Jo Anne Worley: What a Character

July 29, 2024March 14, 2024 / thewritelife61 / 2 Comments

We are winding up a blog series about Supportive Women. One of the women I wanted to include was Jo Anne Worley. I didn’t know much about her apart from her appearances on Rowan & Martin’s Laugh-In and being in my favorite made-for-television movie, The Feminist and the Fuzz.

Jo Anne was born in 1937 in Lowell, Indiana. Her loud voice was not an acting tool. She always felt she was loud. She said, “I have a big mouth, and I’m sorry to say I’ve always had one. When I was young, in church, I never sang with everybody else. I only mouthed the hymns, so I wouldn’t drown anyone else out. I have my quiet moments. But I don’t have many.” She was named school comedienne at her high school.

In one interview with a Lowell reporter, she said “I’ll never forget the place I’d work every summer while in high school. It was called Robert’s Hotel, Gas and Café, and it was at the intersection of US 41 and Highway 2. They had an old juke box in the café where I worked, and I’d sing and joke around whenever the business was slow, which seemed like most of the time.”

After graduation, Worley moved to Blauvelt, New York to work with the Pickwick Players. She was later offered a scholarship to Midwestern State University in Wichita Falls, Texas. After two years at the school, she moved to Los Angeles City College and enrolled at the Pasadena Playhouse. Her first musical role was in “Wonderful Town.”

In 1961 she was in the off-Broadway musical show “Billy Barnes Revue” with Charles Nelson Reilly and Larry Hovis (who was Carter on Hogan’s Heroes). The original show in 1959 featured Bert Convy, Joyce Jameson, Patti Regan, Ken Berry, Ann Guilbert, Jackie Joseph, and Len Weinrib.

Jo Anne was in two episodes of The Many Loves of Dobie Gillis in 1961-2. During the rest of the sixties, she was offered several big-screen roles.

In 1964 she was given a role in “Hello, Dolly.” A year later she developed her own comedy and singing act in Greenwich Village where she was discovered there by Merv Griffin.

Griffin encouraged her to appear on his show which she did forty times. Like Marcia Wallace, who we learned about last week, her appearance on Merv Griffin was seen by someone who recommended her for a new show. In this case, George Schlatter cast her in Rowan & Martin’s Laugh-In.

Worley left the show in 1970. She made guest appearances on The Tonight Show Starring Johnny Carson. She also appeared on several game shows, including Super Password, Hollywood Squares, and many versions of Pyramid.

In 1971 she made the television movie I discussed above, The Feminist and the Fuzz. It starred David Hartman, Barbara Eden, Farrah Fawcett, Worley, Julie Newmar, and Henry Morgan. I would love to see it again.

For most of her career, Worley would be providing voices for animation. However, she appeared in a handful of shows during the seventies and eighties, including Adam 12, Love American Style, Hawaii Five-0, CHiPs, Murder She Wrote, The Love Boat, Mad About You, Curb Your Enthusiasm, and The Middle.

In 1975, Worley married Roger Perry. They would stay together for 25 years, divorcing in 2000. Perry has 95 acting credits and appeared in many popular shows in the seventies, eighties, and nineties. He was also in The Feminist and The Fuzz. After divorcing Worley, he would marry actress Joyce Bulifant.

During the seventies and eighties, Worley did a lot of regional theater in Milwaukee and several cities in California.

In the 1990s she got involved with Disney and provided her voice for Beauty and the Beast and A Goofy Movie. She also was on several Disney series including Kim Possible and the Wizards of Waverly Place.

She was in a limited run of a musical production of “The Wizard of Oz,” playing the wicked witch of the west in 1999. In 2007, she appeared on Broadway as Mrs. Tottendale in “The Drowsy Chaperone,” and she reprised the role in 2015 at The Cape Playhouse. She was also cast in “Wicked” as Madame Morrible in 2008.

Jo Anne Worley once said, “my goal in life is to be the kind of person my dog thinks I am.” That seems to be good advice for all of us. It was fun getting to know a little more about this funny woman. We love her as much as her dog did.

Julie Newmar: Batman’s Most Beautiful Villain

March 11, 2024February 17, 2024 / thewritelife61 / 2 Comments

This month we are learning a bit about the Batman villains and their careers. No study of Batman’s favorite nemesis would be complete without Cat Woman, Julie Newmar. Julie shared the role of Cat Woman with Eartha Kitt who appeared the final television season and Lee Meriwether who was so catty in the Batman movie. What else did Julie Newmar do during her career? Let’s find out.

Born Julia Chalene Newmeyer in 1933, Julie Newmar as she is known in the acting world, was a television and film actress, dancer, singer, and stage performer. But, as they say in the commercials, that’s not all. She also was known for writing, designing lingerie, and managing real estate investments.

Newmar was born in LA. Her father Don was head of the physical education department for the Los Angeles College. Her mother, of both Swedish and French descent, was a fashion designer under the name Chalene and later worked in real estate.

Julie began dancing early in life and performed as a prima ballerina with the Los Angeles Opera when she was only 15. With an IQ of 135, Newmar graduated from John Marshall High School at age 15. She continued dancing in films in the early fifties. At age 19, she was also working as a dancer/choreographer for Universal Studios. In 1954, she appeared in Seven Brides for Seven Brothers as Dorcas, one of the seven brides.

In 1955 she got her first Broadway appearance in “Silk Stockings.” She continued her movie and Broadway careers throughout her years in entertainment, appearing in 33 films in all.

Television is where Newmar gained most of her fame. Her first television appearance was on The Phil Silvers Show in 1957 and then Ominbus in 1959. But it was in the sixties that she became a household name. She started the decade in Adventure in Paradise in 1960, followed by a variety of shows including The Defenders, Route 66, and The Twilight Zone in the early sixties.

In 1964 she was offered the role of Rhoda on My Living Doll, where she played a robot. She was not enthralled with the choice of Bob Cummings as her costar and did not seem to enjoy her time on this show. She said that “They originally wanted Efrem Zimbalist Jr. It was not a flip part—it needed a straight actor who could play opposite this bizarre creature so the comedy would come off. That quality was lost when they hired Bob. The show could have been wonderful. I think it would have run for many seasons had they hired Efrem because he had the right qualities.”

After appearing in several comedies including The Beverly Hillbillies and F Troop, she received another recurring role as Cat Woman in Batman. She would appear in the series 13 times, 12 as Cat Woman, the only villain to make Batman question his morals, because we knew he was in love with her, and if she showed any sign of remorse, who knows where things might have gone. Her Cat Woman costume now lives at the Smithsonian Institution.

Newmar lived in Beekman Place in New York in the mid-sixties. One weekend her brother had come to visit her from Harvard. They were sitting around chatting when the phone rang. She was asked if she would like to play Cat Woman on the Batman series. She was a bit miffed because they said they were casting in California, and the role started on Monday. Her comment was “That’s how television is done: they never know what they are doing until yesterday.” When her brother heard Batman, he jumped up and said that was the favorite show at Harvard and they even skipped classes to watch it. He told her to take the role, so she did.

After Batman, she finished out the sixties in The Monkees, Star Trek, Get Smart and It Takes a Thief. With 11 seventies offers, you can see her in shows such as Bewitched, Columbo, McMillan and Wife, Love American Style, The Bionic Woman, and The Love Boat. One of my favorite made-for-tv movies was The Feminist and the Fuzz. It had an exceptional cast, including Newmar who appeared in the movie along with Barbara Eden, David Hartman, Jo Anne Worley, Farrah Fawcett, Harry Morgan, Herb Edelman, Penny Marshall, and John McGiver. This ensemble was directed by Jerry Paris, who directed so many great shows from The Dick Van Dyke Show to Happy Days.

Her other starring role in the seventies was a marriage to J. Holt Smith, an attorney. After the wedding, Newmar moved to Forth Worth, Texas until 1984 when they divorced.

The eighties was a more quiet decade for the actress but she did accept roles on CHiPs, Fantasy Island, and Hart to Hart. In 1992, she appeared in George Michael’s music video, “Too Funky,” She was still working in 2016 and 2017 in Batman animation features.

If you were a fan of Batman and Dark Shadows in the sixties, you were in luck when Newmar took on the role of Dr. Julia Hoffman (played in the original series by Grayson Hall) in Dark Shadows: Bloodline, the audio drama miniseries.

She was not just a pretty face, however. She received two US patents for pantyhose and one for a bra, under the name Nudemar. She also began investing in LA real estate and was credited with helping to improve the neighborhoods of La Brea Avenue and Fairfax Avenue. In one episode of My Living Doll, Rhoda is asked to play Chopin’s “Fantasie Impromptu” on the piano. Newmar played the piece herself. She had studied under concert pianist Dr. MacIntyre, and she said that scene is the only one she’s done with her playing the piano which had been her career choice before acting. One of Julie’s comments about herself was “Tell me I’m beautiful, it’s nothing. Tell me I’m intellectual—I know it. Tell me I’m funny, and it’s the greatest compliment in the world anyone could give me.”

Julie also enjoys art and gardening. She has a rose, a day lily, and an orchid named for her. Her gardens are often chosen as a spot for holding charity events.

Like Barbara Feldon from Get Smart, Julie Newmar is beautiful, bright, and funny. I hope she enjoyed her career. Obviously, she could have been a brain surgeon or any other profession of her choice. She seems like she would be a fun person to just hang out with and the conversation would never run out. Thank you, Julie Newmar for choosing the entertainment business over medical science for our sakes.

My Secret, Guilty Pleasure: The Feminist and The Fuzz

March 11, 2019 / thewritelife61 / 5 Comments

For those of you who have been with me on this blog journey, I have shared quite a bit with you during the two and a half years I’ve been writing. You have learned I can’t stand All in the Family or Good Times. You have learned I think that perhaps the best sitcoms ever written were The Dick Van Dyke Show and M*A*S*H. You know that I love the Doris Day comedies from the 1960s. I became vulnerable enough to share with you that Bachelor Father, My Three Sons, That Girl, and The Partridge Family are some of my favorite classic sitcoms. Today I’m catching a long breath and taking my confessions a step further.

Television movies have been a staple since the 1960s. Different networks came up with a show that was an incentive for viewers to stay home and watch movies. In 1961, NBC Saturday Night at the Movies debuted. A movie previously released in the theaters was shown. Since each network had their own version of the show, eventually there was a shortage of previous movies to air. At that time, networks decided to fill the gap by producing their own “made-for-tv” movies. The first was See How They Run which aired October 7, 1964 on NBC.

I’m sure I watched more than my share of these movies growing up, but most of them left no impression on me. However, there is one that I do remember. I’m not sure if it was the incredible cast or just the topic of women’s lib which I was just beginning to understand at age ten, but I loved this movie. I watched it live on television and never saw it again. It was The Feminist and The Fuzz. Although I’m sure it’s full of politically incorrect dialogue and actions, I decided to learn a bit more about this treasure that I have not seen in more than 40 years.

Screen Gems made the movie for ABC. It aired on The ABC Movie of the Week on January 26, 1971. Barbara Eden and David Hartman were the stars of the show. The movie was written by James Henerson. He wrote eighteen television movies, as well as scripts for several sitcoms including I Dream of Jeannie and Bewitched. Jerry Paris, who was Jerry Helper, the Petries’ neighbor on The Dick Van Dyke Show, was the director. Claudio Guzman produced the movie, and Emil Oster was the cinematographer.

Jane Bowers (Eden) is a pediatrician. She is engaged to Wyatt Foley (Herb Edelman). Wyatt is a lawyer and a bit of a mother’s boy. Jane has recently been drawn into the women’s liberation movement. Apartments in San Francisco are few and far between. We learn she has been trying to find one for a while. As she arrives at the latest apartment in her hunt, she meets Jerry Frazer (Hartman), a cop who is also looking for an apartment. The landlord assumes they are a married couple as he shows them around.

When he leaves, they argue about who gets the apartment. Neither one of them is willing to give in, so they finally come to an understanding that they will share the apartment. They work opposite shifts, so they decide they will rarely be there together. Jerry is dating Kitty Murdock (Farrah Fawcett), a bunny at the Playboy Club.

Jane explains what is going on to Wyatt, but Jerry does not want Kitty to find out he is living with Jane. Jerry is a bit of a ladies’ man but treats women respectfully. Jane refers to Jerry as a “cop-lawyer-sexual bigot-Boy Scout,” and she insists he treat her like he would another man.

Although the plan is that Jane and Jerry don’t spend any time together, of course they end up being thrown together. Despite their first impressions of each other and their intention to dislike each other, the viewers realize that they are falling in love.

While Jane has been exploring the entire feminist movement, she has not bought into it as much as her friends. Her best friend is another doctor, Debby Inglefinger (Jo Anne Worley). Debbie is a hardcore protester and women’s libber. She decides her club, Women Against Men, or WAM is going to stage a protest at the Playboy Bunny Club.

Jane joins her friends at the Club. The women are all wearing swimsuits and carrying signs; Jane’s says, “Men are Playboys, Women are Playthings.” WAM refuses to leave the premises, so the manager calls the police. Of course, Jerry is one of the officers who come to get things under control. While the other women are being arrested, Jerry picks up Jane, who is in a bikini, and carries her to a taxi, telling the driver to take her home. She is incensed that she is not going to jail with the other women. While this is going on, Kitty spots him and realizes he is protecting Jane. Some of the women who are arrested at the Club include Sheila James, Jill Choder, Merri Robinson, Penny Marshall, and Amanda Pepper.

Jane calls her father, Horace (Harry Morgan) who is also a doctor. She has not admitted to him that she has a male roommate. He decides to drive into town to talk to her in person. In the meantime, Lilah (Julie Newmar), a kind-hearted prostitute asks Jerry to arrest her, so she has a place to sleep that night. He feels sorry for her and lets her stay in his room at the house that night because he will be at work. When Jane’s father arrives, he runs into Lilah who he assumes is Jane’s roommate. Jane is not there because she was still angry and got even madder when she thought Jerry is sleeping with Lilah. She leaves him a note that she is moving out.

Jerry tries to call Jane at work and when he finds out she left early, he rushes home. Of course, by this time Horace and Lilah have gotten to know each other well. Kitty also shows up at the apartment and sees Jane and recognizes her from the Club. Wyatt and Debbie also stop by.

Jerry finally admits he loves Jane. Jane is in a fluster and runs out of the apartment. Kitty gets mad and asks Debbie if she can join WAM. Wyatt finds Debby’s controlling nature attractive and they begin a relationship.

Jerry catches up with Jane in the middle of an intersection where he kisses her, stopping traffic. Horace is happy because never liked Wyatt but likes Jerry a lot.

Like Laugh-In, With Six You Get Eggroll, or The Brady Bunch, this movie could only have come out of this era. Everything about the movie screams the seventies—the clothing, the interiors, the cars, the language—which is probably why I was drawn to it. Everyone in the cast is a well-known star, which also made it fun to watch.

There were a lot of impactful and important television movies made in the 1960s and 1970s, so I’m not sure why this movie, primarily fluff, is so memorable for me. I guess I was not alone because it was the second-highest ranked television movie when it aired. It is on my bucket-list of shows to watch again. What is the movie that you love but hate to admit how much you love it?

Life Changes in the Blink of an Eye: The Career of Barbara Eden

April 24, 2017April 24, 2017 / thewritelife61 / 2 Comments

Many baby boomers equate Barbara Eden with I Dream of Jeannie. While she never escaped her iconic role as Jeannie, she has had a long and full career.

Barbara Jean Morehead was born in Tucson, Arizona in August of 1931. Her parents divorced when she was three, and she then took her stepfather’s last name of Huff. Moving to California, she went to high school in San Francisco and then studied at the San Francisco City College, the San Francisco Conservatory of Music, and the Elizabeth Holloway School of Theatre. In 1951, she was crowned Miss San Francisco.

She began working in television in 1956, and her career has been going strong ever since. In 1958, she married actor Michael Ansara. They had a son in 1965 who passed away from a drug overdose. Eden said of his struggle, “He won a lot of battles, but he lost his personal war.” She and Ansara divorced in 1974. From 1977-1983 she was married to Charles Donald Fegert. In 1991, she married her current husband, Jon Eicholtz, and they live in Beverly Hills.

In addition to her screen and television career, she performed in Lake Tahoe, Las Vegas, and Atlantic City. She had an album produced in 1967 and performed on many variety shows. She traveled with Bob Hope and starred in many musicals and plays.

She received a Walk of Fame star in 1998.

In 2011, she wrote her autobiography, Jeanne Out of the Bottle.

She has used her celebrity status to help many nonprofits, raising money for The Trail of the Painted Ponies Breast Cancer Research, the American Cancer Society, the Wellness Community, Make-A-Wish Foundation, the March of Dimes, the American Heart Association, Save the Children, and Childhelp, USA.

Her television career can be divided into three phases, each including a major series.

She began her acting career making appearances in many shows from 1956-1958 including West Point, Highway Patrol, I Love Lucy, The Millionaire, Crossroads, Perry Mason, Gunsmoke, Bachelor Father, December Bride, Father Knows Best, and The Lineup.

In 1957, she received her first starring role in a sitcom, 52 episodes of How to Marry a Millionaire. Based on a movie (starring Marilyn Monroe, Lauren Bacall, and Betty Grable), she starred as Loco Jones, a model. Her friends were Michele Page (Merry Anders), a secretary, and Greta Lindquist (Lori Nelson), a quiz host. The three women lived together in Manhattan, all sharing the goal of finding a wealthy husband.

In the 1960s, she made appearances in many more well-known shows including Adventures in Paradise, The Andy Griffith Show, Target: The Corruptors, Cain’s Hundred, Saints and Sinners, Dr. Kildare, Route 66, The Virginian, Rawhide, Burke’s Law, Slattery’s People, The Rogues, and Off to See the Wizard.

In 1965, she took on her role of Jeannie in I Dream of Jeannie. The show lasted five years, filming 139 episodes. Captain Tony Nelson (Larry Hagman) finds a bottle when he crash lands on a deserted island in the South Pacific. When he opens it, Jeannie emerges. He brings her home and tries to keep her a secret from NASA. His best friend Roger (Bill Daily) finds out, and he and Tony perform a lot of stunts to avoid anyone else figuring it out. In the final year of the show, Jeannie and Tony get married, exposing her to the rest of the crew at NASA who know something is different but never figure out what it is. Personally, I like the Jeannie in the first year who is mischievous and intelligent. While the show was only on for five years, certainly not one of the longest-running shows, it defined Eden because since it debuted, it has been on television continually in reruns.

After I Dream of Jeannie, her television career continued as she appeared on NBC Special Treat, Condominium, A Brand New Life, Dallas, Team Supremo, Sabrina the Teenage Witch, George Lopez, and Army Wives.

Based on the song by Jeannie C. Riley and a movie also starring Eden, she took on the role of Stella Johnson in Harper Valley PTA from 1981-82 with costar Fannie Flagg. The show lasted for 30 episodes. Stella is a widow who moves to Harper Valley with her 13-year-old daughter which is a town filled with hypocrites. The other women severely criticize her for wearing miniskirts, and not acting like they thought a mother should. Meanwhile, the board members were always trying to find ways to discredit her. Fannie Flagg was the beauty shop owner Cassie Bowman. The show never really caught on with the public. Maybe Stella was too drastic of a role change from Jeannie.

Along with her range of television acting jobs, Eden also was in 26 movies, including Flaming Star in 1960 with Elvis Presley, Voyage to the Bottom of the Sea in 1961, The Brass Bottle in 1964 which led to the idea for the sitcom I Dream of Jeannie, and Harper Valley PTA in 1978 which led to her third series.

In The Brass Bottle, Tony Randall plays Harold Ventimore, an architect who buys an antique urn that houses a djinn played by Burl Ives. Grateful for being released, the djinn tries to help Harold to show his gratitude. However, being unfamiliar with contemporary times, he causes a lot of trouble for Harold, especially with his girlfriend Sylvia, played by Eden.

She also starred in 28 made-for-tv movies. My favorite was The Feminist and the Fuzz which you never see aired on television anymore.

The Feminist and the Fuzz aired in 1971. I remember watching this movie when it originally aired. The story was about a scientist played by Eden and a cop played by David Hartman. They both end up at an apartment at the same time and have lost so many apartments that they decide to share it until one of them can find somewhere else to live. She is a feminist, and he dates a playboy bunny played by Farrah Fawcett. One night, the women’s libbers raid the bunny club, and while most of them are being arrested, Hartman carries Eden to a waiting police car and tells him to get her home. Fawcett, watching this, realizes they have feelings for each other, even though they don’t acknowledge it themselves yet. The movie had a great cast with Joann Worley, Herb Edelman, Julie Newmar, John McGiver, and Harry Morgan.

If her television show jobs and movie roles were not enough, Barbara appeared as herself on 177 different television variety and game shows from 1961-2016.

At 85, Eden continues her career with credit in Shimmer and Shine in 2016. She has also been to the Mayberry Conventions to meet her fans. She continued her friendship with Larry Hagman up to his death.

One might assume that Eden would want to distance herself from Jeannie and rely on her other body of work, but that is not the case. Some actors develop a dislike for the character they are unable to shake off, but Eden’s advice to actors is: “I would embrace the character, because it won’t do any good if you don’t. And another thing: Don’t whine or talk trash about it. I don’t think you ever demean to your public what you’ve done. You’re insulting them if you demean your work.”

While Jeannie certainly provided Barbara Eden with a lot of fame, future work opportunities, and money (although probably not so much from the tv show directly), taking a survey of her career proves just how versatile of an actress she was. No one-hit wonder here. She accumulated a wealth of roles both on television and in the movies. She traveled around the country appearing in musicals and plays. She sang and danced, performing at some of the top clubs in the country. She appreciated her fans and never demeaned Jeannie in their eyes. She used her celebrity to raise money for great causes. She had a full career any actress could be proud of.