The Dean Martin Show: One Day of Work a Week

Our theme for March is “Variety is the Spice of Life.” We are looking at several variety shows that debuted in the sixties and seventies. After discussing three shows that weren’t super successful on television, today we look at a long-running show: The Dean Martin Show.

📷chrisnersinger.com

Debuting in 1965 and lasting nine seasons, The Dean Martin Show was on NBC. His theme song was the iconic “Everybody Loves Somebody.” For most of its life, it was on Thursday nights. Season nine brought a change of nights as well as a new format.

Like Judy Garland, whose show we learned about last week, Martin was not sure he wanted to commit to a television schedule, feeling as though he would not be able to take on his favorite movie roles and nightclub performances. So, he asked for a “list of musts” that he knew NBC would not agree to. He asked for a lot of money, a one-day-a-week work schedule of Sunday, and permission for him to only announce ads and sing when he felt like it. Imagine his surprise when they agreed to every demand.

Martin always presented as a shy, drunk playboy, and he continued with this image for the television show. He made it obvious that he was reading his lines from cue cards and if he goofed, it became part of the taped show.

📷imdb.com

The show had a few recurring features every week. Martin typically sang two songs per show. Sometime during the show, a knock on the closet door led to Martin opening the door to reveal a celebrity guest and Martin himself didn’t know who would be on the other side of the door. The show usually ended with a production number featuring Martin and his guests.

Cast members were hired who did sketches throughout the show. These stars included Tom Bosley, Rodney Dangerfield, Dom DeLuise, Kay Medford, Charles Nelson Reilly, and Nipsey Russell. In later seasons, The Golddiggers appeared. This was a group of chorus girls who first started on the summer replacement show. Not only were Martin’s goofs part of the show, but Charles Nelson Reilly once told a story that on the way to rehearsal, he was driving a convertible, and the script flew out of the car. He wasn’t too concerned though because he said the way the show was done, the script really didn’t matter much.

If you name a celebrity, they were probably on this show. Just a small sampling includes Eddie Albert, Steve Allen, Louis Armstrong, Lucille Ball, Tony Bennett, Rosemary Clooney, Sammy Davis Jr., Phyllis Diller, Duke Ellington, Ella Fitzgerald, Bob Hope, Ethel Merman, Bob Newhart, Dinah Shore, and Frank Sinatra.

The show was nominated for an Emmy 12 times including best variety, music or comedy series in 1968, 1969, and 1970.

📷wordpress.com Golddiggers

The show had decent ratings for the first year but after that it was never great, never awful. It was up against The Thursday Night Movie on CBS and a variety of different shows on ABC which changed from year to year all eight seasons. For the final season, the show was moved to Friday nights, against the popular Love American Style. From 1973-1974 it was titled The Dean Martin Comedy Hour and episodes were celebrity roasts.

The Television Academy did an interview with Greg Garrison, producer and director for The Dean Martin Show. He said there was some turmoil in the first year trying to figure out what this show was. He said they had Bertha the Elephant on one episode, and no adults were interested in that at 10 pm.

Garrison said Martin was extremely generous. Every year he gave Garrison a ten percent ownership in the show until he had 50%. Garrison then told him to stop offering him more because 50% was the most he would agree to. He described Martin as the kindest, nicest, and most generous man he knew. Garrison said he was able to do whatever he wanted to on the show and Martin never second-guessed him. Garrison said one of the hardest decisions he made was cutting Zsa Zsa Gabor’s sketch. He said she gave him no end of trouble, so he finally said they were done, and the sketch was cut. She protested and he told her she would get her check, but the skit was done and it was.

📷wikipedia.com

This was a successful show for almost a decade. It’s hard to find a lot of information about it though. Unlike The Carol Burnett Show where everyone was working together all the time, Martin only showed up on Sundays and most of the time it was the rest of the cast, so perhaps not as many stories were shared.

I watched an episode from 1970, and it was typical of a variety show for the time. Martin began by telling jokes like he put his contacts in backwards and looked at himself all night, so he got no sleep. He talked about going back to his neighborhood where the mayor had a car waiting for him, but luckily, he got out of the way just in time before getting hit. He also mentioned that he and his dog went to school together for years until they had to part because the dog graduated.

He then sang a song all the while holding onto his cigarette. In most of his appearances on the show he had a cigarette or a glass of apple juice purported to be alcohol. Ann Margaret and Bob Newhart were the guest stars in this one. He then went into a skit with Newhart. The show held up pretty well for being more than fifty years old. I admit I feel spoiled after watching The Carol Burnett Show, which I think is impossible to compete with for almost any other variety show, but Martin came across as likeable and the show was better than I anticipated. If you want to check out a few of them, you can get the “Best Of” his shows on Amazon.

Barbara Feldon Did Not Have to Get Smart: She Was Born That Way

This month’s blog is taking a look at some Supportive Women. First up is Barbara Feldon, costar with Don Adams in Get Smart.

Photo: getsmartwikifandom.com

Feldon was born Barbara Anne Hall in 1933 in Pennsylvania, near Pittsburgh. During an interview with Emerson College, Barbara talked about the ecstasy of performing in a little band in first grade. When things stopped, she got to play her triangle, and the thought that everyone was watching her, and her mother’s pride in seeing her made her want to perform more. In sixth grade she went into the gym to watch her friend doing her ballet lessons. The teacher invited Barbara to join them and played Tchaikovsky’s Nutcracker music; that combination of music and movement took her away to another place. She was hooked at that point, and she knew that she wanted to dance.

She trained at the Pittsburgh Playhouse and then graduated from Carnegie Mellon University with a BA in drama in 1955. They didn’t have a dance program, and her mother thought Bennington, where she wanted to go for dance, was too expensive and too liberal. While she enjoyed acting, it never had the enchantment for her that dance did.

Feldon made her way to New York and studied at the HB Studio. She briefly had a career as a showgirl at the Copacabana. She said “that was my first professional job in New York and it was probably the highlight of my whole career. We got to dance with Jimmy Durante. Oh, my God, it was a thrill.” They replaced the girls every three months so, then she went on to appear in The Ziegfield Follies. She landed one job that never made it to Broadway. A friend of hers who was a model talked her into exploring a modeling career.

Photo: punkglobe.com

She worked as a model and was in a Revlon commercial about a hair pomade for men, Top Brass. Feldon said commercials were excellent training to get experience in acting. You do the same scene over and over, maybe more than forty times, but you have to keep that spontaneity. “You must remember to stress each word properly and come in on a split-second when that camera rolls.”

Like several actresses that we have discussed in this blog, before Feldon got her first big break, she appeared on a game show. In this instance, she was on The $64,000 Question in 1955, and she won the grand prize of $64,000 in the category of Shakespeare.

She didn’t use her winnings to buy a mansion or live the typical party life. She opened an art gallery with a man who was a photographer and ad man who was no longer interested in advertising named Lucien Verdoux Feldon. Barbara would be the subject of a Warhol pop art painting in 1965.

In 1958 Barbara married Lucien Feldon. They divorced nine years later. She had a longer relationship with one of the Get Smart producers, Burt Nodella and when that ended, she moved back to New York City.

After her commercial debut, she received offers for several television roles in the early sixties including The Man From U.N.C.L.E. and Flipper. She was also offered a chance to appear on East Side/West Side with George C. Scott. Colleen Dewhurst was her mentor and Scott’s wife. He asked her to play his girlfriend in the next episode. Talent Associates which produced the show was working with Mel Brooks and Buck Henry on a potential spy spoof called Get Smart. Her second television role was as a spy. So, when Talent Associates was casting for a spy on Get Smart, she was an obvious choice.

Photo: facebook.com

She turned down the role at first because she didn’t want to move from New York to California, but she did love the script. They agreed to offer her a two-year contract instead of a five-year contract, and she accepted. Her first review was in TV Guide which compared her to the dog and concluded that the dog came off better. She was devastated and humiliated. In later years, the reviewer rated her performance much better.

From 1965 till 1970, Feldon was known as Agent 99 working with Maxwell Smart for CONTROL. In both 1968 and 1969, she was nominated for an Emmy for Outstanding Lead Actress in a Comedy Series. Lucille Ball won for The Lucy Show in 1968 and Hope Lange won for The Ghost and Mrs. Muir in 1969.

Women at the time looked at Feldon as an example of a powerful woman; Feldon commented that young women said “she was a role model for them because she was smart and always got the right answer.” If you look closely in the early seasons, you will typically see Feldon sitting and Adams standing because she was taller than he was. Once she even had to bury her feet in the sand. While Adams was the blundering, awkward Smart, it was Agent 99 who was really the “smart” one, getting him out of trouble during their spy missions.

Feldon said that she is not a comedienne; she is an actress who can play comedy. She said that she is the worst person to tell a joke to because she doesn’t always get it. She never enjoyed drama much because the actual acting on camera was wonderful but the long, boring hours waiting were very tedious, and if you have a tearful scene, you have to be able to keep the momentum.

During the run of Get Smart, Feldon also appeared on Rowan & Martin’s Laugh In and The Dean Martin Show.

Photo: imdb.com

After the show ended, she would appear on 20 additional television series including Cheers and Mad About You. She made fifteen made-for-tv movies, one of which was a 1989 movie, Get Smart, Again. She also could be found in six big-screen films including The Last Request, her last acting role, in 2006.

During my research, I read an article where pop culture historian Geoffre Mark commented on one of her movies, Fitzwilly, which I admit I have never seen. He said that it was a gem of a movie and that “Dick Van Dyke is brilliant in it and Barbara plays his love interest and she’s brilliant in it. She was playing a version of herself: a beautiful, sensual, highly intelligent woman with a strong moral compass and a loving heart. That’s what the character is and that’s who Barbara is.” According to imdb.com, the plot of the 1967 movie is that a butler and the staff of an eccentric aged philanthropist whose family wealth is exhausted engage in larceny and crimes to maintain her lifestyle and provide funds for her charitable activities.

Feldon was offered a cameo in the Get Smart movie with Anne Hathaway and Steve Carrell in 2008, but she declined. She said that “times have changed too much. The psychology of the writers and the audience has changed radically. Get Smart belongs in the 1960s, or it’s not going to be Get Smart.”

Despite her comment of Get Smart staying in the sixties, in 1995 Feldon took on the role of Agent 99 again in a brief reboot of Get Smart. Feldon discussed that series with The (Westchester County NY) Journal News reporter Karen Croke in 2017. She said that she and Adams never became friends after the original Get Smart. She said he was a lovely man and very funny, but they had their jobs to do and did their acting and then parted ways for the day. After they worked together on this series, they became very close friends in a way they could not have in their original show. She said once Don Adams died, Max also died and she can’t do any work as 99 without Max now. That might be the real reason she turned down the cameo in the Carrell-Hathaway film.

Photo: imdb.com

Barbara said it’s hard to make friendships on a set because it’s more like a factory and when you’re not acting, you might be resting or talking to your agent. The only person she said she was able to maintain a good relationship with after acting with him, was Alan Alda.

Apparently, she still enjoyed games shows and she appeared regularly in several of them including Hollywood Squares and The $20,000 Pyramid.

Feldon lost interest in acting, but she did numerous television and radio commercials and documentaries. In 1977, Barbara hosted a news show called Special Edition. In the 1990s she had a one-woman show she took around the country. She has also taken up writing and had two of her pieces published in Metropolitan Magazine. She wrote a book about living as a single person in 2003 called Living Alone and Loving It. She also enjoys writing poetry. In talking about her book, Barbara said, “I had been in relationships my whole life. I’d been married, then had lived with someone for several years. After those, I just assumed I would find another relationship. But it didn’t happen. As time went on with some good guidance, I learned how to live alone really happily. I’ve met a number of people—men and women—who feel living by themselves is a second-rate life. I thought that was sad, and since I had this technique of living alone, I decided to write a book. And I’m really glad I did.”

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Feldon said that she has nothing but gratitude for Get Smart. She said acting is not a kind career and you only have a few years to be able to find your place, and she is grateful for being in the right place at the right time. I think after learning about Barbara Feldon, she manages to put herself in the right place at the right time often.

Now, her life sounds almost perfect. She lives where she wants to, is open to meeting a lot of people, attends concerts, advocates for the arts, and travels and writes whenever she wants to. During her life, she has managed to learn from so many experiences and during her life journey she definitely “got smart.”