Father Knows Best: We All Grew Up in Springfield

February 19, 2024February 19, 2024 / thewritelife61 / 4 Comments

Our last two shows are both set in Springfield, and we might do a bit of comparison and contrast next week. This week we are checking out the Anderson family on Father Knows Best.

The show debuted on NBC radio in 1949. For five years it was sponsored primarily by General Foods. None of the television cast members were part of the radio show, but you would recognize the voice of Jean Vander Pyl from The Flintstones.

A couple of months before the show ended on radio, it made its move to television. This was not all that unusual in the early days of television, but the show began on CBS for a year, then it was picked up by NBC for three years, and then it returned to CBS for two years.

The pilot aired on an episode of The Ford Television Theatre and was called “Keep It in the Family.” While the show was picked up, only Robert Young was retained from the original cast. Joining him were Jane Wyatt as Margaret, Elinor Donahue as Betty, Bill Gray as Bud, and Lauren Chapin as Kathy.

I think we all have this stereotyped vision of the Anderson family in our memories. In fact, the US Department of the Treasury requested a 30-minute episode of the show that was never aired on television. It was distributed to schools, churches, and civic groups to promote the sale of savings bonds. However, when I watch the show today, I think it got some unfair criticism. There are several episodes when Margaret has just had it with cleaning and cooking for an ungrateful family. The kids are sometimes portrayed as thoughtless and self-absorbed. The three children often disappoint their parents and sometimes the parents are not good role models. I don’t say that in a negative way—it’s a realistic description of a lot of us as teenagers and parents at times.

Robert Young and his business partner Eugene B. Rodney developed the show with Screen Gems. Casting was not an easy task. One of the things they were trying to avoid was stereotyping. They wanted Bud to be absorbed but not flip. Young and Rodney mentioned that it was not easy to do the gags in the right tone, but they knew they had their Bud in Gray in a scene where Jim is worried about Betty getting too serious. Rodney relayed the following story: “As an example”, said Mr. Rodney, “when Jim, worried about Betty’s going steady, reads aloud a newspaper story about a girl eloping and taking $200 with which her aunt was to buy a TV set, our Bud had to be able to look up and ask seriously, ‘What size screen, dad?’ Billy Gray was the only actor that could do it the way we wanted.”

Kathy was a bit harder to cast for; seventy-eight girls auditioned for the role. Chapin had no acting experience before the show, but she seemed more like a regular kid. They wanted Betty to be attractive but not sophisticated. Donahue talked about her auditions in a Television Academy interview. She auditioned once and had to hop out of the tub and run to the audition with her hair a bit of a mess, and they told her she was too young for the part. Her agent got her hair cut, dressed her in a suit with heels and got another tryout for her, but they said she was too old. Her agent kept pestering them to give her one more shot and they did not want to, but finally Rodney agreed if her agent would quit calling him, so they brought her in again. She was all nerves and very anxious and Young tried to calm her down and she auditioned again and felt that she had embarrassed herself and that she had made a terrible impression. However, they called a month later to say that she had been hired.

Jane Wyatt was offered the role of Margaret and rejected it. She wanted to do a show in New York, but when they sent her the script and she read it, she loved it and agreed to the part.

The show began on Sunday nights. It seems a bit odd today that this wholesome family show on Sunday nights was sponsored by Lorillard’s Kent cigarettes. The show became popular with America, but the ratings were not high enough for Kent Cigarettes, and they decided not to extend the 26-episode contract. Fans sent letters, and television columnists got in on the action, encouraging fans to write the president of the CBS network. Kent canceled and Scott Paper then picked it up. Scott moved the show to NBC. By the second season, more than 19 million households watched the show on Wednesday evenings. In 1958 NBC decided to cancel the show, but CBS took it up again for two more years. In 1960 there was a writers’ strike and it lasted long enough that Robert Young decided he was ready to move on in his career. Jane Wyatt was also ready to retire and enjoy her family. The sad thing was that they were never able to say goodbye to each other or wind up the show.

Good scripts were critical for both Rodney and Young. They wanted character motivation. Roswell Rogers and Paul West, the primary writers for the show, took a lot of their material from their own lives. The two writers had seven children between them and included moral lessons built in.

The two major directors were Peter Tewksbury and William D. Russell. As co-owner of the show, Rodney served as producer. He knew everything about the characters. Jane Wyatt related an incident when she asked Rodney what she could do to improve her characterization of Margaret. Rodney told her to love her children as much as her husband. Wyatt realized at that moment that she had been concentrating on the relationship between Jim and Margaret more than her motherly feelings.

If you are a pop culture fan, you will recognize the house as the home of Mr. Wilson on Dennis the Menace and Major Nelson on I Dream of Jeannie. If you pay close attention, sometimes you can see the house in episodes of Bewitched, Hazel, The Monkees, and The Partridge Family. Gracie Allen would have approved of the show’s interior. She liked to do the activity that she was supposed to be doing on the show, and the Andersons had working appliances in their kitchen. While the bedrooms were interchangeable so they could film any of the characters’ rooms, the kitchen had red wallpaper, white cabinets, and blue countertops. Every morning, coffee and sweet rolls were served, and lunches were kept in the refrigerator.

The theme song was titled “Waiting.” It had lyrics but they were never used on the show. It was written by Don A. Ferris and Irving Friedman.

The show was nominated for an Emmy 20 times with 6 wins: Robert Young won for Best Actor in 1957 and 1958, Jane Wyatt won for Best Actress in 1958, 1959 and 1960, and the show received Best Direction for A Single Episode in 1959.

The Andersons had a special place in the heart of many kids growing up during the fifties and in 1977, two reunion movies were made: Father Knows Best Reunion in May and Father Knows Best: Home for Christmas in December. We learn that Betty is a widow with two daughters, Bud is married with one son, and Kathy is recently engaged to a doctor.

Despite the abrupt ending of the show, the cast kept in touch. Donahue said that she really loved Robert Young and considered him her father figure. She, Chapin, and Gray all were in families without a father, although Gray saw his occasionally, so Robert did become a father for them. She said he never had a cross word for any of them and if they were behaving unprofessionally or causing trouble, he would take off his glasses and look down and that was their cue to do better. Perhaps that is why the show rings true for so many people. On the set, their “father” truly did know best.

Little House on the Prairie: Drama On and Off the Set

February 12, 2024December 5, 2023 / thewritelife61 / 4 Comments

This month we are visiting with some of our favorite families. I absolutely would have included The Waltons this month if we had not covered the show recently. However, another historic family, the Ingalls, is on the schedule. Little House on the Prairie was on the air for nine seasons. Many of us got to know the family through Laura Ingalls Wilder’s books.

Television producer Ed Friendly acquired the film and television rights from the books. Oddly enough, the other show Friendly is known for as producer is Rowan and Martin’s Laugh In. He decided to make Little House a two-hour pilot and asked Michael Landon to direct it. Landon agreed to do so if he could also play Pa, Charles Ingalls. The pilot aired in March of 1974, and in September the series began.

Along with starring in the show, Landon continued to direct as well; he directed 87 of the 204 episodes. The other directors included William F. Claxton, Victor French, Maury Dexter, and Leo Penn.

Landon also got in on the writing of several episodes. He had written several scripts for Bonanza when he appeared on that show, and several of them were recycled for Little House.

Like The Waltons, while this series was often happy with comedic notes, it dealt with many serious issues as well, including alcoholism, drug addiction, poverty, racism, child abuse, and rape. The show focused on the struggles and joys of a pioneer family living in the late 1800s.

Along with Landon, Karen Grassle played Ma, Melissa Gilbert played Laura, Melissa Sue Anderson was Mary, with Lindsay and Sidney Greenbush alternating as Carrie. In addition to the Ingalls family, other town folk on the show included Nellie Oleson (Alison Arngrim), Nels Oleson (Richard Bull), Harriet Oleson (Katherine “Scottie” MacGregor, and Miss Beadle (Charlotte Stewart).

Some of the guest stars included Willie Aames, Anne Archer, Lew Ayres, Hermione Baddeley, Ken Berry, Ray Bolger, Ernest Borgnine, Johnny and June Carter Cash, Burl Ives, Charles Lane, Vera Miles, Sean Penn, and Ray Walston.

The theme song, “The Little House,” was written and conducted by David Rose. Rose won two Emmys for his work on the show.Although the pilot ranked #3 for the 1974 ratings, the first two seasons were much lower. Season 3 found the show on Monday nights where it remained one of the highest-ranking series through season 7. Season 8 had a significant decline and season 9, with the loss of most of the family members, never really caught on with viewers. However, season two is the only year the show was not in the top 30. The schedule was a bit crazy when you analyze it. Although, this show did have to compete with The Jeffersons and WKRP in Cincinnati, because they were half-hour shows and this was an hour show, many people probably continued watching the second half. For many of these years, there were up to six different shows in this time spot on CBS and many of them changed from year to year, so there were rarely shows in this spot against Little House for more than a month or two.

After eight seasons, both Michael Landon and Karen Grassle were ready to move on; however, Landon did stay on as a director and writer. The show focused on Laura Almanzo and the younger generation for the ninth and final season.

The show was loved by critics as well as viewers and received sixteen Emmy nominations. The series won four of them, all for music and cinematography. The only cast member nominated was Melissa Sue Anderson; she lost to Sada Thompson for Family.

Viewers were not ready to leave the Ingalls for good. Three made-for-tv movies were written: Little House: Look Back to Yesterday in 1983, Little House: The Last Farewell and Little House: Bless All the Dear Children, both in 1984. In 2008 the Ingalls’ lives also became a musical at the Guthrie Theater.

One fun story is when the show moved from Paramount to MGM Studios in the late seventies, they were uncovering sets so they could build new ones and found the yellow brick road from the Wizard of Oz which delighted the kids in the cast; I’m guessing it delighted many of the adults as well.

Another fun story was learning what the cast ate on the show. Since beef stew was a popular meal in the 1800s, the family often had that for its meal and when they did, they were actually eating Dinty Moore Beef Stew. When they had chicken, it was KFC that appeared on their plates.

The kids must have been troopers because each episode took about seven days to shoot. They were on location at Big Sky Ranch for four days and in the studio for interior shots about three days. In addition, they were probably witnesses to off-air scenes that were not the best. Grassle and Landon were not close, probably because his role seemed much bigger than hers and he was directing as well. Unfortunately, both Grassle and Landon were alcoholics, and alcohol was part of their life on set. During season four, Grassle quit when she realized the seriousness of her problem. Landon was never able to kick his dependence and died from pancreatitis.

Gilbert said that Michael Landon had interesting ways to inspire his kids to get emotional on the set. He worked himself up to become very emotional and with eyes full of tears would ask her “Do you know how much I love you?” which would bring tears to her eyes as well.

It might have been a way to get her to cry, but it was not a lie. Gilbert lost her own father when she was eleven, and Landon became a second father to her. He often had Gilbert at his house on the weekends. She said it was a huge house and the kids ran through the house at will. Often Landon would hide behind doorways and jump out and scare them. Gilbert said Landon provided her with a lot of great advice. The most memorable for her was that nothing is more of a priority than home and family, and no success is as important as loving your people and contributing to a community. And to have fun above all in your career.

That is sage fatherly advice for us all to remember.

We Never Really Left Leave It to Beaver

February 5, 2024December 5, 2023 / thewritelife61 / 2 Comments

This month we are learning about America’s favorite families. Today we are spending some time with the Cleaver family. In the past we have talked quite a bit about The Brady Bunch, and in some ways, Leave It to Beaver is like that show. The Brady Bunch portrayed the 1970s and although they have been on the air since that first episode debuted, the show never cracked the top twenty. The Cleavers taught us about the 1950s. That show also never got into the top thirty during its six-season run but has been on the air most of the past 65 years.

The show was originally written to feature Theodore or Beaver played by Jerry Mathers. Beaver gets into a lot of mischief, but he is a good kid and always means well. He has an older brother Wally, played by Tony Dow. His parents are Ward (Hugh Beaumont) and June (Barbara Billingsley). I thought it was interesting that all four of the stars appeared in every single episode of the show, 234 of them.

We also got to know some of the boys’ best friends as well. Beaver hangs out with Larry Mondello (Rusty Stevens) and Gilbert Bates (Stephen Talbot). He also spends time with Gus an old fireman played by Burt Mustin who seemed old even then. Wally is often with Clarence “Lumpy” Rutherford (Frank Bank) whose father is friends with Ward and Eddie Haskell (Ken Osmond). Eddie is overly polite to Ward and June who are never fooled by his manners; he often picks on Beaver.

Mathers said that when he went to the audition, he went in his Cub Scout uniform because he didn’t want to be late for the den meeting. He was so honest and innocent about wanting to get to his Scout meeting that the producers hired him.

Tony Dow never planned on getting a part. He had been in one commercial but no television series. He was an athlete and a diving champion and great swimmer. He had been working out at the Hollywood athletic club and a lifeguard there asked Dow’s mom if Tony could go with him to the audition. Dow ended up getting the part. Mathers later corroborated the story in his blog, saying that the actor who was in the pilot grew five inches the following year and was as tall as Beaumont, so they decided to hire another kid for the role. They wanted someone who looked like an athlete, so they chose Dow.

Beaumont took some inspiration from his studies to be a wise and caring father. He held a Master of Theology degree from USC and was an ordained minister. In addition to acting, Beaumont wrote one entire episode, contributed to several others, and directed 23 episodes.

While Beaumont contributed to the scripts, the show was primarily created by Joe Connelly and Bob Mosher, and many of the plots were based on their children.

CBS put Leave It to Beaver on the air Wednesday nights in 1957. I can see where the ratings might suffer because the show was on during the last half of both Wagon Train and Disneyland, so a lot of viewers were watching another show at the time.

The network decided to drop the show at the end of the year, but ABC picked it up and extended its run for five more years. The new network aired it Thursday nights up against repeats of I Love Lucy and a show I know nothing about called Jefferson Drum. The description is that a widowed father starts a newspaper in a western town. The next season the show appeared on Friday nights with another move the following year to Saturday nights. In its fifth season it stayed on Saturday nights but switched times and the sixth season found it on Thursday nights against Perry Mason and Dr. Kildare. At that point, Jerry Mathers wanted to have a normal high school life, and the show ended.

The theme of the show is probably one of the best-known television themes. It was “The Toy Parade” composed by David Kahn, Melvyn Leonard, and Mort Greene.

In 1983, “Still the Beaver” aired to catch us up on the Cleaver family. Beaumont had passed away, but the rest of the cast showed up for the reunion. It led to a reboot that ran for four years from 1985-89 called The New Leave It to Beaver. Beaver and Lumpy run Ward’s business. Beaver lives in their family home. June is still living there, taking care of Beaver’s two boys. Eddie Haskell is still in Mayfield with his son Freddie. Wally is now a lawyer living in town, married and expecting his first child.

Ward and June took a lot of heat for being stereotypical parents in the show. While there was definitely some unrealistic behavior, fans continued to flock to the show for decades and now, almost 70 years after the first airing, it is still on the air and gaining new generations of viewers. June gets made fun of for wearing pearls and high heels, but when she was asked about that, she admitted that she wore the pearls because she had an indentation on her neck that she thought did not look good on film and the pearls covered it up. She said she wore heels because she had to be taller than the boys.

Mathers is the only remaining primary cast member; the rest of the crew has passed away. He has admitted that the family on television was also close off the air. Mathers became good friends with Ken Osmond. When Dow passed away, Matters wrote, “It is with the utmost sadness I learned this morning of my costar and lifelong friend Tony Dow’s passing. He was not only my brother on tv but in many ways in life as well. Tony leaves an empty place in my heart that won’t be filled. He was always the kindest, most generous, gentle, loving, sincere, and humble man, that it was my honor and privilege to know. Of Beaumont, he said, “we had a good chemistry and . . . I was very glad that he was picked for the role and we had a wonderful friendship for his entire life until he passed away from a heart attack. Hugh and my dad had become friends and he occasionally came to our house to play cards with my father and his friends.” He also had fond words for Billingsley, that she was “a good friend and an even better mentor. . . I was lucky enough to work with her for six years and have a life-long relationship with her. She was a very kind woman and a generous philanthropist who supported many charities.”

Like some of the Brady kids, Mathers thought once he left the show, he left show business behind him. He attended Notre Dame High School in Sherman Oaks, California and had a typical teenage life. He enlisted in the US Air Force Reserves, attaining the rank of sergeant. He also was in a band called Beaver and the Trappers. After graduation, he worked as a loan officer at a bank and got involved in real estate. At the end of the 1970s, he decided to star with Dow in a stage production of “Boeing, Boeing” in Kansas City and afterward, the two of them toured in “So Long, Stanley” for 18 months. In 1981, Mathers began working as a DJ and, not long after, the reunion movie and reboot of the tv show was offered to him.

I will admit that I have never been a huge fan of Leave It to Beaver. I never thought of it as a bad show, but I was just interested in other shows more. It is pretty incredible that it has been on the air for so many decades and still finds new viewers. I think I gravitate more to The Brady Bunch because it reflects the decade that I grew up in. It must be very strange for a person to live a role for six years, walk away at age 15 or so and then come back to it two decades later. From everything I read, both Mathers and Dow came away from their acting careers unscathed from so much of what you read other child actors had to endure. Along with Ron Howard, they seem to have been able to have a fairly normal life off the set. I think it’s great that Hugh Beaumont became friends with Mather’s father. They seem to have experienced the same great relationships with their tv parents that Patty Duke, Shelley Fabares, and Paul Petersen did. It’s always nice to hear that a show about a favorite American family in pop culture is also a great family away from the set.

The Life of Riley: A Series of Revoltin’ Developments

January 29, 2024January 28, 2024 / thewritelife61 / 4 Comments

This month we are talking about classic television shows. Because it was early in the history of television, many of these shows began on the radio. Our series today was no different. It had a lot of lives. Like Ozzie and Harriet Nelson or Our Miss Brooks, it went from radio to television to film. However, in addition to those different genres, this show probably has the record for the first reboot. Today we learn all about The Life of Riley.

The Life of Riley began on the radio. Throughout the forties, you could tune in to hear Chester Riley, voiced by William Bendix, getting into a lot of different trouble while his long-suffering wife Peg (Paula Winslow), tried to help him. He had two kids, Babs (Barbara Eller) and Junior (Tommy Cook, Bobby Ellis, Scotty Beckett). His best friend Jim Gillis was often in the middle of the screw-ups with him. Another recurring character favorite was Riley’s friend Digby O’Dell, local undertaker, played by John Brown.

The family lived in California, and Riley was a blue-collar worker; he was a riveter at the Cunningham Aircraft plant. Riley is stubborn and opinionated, and knows his way is the right way. His family and neighbors think otherwise.

The original radio concept was created to star Groucho Marx, but the sponsor could not see Marx in a sitcom role. Gummo Marx who had become an agent, worked with the original sponsors, The American Meat Institute, to develop the show. Later the show was sponsored by Proctor and Gamble and then by Pabst Blue Ribbon Beer.

In 1949 in a weird twist, there was a film version coming out as well as an ABC Blue Network television sitcom. Bendix had signed on for the film, so that prevented him from playing Riley on television. The film did well, earning $1.6 million.

📷iamachildoftelevision.com The Jackie Gleason Riley

Jackie Gleason took on that role with Rosemary DeCamp as Peg. Gloria Winters was Babs, Larru Reese was Junior, Sid Tomack was Gillis, and Brown continued to play O’Dell. It only was on the air from October 1949 to March 1950. I’m not sure why it disappeared from the schedule so quickly. Producer Irving Brecher and Pabst Brewing Co. could not agree on extending the series to a 39-episode season. Apparently, the ratings were not high enough for the sponsor to want to continue with the series. It competition was a Feature Theater on Dumont and Suspense on CBS. Suspense also began in 1949 and began as a radio show. It was an anthology series that often featured literature adapted for television. It was on the air until 1954, although the radio show was on the air from 1942-1962. However, it won the first Emmy Award for Best Film Made For and Shown on Television. Six shows were nominated, but the only other show remembered today was The Lone Ranger.

In 1953, a reboot was made for NBC. William Bendix was back as Riley and this series continued on the air for six seasons. In this second, better-known series, Marjorie Reynolds was Peg, Lugene Sanders was Babs, and Wesley Morgan was Junior. Gillis was played by Tom D’Andrea and his wife Honeybee was played by Gloria Blondell. Digger O’Dell was not mentioned. John Brown had been named on the Hollywood Blacklist during the McCarthy debacle years, so he was prevented from taking the role. Many people use Riley’s catch phrase, even if they are not sure where it was originally from: “What a revoltin’ development this is.” Riley made $59 a week, and money was often one of his concerns.

Four of the six seasons found the show in the top 30, and 217 episodes were produced. Oddly, season five was filmed and broadcast in color, while season six was back to black and white. The show was on Friday nights for its entire run. The first three seasons it faced its biggest competition against Topper for two years and Our Miss Brooks for season three.

Dell Comics featured the show in one of its comic books in 1958. It was included in the Four Color series. It has held its value with most editions going for about $200-$300 online.

While I have watched a fair number of episodes of The Life of Riley, I have to admit it was never one of my favorites. Shows from this era are very hit or miss with me. I do like all the versions of Our Miss Brooks, and I love Burns and Allen and Jack Benny, but I got quickly got tired of the circumstances Riley continually found himself in and his mispronunciation of words and his lack of knowledge which he never realized. I am also in the small, small minority of people who felt the same way about I Love Lucy. I can watch one or two episodes here and there but not on a regular basis, although the scripts and acting on I Love Lucy carried it much further than Life of Riley.

However, Life of Riley was popular in the fifties and is still well-known today, so it found its audience of fans. If you want to try it out, there are limited opportunities. Interestingly, there is a DVD of the Gleason episodes and there are several recordings available of the radio show. However, for the Bendix television series, I could only find one option and half the shows are Our Miss Brooks so it is not even an entire season, just two episodes. I could not find any networks currently streaming the show either.

The Thin Man, Minus the Witty Banter

January 22, 2024December 5, 2023 / thewritelife61 / 4 Comments

This month we are discussing Classic TV Shows. Many of our series this month were adapted from books, movies, or radio. Today’s show is no exception. Join me as we learn about the television series, The Thin Man.

📷rogerebert.com The original Nick and Nora

The Thin Man was introduced in 1933 by Dashiell Hammett. It became a big-screen film feature in 1934 starring Myrna Loy and William Powell. In 1957, it showed up on television where it would air for two years on NBC. The show was a half-hour show scheduled on Friday nights, producing 72 episodes.

Peter Lawford took over Powell’s role of Nick Charles with Phyllis Kirk stepping in for Myrna Loy as Nora. (In the years after this show, Kirk only had five other acting credits; Lawford, on the other hand, was known for his friends, The Rat Pack and would go on to act in more than sixty additional shows during his career.) Their famous dog Asta was played by three different dogs during the run of the show.

Rounding out the cast was Jack Albertson as Lt. Harry Evans of the NYPD, Patricia Donahue played the Charles’ neighbor Hazel, and Nita Talbot was Beatrice Dane, a criminal who often got Nick and Nora involved in awkward or criminal situations. Before he was Chief O’Hara on Batman, Stafford Repp showed up in NY as Lt. Ralph Raines.

Nick was a former private detective who got out of crime and became a mystery editor in Manhattan. He has an eye for the ladies, and the ladies definitely have an eye for him. Hazel and Beatrice both hit on Nick often much to Nora’s chagrin. Nora is heir to a family fortune. The couple seems to get pulled into crimes and can never resist solving the mystery. Both Raines and Evans agree to help the duo out. Unfortunately for Lawford and Kirk, the show just could not compete with the Powell-Loy banter and wit. After two seasons, the show was canceled.

One of the directors on this show was William Asher. Asher would go on to direct many shows, including I Love Lucy and Bewitched.

By the early fifties, most of the movie studios had realized that television was here for good, and they began creating quality shows for the industry. However, MGM refused to believe that television would cause any threat to the film world. In order to prove that, they resisted getting into television until the very last minute. As television continued to grow, and big-screen films lost their domination in the entertainment business, the drowning company finally began searching for a life preserver. However, it was too little too late. By recycling a movie series that had been loved by millions and starred actors who were still alive, and then not putting the quality into the new series that would make it a hit, MGM almost guaranteed that the show would fail. However, the concept would be recycled several times during television history, most notably in Hart to Hart where the glamorous couple solved crimes that seemed to draw them like a magnet.

Apparently, the episodes have never been released on DVD, and I could not find out why. However, even if they existed, I would advise you to watch the Powell-Loy films instead. Most of our television recollections are about shows we love, but there are plenty of shows that did not work, and I like to reflect on those shows as well, and why they did not fare so well. Sometimes it’s just the timing of their introduction; other times, it was just because the shows lacked quality and that seems the case here.

The Gale Storm Show Cruising the World

January 15, 2024December 5, 2023 / thewritelife61 / 2 Comments

This month we are celebrating Classic TV Shows. In the fifties, our show today was very popular under two different names: The Gale Storm Show and Oh, Susanna. In 1956, Hal Roach Studios premiered The Gale Storm Show starring Gale Storm. The series would be on the air four years, producing 125 episodes. When it was sold for syndication it was retitled, Oh, Susanna.

Susanna Pomeroy (Storm) is a cruise director on a ship that traveled around the world. A fun fact, Gale had a daughter in 1956 who was named Susanna for this character. A regular group of characters called the ship home including Elvira Nugent (Zasu Pitts) often called Nugie, Captain Huxley (Roy Roberts), and Cedric (James Fairfax).

Zasu Pitts was under contract to Hal Roach Studios in the 1930s where she made about 16 comedy shorts. You might have more curiosity about how Pitts got her name Zasu which truly was her name. Her aunts Eliza and Susan both wanted her named for them, so her mother came up with Zasu for both. Pitts was nominated for supporting actress for the Emmys in 1959. She had some tough competition including Rosemary DeCamp for Love That Bob, Verna Felton for December Bride, Elinor Donahue for Father Knows Best, and Kathy Nolan for The Real McCoys; they all lost to Ann B. Davis for Love That Bob.

Like The Love Boat, which would air decades later, guest stars traveled the seas as well. These stars included Pat Boone, William Frawley, Lorne Greene, and Boris Karloff.

The show started its life on CBS and ended it at ABC. Some of the plots include Nugey gives a boring passenger a glamour treatment and then spreads a rumor she is a countess to give her more excitement. However, two detectives hear this and assume she is an international jewel thief they have been searching for; Nugey finds herself the victim of some con men in Naples and Susanna has to recover her life savings from the bad guys; and Susanna tries to impress a passenger who was the friend of one of her former classmates, and she claims to be married to wealthy passenger Charles Martingale and then has to keep the mother from meeting Martingale.

Storm had a successful movie career, but it was almost nonexistent by the early 1950s. She was also a recording artist who had several top twenty hits. On this show, she sings on almost every episode.

The Gale Storm Show was one of the most popular sitcoms on television in the late fifties and set the stage for what was to come into the sixties.

Life with Luigi: To Be or Not To Be

January 8, 2024December 5, 2023 / thewritelife61 / 2 Comments

As we take a look back at some Classic TV Shows this month, one of the shows I chose I hesitated about. As we all know, some shows included many stereotyped characters and oftentimes inappropriate portrayals. These shows include series like Amos n Andy, Beulah, and Lum and Abner which I just never write about.

I also think it is important to remember some of the shows from the past that make us wince or just turn off the dial now because it reminds us that we have a lot to learn but that we have made improvements in the current series on television. It’s a very complicated subject. If you read the differences of opinions Jimmie Walker had about his character JJ on Good Times compared to John Amos and Esther Rolle’s opinions of the character, you can see just how complex the issue is.

Life with Luigi could fall into this category for sure. However, it has a lot of fans and is still a big draw on Sirius Classic Radio. So, I decided to delve in and learn more about it. It was one of the earliest classic sitcoms transferred from the radio where it was aired from 1948-1953 to television. The show was created by Cy Howard who was the talent behind My Friend Irma. J. Carrol Naish voiced Luigi, and Alan Reed gave life to Pasquale in Life with Luigi.

Luigi Basco arrives in Chicago from Italy and has to make a new life for himself. He attends night school to learn English. His friend Pasquale is always trying to marry his daughter Rosa, played by Jody Gilbert, off to Luigi, who had no intention of being wed to her. Each episode began and ended with news in a letter to Luigi’s mom about his life in America.

In 1952 CBS decided to air the show on television with Naish and Reed continuing their roles on the small screen. The program was sponsored by Instant Maxwell House Coffee. Norman Tokar was the director along with Mac Benoff who also wrote for the series with Lou Derman. Tokar would go on to direct many of the episodes of Leave It to Beaver and The Donna Reed Show. Benoff became a writer for The Danny Thomas Show while Derman wrote most of the Mister Ed scripts as well as writing for Here’s Lucy and All in the Family. The show followed I Love Lucy, so it had a great lead-in for a new show.

The series had good ratings, but the Italian American community was offended by the stereotyping of Italian immigrants even though (and perhaps more offensive) Naish was actually Irish. Because Luigi did not always understand English phrases, he took things too literally at times which I’m guessing was the problem for fellow Italians. CBS replaced the leads with Vito Scotti as Luigi, Thomas Gomez as Pasquale, and Murial Landers as Rosa. The revisions did not make anyone happy, and the show was finally canceled. The show ran its final episode in December of 1952.

Joseph Patrick Carrol Naish was a very versatile character actor who was born in New York City in 1896. He attended Catholic schools until he ran away from school at age 14 to become a song plugger. At 15 he enlisted in the Navy and after being asked to leave due to his age, re-enlisted during the war and was with the Army-Signals Corps in France. He learned eight languages during this time. He also spent some time in Paris singing and dancing with a group of performers.

While he was in California on the way to China, he was spotted by a Fox studio talent scout and landed a few roles. In 1929, he married another Irish actor, Gladys Heaney. With the dialects he had acquired in the Army, he easily portrayed Asians, Middle Easterners, Hispanics, Frenchmen, Germans, Native Americans, Italians, and East Indians. Time Magazine referred to him as “Hollywood’s one-man United Nations.” Ironically one of the parts he had a hard time obtaining was an Irishman because of his black hair and mustache.

In 1943, Batman was introduced in his first big-screen feature. The first evil villain he had to face was Naish as Prince Daka, a Japanese super spy. Daka had an atomic death ray, an alligator pit, and the ability to turn American scientists into zombies.

During his career, he would obtain almost 225 credits. In 1973, both Naish and his wife passed away. The couple had one child. When he was not acting, he spent time writing, singing, cooking, playing tennis, and playing golf.

Much of the late forties and early fifties were learning curves for television which led to the golden age. Life with Luigi was part of that learning curve. While many people felt the show was honest and well written, it offended a large part of the American population. It would not be the last show to do so. You might want to check out an episode or two for yourself and see how you feel about the show and its portrayals.

Give Me a Sarsaparilla: Hopalong Cassidy

January 1, 2024December 30, 2023 / thewritelife61 / 2 Comments

We are celebrating Classic TV for the first month of 2024. Our first choice is a western many kids never missed: Hopalong Cassidy.

📷wideopencountry.com Bill Boyd with Topper

Hopalong Cassidy was introduced to the world by Clarence E. Mulford in 1904 in short stories, and a book was released in 1906. Originally the character had a wooden leg which resulted in his nickname. The first big-screen Hopalong Cassidy film aired in 1935. His nickname was now attributed to a gunshot wound. It starred Bill Boyd, a forty-year-old actor. Boyd’s Hopalong was quite different from the book character. This film Hopalong was a clean-cut hero who drank only sarsaparilla and never took the first shot. By 1948, 66 original movies had been made with ten different sidekicks. That seems like a lot, but from just 1950-1959, about 700 western films were made.

Producer Harry Sherman had become tired of the films. So Boyd invested all of this money buying the rights to the character from Mulford and the rights to the earlier films from Sherman.

In 1949, NBC began showing the older movies on television. Westerns were huge on television, in movies, and in literature in the fifties, and Hopalong became very popular again. Boyd received all the revenue from the merchandise being sold.

Boyd was offered another show in 1952. From 1952-1955, the show was on the air. There was a different format for the new show. Instead of the typical two companions from the films, Edgar Buchanan took on the role of Red Connors. It was Buchanan’s first television role, but it would not be his last. Boyd provided voiceover for the series. He was now a US Marshal instead of foreman of the Bar 20 ranch. Hopalong still fought crime riding his horse, Topper.

The new series was composed of 40 new episodes, along with 12 older theatrical features that were cut down to 30-minute episodes.

One of the reviewers on imdb discussed the show as “being a couple of notches above most of the contemporaries in quality.” He said outdoor scenes were actually filmed outside. He acknowledged that both Boyd and Buchanan were good actors, and Edgar provided both comic relief and dramatic support. The relationship the actors had, along with good writing, produced several really good episodes. He went on to provide information about three of his favorite shows:

“1. Grubstake–A terrific half-hour mystery. Prospector Percy Helton has struck gold. He was grubstaked by five partners. Two have been murdered. A third is Red. Who is the murderer? There is a slew of suspects in a movie-level cast–Christopher Dark, Michael Fox, Robert Paquin, and Timothy Carey(!). Gladys George steals the show as a flighty landlady engaged in a humorous romance with old codger Helton. The solution to the mystery is first rate.

2. The Feud–Two ranchers are bitter enemies. The son of one is murdered from ambush. Suspician naturally falls on his old enemy, B stalwart Steve Darrell, but foreman Hugh Beaumont, soon to become Beaver’s dad, is the culprit. He is having an affair with Darrell’s wife and hopes to get both her and the ranch when Darrell is lynched for the murder. There are some bitter scenes between the jealous Darrell and his unfaithful wife, and even a hot and heavy one between the woman and Beaumont. Perhaps not original, but certainly an adult slant compared to a typical Lone Ranger or Gene or Roy plot.

3. Lawless Legacy–An ordinary plot but given a big lift by Lone Ranger on vacation Clayton Moore as a vicious murderer.”

The series propelled Boyd back into stardom, and he became a famous celebrity, giving talks around the world. Although Hopalong is not as well known today as The Lone Ranger or the Cartwright Boys, his television show is still considered a classic. In 2009, the US Postal Service issued twenty postage stamps honoring early television programs. In this series, which included The Adventures of Ozzie and Harriet, Dragnet, I Love Lucy, Lassie, The Lone Ranger, Perry Mason, The George Burns and Gracie Allen Show, Boyd was pictured sitting on his horse Topper.

In addition to the films and television series, there were 104 radio shows and hundreds of comic books.

By 1955, Boyd was tired of his role and ready to retire. While he was ready to step out of the entertainment business, he wanted to ensure that his staff would continue to have jobs. CBS was getting ready to air a little show they thought might be successful, and his entire crew moved to that series, Gunsmoke, which continued to provide employment for another two decades.

Hopalong Cassidy’s films on television introduced westerns to an entirely new generation and kept westerns in the spotlight for the decade. By March of 1959, eight of the top ten shows were westerns and the television schedule featured thirty different western shows.

I think Boyd was smart to purchase the rights and he was definitely in the right place at the right time to benefit during the fifties. And kudos to him for taking care of his cast and crew.

Buddy Ebsen: From The Tin Man to King of the Hill

December 25, 2023November 20, 2022 / thewritelife61 / 2 Comments

As we wind up our blog series, “Time for Some Texas Tea,” we are also reading the last blog of the year. We have been learning about the careers of several actors who appeared on The Beverly Hillbillies and today we have saved Buddy Ebsen who had the most successful career of the cast.

Ebsen was born Christian Ludolf Ebsen Jr. in 1908 in Illinois. He was the only son of four children born to his parents who had immigrated from Germany. His father was a choreographer and owned a dance studio. He was also a physical fitness advocate and operated a gym for the local school district. His mother was a painter.

When Buddy was ten, his family moved to Florida for this mother’s health, eventually ending up in Orlando where he took dance at his father’s studio. Ebsen was a member of the swim team all four years and became a Florida State Champion. He graduated in 1926. Originally, he chose a career in medicine and attended the University of Florida at Gainesville. He transferred to Rollins College in Winter Park for a year to be closer to home and save money. They had no science courses, so his mom suggested he take an acting class. When the Florida land boom crashed, Ebsen could no longer afford his tuition and he had to drop out.

He moved to New York City and worked at a soda fountain to get by. Ebsen began his career in the entertainment industry as a dancer. He and his sister were known as The Baby Astaires and they performed in supper clubs and on vaudeville. They were booked at the Palace Theater in New York City after Walter Winchell saw them perform in Atlantic City and gave them a rave review.

In 1933 Buddy married Ruth Cambridge; their marriage ended in divorce in 1945 after having two daughters.

His first film was Broadway Melody of 1936. In that same year, he danced with Shirley Temple in Captain January. In 1938 he appeared with Judy Garland as his dance partner. Walt Disney brought Ebsen in to be filmed dancing in front of a grid so the animators could use it to draw the Silly Symphonie with Mickey Mouse.

MGM offered Buddy an exclusive contract but he turned it down, and Louis Mayer told him he would never work in Hollywood again. In 1939 the same MGM cast him as the Scarecrow in The Wizard of Oz. Ebsen and Ray Bolger swapped roles and Buddy became the Tin Man. He recorded the songs, went through all the rehearsals, and then began filming the movie. He began experiencing body aches, cramps, and shortness of breath which eventually landed him in the hospital. Doctors diagnosed him with an allergy to the aluminum dust in the makeup, and he had to give up the role and was replaced by Jack Haley.

Ebsen took up sailing after he recovered and learned it so well that he taught it to naval officer candidates. He was turned down every time he tried to enlist in the Navy. The US Coast Guard did accept his application, and he was made a lieutenant, junior grade. He served on the USS Pocatello which was a weather ship, recording weather 1500 miles west of Seattle. He was honorably discharged in 1946.

Ebsen received permission from the Pocatello’s commanding officer to bring aboard costumes, props, and musical instruments. He wrote, cast, and directed vaudeville shows, concerts, and plays while on the sea. Rehearsals were held in the cramped steering room.

In 1945, Ebsen married fellow lieutenant Nancy Wolcott. They had four daughters and a son. Their marriage lasted 39 years but also ended in divorce.

In 1949, he made his television debut on The Chevrolet Tele-Theater. During the fifties, he continued to make films and to appear on television series.

Breakfast at Tiffany’s Photo: pinterest.com

During the decade of the sixties, he was very busy in both mediums. He made four big-screen films including Breakfast at Tiffany’s. He appeared primarily on television, with appearances on a variety of shows including Maverick, The Twilight Zone, The Andy Griffith Show, Gunsmoke, Bonanza, and Rawhide.

From 1962-71, Buddy became Jed Clampett, the head of the family who moves them to Beverly Hills after they earn millions from oil on their Tennessee land. The critics did not like The Beverly Hillbillies one bit. However, the viewers made the number one show several times. I have to side with the critics. Although the show still had high ratings in 1971, it was canceled by the network because they wanted to move their shows in a more “urban” direction.

Nancy Kulp seemed to be close to most of the cast especially Irene Ryan as Granny and Raymond Bailey, and Ebsen seemed to be close to most of the cast, especially Donna Douglas and Max Baer. However, Kulp and Ebsen were definitely not close. He was very much a conservative and she was decidedly liberal. Donna Douglas related that “they had a different view, so they had some heated discussions about that. They would go on for weeks.” In 1994, Kulp ran for US House of Representatives in her native Pennsylvania. Ebsen not only supported her opponent, he offered to make commercials talking about how liberal she was. He had no connection with Pennsylvania at the time. She claims he was just being spiteful, and he claims she did not know the issues.

After the cancellation of The Beverly Hillbillies, Ebsen appeared in Hawaii Five-0 and then in quite a run of made-for-television movies. In 1973, Buddy was offered his second starring role in a show as Barnaby Jones, a detective who comes out of retirement to investigate the death of his son. Lee Meriwether played his widowed daughter-in-law Betty. Barnaby Jones stayed out of retirement until 1980 when the show was canceled. The show was still receiving decent ratings, but Buddy decided he was ready for retirement.

When asked about Ebsen, Meriwether said, “He really worked at being at the top of his game. You had to keep up with him. I adored him. I think he had feelings for me too.” She later said that “he loved the idea of being a detective. We had CSI-type equipment in the office on the set and he liked doing his own tests.”

Despite a rumored relationship with Meriwether, in 1985, Ebsen married his third wife, Dorothy Knott, and they remained together until his death.

Except for a few credits here and there, Ebsen did not have a lot of acting credits after the mid-eighties. He did accept a recurring role on Matt Houston during season three of that show when he played Matt’s uncle for 22 episodes.

His last movie was a cameo in the big-screen film, The Beverly Hillbillies, and he played Barnaby Jones. His last acting role as a person was Burke’s Law in 1994. His last television appearance was a voice only for King of the Hill in 1999.

In addition to sailing, Ebsen had a lot of other interests. He was an avid coin collector. He also wrote several novels and books. He also released three albums, The Beverly Hillbillies with Irene Ryan in 1993, Buddy’s Originals in 2001, and Buddy Ebsen Says Howdy in 2003.

If that was not enough, he played the guitar, golfed, rode horses, painted, gardened, fished, and traveled.

Ebsen passed away in 2003. His Coast Guard papers are stored at the US Coast Guard Historian’s Office in Washington DC.

Many of the rest of his records were given to the University of Wyoming American Heritage Center by his wife after he passed away. The gift included papers from all stages of his career, artwork created by him, his sailing trophies, and athletic medals among other items. The AHC has a large Hollywood and entertainment collection.

In October of 2022, a new exhibit was unveiled, “The Entertaining Life of Buddy Ebsen.” He certainly did have an entertaining life. While Jed Clampett made him famous, his career was much more interesting than that one role.

Thanks for getting to know Buddy Ebsen better and for taking this journey in 2023 to learn more about classic television and all the people who were important in that evolution.

Irene Ryan: Beverly Hills Granny

December 18, 2023November 20, 2022 / thewritelife61 / 2 Comments

As we continue “Time for Some Texas Tea,” we are learning about the career of Irene Ryan today. Born Jessie Irene Noblitt in 1902 in Texas, Ryan had a varied career, appearing in vaudeville, film, radio, Broadway, and television. Irene’s father was an Army sergeant who grew up in North Carolina, and her mother grew up in Ireland. Her only sibling, Anna, was seventeen years older than her. A couple of years after she was born, the family moved to California.

Ryan was destined to be a star. When she was eleven, she was paid $3 for singing “Pretty Baby” in a contest in San Francisco. When she was fourteen, she lied about her age and began working for a stock company after two years of high school. She never did graduate.

At age twenty she married Tim Ryan who was a comedian and writer. They performed together in vaudeville and were known as “Tim and Irene.” When vaudeville died, the couple got their own radio program that was also called “Tim and Irene.” Between 1935 and 1937, they made eleven short comedies for Educational Pictures. She played the flighty wife (was there any other kind of wife in the 1930s? Not according to film and later television). The duo substituted for Jack Benny in The Jell-o Summer Show for NBC’s red network in 1936.

Photo: Texas, Brooklyn and Heaven 1948 Photo: wikipedia.com

In 1941, Ryan was in her first film, Melody for Three. She would also be in Bonzo Goes to College and Mighty Joe Young.

The couple divorced in 1942, twenty years after they married; they had no children. Irene toured with Bob Hope during WWII and was featured on his radio show for two years. Tim had a busy big-screen career, and the two of them were in four films together. Before he passed away, Tim appeared in 152 films, including From Here to Eternity, Mr. and Mrs. North, and The Stratton Story.

In 1946, Irene (who continued to use “Ryan” as her stage name) married Harold E. Knox. He was involved in film production. They stayed together for 15 years before divorcing.

While she continued making films, Irene also kept a hand in radio. She joined the cast of “The Jack Carson Show” as a neighborhood store owner running a candy store and lending library. She appeared in 30 films in the forties and fifties.

Her first television role came about in 1955 on The Danny Thomas Show. During the rest of the decade, she could be seen in five additional series.

Her last film role was for Desire in the Dust in 1960. From then on she only worked in television. During that decade she had spots on My Three Sons, Wagon Train and Mister Ed among others.

However, in 1962, she was offered the role that made her famous: Granny on The Beverly Hillbillies. As Daisy Moses, Jed’s mother-in-law, she moved with the family from Tennessee to Beverly Hills where she continued the way of life that she lived before. When she showed up for her audition with her hair in a bun and her feisty attitude, everyone knew they had found Granny.

Her role as Granny earned her Emmy nominations for Outstanding Lead Actress in a Comedy in 1963 and 1964. She lost to Shirley Booth for Hazel in ’63 and Mary Tyler Moore for The Dick Van Dyke Show in ’64.

Like the Clampetts, Irene also enjoyed being outside and enjoying nature. She owned a summer cottage on Clark Lake in Jackson County, Michigan. Also, a la Granny Clampett, Irene released a cookbook called Granny’s Hillbilly Cookbook and actually included a recipe for possum. The cast mentioned that she used to put on a very large Christmas feast for them around the holidays.

In the late sixties and early seventies, Irene was a celebrity panelist on Password.

After the Rural Purge we have discussed so many times when the show was ended, Ryan starred as Berthe in “Pippin” on Broadway, directed by Bob Fosse in 1972. She was nominated for a Tony but lost to Patricia Elliott for a “Little Night Music.”

Her last acting credit was for Love American Style in 1972. Ryan was a heavy smoker and her castmates had all worried about her. In 1973, she suffered a stroke while performing on Broadway. She was diagnosed with a brain tumor and she passed away in April of 1973 at age 70. She did not die from cancer but from the tumor and heart disease.

Since she had no children, the year before she died, Ryan set up the Irene Ryan Scholarships Foundation through the Kennedy Center American College Theater Festival. She had built up a considerable fortune, investing wisely and saving much of her money, and these are still being given out today. Ryan mentioned that her role of Granny allowed her to walk around freely without being recognized when she was not made up to be an elderly person. She embraced the role of Granny and even included the word on her tombstone. Irene acknowledged that she had never been a big star in the entertainment world, but she said that “I loved show business, every minute of it. Why? To really love show business, you have to be OF it, not just IN it. That’s me honey, I’m OF it.” I guess it is similar to writing. You’re not just doing it, you are it. And the fact that she could follow her passion and still be free to be herself off the set without being recognized was an added bonus. She was generous with her talent, with her time for her castmates, and for the up and coming actors who are still benefiting from her sharing her wealth today.

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