothers – Alf (Sid Melton) and Ralph (Mary Grace Canfield) are a brother and sister team that Alf portrays as brother and brother in order get work. Their projects are never finished on time, and rarely finished the right way.

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Fred and Doris Ziffel (Hank Patterson and Barbara Pepper/Fran Ryan) – the Ziffels were successful farmers.  They had no children, but they had a pet pig that they considered a son.

 

Arnold Ziffel – Arnold Ziffel was their pet pig and one of the most intelligent people in Hooterville. He understands English, attends the local grade school, lives inside in his own bedroom, can sign his name, and is a bit addicted to television watching, especially westerns. A new pig was used each season because they grew so fast. The Union demanded the pigs be payed $250 a day and were trained by Frank Inn. In 1967 Arnold won a Patsy award.

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Some of the other animals featured on the show included Eleanor the Cow; Bertram the rooster; Alice the hen; and Mr. Haney’s dog, Cynthia, a basset hound who had a huge crush on Arnold.

Green Acres had its fair share of guest stars including Parley Baer, Robert Cummings, June Foray, Alan Hale Jr., Elaine Joyce, Gordon Jump, Bernie Kopell, Al Lewis, Rich Little, Al Molinaro, Pat Morita, Jerry Van Dyke, and Jesse White.

The show was 25% surrealism, 25% satire, and 50% just plain fun.

Some of the running gags on the show were the fact that people, except Oliver, could see the credits running, and Lisa often commented on them. A lot of the jokes were at Oliver’s expense.  He was the only one in town who could not understand Arnold’s grunts. Also, whenever Oliver got passionate about something, he went into a monologue, usually patriotic, and everyone but him could hear fifes playing.

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Lisa’s hotcakes were good for many projects, just not eating. The Douglases had a feud with the phone company because they were supposed to move their phone inside.  Whenever they had to use the phone, Oliver had to climb up a phone pole to talk. Oliver had a Hoyt-Clagwell tractor which was usually breaking down, catching on fire, or falling apart.

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We also had the stark extremes of sophisticated New York living and rural life.  Lisa continued to dress in beautiful gowns and furs.  They slept in a huge, expensive bed, with an elaborate chandelier over their heads, but their closet had no back so neighbors walked in on and off. The fire department marching band often practices at Sam Drucker’s store but for all five years whenever they practice, they only know one song, There’ll Be a Hot Time in the Old Town Tonight.

Although Lisa continues to threaten to move back to New York City, aided and abetted by Oliver’s mother, we know she loves him and will never leave without him.  Despite their arguments, Lisa and Oliver are frequently seen kissing and hints are given about them retiring to their room together. In real life, Albert and Gabor were dear friends and they are both buried in Westwood Village Memorial Park Cemetery in Los Angeles. Tom Lester, Eb, credited Albert with helping him as an actor and being a surrogate father to him; the two remained close friends until Albert passed away.

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There are many cross-overs with Petticoat Junction and the Beverly Hillbillies. Sam Drucker was featured in both Green Acres and Petticoat Junction. Some of the characters visited each other on various episodes. It is funny that Bea Benaderet starred in Petticoat Junction as well as the radio show Granby’s Green Acres which means Green Acres was based on her radio show and was a spin-off of her television show. In 1968, a Beverly Hillbillies Thanksgiving Show united cast members from all three shows.

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With 170 episodes, it’s hard to come up with the best five, but after looking at various polls and tv guide reviews, I will do my best to represent the majority’s votes:

“Music to Milk By” – Eb wants to win a radio contest and he has to listen day and night which cuts into his chores, especially when the cow swallows the radio.

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“I Didn’t Raise My Pig to be a Soldier” – Arnold Ziffel gets a draft notice. Oliver acts as his attorney before the draft board. They are assuming Oliver is making fun of them with the pig and the real Arnold is elsewhere. After a lot of explanations and some time in jail, Oliver convinces them Arnold is really a pig.  The end of the show has Oliver back before the draft board because Ralph Monroe, a woman, who they think is a man, has been drafted.

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“The Hooterville Image” – The town agrees Oliver needs to do chores in overalls. He has been farming in a vest and dress shirt. They finally convince him to become more accepted by switching his attire until they see the overalls Lisa’s dress designer came up with.

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“The Computer Age” – Ralph Monroe joins a computer dating service. Oliver and Lisa disagree on whether that is a good idea. Oliver thinks it is. He also thinks computers are the best way to run a farm. To prove her point, Lisa uses the service to see if she and Oliver would have been paired up.

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“A Star Named Arnold is Born, Parts 1 and 2” – Arnold appears in a play at the local theater. Lisa arranges for an old friend to give him a chance in show business. In the second part, Lisa and Oliver chaperone his trip to Hollywood to star in a motion picture.

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Oddly enough the top four were all from season 2, and “A Star Named Arnold Is Born” is from season 3.

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In Spring of 1971, Green Acres was still pulling in good ratings.  However, the Rural Purge of 1971 got rid of all shows that had country leanings whether they were audience favorites or not.

 

In full disclosure, I loved Petticoat Junction growing up, and I could not stand the Beverly Hillbillies.  I thought Green Acres was okay but if I missed it that was okay too.  As I’ve gotten older, I still love Petticoat Junction, and I still don’t care for the Beverly Hillbillies, but I have developed a much greater appreciation for Green Acres.  If a show was capable of having a sense of humor, this one did.   It never took itself seriously.  Eddie Albert was willing to be the straight guy to the rest of the ensemble. The character interaction worked, and no dialogue came off as too zany.  The citizens might not have always agreed or understood each other’s lifestyles, but they had affection and respect for each other. Lisa’s reading the credits and different characters addressing the audience brought us in on the jokes and made us part of the Green Acres family. Now when I watch the show, I laugh out loud – a lot! I don’t laugh at the characters, I laugh with them. For being a rural sitcom, this show has some sophisticated humor.  If you have not watched the show in a while, you owe it to yourself, as well as the cast and crew who created it, to get to know the folks in Hooterville.