Murphy Brown: FYI

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As we wind up our “Work It Out” blog series, we finish with a working crew that was very close on and off the set, a television show about a television show, Murphy Brown.

Created by Diane English, the show aired on CBS in the fall of 1988 and ran for a decade. In 2018, a reboot of the original cast had a one-season run of 13 new episodes when we got to catch up on life with the characters.

Murphy Brown is about an investigative journalist, Murphy Brown (Candice Bergman), who works for the news show FYI. I can’t imagine anyone other than Bergen in the role, but English had to fight hard for her because CBS president Kim LeMasters wanted Heather Locklear to have the role.

She is a recovering alcoholic and has a quick wit. Murphy strongly advocates for the integrity of journalism, the unjustness that can be found in politics, and feminist rights. One of her well-known frustrations is that she was so hard on secretaries, they never lasted long and we saw a long string of them come and go during the ten years. Murphy would have 93 of them during the show. One of the best secretary scenes was when Marcia Wallace who played Carol on The Bob Newhart Show worked for her. Murphy finally found a secretary that she loved and then at the end of the show, Bob Newhart appeared as Dr. Hartley and begged Carol to return to work, so she did. In one episode, Murphy finds out that there is actually a support group made up of her former secretaries.

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Rounding out the cast was Jim Dial (Charles Kimbrough) who tends to live in the past a bit, Frank Fontana (Joe Regalbuto), Murphy’s best friend, who calls her “Murph.” He is a great reporter but is also a bit insecure. There is a running gag that the producer make him wear a toupee which he hates. Miles Silverberg (Grant Shaud) is that producer; he’s a Harvard grad and overachiever and doesn’t bond with the cast right away. Corky Sherwood (Faith Ford) is a former Miss America. She and Murphy don’t hit it off immediately, but Murphy learns to respect her during the run of the show, and they also become very close. Murphy’s other “person” is Eldin Bernecky (Robert Pastorelli). Eldin is a house painter; he worked around her house for six seasons and he gave her lots of advice and becomes like a brother to her. Then there is Phil (Pat Corley) who owns Phil’s Bar where the crew congregates. The bar is said to be a Washington DC institution and has its share of political knowledge and secrets.

We also get to know (1) Avery Brown (Colleen Dewhurst), Murphy’s mom who is a museum curator. When Dewhurst died in 1991, the producers had Murphy’s mom pass away as well. Murphy named her son Avery. (2) Bill Brown (Darren McGavin), Murphy’s dad, a newspaper publisher. He married a yoga teacher younger than Murphy. Dewhurst won two Emmys for her appearances on this show, and McGavin was nominated in 1990. (3) Audrey Cohen (Jane Leeves) is Miles’ girlfriend for seasons 2-5, but their relationship ended when she took the role of Daphne on Frasier.

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In 1991, Murphy became pregnant. The father is her on-again, off-again ex-husband. He does not want to get tied down raising a baby, so Murphy becomes a single parent. One fun scene was Murphy’s baby shower which included several famous guests including Katie Couric, Joan Lunden, Paula Zahn, Mary Alice Williams, and Faith Daniels, all well-known news journalists. Baby Avery was played by Haley Joel Osment. Osment would grow up to play roles in more than 100 movies and television series including Forest Gump, The Sixth Sense, and Thunder Alley where he played Harry Turner.

In the revival, Murphy comes out of retirement to go on the air for a show called “Murphy in the Morning.” She brings back her colleagues Frank and Corky and has Miles produce it. Jim meets them once in a while but chooses to stay in retirement. Pat Patel (Nik Dodani) is their social media manager. Murphy’s son Avery (Jake McDorman), who was a baby when the show ended, has his own news show that competes with his mom but the two of them are very close. Murphy is a die-hard liberal and her son is much more conservative. Phil’s bar is still the place to hang out, but it is now run by Phil’s sister Phyllis (Tyne Daly).

Mother and son don’t see eye to eye often. Photo: variety.com

The original show was loved by critics from the beginning, but it took longer to establish an audience. In the third season, it became a top-ten hit and was number three the next year. The show was nominated for 62 Emmys and won 18. After Bergen won five, she declined to be nominated any longer.

By the ninth season, ratings were declining. Shaud left the show and Lily Tomlin took over his role as executive producer Kay Carter-Shepley. For the last season, Murphy is diagnosed with breast cancer. Bergen was presented with an award from the American Cancer Society because there was a 30% increase in the number of women getting mammograms.

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Unfortunately, you cannot buy the DVD set to watch. I read that the first season did not sell as well as expected, so they stopped releasing them. However, the music used in the series seems to be the primary reason. The show used a lot of Motown classics that resulted in astronomical licensing fees for every episode and costs were prohibitive for DVDs.

Although this was a well-written show, the then-current political references do date it a bit, but then again, that was part of the show’s mission, so it’s hard to have it both ways. While I appreciate this show, if I’m going to watch a series about a group of coworkers, I would probably gravitate to The Mary Tyler Moore Show or M*A*S*H but Murphy Brown would definitely be in my top ten work shows.

The Mod Squad: The Show That Oozed Hip, Groovy, and Cool

As we continue our Murder, Mystery, and Mayhem series, we move from Maine where senior citizen Jessica Fletcher solved mysteries to the streets of Los Angeles, where a hip trio infiltrates the counterculture to solve crimes.

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Airing from 1968 till 1973, The Mod Squad was a unique concept. Created by Buddy Ruskin, a Los Angeles police officer, the show took eight years to become a reality. Ruskin based the concept on his time as a squad leader for an undercover narcotic division in the 1950s.

Aaron Spelling was the executive producer. Spelling worked on a number of projects from 1960 onward, but his biggest hit shows were still in his future when he took the helm of The Mod Squad.

As soon as the jazzy theme song by Earl Hagen began, we knew this was a different type of show. The sixties hippie culture and counterculture drug scene had not been explored in depth on television before.

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In order to get the necessary evidence, three young team members were trained to go undercover to solve cases. Michael Cole was Pete Cochran, a wealthy kid who was arrested for stealing a car; Peggy Lipton was Julie Barnes, who had run away from a bad home situation; and Clarence Wlliams II was Linc Hayes, who was arrested during the Watts riots. Captain Adam Greer (Tige Andrews) supervised the trio. He mentored them and provided “parently” advice and wisdom. He hand-picked them for his team. (Similarly, Spelling’s Charlie’s Angel’s would also feature a father figure hand picking three non-traditional members for his crime-solving team.)

None of these kids were innocent, and their records were eliminated when they chose to work with the LA police. But they soon realized they had the ability most cops did not to inconspicuously fit in to help stop criminals from killing or hurting other young adults.

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Similar to Room 222, which aired almost the same time, The Mod Squad covered a lot of socially relevant topics: abortion, domestic violence, drug addiction, child abuse, police brutality, illegal immigration, and racism. Though the pilot was written sixty years ago, these issues are still on the front page today.

The writers, including Tony Barrett, Harve Bennett, Sammy Hess, and Buddy Ruskin, created realistic characters. These three outcasts were a bit rebellious; they lived in the gray instead of black or white. They understood good people sometimes did bad things, and racism and domestic violence were not to be tolerated. Their speech and clothing marked them as quintessentially 1960s. Linc often said “Solid” or “Keep the faith.” You would probably hear “groovy” at least once an episode.

Photo: tvinsider.com

The team traveled in an old green 1950 Mercury wood-paneled station wagon that they affectionately referred to as “Woody.” Unfortunately, it was burned in an accident at the end of the second season.

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The show was definitely controversial. It aired at a time when westerns, rural sitcoms, and Lawrence Welk were popular. The episodes pushed the envelope a bit on topics that had been taboo on television in the past. The team was like a family and on one episode, Linc gave Julie a brotherly kiss on the cheek which had the network up in arms, but not one complaint came in. Their relationship with Captain Greer helped America see how the generation gap could be bridged.

Photo: davidcassidy.com
Stars David Cassidy and Marion Ross

Despite the controversy, the show attracted a lot of famous guest stars. Some of the actors who can be spotted during the show’s run include Ed Asner, Jim Backus, Tom Bosley, David Cassidy, Tyne Daley, Sammy Davis Jr., Tony Dow, Andy Griffith, Carolyn Jones, Leslie Nielsen, Stefanie Powers, Vincent Price, Robert Reed, Marian Ross, Sugar Ray Robinson, Martin Sheen, Bobby Sherman, Danny Thomas, Daniel Travanti, and Billy Dee Williams.

Each episode ended with the squad walking away from the camera.

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The show was extremely popular given its uniqueness. It was the 28th most popular show its first year and number 11 in its third season. The show received seven Emmy and four Golden Globe nominations. In 1970, it was nominated for Outstanding Series. During its final year, it only ranked 54 and the “hipness” of the show was starting to age a bit, so it was cancelled.

It did have an afterlife. In 1979, a tv movie, The Return of the Mod Squad, aired on ABC with the original cat. In 1999, a big-screen film was released starring Giovanni Ribisi, Omar Epps, Claire Danes, and Dennis Farina. Don’t feel bad if you don’t remember it; not many people do.

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The Mod Squad could be seen on MeTV in 2014 and 2015. Apart from that, it has not fared well in syndication. Like Room 222, the show can feel dated quickly due to its language and fashion.

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The show is still celebrated for its ground-breaking scripts, and in 1997, TV Guide included an episode, “Mother of Sorrow” as 95th of the greatest 100 episodes of all time.

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While you probably won’t find it on television, it is available on DVD. Although the show may not be known by many people today, it was one of the first shows to break the barriers of going where television had not been before. In many ways, it paved the way for the creation of shows such as All in the Family, The Mary Tyler Moore Show, and Miami Vice. What more could you ask for: relevant topics, well-rounded characters, and exciting plots. Although its language and fashions date it, it captures a unique time in our history and is worth exploring.