The Lone Ranger Rides Again . . . And Again . . . And Again

Like most of the westerns we are studying this month, The Lone Ranger first aired as a radio series. In 1933, the masked hero and his best friend Tonto, traveled throughout the Old West, capturing outlaws and putting them behind bars.

Fran Striker began reworking some old scripts about westerns in 1932. Those stories became The Lone Ranger. George Trendle brought Striker in to work on the radio scripts in 1933 when the show debuted. Striker continued to pen books about the hero with his first being The Lone Ranger in 1936 and his last The Lone Ranger on Red Butte Trail in 1961, 25 in all.

The Lone Ranger Rides by Fran Striker

The television show began in 1949 and ran for eight years. Clayton Moore portrayed the ranger and Jay Silverheels portrayed Tonto. Silverheels was a full-blooded Mohawk Indian from the Six Nations Indian Reservation in Ontario, Canada. In season three, Moore was temporarily replaced by John Hart, but he returned for the final two years. The other recurring character we see during the series is the ranger’s nephew Dan Reid played by Chuck Courtney. This was ABC’s first big television hit.

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The show began and ended the same way. As the show opened, the Lone Ranger’s horse would rear up on his back and the ranger shouted “Hi-Yo Silver.” At the end of the show, someone would as “Who was that masked man?” Another repeated phrase from the series was “Kemo sabe.” Tonto called the Ranger this which translates to “faithful friend.”

The backstory of the ranger is that a patrol of six Texas Rangers was massacred and only the Lone Ranger survived. He now wears a mask to protect his real identity and he and Tonto, who nursed him back to health, travel around bringing justice to the territories. The ranger owns a silver mine which is why he named his horse Silver and why he carries silver bullets.

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MGM film veteran producer Jack Chertok was brought in to produce the show. He would later produce Ann Sothern’s show Private Secretary and My Favorite Martian.

This show was produced and filmed differently than most shows in the classic age. Seventy-eight episodes were broadcast for consecutive weeks. Then they were all shown for a second time. After 156 weeks, they decided to film another 52 shows but there was a controversy and Moore left the show and was replaced by John Hart. Again the 52 filmed shows were consecutively shown and then rerun. For the next season, the original creator George Trendle sold the rights to Jack Wrather in 1954. Wrather hired Moore again and produced another 52 shows which were shown and then rerun. For the final year, only 39 episodes were produced with Sherman Harris taking over as producer. The final season was the only one shot in color. Because there were only new episodes in five of the eight years, only 221 shows were produced.

At this point, film stars were still avoiding television, seeing it as a temporary competition with films. Therefore, most of the guest stars we see on the show were actors who went on to have successful television careers. Some of those include Michael Ansara, James Arness, Frances Bavier, Hugh Beaumont, Dwayne Hickman, Stacy Keach Jr., Marjorie Lord, Martin Milner, Denver Pyle, and Marion Ross.

The Lone Ranger" Texas Draw (TV Episode 1954) - IMDb
Photo: imdb Marion Ross guest starred

This was one of the first series to be nominated for an Emmy; unfortunately, it lost to the first version of The Life of Riley starring Jackie Gleason. The nomination came in 1950 at the second Emmy ceremony. The early years had very limited categories for awards.

General Mills was the original sponsor for the show. They also sponsored the radio show from 1941-1961.

The Lone Ranger, first created and broadcast in Detroit, turns 86 this week  | Michigan Radio
Photo: michiganradio.com

The theme music was the classical piece, the William Tell overture. Rossini composed the piece in 1829.

Like Adam West and Batman, Clayton Moore really embodied the character of the Lone Ranger. After the show ended, he would make up to 200 appearances a year as the crime fighter. In 1979, Jack Wrather, who owned the rights to the character, sued him, but Moore won a countersuit allowing him to continue appearing as the masked hero.

The Lone Ranger was never permanently retired. Two animated series were released in 1966 and 1980. Also, both Silverheels and Moore starred in two big-screen features: The Lone Ranger (1956) and The Lone Ranger and the Lost City of Gold (1958).

In addition, Moore slipped into his costume again for a film in 1958 to promote the Lone Ranger Peace Patrol to convince kids to buy US Savings Bonds. A 2013 movie reboot came out with Armie Hammer in the starring role.

The Lone Ranger has had an iconic place in history for 87 years now. Almost every generation recognizes the hero, and his black mask is at the Smithsonian Museum. It’s pretty incredible for a show that really had five years’ worth of episodes made and has been off the air for 64 of those years. Although this era did not often portray African Americans or Native Americans very well, this show was about friendship, and I read very little about negative portrayals of anyone on the television series. You can easily find the episodes on DVD, Youtube, or a variety of network channels.

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When my son who is now 29 was about 9, he was enthralled by westerns and watched The Lone Ranger and Daniel Boone.  Internet and email were newer forms of technology, but he was able to reach out to Fess Parker and Clayton Moore.  Both were very kind.  Moore sent him his autographed book with a written note. He still enjoyed discussing his time as the crime fighter. A classic man from a classic show.

Everyone Could Use A Private Secretary

After learning a bit about the career of Ann Sothern last week, today we take a look at two of her shows: Private Secretary and The Ann Sothern Show. Although they were two different shows, the second almost seemed like a continuation of the first. To make things even more complicated, when the shows went into syndication, Private Secretary was renamed Susie and all the episodes of Susie would air, followed by The Ann Sothern Show and then back to Susie.

Photo: allposters.com

As we learned last week, Ann suffered from hepatitis for three years. With her medical bills mounting and less film work coming in, she needed to make a living, so she turned to television to revive her career.

After appearing in series of ten Maisie films earlier in her career, Ann had a solid fan base. Ann was a smart business woman and she had a 42% ownership in her new show, Private Secretary. The show debuted in 1953.

Sothern with Don Porter–Photo: pinterest.com

Ann portrays Susie MacNamara, a former actress and WAC WWII veteran; she is the secretary to Peter Sands (Don Porter), a talent agent. Susie often complicates life for her boss, although she means well.

One of her best friends was Violet (Ann Tyrell), their receptionist. Cagey Calhoun (Jesse White) is always trying to cause trouble for Peter as a rival talent agent.

Sothern with Ann Tyrell and Jesse White–Photo: episodate.com

While the scripts weren’t ground-breaking, they were well written and witty. Some shows reference one of Mr. Sands’ clients, actress Harriet Lake, which was Ann’s real name.

The show was noted for its state-of-the-art set decoration featuring IBM typewriters and Western Electric phone systems, as well as stylish furnishings.

Photo: wikimedia.com

The show was on Sunday nights on CBS and alternated weeks with highly rated Jack Benny Show.  I have never seen this with any other show but Lucky Strikes, the show’s sponsor also financed The Jack Benny Show on CBS and Your Hit Parade on NBC. So, when Your Hit Parade was on hiatus for summer, Private Secretary’s reruns were shown on that network and then new shows would begin in the fall back on CBS.

The show continued to have great ratings but in 1957, even though the show was renewed for the next year, Ann got into an argument with producer Jack Chertok and she left the series which ended. I could never find definitively why they argued, but it had to do with the show’s profits.  

Photo: wikipedia.com

Sothern was nominated for Best Actress Emmy for 1955, 1956 and 1957, losing to Loretta Young, Lucille Ball, and Nanette Fabray.

Instead of a sixth year of Private Secretary on CBS, The Ann Sothern Show debuted in 1958 as a weekly show. Chertok kept the rights to the title, hoping to get another actress to fill the MacNamara role. This show was created by Bob Schiller and Bob Weiskopf. Desi Arnaz would produce the show which worked out as Ann and Lucille Ball were very close friends. They appeared on each other’s shows.

In The Ann Sothern Show, Ann now plays Katy O’Connor, the assistant manager of an upscale New York hotel, The Bartley House. Her secretary is Olive Smith (Ann Tyrrell), the front desk clerk is Paul Martine (Jacques Scott), and the bell boy is Johnny Wallace (Jack Mullaney). Later Ken Berry replaced Mullaney as Woody Hamilton.

Many of the cast members from the former show appear on the new series. Although Katy has a boss she answers to, she has a lot of authority running the hotel. Katy’s first boss is Jason Macauley (Ernest Truex), a man who is dominated by his nagging wife Florence (Reta Shaw). When ratings were not great, Truex was replaced by Don Porter as James Devery. As in Private Secretary, there are some romantic currents between Katy and James. Olive’s boyfriend, a dentist, Dr. Gray, is played by Louis Nye. In season two, Jesse White showed up as Oscar Pudney an unethical newsstand owner near the hotel.

Sothern with Jacques Scott–Photo: wikipedia.com

The storylines often revolved around the personal life of the staff and stories about guests staying at the hotel. The concept provided the opportunity to attract a variety of guest stars during its run. In addition to Lucille Ball, actors who appeared on the show included Jack Albertson, Frances Bavier, Constance Bennett, Eva Gabor, Joel Grey, Van Johnson, Jayne Meadows, Howard McNear, Janis Page, Cesar Romero, and Connie Stevens.

Once again Ann was nominated for an Emmy is 1959 but lost to Jane Wyatt for Father Knows Best.

Post Cereals and General Foods were sponsors for this show, and the cast would often appear in commercials at the end of the show. Ann would then sign off with “Well, goodnight everybody. Stay happy!”

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For the second year, the show’s ratings were decent but not great. The show was moved to Thursday nights up against The Untouchables, a top ten show. The ratings declined, so it was cancelled.

The final episode ended in a cliffhanger. Mr. Devery finally realizes that he is in love with Katy and proposes to her. They kiss but the show ends before Katy can answer yes or no.

I remember watching the shows in syndication and I thought they were good. Ann Sothern appeared to be a likable person and a hard-working actress. Both shows were often in the top 25% of the ratings. With all the reboots that have been done, I have never heard of either of these shows as possibilities and they seem to be good options for a contemporary show.

If you want to check out the shows, Private Secretary has several DVD options. The only place I could find The Ann Sothern Show was on etsy, and the site specifically mentions that it is “not a retail set nor is this a commercial studio release.” Maybe with all the classic television networks debuting, we will see Private Secretary back on the air again soon.

Ann Sothern: An Actress Who Paid Her

Ann Sothern was born Harriette Arlene Lake, a natural redhead, in 1909 in North Dakota. An interesting note, her paternal grandfather, Simon Lake, invented the modern submarine and her sister Marion was secretary to Abigail Van Buren of Dear Abby fame. She and her two sisters were raised in Minneapolis, Minnesota. At the age of five, she began taking piano lessons and studied at the McPhail School of Music where her mother was a piano teacher. By 11, she was an accomplished pianist, and she was singing solos in her church choir. At 14 she began taking voice lessons. During her time at the Minneapolis Central High School, she appeared in a variety of productions as actor or director.

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After her graduation, her mother moved to Los Angeles to become a vocal coach for Warner Brothers. Ann moved to Seattle with her father (her parents had divorced earlier) to attend the University of Washington, but she dropped out after her first year. Ann turned back to her singing talent and sang with Artie Shaw and His Orchestra.

While visiting with her mother, she did a screen test for MGM and was signed to a six-month contract. She had a variety of small bit parts but never received that break-out role. After meeting Florenz Ziegfeld at a party, he offered her a role in New York. When MGM chose not to pick up her option, she moved East to work for Ziegfeld. In 1930, she received her Broadway stage debut.

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In 1934, Columbia signed her to a contract. At this time, she changed her name to Ann Sothern and her hair color to blonde; “Ann” was for her mother and “Sothern” for Shakespearean actor E.H. Sothern. She was cast in a bunch of B movies, but, unfortunately, in 1936 her contract was not renewed.

A contract that was made that year was her marriage with Roger Pryor. They divorced in 1942. A week later, she married Robert Sterling with whom she had a daughter; they divorced in 1949.

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At that time, she signed with RKO and again could just not find that perfect role, so she made the full circle, returning to MGM. MGM cast her in her first big-screen feature in 1939 as Maisie Ravier, which led to a series of Maisie films. The film was based on the book Dark Dame by Wilson Collison published in 1935.The property had been bought for Jean Harlow, but she passed away in 1937. In all, there were ten Maisie films. The popularity of the series led to a radio program, “The Adventures of Maisie,” which starred Sothern from 1945-47.

In 1949, Sothern was diagnosed with hepatitis. She contracted it after getting in serum injection during an English stage production. When she became ill, MGM let her go. Sothern suffered with the disease for three years. She was receiving a few supporting roles such as in The Blue Gardenia, but her medical bills were mounting, so she turned to television.

Sothern was offered her own sitcom in 1953. Titled Private Secretary, the show would last five years on CBS before transitioning to The Ann Sothern Show in 1958.

Photo: wikipedia.com

In Private Secretary, she appeared as Susie MacNamara, a secretary working for Peter Sands (Don Porter), a New York City talent agent. The series alternated weeks with The Jack Benny Show. Private Secretary had great ratings, placing in the top ten consistently. Sothern was nominated for an Emmy four years. Sothern had a 42% interest in the show and after the fourth year, she and Jack Chertok, producer, had a major disagreement and she left the show.

Sothern with Jacques Scott–Photo: wikipedia.com

The next year she showed up in The Ann Sothern Show, a very similar sitcom. Now Ann was Katy O’Connor an assistant manager at the Bartley House Hotel. Originally her boss was played by Ernest Truex but after dismal ratings, Don Porter was brought back as James Devery, hotel owner. The show’s ratings picked up significantly and were good until CBS moved the show to Thursday nights against The Untouchables. The show was cancelled in 1961.

Sothern with friend Lucille Ball–Photo: pinterest.com

Sothern returned to film features and made several appearances on Lucille Ball’s the Lucy Show as Countess Framboise. Ball was one of her best friends and called Sothern “the best comedian in the business, bar none.”

Ann was a good business woman. She opened the Ann Sothern Sewing Center in Sun Valley, Idaho, selling fabrics, patterns, and sewing machines in the 1950s. She also bought a cattle ranch in Idaho, A Bar S Cattle Co. In addition, she owned the production companies that produced Private Secretary and The Ann Sothern Show.

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Ann also continued with her early musical abilities. In the mid-fifties, she starred in a nightclub act in Las Vegas and Chicago. In 1958, she released an album, “Sothern Exposure.”

Jerry Van Dyke and his “mother”–Photo: youtube.com

In 1965, Sothern made a bad career move by signing on to star in the sitcom My Mother the Car with Jerry Van Dyke. Van Dyke played a lawyer who restored a 1928 antique car only to learn that it spoke to him through the radio as his mother. The show somehow lasted one season and has been named one of the worst sitcoms ever.

For the next two decades, Ann worked in both film and television but never had an iconic role. One of the issues she had to deal with during this time was a back injury. During a stock production in Florida, a fake tree fell on her back. She was put in traction and had to wear a back brace. She also developed a case of depression. For the rest of her life, she would suffer from numbness in her feet and need a cane to walk.

In 1987, Sothern had her final role in the film The Whales of August starring Bette Davis and Lillian Gish. She earned an Oscar nomination for her role.

Retiring to Ketchum, Idaho, Ann enjoyed the rest of her life in retirement and passed away from heart failure in 2001.

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Her long career spanned six decades and like so many early stars, she found work on stage, on radio, in film, and on television. Ann definitely paid her dues, spending more than a decade in Hollywood. If her health had not thrown her a curve, she might have become one of the top stars. What impressed me most was that after more than sixty years in the entertainment industry, she was able to retire to a place she loved and enjoy almost twenty years as part of a community with her favorite activities such as embroidery and outdoor fun.

Jeepers, Creepers, It’s Mister Peepers

Mister Peepers was one of the first popular sitcoms.  It aired from July of 1952 until June of 1955. The show starred Wally Cox as Robinson J. Peepers. Peepers was a junior high school science teacher. A great cast surrounded him including history teacher Harvey Weskit (Tony Randall), Harvey’s wife Marge (Georgann Johnson), county nurse Nancy Remington (Patricia Benoit), English teacher Mrs. Gurney (Marion Lorne), and athletic coach Frank Whip (Jack Warden). (In the pilot, the coach was played by Walter Matthau.) Peepers developed a relationship with nurse Nancy, and her parents (Ernest Truex and Sylvia Field) also became part of the cast.

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The show featured some slapstick as well but it was not the primary form of humor. In one episode, the uncoordinated Mr. Peepers was playing basketball in the gym alone and somehow got stuck in the basket. In order to fulfill the evening obligations that he promised, he brings Mrs. Gurney’s flower club into the gym so he can lecture to them about potting soil while playing chess with a rival school’s champion as promised to Mr. Gurney.

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Mr. Peepers is kind. In one episode, after injuring his finger, absent-minded Mrs. Gurney tries to help by bandaging it.  In addition to using half a roll of tape, Robinson informs Nancy that she bandaged the wrong finger.

Mister Peepers is a likable guy. He has some eccentric characteristics which make us like him even more. For example, he has an elaborate ritual to get his locker to open; on bring your pet to school day, he has to hide a cow; and sometimes he does things we all want to. On one episode, he comes upon a hopscotch board on the sidewalk and just like we would want to do, he plays it not realizing his girlfriend is watching him. However, Robinson has a bit of rebellion and sarcasm that keeps him from being too much of a goody-two-shoes.

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Tony Randall’s character Harvey was supposed to be a small role, but the producers liked him so much he became a regular. He is best friends with Robinson but they couldn’t be more different. Harvey is a lady’s man. However, Mr. Peepers only has eyes for Nancy even though it takes her a while to realize he is interested in her. The couple ties the not in 1954, producing a huge ratings boost.

In real life, Cox was experiencing the same situation when he married Marilyn Gennaro about the same time. When Benoit became pregnant in real life, she was also pregnant on the show.

When the Peepers found out they were having a baby, American Character Dolls Co wanted to make a “Peepers Baby Doll” in 1955. Polling indicated that viewers were hoping for a girl, so it went into production. Mister Peepers was cancelled before the doll debuted, but the company sold it anyway, although they did change the name.

Photo: blogspot.com

The show was aired live with an audience of 2500 at the New Century Theatre in New York. Preserved on 16mm kinescopes, there are currently 102 of the original 127 episodes in existence.  The kinescopes are being preserved by the UCLA Film and Television Archive and a DVD set has been produced.

The Ford Motor Company needed a summer replacement on Thursday nights so Mister Peepers debuted then. NBC decided it was too much pressure to do a live show, so it was cancelled. Fans were irate. After 2000 people called to complain and 15000 letters were received, the network had second thoughts, but their schedule was full.

MR. PEEPERS — Aired 09/15/1953 — Pictured: (l-r) Wally Cox as Robinson Peepers, Tony Randall as Harvey Weskitt (Photo by NBCU Photo Bank/NBCUniversal via Getty Images via Getty Images)

However, that fall, an opening occurred when Doc Corkle was cancelled after only three episodes. How bad does a show have to be to get axed after three episodes in 1952? I don’t know, but the summary of the show is that “Doc is a dentist plagued with money problems, teenage daughter problems, and a screwball stepsister Melinda.”

It says a lot about the quality of Mister Peepers that it was rated so highly and watched by so many fans because it was up against Private Secretary with Ann Sothern and The Jack Benny Show on Sunday nights. Tough competition.

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Photo: sitcomsonline.com

Critics liked the show and it was nominated for best situation comedy for the Emmys in 1953, 1954, and 1955. Wally Cox, Tony Randall, and Marion Lorne were all nominated as well. Each of the years the show was nominated it went up against Our Miss Brooks, Burns and Allen, and I Love Lucy which won in 1953 and 1954; Make Room for Daddy won in 1955. NBC made Wally Cox postcards which they handed out to tourists on the lot.

Wally Cox was an interesting guy. He was a brilliant man who studied acting with Stella Adler. His roommate was Marlon Brando whom he had been best friends with since grade school. His mother and grandmother were writers, and his dad was in advertising. Before he was able to earn a living in acting, he taught the lindy hop for $1.50 a lesson and made cuff links and tie clasps. While doing part-time jobs, he began doing standup at clubs like The Blue Angel and Village Vanguard.

Unfortunately, a lot of people will remember him only for his appearances on Hollywood Squares and as the voice of Underdog the cartoon hero. He was also famous for a Jockey Shorts commercial when he quipped, “Outside I might look like Wally Cox but inside I feel like Tyrone Power.” He passed away much too early, dying from a heart attack at 48.

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Although Wally Cox was not Mister Peepers, their humor was similar. Cox wasn’t brash but he experienced life with a quiet subtle manner and was a genuinely funny guy. In discussing his time on the show, Cox said, “Mr. Peepers put me on the map and I love him.” I’m sure like many actors who were stereotyped early in their career, it was a bit of a love/hate relationship.  I’m sure you will love him too if you are able to watch some of the episodes.  Retro TV aired them in the past, but I don’t see the show on its current schedule. I also found the DVDs on amazon.com. Happy viewing!

Just a Couple of Characters, Part 2: Hope Summers and Madge Blake

Today we continue our series, Just A Couple of Characters, about character actors we recognize but might not know much about. Hope Summers and Madge Blake are two actresses you will recognize if you watched sitcoms in the 1960s or 1970s.

Hope Summers

Photo: en.wikipedia.org

Born Sarah Hope Summers in 1902 in Mattoon, Illinois, Hope Summers often played the friendly, but nosy, neighbor. She’s best recognized as Clara from The Andy Griffith Show.

Summers became interested in theater early in her life. She attended Northwestern, majoring in speech. After graduation she stayed at the University and taught speech and diction. She then moved to Peoria and headed the Speech Department at Bradley University. She joined a few community theaters, putting on one-woman shows. She also acted in a few dramatic radio shows.

She married Claude Witherell in 1927, and they were married until his death in 1967. The couple had two children.

In 1950, she transitioned to television. She appeared in an early comedy series, Hawkins Falls: A Television Novel. Like Edward Andrews, she was often cast in roles older than her actual age. She became a popular actress quickly. She continued to appear in a variety of shows throughout the 1950s including Bachelor Father, Private Secretary, Wagon Train, Dennis the Menace, and the Loretta Young Show.

Photo: cscottrollins.blogspot.com
On The Rifleman

From 1958-1960, she would appear in The Rifleman as Hattie Denton.

In 1961, she received the role she would become most famous for, Clara, Bee’s best friend on The Andy Griffith Show. When Andy Griffith left the show in 1968, Hope continued with Mayberry RFD in her role of Clara for five episodes. Clara was a lonely spinster who lived next door to Andy and his family. She and Bee had fun sharing bits of gossip and talking about current events. Clara had a good heart and though she and Bee could get upset with each other, they truly cared about each other.

Photo: sitcomsonline.com

While playing the role of Clara, she continued to guest in series throughout the 1960s. She appeared on many of the hit shows of that time such as Dr. Kildare, Gunsmoke, Make Room for Daddy, Hazel, My Three Sons, The Dick Van Dyke Show, Petticoat Junction, The Phyllis Diller Show, Marcus Welby, That Girl, and Bewitched.

Photo: mash.fandom.com

During the 1970s, Summers kept her career going strong, appearing in Hawaii Five-0, M*A*S*H, Little House on the Prairie, and Welcome Back Kotter.

Photo: peorian.com
Playing a nice witch in Rosemary’s Baby

Although, Summers began her acting career during the second half of her life, she was also featured in several well-known movies. In 1960, she was in Inherit the Wind, The Shakiest Gun in the West, and Rosemary’s Baby in 1968, among others.

Photo: famousfix.com

Summers also was famous as the voice of Mrs. Butterworth in commercials.

In 1978 she was diagnosed with congestive heart failure and quit acting. She passed away from the disease in 1979.

Madge Blake

Photo: listal.com

While Hope Summers was part of the cast of The Andy Griffith Show, Madge Blake was busy portraying Aunt Harriet on Batman.

Born Madge Cummings in 1899 in Kansas, she, like Hope Summers, became interested in acting at a young age. Her father was a Methodist minister and he refused to allow her to give it a try. Oddly enough, Madge’s maternal uncle was Milburn Stone, Doc on Gunsmoke.

Photo: imdb.com

Although they later divorced, Madge married James Blake and they had one child. She had a fascinating career. Both she and James worked for the government during the war. They had top secret clearance for their project working on the construction of the detonator for the atomic bomb in Utah. They also performed tests on equipment used in the Manhattan Project.

Photo: actorz.ru

Also, like Summers, Blake turned to acting at a later age. When she was 50, she enrolled at the Pasadena Playhouse to study acting. She only had twenty years in the business, yet she managed to achieve an impressive 124 acting credits.

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Singin’ in the Rain

Blake would appear in 47 films in smaller, but impressive, roles. Some of her movies included An American in Paris, Singin’ in the Rain, Brigadoon, The Tender Trap, Bells Are Ringing, Ain’t Misbehaving, and The Solid Gold Cadillac.

Photo: pinterest.com
Margaret Mondello

Beginning her television career in 1954, she racked up an impressive amount of guest star roles and several recurring roles. She played Tillie, the president of the Jack Benny fan club on The Jack Benny Show. She played Larry Mondello’s mother on Leave It to Beaver. An interesting aside is that she was asked to play Aunt Bee on The Andy Griffith Show where she would have worked with Hope Summers. Because she was locked into the role of Mrs. Mondello, she declined. She took the role of Mrs. Barnes, Joey’s mother, on The Joey Bishop Show. On the Real McCoys, she played Flora MacMichael, Grandpa McCoy’s love interest; Nurse Phipps on Dr. Kildare; and the role she became best known for, Aunt Harriet on Batman.  

Photo: channel.superhero.com

The network was worried about Batman and Robin living alone together on Batman, so the role of Aunt Harriet was added. The story line was that she raised Bruce Wayne in the family mansion. Their interaction with Aunt Harriet was also a reason for the dynamic duo to appear in their non-hero roles more often.

It would seem that coming into acting later in life and then appearing in so many movies and recurring television appearances would have kept her quite busy. But in addition to these appearances, she was cast in many of the most popular shows during her twenty years on television. During that time, you can find her on dramas like Public Defender, Lassie, The Restless Gun, and the Man from U.N.C.L.E.

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On I Love Lucy

Of course, she was meant to play comedy and she appeared on an incredible number of sitcoms. Just to name a few, there of them: George Burns and Gracie Allen Show, I Love Lucy, Private Secretary, Father Knows Best, Bachelor Father, The Adventures of Ozzie and Harriet, The Donna Reed Show, Make Room for Daddy, Bewitched, The Addams Family, My Favorite Martian, The Dick Van Dyke Show, Gomer Pyle, and The Doris Day Show. Pretty amazing.

Photo: vitabrevis.americanancestors.org
On Bewitched

I read over and over that one of her best performances was in the pilot for Dennis the Menace where she plays Dennis’s babysitter. I have not been able to watch that show, but I will definitely check that out.

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On Dennis the Menace

In 1969, Blake passed away from a heart attack after she broke her leg. She was only 70, or we might have had a much longer list of television series for her.

Hope Summers and Madge Blake had a lot in common. They both became interested in acting at an early age, they both had major careers before acting, they both began acting in the second half of their life, they both played neighborly types–Summers, nosier, and Blake, more ditzy. They also both had respectable film careers paralleling their television ones. Their television roles may have been smaller, but they were memorable, they are definitely two characters worth watching.

Celebrating the Single Life: From Ann Sothern to Mary Tyler Moore

Today marks the beginning of National Singles Week. So, we’re taking a closer look at two women who were single and okay with it.

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In the 1950s, Ann Sothern starred in two sitcoms that were almost one and the same. From 1953-57, we watched her in Private Secretary. Susie McNamara was the assistant to Peter Sands at his theatrical agency. When it went off the air due to contract disputes, Susie moved to a New York hotel, and in 1958, she morphed into Katy O’Connor. The show ran until 1961, and Sothern brought three of her former cast members to the hotel with her with new identities.

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In 1970, we met Mary Richards. Mary is an independent career woman. She’d like to meet the right guy, but till he shows up, she’d rather be alone than in an unfulfilling relationship. Like Susie and Katy, Mary’s workmates become part of her extended family.

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Ann Sothern was one of the first, if not the first, single working woman to appear on a sitcom. Susie previously worked as an actress and was a WAC in World War II. Her best friend Vi (Ann Tyrrell) is the receptionist at the agency. Susie often meddled in her boss’s private affairs, especially his female relationships. She could be described as a bit ditzy, but she also ran the office and was very bright.

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Sothern was praised for her acting ability. She was nominated for Emmys three years in a row, but lost to Loretta Young in 1955, Lucille Ball in 1956, and Nanette Fabray in 1957. Lucille Ball, one of her closest friends, called Ann “the best comedian in this business, bar none.”

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To ensure she came across as a serious career woman, great care was taken with the set. It was a state-of-the-art office with the most up-to-date equipment. Connie Brooks, on Our Miss Brooks, was praised by teachers for her realistic portrayal of an educator. Similarly, Ann Sothern was a heroine to secretaries throughout the country. In real life, Sothern was a smart business woman. She invested her money well, owned a variety of companies and a large ranch. She produced Private Secretary and insisted it be preserved on film. As a result, it went into syndication where it was titled “Susie.” From 1987-1990, it aired on Nick at Nite, creating a new fan base for the show.

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The show holds up well. The scripts are a bit predictable and stereotyped, but it reflected the time. Susie McNamara gave young women hope that there was more to life than getting married and raising a family, although that was still an important role for women.

When Sothern was helping to run a posh hotel, Laura Petrie was at home, running her household. She gave up her dancing career to do so, but she was much more than a wife and mom. She and her husband were co-parenting at that time, and they were friends. She and Rob entertained a lot. Laura supported Rob’s friendship with Sally Rogers, one of his co-writers on this television show. She was a career woman who was very funny and smart, albeit lonely.

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Nine years later, The Mary Tyler Moore Show debuted. Laura Petrie had become Mary Richards, a single career woman making her way to Minneapolis. Mary lived alone, dated infrequently, and spent a lot of her time at work or with her new best friend who lived in the apartment above her.

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While we got to know Susie at work, we just got to know Mary. We saw her at her best and her worst. We saw her joyful, depressed, frustrated, angry, and saw her uncertainty as she navigated life alone.

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Mary’s coworkers became her family. Mary wasn’t ditzy, although she occasionally did a ditzy thing or two. She didn’t try to fix her boss’s problems; she had problems of her own, but she was always there for her WJM family.

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Mary would have liked to find the right guy, but until he came along she was satisfied with her life the way it was. She spent her money any way she wanted. She could wear her pajamas all day on Saturday. She had a fun, modern wardrobe. Work gave her great delight, and it also could be extremely stressful.

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Murray was her best friend at work. He and Mary shared a lot of life. We knew part of Murray was in love with Mary, but we also knew neither of them would ever act on any of those possible feelings since he was married.

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Mary was smart and funny. She was an assistant producer for the daily news. Her office space was not as elaborate as Susie’s. There was never enough money at work or at home.

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The times had allowed Mary to move to the city by herself and set up a home. However, even Mary Richards was not allowed to be a divorcé. The network vetoed the original script and converted Mary to a formerly engaged girl whose relationship fell apart. During the run of the show, her boss’s wife asked for a divorce, so the show still ended up featuring a divorced character.

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The Mary Tyler Moore Show was one of the best-written shows in television history. Like M*A*S*H and The Bob Newhart Show, the ensemble of characters drove the show and they were realistic and likeable. The show received 29 Emmys, including three years in a row for Best Comedy (1975-1977). The series tackled a lot of social issues during its run, including equal pay for women, marital infidelity, ethical behavior when Mary goes to jail to protect a news source,  dealing with death of a friend, and Mary’s sleeping pill addiction–real issues facing women at that time.

This was a sophisticated show. It was not predictable. Mary was nice, sometimes too nice for her own good. When everyone else called Mr. Grant Lou, Mary couldn’t bring herself to do it. We were always rooting for her. She had hopes, dreams, and ambitions, and a realistic attitude about life.

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It seems like a big leap between Susie McNamara and Mary Richards, but there were a lot of smaller steps in between. Marlo Thomas’s That Girl provided another smart, funny woman who chose to give up her teaching job to pursue an acting career in New York. Ann Marie was another link in the chain that helped move women forward. While she did have a boyfriend and became engaged during the run of the show, Marlo Thomas ended the show with their marriage up in the air.

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Mary’s life was more realistic than Susie’s. When the Ann Sothern Show ended, Katy and her boss (still played by Don Porter) kiss, and you know that they will end up married, and Katy will no longer be running the office.

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When Mary Tyler Moore’s show ended, everyone on the WJM staff was fired except the totally incompetent Ted Baxter. We don’t know what Mary will be doing, but she has choices. Perhaps she found another news job in a new city. I like to think she found a position in management at a local corporation. Maybe she fell in love with one of the employees she was supervising. I think when she retired and turned on the television, she was watching Murphy Brown’s FYI program, celebrating the leaps women were taking in the workforce.

 

 

“Oh, he was a nice, nice man.”

With all the research I have done, I have discovered a lot of nice folks in the entertainment industry (as well as a few not so nice people), but I have never read about anyone more liked than Howard McNear.  Everyone went out of their way to say what a kind and caring man he was.

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McNear was born in Los Angeles in 1905. He studied at the Oatman School of Theater and then joined a stock company in San Diego. During World War II, he enlisted as a private in the US Army Air Corps. He went on to a career in radio, films, and television. In the mid-1960s, he had a stroke and died from complications of pneumonia in 1969. Parley Baer, a life-long friend, delivered his eulogy. He was buried in Los Angeles, completing his California life cycle.

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Howard began working in the radio industry in the 1930s. He was featured in many radio shows, including The Adventures of Bill Lance – a detective drama starring John McIntire as Lance. McNear played the part of Ulysses Higgins, a friend and assistant to Lance. He also filled the role of Clint Barlow on Speed Gibson of the International Secret Police. Some of the other shows he often appeared on included Suspense, Lux Radio Theater, Escape, CBS Radio Workshop, Family Theater, Let George Do It, The Adventures of Masie, Fort Laramie, Wild Bill Hickock, and Richard Diamond, Private Eye. He and Parley Baer were part of the cast of The Count of Monte Cristo, a drama. He continued to work often Baer they both voiced characters frequently on Yours Truly Johnny Dollar. He played congressmen, hotel managers, French detectives, and occasionally the villain.

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He was still working with Baer when they both created their most famous radio characters—Baer as Chester and McNear as Doc Charles Adams—in Gunsmoke which was on the air from 1952-1956. Baer would later show up in Mayberry as the mayor.

McNear made his film debut in the 1951 sci-fi film, The Day the Earth Stood Still. He followed that up with Escape from Fort Bravo. In 1959 he played Dr. Dompierre in Otto Preminger’s Anatomy of a Murder. Some of his most famous films were Voyage to the Bottom of the Sea and two Elvis flicks, Blue Hawaii and Follow That Dream. He was also featured in three Billy Wilder comedies: Irma La Douce, Kiss Me Stupid, and The Fortune Cookie.

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Overall, he appeared in more than 100 films and television shows. He transitioned into television in the 1950s, appearing The Jack Benny Show and the Burns and Allen Show. He appeared in comedies such as I Love Lucy, Private Secretary, December Bride, The Donna Reed Show, Bachelor Father, and The Adventures of Ozzie and Harriet. He also showed up in dramas like The Thin Man, Playhouse 90, Richard Diamond, The Twilight ZoneThe Zane Grey Show, Maverick, and Alfred Hitchcock. Ironically, he had a role as a barber in Leave It to Beaver.

Although McNear had a long career on radio and in films, he will forever be remembered for his memorable and scene-stealing portrayal of chatty and naïve Floyd the Barber in the long-running The Andy Griffith Show (TAGS). Don Knotts once said that playing Floyd wasn’t much of a stretch for McNear, as his real personality was pretty much like Floyd to begin with.

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The first episode of TAGS to feature Floyd did not star McNear; Walter Baldwin was Floyd Lawson. After that episode, McNear took over and made the role his own. On his first appearance he was Floyd Colby, but the next time his name was mentioned it had become Floyd Lawson. Floyd’s shop was where the Mayberry men gathered to gossip and play checkers, and they occasionally got haircuts.

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We usually see Floyd wearing his well-groomed mustache, thick glasses, and his white barber coat. We learned several things about Floyd during the course of the show. He is a widower. His wife was named Melva and they had two children, a son and a daughter. His son Norman plays the saxophone and baseball. When he retired he moved in with his daughter and her family. Floyd had a niece in town named Virginia Lee who entered the Miss Mayberry Pageant. He was also Warren Ferguson’s uncle; Ferguson would replace Barney as deputy when he moved from Mayberry to the big city.

Floyd often (incorrectly) attributed famous quotes to Calvin Coolidge. Floyd had a dog named Sam and raised pansies. He typically drank coffee but enjoyed a Nectarine Crush or a Huckleberry Smash soda now and then, and he thought Wally had the best pop in town.

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Floyd liked to write. He wrote the song for the Miss Mayberry Pageant: “Hail to thee, Miss Mayberry; All hail to thee, all hail; Your loveliness, your majesty; Brings joy to every male; All hail, all hail, all hail; All hail, all hail, all hail.” He even tried to write a novel but had writer’s block after creating a brilliant first sentence: “The sun is dropping lazily down behind the purple hills in the western skies.”

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In the middle of the show’s run, McNear suffered a debilitating stroke, leaving half his body paralyzed. He took some time off to recover. Andy asked him to come back, and the production crew went to great lengths to make things comfortable for him. Although he could not walk or stand, he was seen sitting outside on a bench. There was a special platform built so he could cut hair looking like he was standing while sitting.  Often a he holds a prop with his left hand, using his right hand as he spoke his lines. In 1967, he left the series for good when he could not remember his lines.

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My two favorite Floyd episodes were “Floyd, the Gay Deceiver” and “Convicts At Large.”

In “Floyd, the Gay Deceiver,” Floyd has been corresponding with a wealthy pen pal, a widow. She wants to visit Mayberry which gets him frustrated. He wants to meet her, but he has painted himself as an equally wealthy man. Andy helps him maintain the ruse by using a mansion of a man who is out of town. Eventually, Floyd realizes that the widow was not the wealthy woman she made herself out to be either.

In “Convicts At Large,” the normally excitable Floyd displays a calm demeanor after he and Barney are taken hostage by three escapees from the women’s prison–Big Maude, Naomi, and Sally. When they go into town to buy food, Andy realizes that there is something fishy going on and recaptures the women.

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The cast members who worked with McNear can best describe the type of man he was. In Richard Kelly’s book, The Andy Griffith Show, Andy Griffith, Jack Dodson, and Richard Linke share their memories of Howard McNear. It seems fitting to let them have the last words of this blog.

Andy Griffith:

Howard, first of all, was a leading man in the San Diego theatre years ago. He never was in New York in his life. He developed this comic character, I believe, on The Jack Benny Show. Howard was a nervous man and he became that man, Floyd.

Then Howard had a stroke and was bad off for a long time. He was out of our show for about a year and three-quarters. We did a lot of soft shows, that is, those that were not hard on comedy — stories about the boy or the aunt. But we needed comedy scenes to break up things.

We were working on a script one day, and Aaron [Ruben] said, `Boy do I wish we had Howard.’ And one of us said, ‘Why don’t we see if we can get him.’ So right then we called up Howard’s house and we got his wife, Helen. ‘Oh,’ she said, `it would be a godsend.’

Well, we wrote him a little scene. He was paralyzed all down his left side and so we couldn’t show him walking. We had him sitting or we built a stand that supported him. He could then stand behind the barber chair and use one hand. Most of the time, however, we had him sitting. His mind was not affected at all. He was with us about two years after that before he died. Finally poor Howard died. I’m sorry because there was never anyone like him. Kind, kind man.

Jack Dodson:

Unfortunately, I didn’t know Howard before his stroke. Even after his stroke he was just a wonderful human being and a splendid actor. Sadly, it was during the playing of a scene with Howard that we realized he couldn’t go on anymore.

It was the segment where I wanted to raise the rent on the barbershop. The characters had a great falling out and then, at the end of the show, they were brought back together in the courthouse. Howard had a little difficulty with that segment. We had to change our shooting schedules a little so that his days were not quite so long as they had been. And then, finally, we had a very simple scene of reconciliation. He couldn’t remember it. He went over it and over it, frustrated with himself. Seeing his despair and anxiety was the most painful experience that I’ve ever had. And then he didn’t come back after that.

Richard Linke:

We went to the funeral, and I have to say that it was the only funeral I’ve ever been to where the laughs exceeded the tears. There were a couple of people who knew him well. They spoke in the form of a eulogy — I guess you could call it that. Oh, but it was funny. They related Howard McNear stories from the pulpit. It was something else. Really, it made a nice thing. I think Hal Smith, who played Otis, got up there. It was something else, those stories. And yet, it was all done with dignity. Oh, he was a nice man.

 

 

July is the Perfect Time for Berry Picking

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Ken Berry was born in Moline, IL in 1933. After watching a group perform when he was 13, he decided he wanted to be a dancer. He loved Fred Astaire and Gene Kelly movies, especially Easter Parade, Royal Wedding, and On the Town. At 16, he traveled with the Horace Heidt Youth Opportunity Program, performing in small towns for 15 months.

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He went into the army at Fort Bragg and was in the artillery. He was then moved to an entertainment division under Leonard Nimoy. During his second year, he won the All-Army Talent competition which allowed him to appear on Ed Sullivan in 1948. Nimoy encouraged him to move to Los Angeles where he made some connections for Berry. Both 20th Century Fox and Universal offered him jobs and he accepted the Universal contract.  In 1956, he opened for Abbott and Costello for their stage act. In 1957, Berry enrolled in Falcon Studios to study acting. He worked at the Cabaret Theater, making $11 per week. The same year he won Arthur Godfrey’s Talent Show.

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In 1958, he received an opportunity to join the Billy Barnes Revue. While in the Billy Barnes Revue, Berry met Jackie Joseph, and they married in 1960. His work in the BBR led to several lucrative connections. Lucille Ball saw him and offered him a job with Desilu Studios for $50 per week. Carol Burnett also watched a performance and had him on her variety show. (In 1972, she would offer him the co-starring role with her in Once Upon a Mattress, a television movie.)

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The first Desilu show he had a regular role on was the Ann Sothern Show. On the air from 1958-1961, Ann played Katy O’Connor who worked at a New York hotel. Originally, Mr. Macauley (Ernest Truex) was her boss, but he was berated by his controlling wife (Reta Shaw). Katy’s best friend from her previous show Private Secretary, which aired from 1953-1957, was Ann Tyrrell as Vi.  In this show, her name is Olive. The format wasn’t working, so Mr. Macauley the hotel owner, was transferred to Calcutta and James Devrey (Don Porter also from Private Secretary) took over.  Ratings improved, and the show was renewed for another season. During this season, Louis Nye was introduced as a funny dentist in the hotel who dates and marries Olive, and Berry played bellboy Woody Hamilton, replacing Jack Mullaney.  Most of the episodes revolve around the staff and guests of the hotel. As in Private Secretary, there is a lingering romance between Mr. Devrey and Katy throughout the run of the show. The ratings fell drastically in 1961 after the show was moved to Thursdays, and the network cancelled it.

In 1961, Berry obtained a job with Dr. Kildare, appearing in 25 episodes as Dr. John Kapish. Richard Chamberlin starred in the series about a doctor working in an urban hospital under his mentor Dr. Leonard Gillespie (Raymond Massey). In the third season, Dr. Kildare was promoted to resident and the series centered on his patients. The show aired until 1966, but Berry left the show in 1964. This was one of the shows that paved the way for Marcus Welby, MD and the medical dramas today including ER and Gray’s Anatomy.

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He also appeared on several shows in the early 1960s: The Jim Backus Show, Hennesey, Ensign O’Toole, The Dick Van Dyke Show, Hazel, and No Time for Sergeants, among others.

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In 1965, he was offered the lead in F-Troop. The show was set during the Civil War.  Berry played Will Parmenter.  At a critical moment during the Battle of Appomattox, Will gets credit for the defeat.  He is a private and was sent to get his commanding officer’s laundry. He was sneezing continuously, but the men thought he was saying “Charge,” so they did.  They won a decisive battle, and Will was promoted for his quick decision-making skills and bravery. He was then promoted to Fort Courage.

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The cast had a crazy bunch of characters. The NCOs at the fort, Sergeant O’Rourke (Forrest Tucker) and Corporal Agarn (Larry Storch) are always scheming to raise money. The Hekawis tribe, with Chief Wild Eagle (Frank de Kova) worked on shady business deals with them. Although the officers manipulate Will, they are also protective of him. Melody Patterson plays Jane Thrift, Will’s girlfriend, who is always pressuring him to propose. The show relied on a lot of puns, slapstick, and running gags.

When F-Troop was cancelled two years later, Berry headlined the cast of Mayberry RFD as widower Sam Jones because Andy Griffith was leaving the show. Since Andy and Helen had married and moved away, Aunt Bee became Sam’s housekeeper. Sam and his son were introduced in Griffith’s final season when Sam is elected to the town council. Arlene Golonka plays Millie, Sam’s love interest. The show was rated as high as 4th and only as low as 15th, so it continued to pull in good ratings, but in 1971, the show was cancelled in the general “rural house cleaning” that the network performed getting rid of any shows such as Green Acres, Beverly Hillbillies, Petticoat Junction, etc.

During the late 1960s and 1970s, he was on 14 shows including The Danny Thomas Show, The Lucy Show, Love American Style, The Brady Bunch, and The Love Boat.

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The network developed a show Ken Berry WOW, a variety show that lasted five episodes that Berry was not wowed with. In 1973, Sherwood Schwartz wrote a pilot for a Brady Bunch spinoff called Kelly’s Kids. The concept of the show was that Berry adopts three boys, one white, one African American, and one Asian. No network showed an interest in the show.

One of the most unusual jobs he had occurred in 1976.  An album called “Ken Berry RFD,” where he sang, backed by a full orchestra, was released. He and Joseph divorced that same year. Joseph later remarried and continued to have a long and full career.  She appeared on a variety of sitcoms including Designing Women, Full House, Newhart, Love American Style, Petticoat Junction, That Girl, Hogan’s Heroes, McHale’s Navy, F-Troop, and the Andy Griffith Show. She also had a productive movie career, including Gremlins, The Cheyenne Social Club, With Six You Get Eggroll, Who’s Minding the Mint, and Little Shop of Horrors.

Taking a break from television, Ken went on the road, performing in stock shows around the country.  He also played Caesar’s Palace between Andy Griffith and Jerry Van Dyke.

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He returned to television to join the cast of Mama’s Family with Vickie Lawrence. The show derived from a skit on the Carol Burnett Show which led to a TV movie called Eunice. It featured the Harper family and their neighbors and friends. The matriarch is Thelma Harper (Lawrence) who speaks her mind freely. She is hot tempered and sarcastic, but she loves her family as she berates them. And they typically deserve a berating. They move back in with her and are happy to have her clean and cook for them as well.

For the first season and part of the second, the show was on NBC. Thelma lives with her spinster sister Fran (Rue McClanahan) who is a journalist. After Thelma’s daughter-in-law leaves her family, they move in with Thelma. Her son Vint began a relationship with Thelma’s next-door neighbor Naomi Oates (Dorothy Lyman). Her children from the Burnett sketch, Ellen (Betty White) and Eunice (Burnett), along with hubby Ed (Harvey Korman) are seen during this time.

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The show was cancelled after two years and went into syndication.  The reruns were so popular, 100 new episodes were ordered. A new set had to be constructed and some cast adjustments were made as well. Lawrence, Berry and Lyman were the only original characters on this new version. Since White and McClanahan were now starring on The Golden Girls, and Burnette and Korman chose not to return, a new character was created. Mitchel (Allan Kayser) was Eunice’s son who was always getting into trouble. Another addition was Beverly Archer who played Iola Boylen, Thelma’s neighbor and best friend.

Once Mama’s Family was cancelled the second time, Berry traveled around the country, appearing in “The Music Man”, “Gene Kelly’s Salute to Broadway”, and “I Do I Do” with Loretta Swit. He also went back to television for brief appearances on several shows including CHiPs, Fantasy Island, Gimme a Break, Small Wonder, Golden Girls, The New Batman, and Maggie Winters.

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Berry also appeared in six movies including Two for Seesaw (1962), The Lively Set (1964), Hello Down There (1969), Herbie Rides Again (1974), Guardian of the Wilderness (1976), and The Cat from Outer Space (1978).

Guardian of the Wilderness was based on the life of Galen Clark who convinced Abraham Lincoln to make Yosemite Park the first public land grant. It covers a series of unusual adventures Clark had as he battled lumber companies to save wilderness land.  One of my favorite quintessential 1960s movies was Hello Down There.  Tony Randall and Janet Leigh star.  Randall is an architect who creates an underwater home.  To prove a family could live there, he cajoles his family to moving there for the summer.  His kids are in a band so they force him to take the entire band or no one.  Charlotte Rae is their housekeeper. Berry plays a rare role for him as the bad guy.

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Early in his career, Ken appeared in a variety of commercials. From the mid-1970s to the mid-1980s, he was the spokesman for Kinney Shoes.

He appeared in two game shows, Hollywood Squares and Tattletales.  He also starred as himself on a variety of shows including Art Linkletter, Joey Bishop, Leslie Uggams, Jim Nabors, Julie Andrews, Sonny and Cher, Dean Martin, Laugh In, and Mike Douglas.

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Berry retired in 1999. Berry loves cars and was an avid motorcyclist and camper.

Although Berry was never in a hugely successful series, he had a long and full career that any actor would be proud of.  Hopefully his well-deserved retirement has been fun and full of memories.

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