Josie and the Pussycats: On Every Network At the Same Time

We are winding up our blog theme for October, “Get Animated.” I think II saved the best for last. When I remember watching cartoons as a kid, I was fairly neutral on most of them. I liked Tom and Jerry and The Jetsons. I did not like the Dudley Do-Right/Penelope Pitstop group of characters. I was indifferent to most cartoons until I was ten and a new one debuted. I loved Josie and the Pussycats. I couldn’t really relate to Foghorn Leghorn, but I got Josie.

Dan DeCarlo created “The Archies,” and in 1970 he came up with “Josie and the Pussy Cats.” He later found out that in addition to the comic books, a cartoon was being given to Hanna-Barbera and he was not getting any of the profits from the sale.

Carlo discussed how he came up for the idea: “I went to United Feature with  . . . Josie. . . They asked for more  . . . [it was too much] . . . I shoved Josie, and concentrated on Willie Lumpkin . . . When the strip ended, I quickly submitted the Josie strip back to Publishers and Harold Anderson, and he sent it back to me . . . I took it to Archie to see if they could do it as a comic book. I showed it to Richard Goldwater, and he showed it to his father, and a day or two later I got the OK to do it as a comic book.”

Sixteen episodes ran the first season, and they were repeated the next year. Season three moved to outer space and that didn’t do much for me. This group was rerun again in season four. The final two years, 1974-76, just continued to show these same 32 episodes. Oddly during these final two years, you could catch the cartoon on ABC, CBS, and NBC.

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The reason I loved this show is because it was all about girl power. Josie and the Pussycats was a teen pop band who toured the world. Somehow, they managed to get into the same types of mysteries the Scooby Doo gang did; they even had their own van. Josie was the lead singer, songwriter and guitarist for the band. Her co-band members were Valerie who played the tambourine and drummer Melody. Valerie was the first Black character to be a regular member of a Saturday morning cartoon.

Rounding out the cast were roadie Alan and twins Alexandra and Alexander. Alexander was their manager, but he was not the brave boy leading the women; he was more cowardly and afraid of his sister who caused a lot of trouble for the band. Alexandra also had a cat Sebastian.

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Like The Partridge Family or The Monkees, a song was featured each episode usually during a chase scene. And like The Partridge Family, they wore special costumes, usually leopard print ones. Don’s wife shared a story about the inspiration behind the costumes. In 2002, she told Blake Bell that “we were going on a cruise. I had a friend . . . she made me a costume and that was the pussycat costume. . .  I brought the costume . . . Dan . . . decided it should be made a little bit sexier. I had a hat with a point on the forehead, cut around the eyes . . . he thought we would just use the ears. When we had the whole costume together that’s when Josie was created actually [based] with the style of this costume.”

Each episode had a formula with the band on their way to their next performance when they get mixed up in an adventure, often caused by Alexandra. They might meet a mad scientist or villains like The Wild Wild West featured where they wanted to take over the world or use some terrible invention to harm a lot of people. Alexandra also wanted to steal Alan away from Josie, so that was often behind her mischievous plots.

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Josie was voiced by Janet Waldo, but her singing was done by Kathleen Dougherty. She was the redhead of the group. Valerie’s words were voiced over by Barbara Pariot and her singing by Patrice Holloway. She was a brunette. Melody, the blonde, was voiced by Jackie Joseph and her singing was done by Cheryl Ladd. It was Ladd’s first television project. Alan was played by Jerry Dexter. Alexander had the distinct voice of Casey Kasem and his sister was Sherry Alberoni. We also heard Don Messick as Sebastian during the episodes.

The only thing I didn’t love about the show is that Melody was portrayed as the stereotypical dumb blonde. She was naïve and easy to confuse. Her ears wiggled when danger was near.

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Hanna-Barbera put together a real-life girl group to not only provide the singing voices but to record an album. There was a talent search to find singers who looked like the cartoon characters.

The theme song was titled, what else, “Josie and the Pussycats.” It was written by Hoyt Curtin, Hanna, and Barbera. It was based on a tune that had been used briefly on The Jetsons. Capitol/EMI Records released an album and two 45-RPMs in 1970. The two songs that were most popular were “Every Beat of My Heart” and “Stop, Look, and Listen.” Kellogs, the sponsor of the show, also offered four 45s, if consumers sent a form in from the back of a cereal box.

The outer space episodes from season 3 were based on the band taking a promotional photo in front of a new spaceship. Alexandra pushes the group aside, accidentally triggering the launch sequence which sends them all into outer space. For some reason, Valerie knew how to fly the spacecraft. In this version, which is similar to the original 16, the wacky people they encounter are from other planets rather than cities on Earth.

A complete DVD set was released in 2007. The group has made a few encore performances. In 2001, there was a live action movie which I don’t remember at all. In 2016 a comic book was released, and in 2017, Riverdale, a live-action show, featured the trio as students at Riverdale High.

Josie and the Pussycats was never meant to be the mainstay The Archies was. I did love The Archies as well, with a poster on my wall and comic books on my bookshelf. However, Josie was just what I was looking for as a ten-year-old in 1971. I could easily imagine myself on tour, solving mysteries, and outwitting Alexandra. I thought about revisiting the original sixteen episodes for this blog, but I could not bring myself to do it. The ten-year-old is content remembering how fun these cartoons were, and I didn’t want to disappoint her by revealing how well they do or don’t hold up today. If you decide to take a trek back in time, let me know what you think about the show.



The Tom Ewell Show: Surrounded by Women

Thanks for joining me today. We are having fun with this month’s blog series, “It’s Their Show,” and today we are taking a closer look at The Tom Ewell Show. The shows we are delving into this month were all movie stars jumping from the big screen to the small screen. Some of them landed on their feet and some didn’t.

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While most of the shows we are covering have a star we all know, Tom Ewell is no longer a household name. His first movie was in 1940, and he’s probably best known for The Seven-Year Itch with Marilyn Monroe. He did become a television fixture, starring in the soap Search for Tomorrow as well as a cast member of Baretta in the seventies and Best of the West in the eighties.

The Tom Ewell Show debuted on CBS in 1960 and was on for one season. The premise is about a guy who has to navigate life with a lot of women: his wife (Marilyn Erskine), daughters (Cynthia Cherault,  Sherry Alberoni and Eileen Chesis), mother-in-law (Mabel Albertson), and a female dog and a parakeet.

Tom Potter is described as a “bumbling” father. I’m not sure why so many shows in the early days featured a wife who caused complications for her husband or a bumbling husband. Potter was a real estate agent. Rounding out the cast are friends pharmacist Howie Fletcher (Norman Fell) and Jim Rafferty (Barry Kelley).

Potter loves sports, but the rest of his household is not too interested. Often, he is watching a sporting event on television while telling his family about the high points when they obviously could care less.

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The concept of the show was set up in the opening which showed Tom looking around and then being put into a house before seeing the house overrun by women.

The show was created by Madelyn Pugh Davis and Bob Carroll Jr. who wrote for I Love Lucy. Pugh Davis said she based the show on her family. Her family had all girls and a mother-in-law in the house.

Ewell owned the production company in partnership with Davis and Carroll and Four Star Productions. Quaker Oats and Proctor and Gamble alternated sponsorship of the show.

Time reviewed the show after its debut and said “The Tom Ewell Show leads a relentless parade of situation comedies, all designed to show that American family life is as cute as a freckle on a five-year-old. The show, which might also be titled Father Knows Nothing, presents the comic with the excavated face as a bumbler named Potter who is trapped in the customary format: Harassed Man Beaten Down by Wife, Three Daughters, Mother-in-Law. In the opening episode, Ewell could find no better way to outsmart his spendthrift women than closing his bank account and ruining his own credit. For those who may have tuned out early, the women were all set to start spending again.” Not a great review.

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This makes the female characters sound very unappealing, but on the show, his wife and daughters were delightful. His mother-in-law liked him and they often bantered back and forth; I think it’s worth watching the show just to see Mabel Albertson in action. However, the plots left a bit to be desired: Tom teaching his wife to drive a car, his daughter learning to play the tuba; and the typical sibling issues of everyone wanting to use the phone and the bathroom at the same time.

The show struggled finding viewers. Associated Press television critic Cynthia Lowry interviewed Ewell that fall, and he said that he had read both the positive and negative reviews of the show. He agreed with the critics who felt that Potter was too inept, and the comedy centered more on that and their family life. He said for December episodes, that issue would be addressed in the writing, and the family dog and parakeet were being dropped from the show. Unfortunately, it was not enough to attract viewers, and the show was canceled after one season.

📷youtube.com “Spelling Bee”

In an episode I watched, “The Spelling Bee,” from late November, Tom is trying to interest his family in golf. When he finally got them to watch a golf match, the females were more interested in what the golf spectators were wearing. And then his youngest daughter ran in and turned the station to a kid’s show. One of his girls is practicing her spelling to try to win a trip to Washington DC by winning the all-state spelling bee.

When Tom leaves the house, he continues to run into fathers and sons who are playing baseball, going fishing, working together, or talking about sports. Tom daydreams he has three boys, but we realize that he is holding a skein of yarn for his daughter while he does so. He tries to talk his oldest girl into going into the real estate business. Later he tries to talk his middle daughter Debbie into giving up spelling for golf. He also tries to get his wife to go bowling with him. When Tom realizes that one of his friends has a son trying to win the spelling bee as well, he turns it into a big sports event and is determined to beat them.

He buys a bunch of dictionaries and then gets up early to “train” Debbie. However, she had already left the house and when she returns, he finds out she’s been on the driving range practicing her golf, so they can be in a father and child golf match. He drills her on spelling the rest of the day. That night Debbie comes down with laryngitis.

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Her grandmother gives her honey and lemon. The following night they attend the spelling bee, and Tom gives Debbie a pep talk, but then he reminds her he loves her no matter what. Of course, the final two contestants are Debbie and the son of Tom’s friend. She wins, and she and her dad get to travel to Washington, DC where they meet the President. The show ends with Tom telling his friend about all the great non-sport talents his girls have. It was a cute show, and the characters were all likable. There were a few great one-liners. It would not make my top 25 shows, but it was much better than many of the sitcoms in the sixties.

The show had a decent time slot. It was on Tuesday nights at nine, competing with Stagecoach West and Thriller. While both of those shows garnered decent ratings, neither of them was in the top thirty. The primary director was Hy Averback, who would later direct twenty episodes of MASH. So, they had the right elements in place, but the show just could never find its fans.

Larry Rhine talked about writing for the show. Rhine said Ewell was a nice man, but he said Ewell didn’t think the kids should be involved in the show much because they didn’t have the caliber of other actors. Rhine told Ewell they could consider them more as props which seems like a strange concept for a family show, considering that the episode I watched revolved around the daughters.

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Rhine said Ewell found the show was over when he was on the set one day and he was called to the telephone about a trip he was supposed to take with CBS, and he was told that he was no longer part of the group because he had been fired.

I’m guessing part of the problem with this show getting renewed is that it debuted when westerns were still king and many of the television schedule spots were already filled with them. While it was definitely not a terrible show, the sixties were on the cusp of introducing very different sitcoms than the family-based ones that filled the fifties’ slots. By 1965 we would be tuning into Batman, Honey West, Hogan’s Heroes, The Smothers Brothers Show, and I Dream of Jeannie. However, that said, there are worse ways to spend a weekend than viewing a season of The Tom Ewell Show.