The Virginian: Where Nobody Knows Your Name

June 23, 2025June 1, 2025 / thewritelife61 / 2 Comments

As we get ready to “Go West Young Man,” today our blog series is getting to know the The Virginian (which is sometimes confusing because it was renamed The Men from Shiloh later for part of the series). This series debuted on NBC in 1962. It produced 249 episodes, running until 1971, making it the third longest-running western (Gunsmoke and Bonanza were the top two).

Lew Wasserman was involved with Universal, and they produced Wagon Train which was on NBC. Universal sold the series to ABC in 1962 after it had been on the air for three years, and NBC was not happy, but Wasserman told them that he had a new show for them, The Virginian.

It was also the first 90-minute western. Like Stagecoach West, it was set in the Wyoming Territory. While the pilot was black and white, the rest of the series was filmed in color.

The series was based on an Owen Wister novel, The Virginian: Horseman of the Plains which was published in 1902.

The series featured a foreman at the Shiloh Ranch near Medicine Bow played by James Drury. The foreman was never referred to by his name. Drury once said, “Nobody knows the name of my character, not even me.” His sidekick was Trampas (Doug McClure). Sheriff Abbott (Ross Elliott) also shows up on and off throughout the nine seasons. For the first four seasons, the ranch owner, Judge Henry Garth (Lee J. Cobb) and his daughter Betsy (Roberta Shore) also live there. The cast changed fairly often throughout the series, but Drury and McClure were along for the entire ride.

The plots of the show often revolve around themes of prejudice, injustice, being a responsible and hard worker, and standing up for the right thing.

During the final season, the show changed its title, and the series changed quite a bit. There was a new theme song, and it took on more of the character of the popular spaghetti westerns. Stewart Granger and Lee Majors joined the cast. While the ratings increased, the network was intent on cancelling the show, along with the rural purge that happened at that time.

Later when the show was no longer on the air, Drury discussed two of his castmates, one he admired and considered a friend and one he did not! About Grainger who joined the show for the last year, Drury said, “He was a disaster, and I couldn’t stand him. He wanted everything changed to make him the star of the show. . . . He also fired the whole camera crew and hired a new crew for his episodes.” However, on reflecting about his co-star Doug McClure, Drury recalled “off-screen Doug was quite like his character, and you couldn’t help but smile when he walked into a room because he was full of good humor and good spirits all the time. He could cheer anybody up. He became my best friend, and I still miss him terribly—you couldn’t ask for a better co-star.”

As you can imagine, being on the air for nine years meant a lot of guest stars showed up on the series, including Eddie Albert, Charles Bronson, Robert Culp, Joan Crawford, Bette Davis, Patty Duke, Robert Duvall, Harrison Ford, Jack Lord, Lee Marvin, Vera Miles, Leonard Nimoy, Ryan O’Neal, Robert Redford, George C. Scott, William Shatner and Franchot Tone.

The Virginian was on Wednesday nights for its entire run. When it began, it was up against Wagon Train on ABC while CBS ran CBS Reports and The Many Loves of Dobie Gillis. Both The Virginian and Wagon Train managed to hit the top thirty that year. The next year, its biggest competition was The Adventures of Ozzie and Harriet followed by The Patty Duke Show. The Nelsons hit the top thirty and The Virginian and The Patty Duke Show were in the top twenty. The show continued to be in the top twenty or top thirty for the rest of its run, hitting the top ten in 1966, despite being on at the same time as many popular sitcoms during those years, including Batman, The Beverly Hillbillies, The Courtship of Eddie’s Father, Gomer Pyle USMC, Lost in Space, Mister Ed, and My Living Doll. It was still in the top twenty when it was canceled.

This show is fondly remembered by viewers who tuned it at the time. It’s been in syndication for decades, racking up new generations of fans. In one of his later interviews, Drury talked about the appeal of the show. He said, “People now tell me about their grandkids who discover the show on cable and start watching it. It’s a wonderful feeling to know the show is still viable after all these years.” That alone is reason to be proud of working on this show.

Good Evening Alfred Hitchcock

October 14, 2024March 14, 2024 / thewritelife61 / 2 Comments

In October, we are tackling a blog series on Eerie Shows. It would be almost impossible to not include Alfred Hitchcock Presents which was on television for a decade.

The show premiered in 1955. Hitchcock had been directing films for more than three decades at that time. The series experienced several changes. It began as Alfred Hitchcock Presents on CBS but would switch both nights and networks during its run. In 1962 it became an hour-long show and was called The Alfred Hitchcock Hour.

Many fans recall the opening. There is a line-drawing of Hitchcock’s profile with the “Funeral March of a Marionette” playing in the background. Hitchcock appears at the edge of the screen and walks to the center where he fades into the caricature line drawing. Then he said, “Good evening.” The silhouette was one that Alfred drew. He began his entertainment career illustrating title cards for silent movies.

Hitchcock himself directed 17 of the episodes of the series. Two of those were nominated for Emmy awards: “The Case of Mr. Pelham” in 1955 with Tom Ewell and “Lamb to the Slaughter” in 1958 with Barbara Bel Geddes.

Hitchcock’s job during this series was to introduce the story and then to wrap it up at the end. Both the openings and closings were written by James B. Allardice. Allardice wrote for 38 different shows, many of them very popular series in the fifties and sixties. Norman Lloyd, who produced the show and appeared in five episodes, said Hitchcock respected Allardice so much that he never even changed a comma that he wrote.

The network demanded that if a character got away with murder during the show, then Hitchcock would let them know during the closing that he was eventually brought to justice; in the TV Guide, Hitch described this as “a necessary gesture to morality.” Lloyd gave an example of this in a Television Academy interview. In one episode, a woman kills her husband with a frozen lamb’s leg and gets away with it. At the end of the show, Alfred explains that she later remarried and tried the same trick again but when she took out the leg and hit her husband with it, it was not frozen enough, so he caught her in the act and turned her in.

The episodes were not your average thriller shows. They included drama, suspense, and humor. Audiences never knew just “who done it” till the end.

The show debuted on CBS on Sunday nights for five years, up against drama anthologies for two years and then competing with The Dinah Shore Show for three years. For the next two seasons it moved to NBC on Tuesday nights. It aired against The Many Loves of Dobie Gillis on CBS those years and against Wyatt Earp on ABC. For three months it went back to CBS on Thursdays before moving to Fridays on CBS the next season with The Price is Right and 77 Sunset Strip. The ninth year found it on CBS on Fridays with little competition and the final year it showed up on NBC’s schedule on Mondays against Ben Casey. I could never find the reason for cancelling the show. I’m assuming ratings began to decline but if anyone knows, I’d love to hear it.

NBC chose not to air a 1962 episode called “The Sorcerer’s Apprentice” because the sponsor felt the ending was too gruesome. In the episode, a magician’s helper is supposed to help in a trick where he “sawed” a woman in half, but he doesn’t realize he truly saws her in half.

As you might guess, with a new story every week, many celebrities appeared on the show including Charles Bronson, Bette Davis, Bruce Dern, Robert Duvall, Clint Eastwood, Peter Falk, Joan Fontaine, Peter Lorre, Walter Matthau, Steve McQueen, Vera Miles, Claude Rains, Robert Redford, Burt Reynolds, Thelma Ritter, George Segal, and Jessica Tandy.

In addition to the Hitchcock-directed episodes, the show received Emmy nominations for Best Series four times. In 1956 it was up for Best Action or Adventure Series, but it lost to Disneyland. The following year found the show in the Best Series – Half Hour or Less category, but it lost to The Phil Silvers Show. 1958 found it in the category of Best Dramatic Anthology Series. You would think that would be a no-brainer win for this show, but it lost to Playhouse 90. It had its fourth category nomination in 1959 as Best Dramatic Series – Less Than One Hour and lost to Alcoa Theatre. I guess the Emmy committee had a hard time determining categories for a few years.

In a different twist, NBC tried to air the show again in 1985. Hitchcock had passed away five years earlier from renal failure. A made-for-TV-movie combined new stories with colorized segments from the original show. It lasted a year before NBC canceled it. USA picked it up for three more seasons.

The original show can still be seen on a few different networks including MeTV.

With Hitchcock’s popularity in 1955, it’s no wonder that this show was a successful series for a decade. The episodes were well written, and they had a wonderful cast of actors. Many people probably tuned in just to see Hitchcock, and his personality was larger than life, even if his behavior was a bit despicable at times. One of Alfred’s quotes about the show was that “television has brought murder back into the home – where it belongs.”

One Day at a Time

August 26, 2024September 4, 2024 / thewritelife61 / 2 Comments

For this Reboot series, we are ending with One Day at a Time. This show was about a divorced mom, Ann Romano (Bonnie Franklin) whose father is not in the picture much anymore. She moves her two teenaged daughters, Barbara (Valerie Bertinelli) and Julie (Mackenzie Phillips) from Logansport, Indiana to Indianapolis. Barbara is the funny daughter who is always doing the right thing, while Julie is rebellious and angry. Schneider (Pat Harrington Jr.) is their building supervisor, and he takes on a bit of a parental role with the girls.

In the early seasons, Ann dates her divorce lawyer David (Richard Masur). However, after becoming engaged, Ann realizes David wants children of his own and she is not ready to go down that road again, so they break up. Her ex remarries and he eventually enters their lives again.

Julie marries Max (Michael Lembeck), a flight attendant, and they eventually have a daughter. Barbara marries a dental student Mark (Boyd Gaines). In the finale, Ann decides to take a job in London and Schneider moves to Florida to take care of his niece and nephew.

The series was created by husband-and-wife team Whitney Blake and Allan Manings. Blake was Dorothy Baxter on Hazel. Blake based the show on her experiences as a single mother raising three children. It debuted in 1975 and aired until 1984.

Franklin was not happy with the scripts in the first season. She said that she threatened to quit unless the quality improved for the second season.

Phillips dealt with substance abuse, and she was fired after the fifth season. She did come back later for a few appearances. When she entered rehab in 1980, the plot was that Julie and Max moved to Houston. In the seventh season, she returned for a two-part episode. In the final season, she collapsed on the set. When the producer asked her to take a urinalysis test, she told them not to bother and she was fired for the last time. Lembeck continued with the show, and he raised their daughter after it was said Julie left them. While Phillips was unkind, to put it nicely, to Bertinelli early in the series, they eventually became closer. Bertinelli was one of the few people who stood by her after she released a shocking autobiography. Later Glenn Scarpelli joined the cast as Alex. His father had been Ann’s boyfriend and after his father dies in a car accident, Alex asks to move in with Ann and Barbara.

Family members Nanette Fabray and Shelly Fabares both took roles in the series; Nanette played Ann’s mom and Shelly was a coworker. Howard Hesseman also joined the cast as Sam who would marry Ann.

The show was filmed before a studio audience. That surprised me a bit. I went back to watch a few shows for this blog, and I was surprised how dark the series was for a sitcom. Many of the shows, especially Norman Lear shows, were not very light-hearted. I remember liking this show as a teenager/young adult, but I must admit, they were hard to sit through the second time around, and it is not a show that I would choose to watch again.

The theme song was “This Is It.” Brill Building composed the music with lyrics by Jeff and Nancy Barry. Polly Cutter sang the song.

It is amazing that the show did so well in the ratings because it was moved around on the schedule eleven times during its run. For most of its life, it was in the top 20.

The show still had decent ratings after its nine seasons, but Franklin decided she was ready to be done. Harrington was the only cast member to win an Emmy. A 1984 spinoff was discussed for Schneider, but that show never came to fruition. It seems fitting for Harrington to win the Emmy. He has 166 acting credits, and appeared in movies with Elvis Presley and Robert Redford. He said 100 actors auditioned for the role of Schneider. He said that he was a family man with four kids and needed to put food on the table, so he went for it.

In 2005, there was a One Day at a Time Reunion on CBS. Franklin, Phillips, Bertinelli, and Harrington discussed their time on the show. The documentary featured private interviews with Masur, Fabares, Fabray, Lembeck, and Scarpelli.

At least three seasons were released on DVD, but I have not seen any references to seasons four-nine.

In 2017 a reboot was made of One Day at a Time. Three original cast members showed up on the new series. Phillips appeared as a counselor and former veteran leading a support group with PTSD, Glenn Scarpelli was in season three, and Lembeck directed the season one episode “Sex Talk.”

The remake was developed by Gloria Calderon Kellett and Mike Royce with a Latino cast for Netflix. The stars were Justina Machado, Todd Grinnell, Marcel Ruiz, Stephen Tobolowsky, and Rita Moreno. The Cuban family lives in LA. A single mother and former veteran dealing with PTSD, Penelope Alvarez (Justina Machado) lives with her daughter, Elena (Isabella Gomez), and son Alex (Marcel Ruiz), and her mom Lydia (Rita Moreno). Pat Schneider (Todd Grinnell) is the supervisor. Penelope works for Dr. Leslie Berkowitz (Stephen Tobolwsky). The reboot also focused on some tough subjects including mental illness, immigration, sexism, homophobia, gender identity, and racism. It aired for four seasons.

The critics were all on board. It was listed as one of the best shows of 2017 and received a variety of awards including four Emmy nominations. Robert Lloyd of the Los Angeles Times wrote that it was “lively without being rushed” and David Wiegand of the San Francisco Chronicle felt it “was nicely written . . . and the performances are almost universally engaging.” Verna Gay of Newsday called Machado “flat out terrific.”

This time around, Gloria Estefan sang “This Is It.”

The series was canceled after four seasons. The network said it did not have enough viewers, despite the fact that Rotten Tomatoes gave it a 100% rating for every year. It was praised for dealing with many hard subjects and featuring a matriarchy of three generations of women who make their way through life and support each other even when they don’t agree with each other.

I think that the failure of this show to make it to five seasons is a common factor that we will see in streaming shows. Networks had more of an incentive to keep shows around when there were fewer options. Now there are so many shows available that it’s almost impossible to know what is available to watch. Considering that three networks used to get most of the viewers tuning in, now you can multiply that by hundreds. I’m not sure what it will take to keep a show running more than three years anymore.

I hope you enjoyed taking a look at four reboots that succeeded in bringing back original viewers and building a new fan base for themselves. I’d love to hear if any of these were shows you would root for.

Dr. Kildare: The “Perfect” Doctor

July 10, 2023July 1, 2023 / thewritelife61 / 2 Comments

This month we are checking out a few favorites in a blog series: “Examining Our Favorite Medical Shows.” Last week we learned a bit about Ben Casey. Today we are looking at a similar show to Ben Casey, although in many ways it was very different: Dr. Kildare. Dr. Kildare was also on the air from 1961-66. MGM produced this show created by Max Brand in the 1930s. The show had previously been a movie and a radio series. Unlike Ben Casey who seemed to argue with everyone, Dr. Kildare (Richard Chamberlain) was a respectful intern at Blair General Hospital. He wants to help his patients and listens to his mentor, Dr. Leonard Gillespie (Raymond Massey). In season three, Kildare became a resident, and the episodes focused more on the stories about the patients.

In 1960 a pilot was filmed with Joseph Cronin in the Kildare role and Lew Ayres as Gillespie which did not sell. The role of Kildare was offered to William Shatner and James Franciscus who both turned it down. In 1961, a new pilot was produced with Chamberlin and Massey. One of the reasons Massey accepted the role is because he was certain the show would only last one season, and he wanted to continue with his movie career. The popularity of the show put his film career on hold for five years.

Other cast members who appeared on the show included Dr. John Kapish (Ken Berry), Nurse Fain (Jean Inness), Dr. Agurski (Eddie Ryder), Dr. Gerson (Jud Taylor), Dr. Lowry (Steve Bell) Nurse Conant (Jo Helton), and Nurse Lawton (Lee Kurty).

The guest stars on this show were amazing. I feel like this should be read in auctioneer mode but here goes: Eddie Albert, Jack Albertson, Fred Astaire, Ed Asner, Lauren Bacall, Ed Begley, Joan Blondell, Tom Bosley, Beau Bridges, Charles Bronson, James Caan, Robert Culp, Ossie Davis, Ruby Dee, Angie Dickinson, Olympia Dukakis, Barbara Eden, Linda Evans, Douglas Fairbanks Jr., Peter Falk, Beverly Garland, Ron Howard, Kim Hunter, Celeste Holm, Carolyn Jones, James Earl Jones, Brian Keith, Ted Knight, Harvey Korman, Cloris Leachman, Jack Lord, Walter Matthau, Gavin McLeod, Ricardo Montalban, Harry Morgan, Jack Nicholson, Leonard Nimoy, Carroll O’Connor, Suzanne Pleshette, Basil Rathbone, Robert Redford, Robert Reed, Cesar Romero, Gena Rowlands, William Shatner, Jean Stapleton, Gloria Swanson, Rip Torn, Sam Waterston, Dennis Weaver, and Robert Young. For a show that was only on five years, it was an impressive guest cast.

To add more realism to the show, writer E. Jack Neuman spent several months working with interns in a large hospital. Technical advice was provided by the American Medical Association.

The show was realistic in portraying all the drama that is truly found in a city hospital. The plots involved a lot of medical and social issues including smallpox, physician competency, drug addiction, malpractice, and euthanasia. Neuman definitely captured what life in a large, city hospital was like. Kildare makes about $60 a month, or $500 in today’s terms, works long hours, rotates through the various medical departments and has senior physicians overrule his diagnoses.

Just like Ben Casey, the first seasons produced stand-alone episodes and after the success of Peyton Place, storylines carried over from one show to another to entice the audience to tune in again the next week.

The theme music for the series was composed by Jerry Goldsmith. A CD set was released in 2009 which included the theme, the original music from the 1960 pilot, Richard Chamberlain’s recording of “Three Stars Will Shine Tonight,” and musical scores from the five seasons by Hurr Sukman, Richard Markowitz, Morton Stevens, Lalo Schifrin, John Green, and Burt Bacharach.

Airing on Thursday nights, the show was in the top ten during season one and the top twenty for seasons two and three. The show received about 12000 fan letters weekly, and, in addition, Chamberlain received letters personally asking for medical advice.

The network moved the show to Tuesday nights against Red Skelton and McHale’s Navy for season five and the viewers did not follow. The ratings declined, and the show was canceled.

This show really changed Chamberlain’s career. He had always been a small-role guy before this show, but he suddenly became a teen idol. He received more than 35,000 fan letters a month. Onscreen the idealistic Kildare and the wise, sometimes cantankerous, Gillespie don’t always agree but they had great chemistry on the set and apparently off the set as well. Unlike Ben Casey, the cast on this show did get along and Chamberlain mentioned that he always enjoyed working with Massey.

Richard said he grew up in a family where they all pretended to be perfect. So, he went through life trying to be perfect too. He said that philosophy did not work well for his life, but it did work well for Dr. Kildare.

Following the show he would take a turn on Broadway, in big-screen movies, and back on television where he specialized in mini-series like Shogun and The Thorn Birds, both in the 1980s.

One fact I found interesting was that the DVD release of the show included a never-aired pilot from a different medical show, The Eleventh Hour in 1962. The episode originally was written for Dr. Kildare. Drs. Kildare and Gillespie assist Dr. Bassett (Wendell Corey), a psychiatrist diagnosing one of his patients Ann (Vera Miles). Instead of airing on Dr. Kildare, Chamberlain and Massey were cut out of the film and it was submitted as a pilot for the show, with the title “Ann Costigan: a Duel on a Field of White.”

Even Mad Magazine got on the Kildare bandwagon. The 1962, #74 issue, featured “Dr. Killjoy,” a parody of the show.

Everyone seemed to like this show. Then again, what is not to like? You have a handsome doctor, exhilarating drama, a fun guest star every week, and realistic stories. The show would go on to inspire the talents behind a variety of medical series including Marcus Welby MD, ER, House, and Grey’s Anatomy.