Dick York: His Job Was Back-Breaking Work

This month we are learning about some Bewitching characters and their careers. Today we get to learn more about Dick York, the first actor to portray Darrin Stephens.

📷imdb.com the first Darrin Stephens

York was born in 1928 in Fort Wayne, Indiana, part of a working-class family; his father was a salesman, and his mother was a seamstress. During his younger years, the family relocated to Chicago, and at 15 he began acting on the radio in “That Brewster Boy.”

He would appear in hundreds of radio episodes and instructional films before heading to New York City in 1951 where he lived at the YMCA. In New York, he appeared on Broadway and then began his film career. That same year, York married Joan Alt. While he was doing the radio show “Jack Armstrong, All-American Boy,” they met when she came in to do a commercial.

In 1959, he was filming They Came to Cordura with Gary Cooper and Rita Hayworth when he suffered a back injury on the set. As York described it, “Gary Cooper and I were propelling a handcar carrying several wounded men down a railroad track. I was on the bottom stroke of this sort of teeter-totter mechanism that made the handcar run. I was just lifting the handle up as the director yelled ‘Cut’ and one of the wounded cast members reached up and grabbed the handle. Now, instead of lifting the expected weight, I was suddenly, jarringly, lifting his entire weight off the flatbed—180 pounds or so. The muscles along the right side of my back tore. They just snapped and let loose. And that was the start of it all: the pain, the painkillers, the addiction, the lost career.”

However, the injury didn’t catch up with him at that exact moment. A year later he was offered a role in Inherit the Wind. He would end up in ten films during his career, but it was television where he spent most of his time.

📷imdb.com The Twilight Zone

A couple of years later he was part of the cast of Going My Way for a season. His television career continued, and you’ll see him in episodes of The Twilight Zone, Dr. Kildare, Alfred Hitchcock Presents, Route 66, and Wagon Train, among others.

In 1964 he was offered the role that made him a house-hold name, Darrin Stephens on Bewitched. York was with the series for five years and was nominated for an Emmy in 1968. York was nominated along with Richard Benjamin from He and She and Brian Keith and Sebastian Cabot from Family Affair, but they were all beat by Don Adams from Get Smart.

His back caused him a lot of pain while on the Bewitched set. The crew constructed a wall where he could lean between scenes, but half-way through season three, he was diagnosed with a degenerative spine condition which often sent shooting pains through his body. Watching seasons three and four, Darrin often can be found lying down or on the couch in many of his scenes.

Things escalated during the fifth season. York fell ill with a temperature of 105 degrees. He was feeling awful but decided to try to get through a few scenes. He was sitting on a scaffolding with Maurice Evans, Samantha’s dad on the show, when he told a crew member that he thought he should get down. “He started to help me down and that’s the last thing I remember until I woke up on the floor. That’s about all I remember of the incident . . . I’d managed to bite a very large hole in the side of my tongue before they could pry my teeth apart.” While he was in the hospital, he and William Asher had the tough talk about his future, and he agreed he needed to quit; he was then replaced with Dick Sargent.

In his autobiography, York says the next 18 months found him bedridden and dependent on painkillers. He got off the meds, but it took six months. He was able to beat his addiction. He and Joan had five children that needed care.

📷wikipedia.com

The family struggled economically after his addiction. In the mid-seventies, a real estate investment of theirs failed, and they were forced to go on welfare. In the early eighties the couple moved to Michigan to help care for York’s mother-in-law; they were surviving on a $650 monthly pension from the Screen Actors Guild.

York always kept a positive attitude. While he was bedridden, he made phone calls to help raise money for the homeless. He said, “I’ve been blessed. I have no complaints. I’ve been surrounded by people in radio, on stage, and in motion pictures and television who love me. The things that have gone wrong have been simply physical things.” He tried to revive his career, appearing on Simon & Simon and Fantasy Island, but it was just too late.

In addition to his back issues, York smoked three packs of cigarettes a day, and he eventually was diagnosed with emphysema. By 1989, he needed oxygen to help him breathe. He passed away from complications of the disease in 1992 at the young age of 63.

What a sad and painful ending to such a promising career. It’s amazing that someone in that kind of torment could still reach out to help others and try to spin a positive attitude about what he was grateful for. Thank you, Dick York, for leaving us with 68 great roles and the chance to get to know Darrin Stephens.

Blondie: Some Shows Are Better Being Forgotten

This month we are taking a look at some classic sitcoms that many people don’t remember anymore.

Blondie is one of those shows. It was based on the Chic Young comic strip and debuted on NBC in 1957, lasting one year. The series was resurrected in 1968 and the reboot also lasted a season.

📷wikipedia.com The 1957 version

Blondie had become very popular with fans. Beginning in 1938, 28 movies were made starring Penny Singleton and Arthur Lake. Blondie also showed up on the radio from 1939 to 1950.  Many products had been based on the characters including comic books, coloring books, lunch boxes, and board games.

The 1957 series starred half the movie duo. Lake took on his role of Dagwood Bumstead, but Pamela Britton was offered the role of Blondie Bumstead. Their kids, Cookie and Alexander, were played by Ann Barnes and Stuffy Singer. Florenz Ames was boss J.C. Dithers with Elvia Allmana as his wife Cora. Rounding out the cast was Harold Peary as neighbor Herb Woodley.

📷imdb.com The 1968 version

A decade later Will Hutchins and Patricia Harty play Dagwood and Blondie, Jim and Henny Backus play the Dithers, and Pamelyn Ferdin and Peter Robbins are their kids. The only advantage this series had over the original was color.

The comic strip, movies, radio show and both sitcoms all encompassed the familiar Bumstead elements: Dagwood being physically and socially awkward; their dog Daisy, and Dagwood’s love of napping and huge sandwiches.

The reboot was produced by Joe Connelly and Bob Mosher, the faces behind Leave It to Beaver and The Munsters. There was room in the schedule after the network cancelled He and She, a sitcom starring real life spouses Paula Prentiss and Richard Benjamin. The show is described on imdb.com as “Dick and Paula Hollister are a couple living in New York. Dick is a comic-book artist who has become famous for creating a superhero called Jetman, which has been turned into a TV show starring egocentric actor Oscar North.” During its one season of 26 episodes, the show received seven Emmy nominations, including a win for writing. It’s too bad that show was given the axe and Blondie moved in because the Prentiss-Benjamin show was much more creative and felt new, while Blondie felt extremely old.

No surprise, the ratings were not great. This is even worse when you see what the show was in competition with: The Ugliest Girl in Town, which would also be gone by 1969, and Daniel Boone. The one new 1968 show to return on CBS was Hawaii Five-0 which seems so much more sophisticated than Blondie; it’s hard to believe they both debuted the same year.

📷yahoo.com Hawaii Five-0

Perhaps the fans didn’t tune in because the critics panned the show before it aired. The Milwaukee Journal’s Wade Mosby said it was “a horrendously contrived piece of fluff that should have never been snatched from the comic pages.” Don Page of the Los Angeles Times called it “an unmitigated disaster,” and Cynthia Lowry of the Associated Press described it as “dismal.”

By November, rumors were that the show was already cancelled, and its last episode aired in January. The show probably relied too much on slapstick and unsophisticated humor; things that might have been fine in the 1930s but were passe by the 1960s. Sometimes a show is cancelled just because it’s a badly written and executed show. It seems Blondie fell into this category not once but twice.

Off the top of my head, I can only recall two comic strips becoming popular television shows: The Archies and The Addams Family. Because the Blondie characters were not very dimensional and got into the same situations over and over, they just never were able to translate into sustainable television characters. I think there’s a good reason that many people don’t remember this show and perhaps it’s better that way.

Don’t Blink: Shows That Received Pink Slips by the Holidays

One thing I have learned doing blogs the past four years is how many shows don’t make it. Although every year has its share of flops, some years are just notorious for having weak programming. The late 1970s was a period of just truly awful shows. Bob Newhart who starred in The Bob Newhart Show decided to quit in 1978. When asked about ending the show, he said, “I could see what was coming in situation comedy, and I didn’t want to be a part of it. If we’d gone another year, they’d have had the guy and two girls living in the apartment above us, a Martian living on the same floor next door to three girl detectives. The floor below us would have been occupied by a fraternity and a sorority.” As bad as that sounds, the shows that the networks put on the air during this time were even worse. Let’s take a look at some of the programming that didn’t make it through a season in the late 1970s.

A Year at the Top

Photo: imdb.com
Note the young Paul Shaffer

Believe it or not, in 1976 Norman Lear teamed up with Don Kirshner of Rock Concert fame for a sitcom about the music business. This show was supposed to begin in January of that year but was delayed until summer with an entirely different cast. Two young pop stars Greg and Paul (Greg Evigan and Paul Shaffer—yes the Paul Shaffer from David Letterman) move to LA for their big break. They meet a potential agent named Hanover (Gabriel Dell) who agrees to sign them if . . . and if you think the concept is weird so far, get this: Hanover is the devil’s son, and they need to sign over their souls to become famous. The pair never actually sign the contract. It might have taken a year to get on the air but it only lasted five weeks.

Quark

Photo: newyorktimes.com

This show’s concept was also a bit of a reach. It took place on Perma 1, a space station in 2222. Adam Quark (Richard Benjamin) had a mission to clean up all the trash in outer space. Quark took orders from a giant disembodied head called, what else, The Head, along with Perma 1’s architect Otto Palindrome (Conrad Janis). If you think this sounds crazy, wait till you learn about Quark’s crew: a part fish/part fowl first officer, a humanoid vegetable named Ficus, clones Betty 1 and Betty 2, and Andy the Robot, a walking junk pile. I was surprised not that it was cancelled after two months, but that it lasted two months. I was also surprised to learn that Buck Henry was the creative force behind this series.

Sanford Arms

Photo: humormillmag.com

A year later in 1977 we have another interesting set-up. When Redd Foxx and Demond Wilson, the two stars, the only stars, left the show Sanford and Son, Norman Lear was left with a show title only. Aunt Esther (LaWanda Page) had been one of the cast members on Sanford and Son and suddenly she was at the hub of this new show. Phil Wheeler (Theodore Wilson) a widower with teenagers buys the house, the junkyard and Esther’s rooming house and tries to start a residential hotel. A month or so later, before he could even make his first payment, the show was done.

Another Day

Photo: wikipedia.com

David Groh (who had played Rhoda’s husband) is Don Gardner, a struggling businessman who can’t make ends meet. His wife Ginny (Joan Hackett) has to get a job, and they both had to deal with their introverted son Mark (Al Eisenmann) and their extroverted daughter Kelly (Lisa Lindgren), as well as Don’s mom Olive (Hope Summers who had played Clara on The Andy Griffith Show) who is critical of all of them. Don struggled through a few episodes and was finished.

Apple Pie

Photo: wikipedia.com

A lonely hairdresser played by Rue McClanahan named Ginger-Nell Hollyhock placed ads in the newspaper for a family. The family that she “found” included a daughter (Caitlin O’Heaney) who tap-danced, a son (Derrel Maury) who wanted to fly like a bird, an elderly grandfather (Jack Gilford), and con-artist Fast Eddie (Dabney Coleman). The show was set in Kansas City in 1933. It took place during the Depression and depression is what anyone watching felt, although the pain was fleeting. After one episode the network decided no one wanted this family.

Hanging In

This one was so bad they didn’t want any evidence so there are no photos.

Another flop came along with a star who had been another star’s spouse. Bill Macy who played Maude’s long-suffering husband starred in this show as Louis Harper, a former football hero who did not have the right credentials to be a university president. He has a desire to help the underprivileged, but the rest of the faculty is more concerned about raising money. Other cast members included high-pressure dean Maggie Gallager (Barbara Rhoades), PR man Sam Dickey (Dennis Burkley), and housekeeper Pinky Nolan (Nedra Volz). No finals for this series; it was cancelled after a few weeks.

Hizzoner

Photo: imdb.com

David Huddleston plays Mayor Cooper who runs a small Midwestern town. The cast included the mayor’s secretary Ginny (Diana Muldaur), the mayor’s daughter (Kathy Cronkite, yes Walter’s daughter) and several other quirky characters. While the mayor is quite conservative, his children are left-wing liberals. Apparently, the mayor broke out into song at least once an episode. I guess, he was singing the blues because the show was cancelled after 7 episodes.

In the Beginning

Photo: collectors.com

The year 1978 just keeps getting worse for television series. Father Daniel Cleary, played by McLean Stevenson, works in a community center in the heart of Baltimore. Sister Agnes (Priscilla Lopez) works with him. She loves her neighborhood; Father Cleary does not. She is fairly liberal and he is not. It ended almost before it began after seven episodes.

Miss Winslow & Son

Photo: sitcomsonline.com

In this one, an unmarried woman (Darleen Carr) who is an art designer, decides rather than marry a man whom she doesn’t love, she will become a single mother after getting pregnant. Her next-door neighbor Mr. Neistadter (Roscoe Lee Browne) hates kids. Her wealthy and snobby parents are divided about her situation; her father (Elliot Reed) is much more sympathetic than her mother (Sarah Marshall). Before the baby had its first check-up, the show was off the air.

13 Queen’s Boulevard

Photo: sitcomsonline.com

This show was about “a hilarious group of tenants in a garden complex in Queens, New York.” In the first episode, one of the tenants, Felicia Winters (Eileen Brennan) decides to host a class reunion and invites her best friend and spouse, her ex-husband, the class “sexpot,” Fat Hughie, and the class photographer. I don’t know what could possibly go wrong; however, not much went right since it was gone within two months.

Turnabout

Photo: bionicdisco.com

I get Freaky Friday, but in this series the husband and wife switch places. A magic statue allows them to inhabit each other’s bodies.  Sam Alston (John Schuck) is a sportswriter and his wife Penny (Sharon Gless) is a cosmetics executive. The couple tries to live both their own life and their spouse’s life whenever they switch back and forth. They also must focus on keeping the switch a secret. We never know who is who, and all the audience knew is they didn’t like either one of them, and the show was cancelled after a few weeks.

Waverly Wonders

Photo: sitcomsonline.com

NBC decided Joe Namath would be a good person to build a sitcom around. However, he’s not a football player in this show; he’s a former pro basketball player, Joe Casey, who now teaches history at Waverly High in Wisconsin. Linda Harris (Gwynne Gilford) is the principal and Mr. Benton, who they call “Old Prune Face” (Ben Piazza) was the former coach. The only problem is Joe Casey is a bad history teacher and a bad coach. That apparently makes for a bad show because it was cancelled after three episodes aired, although nine were made.

Struck by Lightning

Photo: metershow.com

If you think the concept of some of these shows was weird, wait to you hear about this one. Frank (Jack Elam) is the caretaker of an old inn in Massachusetts. A science teacher, Ted Stein (Jeffrey Kramer) inherits the inn and decides to sell it. Then he realizes that Frank was really a 231-year-old Frankenstein monster. Ted just happens to be the great-great-grandson of the original Dr. Frankenstein. So, they decide to run the inn together. Rounding out the cast was Glenn (Bill Erwin) who had been living there forever, Nora (Millie Slavin) who managed the inn before Ted came, Nora’s son Brian (Jeff Cotler), and real estate agent Walt (Richard Stahl). Apparently, the only thing “great” about the show was Ted’s relationship to Frankenstein because the network canceled it after five episodes.

So, you might be wondering with all these awful shows, what made it on the air more than a couple of months during the late 1970s. In 1977 the only shows that made it to the next season were Three’s Company and Soap. In 1978 Mork and Mindy and Taxi were the “classics” followed by Diff’rent Strokes and WKRP in Cincinnati. Without Robin Williams, Mork and Mindy would probably have been another concept that would have lasted a couple of weeks. In 1979, out of 21 shows that debuted that fall, Facts of Life was the only one that returned for a second season. With the exception of Taxi and WKRP, I would not rate any of these shows true classics, although you could make a good case for Soap. Anyway, the bar was set pretty low for success during the late 1970s.

At least television viewers could go to the movies for a bit of entertainment.  This was the era of Animal House, Annie Hall, Close Encounters of the Third Kind, Grease, Kramer vs Kramer, Rocky, Saturday Night Fever, and Smokey and the Bandit. Things stayed pretty glum on the small screen until 1982 when Cheers, Newhart, and Family Ties saved us.