The Munsters: The All-American Family?

The Munsters Photo: collider.com

This month’s blog “theme is “Kinda Creepy.” These are not shows that will give you nightmares or have you sleeping with the nightlight on. But they did have a touch of ghoul or terror. First up is one of our All-American families, The Munsters.

The creators of Leave It to Beaver, developed this series to be a satire of suburban life. The opening credit shows Lily handing her family their lunches as they run out the door just like Donna Reed did in The Donna Reed Show in the fifties. The Munsters are a perfectly normal family except for a few eccentric and trivial things like Herman (Fred Gwynne) being a Frankenstein, Lily (Yvonne De Carlo) being a vampire, Grandpa (Al Lewis) who can turn into a bat, and werewolf son Eddie (Butch Patrick). In real life, Lewis was a year younger than De Carlo who played his daughter and Gwynne was four years younger than De Carlo.

Photo: ebay.com

Living with the family is Lily’s niece Marilyn (Beverly Owen/Pat Priest), who seems a little abnormal to the family but looks like any high school girl of the time, except a little bit prettier. Owen was engaged when she got the part and did not think the show would be picked up. When it became popular, the cast convinced the network to release her from her contract, and Priest, who looked very similar, took over. Gwynne and Lewis had previously been part of the cast of Car 54, Where Are You? and were good friends. (To learn more about their friendship and their individual careers, see my blog from July 10, 2017.)

This series aired on CBS, and ABC featured The Addams Family whom we’ll meet next week. Both shows debuted in 1965 and were off the air after two seasons.

There were a few recurring characters including Paul Lynde as Dr. Edward Dudley (Dom DeLuise also played Dr. Dudley in one episode), Herman’s boss Mr. Gateman (John Carradine), and Clyde (Chet Stratton), a colleague of Herman’s.

Paul Lynde Photo: pinterest.com

The family lives at 1313 Mockingbird Lane. Herman works for Gateman, Goodbury and Graves, a funeral parlor, as a grave digger. In an interview with Daily Variety, Al Lewis, explained that with the unusual family, “they could do a lot of satirical pointed things on society that you couldn’t do on an ordinary show.”

The show actually had four pilots which I don’t think I have ever seen before. The first one was filmed in 1964 with Gwynne, Lewis, and Owen. Joan Marshall was Phoebe, Herman’s wife and Nate Derman was Eddie. For the second pilot, De Carlo replaced Marshall and changed her name to Lily. In the third edition, Patrick was brought on board to replace Derman. The cast stayed intact for the fourth pilot, but Eddie’s character was changed a bit. He was a bit of a brat and they toned it down.

The family had a pet dragon named Spot that lived under the stairs. When the staircase opened up, you could see the fire he was breathing and sometimes you would see his tail only.

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Makeup for the show was credited to Bud Westmore who had worked for Universal during their monster movie phase. However, the actual work was done by several people. Perc Westmore worked with Grandpa. Abe Haberman applied Lily’s new face, while Michael Westmore worked with Patrick and Priest. Bill Mumy was the original choice for Eddie, but his parents said “No” when they learned about how much makeup would be used for each episode.

Patrick was asked about the cast and how they got along in an interview with Fox News. He said it was a good relationship. If he had to pick another actor whom he bonded with more than another it would probably be Lewis. He discussed the amazing comedic timing that Gwynne and Lewis shared. He said that the person he enjoyed working with the most was his makeup man, Westmore. He said he was the first person he saw every morning. He also mentioned Westmore was a very handsome guy who owned a Jaguar and was a bachelor, so he looked up to him as a role model also.

Photo: vintageeveryday.com

Karl Silvera did Herman’s makeup. Gwynne had the toughest time of all the characters. He had to spend two hours in the makeup chair first thing in the morning. He wore forty pounds of foam rubber padding and drank copious amounts of lemonade. Despite that, he lost a lot of weight doing the show. In one month, he lost ten pounds. They also put a piece of foam latex on his head to flatten the top. His shoes were asphalt paver’s boots with four-inch soles. The producers rented a compressed air tank and would poke the nozzle inside his collar to blow cool air on him.

The show aired on Thursday nights at 7:30. Many shows began filming in color in the mid-sixties, but the studio did not want to pay the extra $10,000 per episode, so it was shot in black and white. For its debut year, it was number 18, tied with Gilligan’s Island, but it took a drastic drop for season two and landed at number 61. The show competed with The Flintstones and Daniel Boone in year one In year two, Batman debuted in color and The Munsters’ viewers switched networks in droves. The show was canceled with 70 episodes for syndication. From the comments that I read, I’m not sure Lewis and Gwynne would have continued another season anyway. They wanted a different type of humor and, of course, Gwynne had to endure so much with his costume.

If you were looking at the merchandising that accompanied the show, you would never guess it was only on for two seasons. Between 1965-68, 16 Gold Key Comics were produced. The show rolled out Colorforms, car model kits, both a Herman Munster doll and a puppet, and View Masters. You could also purchase several different action figure sets, a board game, and a lunch box, among other items.

Although the show, not surprisingly, never received an Emmy nomination, it was up for Best Television Series for a Golden Globe in 1965 which did surprise me.

The theme song was an instrumental, simply titled “The Munsters’ Theme.” It was composed by Jack Marshall. It was nominated for a Grammy in 1965. There are lyrics for the song, written by Bob Mosher, but they were never used on the air.

For a show that was only on the air for two seasons, it has had a lot of staying power. I think that it was so different and the fact that The Addams Family was also on two seasons and very similar just provided it with that perfect fan base. I do remember watching the show and buying The Munsters coloring books and paper dolls, but I don’t remember it being a “must see” for me. Of course, I was only five when it was canceled, so I primarily saw it in reruns. Sadly, I would also choose Batman over The Munsters, so I understand why the viewers drifted. However, it is never a waste of time to watch Fred Gwynne and Al Lewis in action. If you never watched the show or want to binge watch it, seventy episodes is an easy one to get through.

Dharma and Greg: Showing Us It’s Not So Hard for Opposites to Attract

Photo: pinterest.com

As we wrap up our “Duos to Love” blog series, we finish with a couple that is always fun to hang out with: Dharma and Greg. This show aired for five years, teaching us that opposites do indeed attract.

Before we get into hearing more about this quirky show, I want to take a minute to thank all of you who read my blog. This month, I published my 365th article. That means many of us have now been spending time together every week for more than seven years. I’m not sure how long the run will last, but I can tell you that I have at least four more years scheduled, so just a big THANK YOU!

So onto Dharma and Greg. Created by executive producers Dottie Dartland and Chuck Lorre, this sitcom debuted on ABC in September of 1997. Chuck Lorre would go on to create other popular shows including Two and a Half Men, Mike and Molly, and The Big Bang Theory. Dartland had been a producer on Caroline in the City and Grace Under Fire.

Spontaneous free spirit Dharma Finkelstein (Jenna Elfman) is a yoga instructor; organized and conservative Greg Montgomery (Thomas Gibson) is an attorney. Educated at Harvard and Stanford, Greg’s family was very Republican and very wealthy. Dharma’s parents, who home-schooled her, sort of, are not wealthy and definitely not Republican, having lived as hippies.

Kitty (Susan Sullivan) and Edward (Mitchell Ryan) Montgomery are socialites who expected a very different type of woman for their daughter-in-law. Edward is a bit eccentric who deals with his wife by consuming martinis and Scotch. Abigail O’Neil (Mimi Kennedy) and Larry Finkelstein (Alan Rachins) are not married, although they have been together for decades. Abigail is a devoted vegan. Myron loves conspiracy theories; but he has a lot of other interests. He always tells people that he is wanted by the FBI.

Photo: promipool.com

Rounding out the cast was Jane (Shae D’lyn), Dharma’s friend who hates men and gradually disappears from the show by the last season; Peter, (Joel Murray) Greg’s best friend and colleague who is a bit lazy and is not a good attorney at all. Marcie (Helen Greenberg) and Susan (Susan Chuang) are friends of Dharma’s from the Co-op.

The theme song was written and performed by Dennis C. Brown. He created several other theme songs, including Grace Under Fire, Mike and Molly, and Two and a Half Men.

For the first three seasons, the show was in the top 25 on Wednesday nights. It had some competition from Beverly Hills 90210 on Fox for the first two seasons. It moved to Tuesdays during season three and ratings increased. However, in season four, ratings began to decline and never really picked up. Its competition that night was Will and Grace. Unfortunately, in season six it was on against Frasier; by the last season, they lost too many viewers but when Fraiser moved nights, they had to take on #14 JAG. The highest-rated show was during season three with 20 million viewers while the finale episode only attracted 6.8 million.

Photo: nextepisode.com

Dharma and Greg did make a return, however. In season nine, episode one, they showed up as Dharma and Greg taking a tour of Charlie Harper’s house after his death in Two and a Half Men.

Elfman received three Emmy nominations. In 1998 and 1999, she lost to Helen Hunt for Mad About You and to Patricia Heaton for Everybody Loves Raymond in 2000

The shows had a nice blend of humor and warm fuzzy moments. Eventually, the parents learn to respect and like each other even if they would not choose each other as friends. Let’s take a look at several episodes that show this blend of heart-warming and comic elements.

Photo: sharetv.com

In season one, episode 9, “He Ain’t Heavy, He’s My Father,” Greg has to have background checks done on both his and Dharma’s family. The results come back revealing that Larry is not, and never was, wanted by the FBI. Dharma knows that this will devastate him rather than make him happy. So, the pair stages a “crime” where Larry steals his file and then assumes the only reason that he is no longer wanted is that his file is missing.

In season two, episode 8, “Like, Dharma’s Totally Got a Date,” Dharma accepts the invitation of a neighbor boy to go to a dance at his high school. Because she was home-schooled, she was never able to attend a school dance. Dharma convinces Donald to find someone his own age at the dance and then is a bit lonely, only to realize Greg has shown up and the two of them have a special moment dancing together.

Photo: imdb.com

And, in season two, episode 20, “Dharma Drags Edward Out of Retirement,” Dharma needs investing help in her job and convinces Edward to help her get things figured out. Kitty does not like the fact that he is spending all his time working again and tells Dharma know she is unhappy. At the end of the show, Kitty joins Edward on the project and the two of them enjoy working together.

These episodes display why the show was so good. While the cast could have so easily been stereotyped and shallow, everyone truly learns to like and respect each other despite their differences. That is not something we have become used to in our divisive society. Maybe we should all watch a few seasons and remember how easy that is to do if we give everyone a chance.

“Mad About You” . . . And Them

Photo: today.com

For our blog series this month, we are looking at some of our favorite duos from the eighties and nineties in “Duos to Love.” Today we will meet Paul and Jamie Buchman and their daughter Mabel. Yep, it’s Mad About You. It’s not about you, it’s about them, but I am mad about you too—very thankful you are on this journey with me learning about the golden, and sometimes tarnished, age of television.

In 1992, NBC aired Mad About You. The series was about newlyweds Paul (Paul Reiser) and Jamie (Helen Hunt) Buchman, He was a documentary filmmaker and she worked in public relations. They lived in Greenwich Village for seven years until they were canceled. Both Teri Hatcher and Valerie Bertinelli were considered for the role of Jamie. It’s hard to imagine anyone but Helen in the role. I think the critics agreed; Hunt was nominated for six Emmy Awards for Best Actress in a Comedy Series. In 1993, she lost to Roseanne Arnold for Roseanne; in 1994 and 1995, she lost to Candice Bergen for Murphy Brown; in 1996 and 1997 and 1998 she won. Overall, the show won thirty-four nominations, with twelve wins.

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For seasons one through six, the two top stars received $250,000 per episode but in season seven they got a nice raise, landing $1,000,000 per episode.

Before Mabel (Alyssa and Justin Baric) came along, their “baby” was Murray their dog. Paul met Jamie while he was on a walk with Murray. They meet at a newsstand when they are both looking for The New York Times. In real life, the two stars met because Hunt was sharing a house with a good friend of Paul’s wife, Paula. After reading Reiser’s pilot, Hunt changed her mind about concentrating on her film career and wanted the role.

When Reiser pitched the idea to NBC he said it was about the life of a couple in their private moments. He compared it to a couple going to a party but this show was more about what happens when they leave the party and it’s just the two of them in the car talking on the way home. Reiser also compared it to the successful thirtysomething but “shorter and funnier.”

Carol Burnett Photo: deadline.com

The rest of the cast included Lisa Semple (Anne Ramsay), Jamie’s older sister; Fran Devanow (Lelia Kenzle), Jamie’s best friend; Ira Buchman (John Pankow), Paul’s cousin and friend; Sylvia Buchman (Cynthia Harris), Paul’s mother-in-law who is not in the running for Best Mother-in-Law according to Jamie; Burt Buchman (Louis Zorich), Paul’s father; and Dr. Mark Devanow (Richard Kind), Fran’s ex-husband who is a bit eccentric but not too odd because he wins her back as his wife during the show’s run.

There were a lot of recurring characters on this show. Several showed up more often than others: Debbie Buchman (Robin Bartlett), Paul’s sister; Dr. Joan Golfinos (Suzie Plakson), Debbie’s life partner; Nat Ostertag (Hank Azaria), the Buchmans’ dog walker; Mr. Wicker (Jerry Adler), the apartment building superintendent; Dr. Sheila Kleinman (Mo Gaffney), the Buchmans’ therapist; Maggie Conway (Judy Geeson), their neighbor; Jay Selby (Tommy Hinkley), Paul’s college friend; and Sid (George O. Petrie), Paul’s colleague.

Lisa Kudrow Photo: biography.com

However, there were also a few very famous recurring characters. Mel Brooks showed up as Paul’s uncle Phil in four shows. Cyndi Lauper was Ira’s on/off again girlfriend Marianne in five episodes. Jamie’s mom was in 15 shows but played by three different women: Carol Burnett (10), Penny Fuller (4) and Nancy Dussault (1). Another interesting recurring character was Lisa Kudrow. She was Ursula Buffay, the waitress at their favorite restaurant, Riff’s. She appeared 24 times and when Friends was created, her twin sister Phoebe was written into the show. In one episode after not seeing Ursula much, Paul asks her where she has been and she says “I’ve been hanging out with friends.”

You can imagine how huge the guest star list is for this series. Get ready for auctioneer speed and I will list some of them; just know I am leaving out a lot of famous and fun people. Here goes: We have Ed Asner, Kevin Bacon, Christie Brinkley, Garth Brooks, Sid Caesar, Tim Conway, Ellen DeGeneres, Jamie Farr, Barbara Feldon, Al Gore, Seth Green, Billy Joel, Nathan Lane, Jerry Lewis, Yoko Ono, Regis Philbin, Carl Reiner, Jerry Seinfeld, and Bruce Willis.

Paul Reiser also composed the theme song, “Final Frontier,” with Don Was. Both Andrew Gold and Anita Baker versions of the song were used during the eight-year run. Reiser also played the piano for the theme recording.

Mabel grows up. Photo: parade.com

In 2019, a twelve-episode revival series debuted. Both Reiser and Hunt returned for the sequel. The Buchmans are now empty nesters after dropping Mabel off at college. Other veterans returning included Ramsay, Pankow, Kind, Harris, Adler, Gaffney, and Carol Burnett. Abby Quinn was Mabel.

This was a popular show that was always discussed around the water cooler. It’s first year on NBC it aired Wednesday nights against In the Heat of the Night and Coach; Coach was in the top twenty. The next season it was moved to Thursdays nights and oddly was still up against In the Heat of the Night but was also on against The Simpsons. Season three found it with little competition and it was ranked eleventh place for the year. As networks do, now that it had a dedicated audience, it was moved to Tuesday nights where it dropped out of the top forty. The show remained in the Tuesday slot, still up against Roseanne but its audience returned and it crept into the top twenty again. It remained in the same spot for its final two years, one year competing with JAG and the next year against Home Improvement which was a top-ten show. I know this was a lot of detail, but I think it helps to think about how much the schedule moving can potentially hurt a show. Fans get used to a certain night and sometimes clear their schedule for that evening and when shows continue to move around, it is frustrating for everyone. Now, we can just DVR shows and it’s not such a big deal.

Photo: tvseriesfinale.com

This was a well-written show, and the producers and writers spent a lot of time on character development. It had some quirky moments and did some fun plot twists that kept it fun and fresh. Of course, both Hunt and Reiser were amazing actors and went on to great success in the movies. I did not see much about how the 2019 reboot was received by viewers. Considering the competition that the show faced as the network moved it around, it did very well for its seven years. The critics loved it and it was certainly recognized by the Emmy committee every year. I am hoping it will come to Antenna or ME TV soon and we can again spend some time with the Buchmans.

We Love Spending Time with “Perfect Strangers”

Linn -Baker and Pinchot Photo: tvfinales.com

We are talking about our favorite duos from the eighties and nineties in our blog August series. Although most of these shows feature husband and wife teams, today we are turning the dial back to a show about two cousins: Perfect Strangers. I am always envious of my husband because they have a group of first cousins who are very close and grew up together. While I have scads of second cousins, once removed and such, I have no first cousins and always missed those relationships. Perfect Strangers is about two cousins who develop that type of relationship.

Perfect Strangers is another one of those shows that was quite popular when it was on the air, and it was for eight years, but it doesn’t get much recognition any longer.

The series was created by Dale McRaven for ABC; McRaven was also the creative force behind Mork and Mindy. Bronson Pinchot had appeared in Beverly Hills Cop as Serge, a gay art gallery employee who had a foreign accent. ABC signed on to the project based on Pinchot starring. However, in the meantime, Pinchot had signed on to Geena Davis’s sitcom, Sara. Sara was quickly canceled and Bronson became available, so a pilot was made with Louie Anderson in the role of the American cousin. It was obvious that this was not the best pairing, and eventually the role was offered to Mark Linn-Baker after an appearance he made on Moonlighting. He and Pinchot had great chemistry and the show was placed between Who’s the Boss and Moonlighting, very popular shows, on Tuesday nights.

Photo: imdb.com

The short first season of six episodes debuted in March of 1986. The show was about Larry Appleton (Linn-Baker), a Wisconsin boy, who moved to Chicago and was enjoying life on his own after growing up in a large family. His utopia is shattered when his cousin Balki Bartokomous (Pinchot), arrives from Mypos, a Mediterranean island, intending to move in with him. Balki’s name was originally Vev, but Pinchot suggested Balki based on his sister’s nickname for her dog. Larry Appleton got his name because Lawrence University is in Appleton, Wisconsin, where I graduated from high school. Neither actor went to Lawrence, but both of them are Yale alumni. Both Linn-Baker and Pinchot got not only their BA degree from Yale but also both received their Masters of Fine Arts in drama.

Larry tells Balki he needs to live somewhere else. Balki had been a shepherd, and most of his impressions of what America was like were taken from pop culture, television shows, and commercials. Larry, a photographer, relents and invites Balki to live there, thinking of himself as more worldly and able to teach Balki the truth about American life. Ironically, it is often Larry who is more inept and gets the pair into some interesting situations.

Photo: pinterest.com

Season two found the show on Wednesday nights. The cousins begin dating flight attendants–Jennifer (Melanie Wilson) dates Larry and Mary Anne (Rebeca Arthur) dates Balki. They meet the girls at the gym and realize that they live in the same building.

In season three, Balki is able to stop sleeping on the living room sofa and gets his own room when the pair moves into a much larger apartment. Somehow Jennifer and Mary Anne still live in their building but no one ever talks about moving. Larry is hired as a reporter for the Chicago Chronicle, and Balki is hired for the mail room. For some reason, halfway through the season the show was moved from its successful spot on Wednesdays to Fridays.

During season five, Harriette (Jo Marie Payton-France), the elevator operator, was given a new show, Family Matters which was also on Friday nights. That show, which for better or worse, introduced America to Steve Urkel, was on the air for nine years. Larry and Jennifer are still going strong while Balki and Mary Anne are lukewarm. Larry proposes to Jennifer during season six.

Season seven finds Jennifer and Larry in a large Victorian house. Of course, they realize they need renters to afford the expensive Chicago mortgage and who moves in but Balki and Mary Anne. Balki becomes an animator with his own comic strip at the newspaper. Eventually, Mary Anne moves out but in the finale, they reconcile, marry, and travel to Mypos for their honeymoon. The show retained its viewers but then it was moved to Saturday nights in February of 1992 before returning to Fridays. The TGIF campaign for ABC’s Friday night shows was very successful, and the network was trying to do something similar for Saturday nights.

Season eight, ironically also a six-episode season, picks up several months after the wedding, and we realize that both Jennifer and Mary Anne are noticeably pregnant. In the finale of the series, babies Robespierre and Tucker join the show.

Photo: pinterest.com

The first six seasons found the show consistently in the top forty. Given its placement between two popular shows in its debut year, five of the first six episodes landed in the top ten. After the show was moved to Saturdays, it experienced a drastic decline in viewers. When the show was moved back to Fridays, it found its audience again. The show’s final season was supposed to be thirteen episodes but it was shortened to six. It was in the top twenty for the final season, and 15 million households watched the finale.

The theme song for the show, “Nothing’s Gonna Stop Me Now,” was written by Jess Frederick and Bennett Salvay. They composed the themes for Full House, Step-by-Step, and Family Matters as well.

We have talked about a lot of shows who have some famous fans and this show was no exception. Bronson Pinchot said Nelson Mandela was a fan of the show. Pinchot was invited to a banquet in South Africa where President Mandela was in attendance. One of the President’s assistants gave Bronson a note that read, “I’m dying to meet you, but if I go to your table, I have to go to everyone’s table. But I wanted you to know that I know my cousin is here.” Later that evening Bronson met Winnie Mandela.

Photo: pinterest.com

The Emmys also recognized the show. In 1987 Bronson Pinchot was nominated for a Lead Actor in a Comedy Series. He did not win, but had some tough competition with Ted Danson for Cheers, Harry Anderson for Night Court, Bob Newhart for Newhart, and, winner, Michael J. Fox for Family Ties. Two years later, Doris Roberts was nominated for Outstanding Guest Actress in a Comedy and lost to Colleen Dewhurst for Murphy Brown. Other nominees included Diahann Carroll for A Different World, Eileen Brennan for Newhart, and Maxine Stewart for The Wonder Years.

I’m sure that Perfect Strangers is in syndication somewhere, but I cannot remember the last time I saw it listed on television. There is a DVD set out for the entire series. I do remember watching this show most weeks and enjoying it, although it was not in my Top Ten. Yes, it had some too-typical and obvious plotlines like the girls living in the same building and both Balki and Mary Anne moving into the Appletons’ new house. However, the writing was pretty good and the characters were fully developed. The twist of naïve Balki often being wiser than native Larry is also a fun influence. It’s definitely a show that deserves more recognition than it has received in the past three decades. I’d love to know if you take some time to watch the DVDs, find it on the air somewhere, or just have fond memories of watching it in the past.

We’re Asking for “Anything But Love”

Later Cast Photo: imdb.com

This month, we are taking a look at some of our favorite duos from the eighties and nineties in “Duos to Love.” I decided to begin with a show that was on when my two oldest boys were babies. I was able to watch a bit more television at night because they slept pretty well. One of the shows we watched was Anything But Love. You don’t hear a lot about it anymore, but it starred Jamie Lee Curtis and Richard Lewis. While usually the pilot has different actors and the premise stays the same with different stars, this show was the opposite. In the pilot, Hannah and Marty are involved in a love triangle with D.W. Moffett. Hannah is a well-respected editor. The network liked the characters but not the plot. After viewing the pilot, the network makes Hannah a researcher, Lewis a reporter, and Moffett is sent on his way.

John Ritter can’t get between them Photo: imdb.com

The sitcom began airing on ABC in the spring of 1989 and continued until June of 1992. Lewis plays Marty Gold and Curtis is Hannah Miller. They work for a Chicago magazine and realize that they are attracted to each other but want to keep their relationship on a professional basis.

Wendy Kout created the show and it was produced by Adam Productions, a company of John Ritter’s.

Rounding out the cast were editor Norman Kell (Louis Giambalvo), assistant editor Jules Kramer (Richard Frank), writer Pamela Peyton-Finch (Sandy Faison), and Marty’s current girlfriend Alice (Wendie Malick). Hannah gets deeply philosophical articles to write, like her first assignment, which is “The Tortilla Wars: Does Chicago Prefer Corn or Flour?” At the end of season one, Alice dumps Marty.

The second season tweaked a few things. The magazine has a new owner in Catherine Hughes (Ann Magnuson) who promotes Hannah from researcher to writer. TV critic Brian Allquist (Joseph Maher) comes on board as does Harold (Billy Van Zandt) and Kelly (Jame Milmore) as new office personnel. In order to talk about her feelings for Marty, Hannah’s landlord and best friend, Robin (Holly Fulger), joined the show. At the end of season two, Hannah admits her feelings to Marty who acknowledges that he also has the same feelings for her.

Photo: GQ.com

The third season had a delayed airing and came back on the air in February. While Hannah and Marty explore their relationship, a new photographer, Patrick (John Ritter), gets a special assignment. Hannah and Patrick work together and they start to have feelings for each other as well. Hannah has to decide if she wants to accompany him to Africa for a new assignment when she realizes he has some ideas she could never approve and their relationship ends.

The fourth season finds Hannah thinking she is pregnant, and she and Marty decide to get married. Not long before the ceremony, the clinic calls to say the test was negative. Hannah and Marty call off the wedding but not the romance. They decide to continue dating and getting to know each other better.

The show began its life airing on Tuesday nights. It was up against The Tuesday Night Movie and Moonlighting. Considering Moonlighting had a very similar theme but complex and sophisticated plots, this didn’t seem like a great idea. The second season found it on Wednesday nights. It was opposite Jake and the Fatman on CBS and a variety of shows that cycled through that time slot on NBC. Ratings began to decline. When it had a delayed return for season three, viewers drifted to other shows, and the network had a hard time luring them back. For season four, they still faced Jake and the Fatman, but now on NBC a show called Seinfeld was scheduled which insured that the ratings would not be likely to improve.

However, ABC did not cancel the series; 20th Century Fox which produced the show with Ritter’s company guessed that the show would not have a sixth season and decided that there were not enough episodes or interest for syndication, so rather than putting more money into the show, they were ready to move on.

Critics seemed to like the show. Rick Kogan, TV critic for the Chicago Tribune described it as “a charming, quirky, witty and intelligent show. . . a member in good standing of that small club of quality shows. But for reasons that have alarmed many in the TV biz, the series is being killed.”

The theme song was “Anything but Love”; it was written and performed by J.D. Souther. Beginning in the second season, it changed to an instrumental version. Souther worked on a variety of soundtracks for shows and even received twelve acting credits for shows and movies including recurring characters on thirtysomething and Nashville.

Considering that the critics liked it, fans liked it before it began moving and going through delays, it starred Lewis and Curtis, and it was on the air for four years, I am always surprised it is not discussed more. This is the opinion of a reviewer on imdb.com: “This was such a lovely show and I miss that sort of thing that isn’t on television anymore. It was very smart, very silly and combined slapstick and clever dialogue well. The show reminded me in some respects of films from the thirties that had witty dialogue and a screwball sensibility and the chemistry between Jamie Lee Curtis and Richard Lewis was endearing and believable. One was given the impression that everyone enjoyed what they were doing. A favorite episode of mine involved someone running into an ex at a restaurant and the three four different stories of how the situation occurred. The best was a Fellini-like observation of the event. It is one of those clever obscure shows that deserves to be on DVD just for my sake.”

The good news is that the first two seasons are included in Volume 1 of a DVD, and it’s only $10 on Amazon. The bad news is that seasons three and four don’t exist. The first two seasons were definitely the best, but it is too bad you can’t watch the entire series. Ratings are very good on Amazon. It would be well worth paying $10 for that much good writing. I’ll close with this review on the DVD from George: “First, about the show. It is wonderful, and holds up well after 30 years. Snappy lines, young Jamie Lee Curtis is excellent in her role, as is the always quirky Richard Lewis. Many guest appearances, good writing (which has become rather rare in TV shows, riddled nowadays with “reality” TV). The DVD includes a couple of nice extras too. Four to five stars for the show.”

St. Elsewhere: Medicine Doesn’t Always Give Us The Ending We Wanted

Today we are winding up our blog series, “Examining Some of Our Favorite Medical Shows.” Six years seems to be the magic number of seasons for many medical shows and it was no different for our series today: St. Elsewhere.

Photo: starstills.com

St. Elsewhere was created by Joshua Rand and John Falsey. It aired on NBC from 1982-88. It was produced by MTM Enterprises, Mary Tyler Moore’s company that also produced Hill Street Blues; both shows had large casts, realistic plots, and continuing storylines.

The show was talked about a lot, but I was surprised to learn that it never ranked higher than 47th in the Nielsen ratings, and that was in the final season. The reason it stayed on the air so long despite lower ratings was that it did very well with the 18-49 year age group with the networks were trying to appeal to. It did win 13 Emmys for writing, acting, and directing. (Overall the show won 13 Emmys out of 62 nominations.)

St. Elsewhere was set in St. Eligius Hospital, a rundown Boston teaching hospital. Its elevators don’t work and they still use an ancient tube system to send messages from one floor to another. Apparently “St. Elsewhere” was a slang term that referred to not well-equipped hospitals that served patients who were turned away from more well-respected institutions. The building that served as the hospital façade was the Franklin House on East Newton Street in Boston, which was originally a hotel for women. Young working women lived there including Faye Dunaway after she graduated from Boston University.

The show intertwined the professional and private lives of the medical staff and patients. It dealt with many cutting-edge social issues including heart transplants, artificial hearts, AIDS, religious conflicts, suicide, and gender identities.

Photo: people.com

Surgeon Dr. Mark Craig (William Daniels) informs the staff that their hospital was considered a “dumping ground.” Craig helped train the interns along with Dr. Donald Westphall (Ed Flanders) and Dr. Auschlander (Norman Lloyd). Flanders was a popular character and the role was originally offered to Hal Linden who turned it down. Other members of the stellar cast included Ed Begley Jr. (playing Dr. Ehrlich), David Birney (playing Dr. Samuels), Mark Harmon (playing Dr. Caldwell), Ronnie Cox (playing Gideon), Helen Hunt (playing Clancy Williams), Howie Mandel (playing Dr. Fiscus), Christina Pickles (playing Nurse Rosenthal), and Denzel Washington (playing Dr. Chandler). This was a fitting role for Denzel who was a pre-med student in college.

Daniels was sent five scripts. He thought the writing was wonderful and having so many scripts displayed how the ensemble cast would be used. He might have a large part one week and then three weeks with small parts. He said Dr. Craig was like him in many ways. He ran the gamut from angry to nice in minutes. It fit his temperament and was wonderful to play him.

Daniels met a surgeon and followed him around the hospital, including in the operating room for an open-heart surgery procedure. He said he used some of the medical information, but he did not like the surgeon as a person and did not model Dr. Craig on him. He said using so much medical jargon was difficult and he had to learn about it before he went in to rehearse. He said that Dr. Craig had some funny lines in the show. He said he did not have any input with the writers on his character; in fact, they never really saw the writers.

Photo: ebay.com

Among the many guest stars were James Coco and Doris Roberts who both picked up Emmys as a mentally challenged boyfriend and a bag lady. It was an interesting storyline where two couples are followed through their medical care. One couple is upper middle class and the other has no money. Nothing is said; there are only observations of the action. The wealthier woman leaves the hospital with no cure but a high hospital bill for many tests. The bag lady, Cora, learns she needs to have both feet amputated because of gangrene, but she needs to take care of Arnie, her mentally challenged boyfriend, so she refused the surgery.

Roberts was asked about her role on the show in a Television Academy interview. She said Coco had received the script and called her to say she needed to audition for the role of his girlfriend. When Doris reached out, they declined, so she reached out to Bruce Paltrow, who was a producer and writer for the show, and she was hired. She did a lot of research watching homeless people. She realized that most people squatted because they did not want to lie down because they were worried about having things stolen. This is how her character got gangrene. When asked about what she thought happened to the character she said she thinks she died shortly after. Roberts got emotional discussing the role and said it still makes her cry. She said it was the best dramatic role she ever played.

Doris said one funny moment came at the Emmy Awards. When they called her name, she did not know what to do with her purse, so she handed it to Jimmy Coco. The next name called was his so he came on stage with the purse and mentioned he didn’t use one often but it came from Doris. Then a few nights later he was on the Tonight Show, and when he came on stage he had her purse and in it was a cigar, a half-eaten sandwich, and a few other items.

Photo: ebay.com

The show was classified as a drama, but it included comedy, as well as inspiring moments of interaction and care. One of these scenes is when Jack, a resident, has to deal with his wife’s death. She is an organ donor, and her heart is given to a female patient. Jack sneaks into the patient’s room when she is sleeping so he can listen to his wife’s heart.

Jazz musician Dave Grusin composed the theme. Grusin won twelve Grammys. He won an Academy Award for his score of The Milagro Beanfield War in 1988. He also scored some popular films including The Graduate, On Golden Pond, The Fabulous Baker Boys, and Tootsie. Before writing the theme for St. Elsewhere, he cowrote the themes for Good Times and Baretta.

One of the most interesting things about the writing on St. Elsewhere was the number of allusions to other television shows and movies and several cross-overs. There are many of these but some of the most fun ones for me included (1) the public loudspeakers often page characters from other television shows, (2) one of the characters on The White Shadow, Warren Coolidge, becomes an orderly and sometimes wears Carver high school shirts, (3) a psychiatric patient who watches The Mary Tyler Moore Show believes that he is Mary Richards and has an encounter with Betty White, and she says she is not Sue Anne Nivens, (4) Dr. Craig once mentions serving in Korea with B.J. Hunnicutt, and (5) the teaching doctors are seen at the bar at Cheers in one episode.

Photo: imdb.com

The hour-long show started on Tuesday nights. The show was canceled after the first year. Then Grant Tinker changed his mind and they were back on the air. For the second season, it was moved to Wednesdays where it remained until it was canceled.

The finale of this show gets talked about almost as much as Newhart. However, while fans loved the Newhart ending, there was a lot of controversy over the ending of St. Elsewhere.

Warning: This is a spoiler alert if you haven’t seen the show and want to watch it. After wrapping up several storylines, the final scene is a much younger Dr. Westphal and his son Tommy (Chad Allen) who has autism. Westphal is obviously a construction worker. Dr. Auschlander appears to be Westphal’s father. Tommy is playing with a snow globe and the two “doctors” discuss the fact that Tommy spends much of his day staring at the snow globe. They set the globe down and when the camera goes in close, we see St. Eligius inside.

We are left to assume that the entire series had been Tommy’s imagination. In other words, the show was fiction but the fiction was also fiction inside someone’s mind. Viewers understandably were confused and upset.

Photo: paleymatters.com

Later the cast did a special on Entertainment Weekly and was asked to share their thoughts about the finale. Here are a few of the comments. Chad Allen said, “From the mind of a young person whose fantasies were coming to life before him, it was neat.” William Daniels said he was “shocked, actually. I had no idea of their plans to do that. . . it was a provocative ending. A surprise to everybody.” Ed Begley Jr. felt that “it was quite fitting for what they had done the previous six years. They always tried to be out there, beyond the limits of what was being done before. They tried to think outside the box. . . . It was bold and shocking and upset some people.  . . . It was highly unpredictable, just like every episode.” Howie Mandel knew it would offend half the viewers and appeal to the other half, but he described it as “ahead of its time, pretty ingenious, and creative and not like anything else.” Mark Harmon had been killed off earlier in the series, but said, “It made me smile when I heard about what they did because it was so them. They made a choice. and the choice is interesting.” Noman Lloyd said he “never bought it. I said at the time we were shooting, ‘This is a cheat.’ For me, it was a cheat.”

I will admit this was not a show I regularly watched. I find the entire philosophy of the ending fascinating. Many felt they had been cheated by getting pulled into the lives of characters for six years that never existed. However, if they are on a television series, did they ever exist? It shows how real characters become to us when we invest in a show and invite these people into our homes every week.

If you didn’t watch the show in the eighties, you can find it on Hulu and make your own decision about the finale. I do admit that I never look at snow globes the same way anymore.

Medical Center: A Journey to Healing

Photo: imdb.com

We are in the midst of our blog series, “Examining Some of Our Favorite Medical Shows.” When I picked these shows, I did not look at how long they were on the air or when they debuted. It seems ironic that both Ben Casey and Dr. Kildare were on from 1961-66. Last week we learned Marcus Welby, MD was on the air from 1969-1976 and oddly enough that is the exact same time frame as our show for today: Medical Center.

Medical Center aired on CBS, produced by MGM Television. The pilot was televised in April of 1969 with two very different faces: Edward G. Robinson was Dr. Forestman and the role of Gannon was played by Richard Bradford.

Dr. Paul Lochner (James Daly), chief of staff, and Dr. Joe Gannon (Chad Everett) are surgeons at a large university hospital in Los Angeles. We learned about both their professional and personal lives. Gannon was the younger of the two and their age difference is what caused several of their disagreements. Nurse Wilcox (Audrey Totter) was a regular as were Nurses Chambers (Jayne Meadows) and Murphy (Jane Dulo). Several other cast members would show up in different episodes.

What was amazing about this show was the way you were able to journey through the entire process of treating a patient from the first examination to the recovery after surgery.

Photo: drunktv.com

I do remember watching this show every week. While I could describe the show for you, I think that the best description comes from another WordPress blog, drunktv. You can read the entire article at https://drunktv.net/2019/01/27/medical-center-season-1-1969-1970-tv-series-review/. His detailed and fun summary of the show is:

“Los Angeles, California, 1969 B.O.C. (Before ObamaCare). At the state-of-the-art Medical Center, strapping, square-jawed, 100% insured-against-malpractice Dr. Joe Gannon (Chad Everett) strides through the pea green soup-colored halls like an Olympic god, dispensing pity bromides and lightning-fast scalpel incisions with eerie aplomb. In Room 447, there’s a racist who doesn’t like his black doctor. In Room 443, there’s a blind girl whose hippie boyfriend cracked up his motorcycle. In Room 441, there’s a U.N. Ambassador whose heart is about to vapor lock. And calmly, calmly, Dr. Joe moves from one room to the other, working slowly and carefully through his diagnosis before whipping out a number 10 Dermatome and striking like a cat, much to the consternation of flibbertigibbet parents, joy-boy scalpel jockeys, and administrators who don’t know their catheters from their elbows.

Usually offering backup to Dr. Groovy is Chief of Staff Dr. Paul Lochner (James Daly), who knows Dr. Joe is the best surgeon around, who knows Dr. Joe is almost always right…and who knows Dr. Joe is certainly the best-dressed cat on his staff. That doesn’t mean they don’t scrap and spark a little over procedure, or over diagnoses; however, their relationship is basically sound: Dr. Joe gets the sighs from adoring female patients, and Dr. Paul has board meetings and drinks a lot of coffee. Into these halls come the sick, the broken, and the dying, and they leave…healed.”

Promo photo for Tyne Daly’s appearance on Medical Center with her father

The theme song was “Medical Center,” composed by Lalo Schifrin. Schrifin is a five-time Grammy winner who was also nominated for six Academy awards and four Emmy awards. His best-known work is the theme from Mission: Impossible.

Tyne Daly talked about working on Medical Center with her father James. She was on four shows as four different characters. She said it was hard because her father’s name opened doors, but she had to prove herself. She was not willing to change her name but got tired of people assuming all her parts were because of her father’s connection.

The show aired on Wednesday nights with no real competition. Even so, it only ranked in the top ten during one season but was in the top twenty or thirty. In 1973, CBS moved the show to Monday nights where it had to compete with Monday Night Football and it fell out of the top thirty. In 1974 it crept back into the top thirty but fell again the next year. When the show was canceled in 1976, it was tied with Marcus Welby, MD as the longest-running medical drama. The cast would be surprised to see how long ER and Grey’s Anatomy were able to stay on the air.

I do remember watching the show but not regularly like Marcus Welby MD. I’m sure once it went up against Monday Night Football, it’s fall ratings were not good. This was a time with no ESPN or Thursday Night Football. It is pretty amazing that medical shows have continued to be a television staple through the decades even when westerns, variety shows, and nightly soap operas have come and gone.

Marcus Welby, MD: Every Family’s Doctor

The Cast Photo: tvtropes.com

This month we are “Examining Our Favorite Medical Series.” Beginning in 1969 and staying on the air for seven seasons, this show was a show that the entire family could agree to watch. In fact, on The Partridge Family, there is at least one episode where the Partridges are watching Marcus Welby, MD.

Marcus Welby (Robert Young) is a family doctor who truly likes and knows his patients. Sometimes he even made house calls. Dr. Steven Kiley (James Brolin) is his business partner and they both rely on Nurse/Office Manager Consuelo Lopez (Elena Verdugo).

Produced by David Victor and David J. O’Connell, the show aired on Thursday nights. Victor also produced episodes of Dr. Kildare as well as The Man from U.N.C.L.E., Owen Marshall, Counselor at Law, and Lucas Tanner, among others. O’Connell produced episodes from several series but he was kept busy in the Editorial Department for a slew of shows, including Tales of West Fargo, Bachelor Father, Leave It to Beaver, The Jack Benny Show, Wagon Train, McHale’s Navy, and The Munsters. (In the future, I will definitely look into a show about editors for a blog.)

Welby and Kiley were very different. Kiley rode a motorcycle to work while Welby drove a sedan. Welby was a widower; he started his career as a doctor in the US Navy during the war. He enjoyed sailing on the ocean. Welby often wanted to use more radical treatments than his younger partner who was more conservative in his patient care. A lot of ailments were tackled on the series including impotence, depression, brain damage, breast cancer, epilepsy, Alzheimer’s, rape, and abortion.

Photo: WorthPoint.com

The two doctors had a private practice with operating privileges at Lang Memorial Hospital. Both doctors had girlfriends, Myra (Anne Baxter) and Janet (Pamela Hensley). Welby’s daughter (Christine Belford) and grandson (Gavin Brendan) were often on the set as was Kathleen Faverty (Sharon Gless), an assistant program director.

In season two the show made it to number one for ABC. Both Young and Brolin won Emmys and the show won an Emmy for Outstanding Dramatic Series.

After seven seasons of medical storylines, the show’s viewership began to wane. Many of the medical series were running out of steam at that time. Once ratings continued on the decline, the show was canceled.

Photo: decider.com

However, eight years later, The Return of Marcus Welby, MD aired. Young and Verdugo continued their roles although Brolin was no longer available. It must have done well, because a second movie was filmed in 1988–Marcus Welby, MD – A Holiday Affair. This would be the last acting role Young would accept.

I have many fond memories of watching this show when I was young with my family. Marcus Welby reminded me of our family doctors; he was kind, gentle, smart, and had a great bedside manner. And he made house calls! Don’t get me wrong, there are still many doctors with his characteristics and they kind of make house calls now over the computer but it’s not the same. Thanks, Dr. Welby, for caring for all of us for seven years.

Dr. Kildare: The “Perfect” Doctor

Photo: collectors.com

This month we are checking out a few favorites in a blog series: “Examining Our Favorite Medical Shows.” Last week we learned a bit about Ben Casey. Today we are looking at a similar show to Ben Casey, although in many ways it was very different: Dr. Kildare.  Dr. Kildare was also on the air from 1961-66. MGM produced this show created by Max Brand in the 1930s. The show had previously been a movie and a radio series. Unlike Ben Casey who seemed to argue with everyone, Dr. Kildare (Richard Chamberlain) was a respectful intern at Blair General Hospital. He wants to help his patients and listens to his mentor, Dr. Leonard Gillespie (Raymond Massey). In season three, Kildare became a resident, and the episodes focused more on the stories about the patients.

In 1960 a pilot was filmed with Joseph Cronin in the Kildare role and Lew Ayres as Gillespie which did not sell. The role of Kildare was offered to William Shatner and James Franciscus who both turned it down. In 1961, a new pilot was produced with Chamberlin and Massey. One of the reasons Massey accepted the role is because he was certain the show would only last one season, and he wanted to continue with his movie career. The popularity of the show put his film career on hold for five years.

Photo: medium.com

Other cast members who appeared on the show included Dr. John Kapish (Ken Berry), Nurse Fain (Jean Inness), Dr. Agurski (Eddie Ryder), Dr. Gerson (Jud Taylor), Dr. Lowry (Steve Bell) Nurse Conant (Jo Helton), and Nurse Lawton (Lee Kurty).

The guest stars on this show were amazing. I feel like this should be read in auctioneer mode but here goes: Eddie Albert, Jack Albertson, Fred Astaire, Ed Asner, Lauren Bacall, Ed Begley, Joan Blondell, Tom Bosley, Beau Bridges, Charles Bronson, James Caan, Robert Culp, Ossie Davis, Ruby Dee, Angie Dickinson, Olympia Dukakis, Barbara Eden, Linda Evans, Douglas Fairbanks Jr., Peter Falk, Beverly Garland, Ron Howard, Kim Hunter, Celeste Holm, Carolyn Jones, James Earl Jones, Brian Keith, Ted Knight, Harvey Korman, Cloris Leachman, Jack Lord, Walter Matthau, Gavin McLeod, Ricardo Montalban, Harry Morgan, Jack Nicholson, Leonard Nimoy, Carroll O’Connor, Suzanne Pleshette, Basil Rathbone, Robert Redford, Robert Reed, Cesar Romero, Gena Rowlands, William Shatner, Jean Stapleton, Gloria Swanson, Rip Torn, Sam Waterston, Dennis Weaver, and Robert Young. For a show that was only on five years, it was an impressive guest cast.

Photo: imdb.com

To add more realism to the show, writer E. Jack Neuman spent several months working with interns in a large hospital. Technical advice was provided by the American Medical Association.

The show was realistic in portraying all the drama that is truly found in a city hospital. The plots involved a lot of medical and social issues including smallpox, physician competency, drug addiction, malpractice, and euthanasia. Neuman definitely captured what life in a large, city hospital was like. Kildare makes about $60 a month, or $500 in today’s terms, works long hours, rotates through the various medical departments and has senior physicians overrule his diagnoses.

Just like Ben Casey, the first seasons produced stand-alone episodes and after the success of Peyton Place, storylines carried over from one show to another to entice the audience to tune in again the next week.

The theme music for the series was composed by Jerry Goldsmith. A CD set was released in 2009 which included the theme, the original music from the 1960 pilot, Richard Chamberlain’s recording of “Three Stars Will Shine Tonight,” and musical scores from the five seasons by Hurr Sukman, Richard Markowitz, Morton Stevens, Lalo Schifrin, John Green, and Burt Bacharach.

Airing on Thursday nights, the show was in the top ten during season one and the top twenty for seasons two and three. The show received about 12000 fan letters weekly, and, in addition, Chamberlain received letters personally asking for medical advice.

The network moved the show to Tuesday nights against Red Skelton and McHale’s Navy for season five and the viewers did not follow. The ratings declined, and the show was canceled.

This show really changed Chamberlain’s career. He had always been a small-role guy before this show, but he suddenly became a teen idol. He received more than 35,000 fan letters a month. Onscreen the idealistic Kildare and the wise, sometimes cantankerous, Gillespie don’t always agree but they had great chemistry on the set and apparently off the set as well. Unlike Ben Casey, the cast on this show did get along and Chamberlain mentioned that he always enjoyed working with Massey.

Richard said he grew up in a family where they all pretended to be perfect. So, he went through life trying to be perfect too. He said that philosophy did not work well for his life, but it did work well for Dr. Kildare.

Following the show he would take a turn on Broadway, in big-screen movies, and back on television where he specialized in mini-series like Shogun and The Thorn Birds, both in the 1980s.

One fact I found interesting was that the DVD release of the show included a never-aired pilot from a different medical show, The Eleventh Hour in 1962. The episode originally was written for Dr. Kildare. Drs. Kildare and Gillespie assist Dr. Bassett (Wendell Corey), a psychiatrist diagnosing one of his patients Ann (Vera Miles). Instead of airing on Dr. Kildare, Chamberlain and Massey were cut out of the film and it was submitted as a pilot for the show, with the title “Ann Costigan: a Duel on a Field of White.”

Even Mad Magazine got on the Kildare bandwagon. The 1962, #74 issue, featured “Dr. Killjoy,” a parody of the show.

Everyone seemed to like this show. Then again, what is not to like? You have a handsome doctor, exhilarating drama, a fun guest star every week, and realistic stories. The show would go on to inspire the talents behind a variety of medical series including Marcus Welby MD, ER, House, and Grey’s Anatomy.

Ben Casey: The Bad Boy of Medicine

Medical series have been a staple since television started. This month we are checking out a few of the favorites in a blog series: “Examining Our Favorite Medical Shows.” First up is a show that was on in the sixties: Ben Casey.

Jaffe and Edwards Photo: ebay.com

Ben Casey was on the air from 1961-66 on ABC. Created by James E. Moser, the character of Ben Casey was based on Dr. Allan Max Warner who was a neurosurgeon. Warner worked closely with the actors to show them how to handle instruments and patients. It was not a cheap show to produce. More than $50,000 of medical equipment was purchased for the show and each 60-minute episode had a budget of $115,000. Warner later changed to psychiatry because he said his association with the show prevented him from becoming board-certified. Dr. Joseph Ransohoff, another neurosurgeon, became the medical consultant.

The series followed Ben Casey (Vince Edwards), an idealistic neurosurgeon at County General. Dr. David Zorba is his mentor (Sam Jaffe). In the final season, Jaffe left and the new chief of neurosurgery was Dr. Daniel Niles Freeland (Franchot Tone). Rounding out the cast were Dr. Ted Hoffman (Harry Landers), Dr. Maggie Graham (Bettye Ackerman), orderly Nick Kanavaras (Nick Dennis), and Nurse Willis (Jeanne Bates). The show had a gritty edge to it and featured the life of doctors working in a city hospital and the tough physical and ethical situations they had to deal with.

Several sources said that Cliff Robertson and Jack Lord turned down the role of Ben Casey. Also, Russell Johnson said he auditioned for the role, but was rejected and his next audition was for the role of the Professor on Gilligan’s Island. However, I read several other sources that mentioned that Bing Crosby discovered Edwards and planned a television show to feature his find. Bettye Ackerman’s character was cast as an anesthesiologist who was supposed to be Casey’s love interest but they never developed any chemistry. In real life, Ackerman was married to Jaffe.

Photo: nostalgiacentral.com

Filmed at Desilu Studios, the series was produced by Bing Crosby Productions. The show had 33 directors including Sydney Pollack; Vince Edwards directed seven of the episodes. However, its writing staff was even bigger with about 80 different people penning scripts. I never understood how that worked so well. As a writer, I would want to get to know the characters I was writing for and then continue to learn about them, but during the sixties, there were a lot of people who only contributed one or two scripts to any given series.

The theme music was written by David Raksin and pianist Valjean made it a top-40 hit.

The show was on Monday nights for its first three seasons. Season four, it moved to Wednesdays and returned to Mondays for the final two seasons. The first season it ranked in the top 20 and moved into the top 10 for its second year. Once the network moved the show to Wednesdays where it had to compete with The Beverly Hillbillies and The Dick Van Dyke Show, it fell out of the top thirty and never returned to its former popularity. During the last season, several changes were made. Casey fell in love with Jane Hancock, a woman who came out of a 13-year-long coma. The episodes also began to continue from one to another instead of being stand-alone stories, encouraging viewers to find out what happens the next week.

Photo: pinterest.com

During the run of the show, four novels were written based on the series (1962-3), as well as a daily (1962-1966) and Sunday (1964-1966) newspaper comic strip by Jerry Capp and ten Dell Comic books (1962-64). There was even a board game created called Ben Casey MD. And even more surprising was a doll called Dr. Ben Casey’s Patient. Surely children were not exposed to the show.

Photo: pinterest.com

Another medical show, Dr. Kildare, aired the same year as Ben Casey. The shows were often confused, but they were really quite different. Dr. Kildare was an intern who respected his mentors and the doctors he served under. He was the handsome guy next door, friendly and always striving to help his patients. Casey was brash and had already served his learning time, so he more often bucked the system and was not as respectful to the doctors working with him. He was handsome but in a more wild, bad boy, appearance. However, both shows tackled some very interesting and controversial subjects from the medical field.

Ben Casey might have gone off the air, but he did not disappear. The show has been parodied on a variety of shows including The Flintstones. “Ben Casey” was used by American troops in Vietnam War as slang for a medic. In 1988, a made-for-tv-movie The Return of Ben Casey brought Edwards back to the small screen. It was a syndicated show, and aired with the hope that it would be a pilot for a new series, but none of the networks picked it up.

Photo: collectors.com

The cast was not holding hands and singing Kumbaya, but it did function amidst a lot of dysfunction. Director Mark Rydell discussed Edwards’ gambling problem which became the show’s gambling problem. Landers who played Dr. Hoffman said Edwards was constantly asking the cast and crew for money to take to the race track, and he would be gone for hours at a time. He often came in with $20-30 thousand dollars in his pocket, demanding that he leave filming by 11; other stars had to stand in for him to tape the rest of the show. Despite his unprofessional behavior, several stars liked Edwards. Jaffe, who had many conflicts with Edwards, was not one of them which is why he eventually left the show. Director Jerry Lewis and guest star Sammy Davis Jr. also had problems with Edwards. Landers also mentioned that when Tone took over Jaffe’s role, he was constantly drunk on the set. When Landers directed the show, he kept Tone sitting down so viewers would not see that he was swaying.

Considering all the issues the show had, the number of writers contributing scripts, the unprofessional behavior of several of the actors, and the movement of the show from Monday to Wednesday where it had stiff competition, the show actually did well and was popular with viewers for five years. It set the tone for many of the shows that would follow including Marcus Welby, Medical Center, and ER. Next week we will learn more about Dr. Kildare.