As we continue looking at some of our well-known character actors, today we consider the career of Milton Frome. Frome was born in Philadelphia in 1909. He began acting in his mid-20s.
His first major movie role was in Ride ‘em Cowgirl in 1939. Frome would go on to appear in 55 movies (including The Nutty Professor, Bye Bye Birdie, and With Six You Get Eggroll), as well as five made-for-TV movies. He also had a thriving television career beginning with Chevrolet Tele-Theatre in 1950.
Appearing in 34 different shows during the fifties, he performed in a variety of genres including dramas, comedies and westerns.
During that decade you would have seen him on I Love Lucy, Lassie, The Adventures of Superman, Playhouse Theater, The Thin Man, and The Gale Storm Show. He also worked with many comic legends on television, including Milton Berle, Red Skelton, and Dean Martin and Jerry Lewis.
His career escalated in the sixties when he would accept roles in 48 programs. He showed up in dramas, including The Twilight Zone, 77 Sunset Strip, and Dr. Kildare. He also found his way into many westerns such as Bat Masterson, Death Valley Days, Gunslinger, Big Valley, Rawhide, and Wagon Train. However, he seemed to excel at comedies and during the 1950s you could have spied him in many sitcoms. He accepted parts in Bachelor Father, Pete and Gladys, The Jim Backus Show, The Dick Van Dyke Show, Mister Ed, The Joey Bishop Show, I Dream of Jeannie, My Favorite Martian, The Donna Reed Show, Gomer Pyle USMC, Bewitched, The Monkees, The Patty Duke Show, Petticoat Junction, and The Andy Griffith Show.
Frome was never offered a permanent role in a series, but he did have a recurring role in The Beverly Hillbillies, appearing eight times as Lawrence Chapman, who managed Jed Clampet’s Mammoth Studios.
His television career slowed down a bit in the 1970s and became nonexistent by 1983, but he did make appearances in shows like Ironside, Columbo, Here’s Lucy, The Streets of San Francisco, Sanford and Son, and Trapper John MD. He also appeared in two Love American Style episodes in 1971 and 1973. In the 1973 episode, “Love and the Anniversary,” he played “The Man” and his son Michael played a bellhop.
At some point, Frome married Marjorie Ann Widman, but I could not verify when they married. I also could not verify if Michael was their son, or his son from another relationship.
Frome passed away in 1989 from congestive heart failure.
While it is now easy to analyze and detail an actor’s professional career, it was very tough to find any information about Frome’s personal life or his working relationships with other actors. It makes me sad that these hard-working actors who provided so much to our classic television-watching experiences are just not well known. Hopefully blogs like mine keep them in television viewers’ memories, and some day maybe I will have time to write a book about these unsung heroes of our pop culture history. Thanks for all you contributed to the golden age of television Milton Frome!
My blog theme for this month is “What a Character!” I am looking at the careers of four successful and hard-working actors. With 372 acting credits, perhaps there was no more prolific character actor than the beloved Charles Lane. He perfected the grumpy sourpuss always ready and gleeful to make life more complicated for others. His bio on imdb.com captures his type perfectly as the “scrawny, scowling, beady-eyed, beak-nosed killjoy who usually could be found peering disdainfully over a pair of specs, brought out many a comic moment simply by dampening the spirit of his nemesis.”
However, despite that, we always knew there was more to him, and that his real persona was being covered up by his crotchety outward characteristics. His character Herman Bedloe on Petticoat Junction portrayed this dual-personality perfectly. Bedloe was always trying to shut down the train, but we knew he actually liked the Bradley family, and occasionally you would get a glimpse of the lonely and soft-hearted side of him.
He was born Charles Gerstle Levison in San Francisco in 1905. His family survived the 1906 earthquake. His father was an insurance executive, and Charles would follow in his footsteps for his first career.
A friend, actor Irving Pichel, convinced Lane to try his hand at acting, and Lane joined the Pasadena Playhouse in the late 1920s. His first movie was City Girl in 1930, and his last was Acting on Impulse in 1993. During those six decades he had a successful career in both television and Hollywood. In 1933, Lane became one of the founding members of the Screen Actors Guild (SAG). In that year alone he made 23 films. There was an anecdote told about Lane that it was not uncommon for him to go to a movie, see himself on screen, and be surprised because he completely forgot he had been in the film. Starting out at $35 a day, by 1947 he was earning $750 a week.
His longest-running role was husband. In 1931 he married Ruth Covell; the couple had two children and were married until her death in 2002.
Perhaps most people recognize Lane from his role of rent collector for Henry Potter in It’s a Wonderful Life. Capra signed Lane to roles in ten of his movies. Lane was a corrupt attorney in Mr. Deeds Goes to Town (1936), an IRS agent in You Can’t Take It with You (1938), a newsman in Mr. Smith Goes to Washington (1939), a reporter in Arsenic and Old Lace (1944), and Blink Moran in State of the Union (1948). Among his most-cherished possessions was a letter from Capra where he wrote “Well, Charlie, you’ve been my No. 1 crutch.” Other popular films he was in include The Ghost and Mr. Chicken; It’s a Mad, Mad, Mad, Mad World; and The Music Man.
During World War II, Lane joined the Coast Guard. When he returned to civilian life, his television career took off. His first role was on Burns and Allen in 1951. During the 1950s, he appeared in more than 30 shows including Topper, The Thin Man, Perry Mason, and The Ann Sothern Show. He was often seen on Lucille Ball shows. He and Lucy had become friends when they both worked for RKO, and he had a great respect for Desi Arnaz’s acting ability.
During this decade he was cast on the show Dear Phoebe in 1954. Peter Lawford starred in the show as a former college professor who writes an advice column under the name Miss Phoebe Goodheart. Meanwhile, his romantic interest is Mickey Riley portrayed by Marcia Henderson, the paper’s sports writer. Lane took on the role of Mr. Fosdick, their boss.
The 1960s found him on almost every popular show of that decade. Tuning in to your favorite series, you would spy Lane on Bachelor Father, Pete and Gladys, Mister Ed, The Andy Griffith Show, The Joey Bishop Show, Get Smart, The Bing Crosby Show, The Man from UNCLE, The Donna Reed Show, Green Acres, Bewitched, and The Wild, Wild West, among many others.
Lane had recurring roles on five shows during the 1960s. On Dennis the Menace, he was the pharmacist Mr. Finch. He also could be seen on his friend’s series, The Lucy Show as Mr. Barnsdahl, a local banker. The Phyllis Diller Show had a cast that should have made it a hit and from 1966-67, Lane played Maxwell. Although many characters appeared on both The Beverly Hillbillies and Petticoat Junction, Lane had two different roles on the two series. He appeared in 24 episodes of Petticoat Junction between 1963-1968 as Homer Bedloe, a railroad executive who is always trying to find a reason to shut down the Cannonball. On the Beverly Hillbillies, he portrayed Foster Phinney.
Lane continued with both his movie and television appearances throughout the 1970s, taking roles on The Doris Day Show, The Odd Couple, Family, Rhoda, Chicoand the Man, and he continued his television appearances into the 1980s and 1990s with shows that included Mork and Mindy, St. Elsewhere, LALaw, and Dark Shadows.
The decade of the seventies would find him cast in two additional series, Karen and Soap. Karen debuted in 1975, starring Karen Valentine as Karen Angelo. Karen works for an advocate group for the common American citizen, Open America, founded by Dale Busch, who was played by Lane. On Soap, Charles took on the role of Judge Petrillo who presided over Jessica Tate’s murder trial; however, because of Jessica’s husband, the judge lost $40,000 in a bad investment.
Charles Lane was honored in 2005 when he turned 100. SAG proclaimed January 30 “Charles Lane Day,” and TV Land honored him in March for his long career. After receiving his award, he let it be known “in case anyone’s interested, I’m still available!”
Despite his being typecast in cranky roles, friends and family described him as funny, kind, and warm-hearted. Lane’s one vice was smoking. In 1990 he was rushed to the hospital when he was having problems breathing. When the doctor asked if he smoked, Lane informed him he had kicked the habit . . . 45 minutes earlier. He never smoked again and he lived another 12 years, dying peacefully in 2007.
Although it’s tough on actors to be typecast so early in their career, it’s a double-edged sword, because it also provides a lot of opportunities for roles. Lane was an enigma; while he always convinced us that he was just as mean as could be, we also knew if someone would give him a chance, he could be reformed like Scrooge; he just needed the opportunity. It always makes me smile to come across Charles Lane in a move or television episode. It’s like seeing an old friend, or perhaps the neighbor who yelled at you to get off his yard. However, if you looked closely, you would see him watching and wanting to be part of the action. As you watch your favorite older classic shows, keep an eye open for him.
As we wind up our salute to fathers during Father’s Day month, we finish with Make Room for Daddy. This iconic show doesn’t get the respect that I Love Lucy did, but it is one of the first iconic family sitcoms. This sitcom had to survive cast changes, network moves, and ratings fluctuations.
The show debuted on ABC in 1953. In 1957, it moved to CBS until 1964 when it went off the air. Danny Williams (Danny Thomas), a nightclub singer and comedian, tries to balance his work life with his family life. Danny obviously loves his children but is not an overly affectionate dad and is just as likely to tell his son Rusty, “I love you, you little jerk.”
In March of 1953, Thomas singed a contract for the show and picked Desilu Studios for filming because of their three-camera method. Several of the working titles for the show were “The Children’s Hour” and “Here Comes Daddy.”
The title of
the show was from a Thomas family joke. Whenever Danny was away for work, his
children had the run of the house. They slept in the master bedroom with their
mother, even putting clothes in the dresser there, so when he came home from a
tour or a filming, he told them it was time to spread out and “make room for
Danny has three children (two in seasons 1-4 and three in seasons 5 and after): Terry (Sherry Jackson and later Penney Parker), Linda (Lelani Sorenson, then Angela Cartwright), and Rusty (Rusty Hamer). The first three seasons his wife Margaret was played by Jean Hagen. They had Terry and Rusty. Louise (Louise Beavers) was their maid. When Beavers passed away, Amanda Randolph took over the role. Terry was later played by Penney Parker. Mary Tyler Moore auditioned for the role, but Danny felt Mary’s nose did not match his as well as Parker’s.
The show was filmed live before 300 people, so there was a lot of pressure on the younger kids to know their lines. All three children continued in successful acting careers after the show. (Unfortunately, Hamer had a harder time finding good roles as an adult and committed suicide at 42. Cartwright left acting to focus on a career as a photographer. Jackson continued acting.)
Thomas’s connections, you can imagine the quality of guest stars this show was
able to feature. Some of the bigger names include Lucille Ball, Milton Berle, Sammy
Davis Jr., Jimmy Durante, Shirley Jones, and Dinah Shore. If you looked at a
Who’s Who in Comedy Sitcoms, you would find a huge percentage of them on this
shows from this era, the original sponsor was The American Tobacco Company,
advertising its brands like Lucky Strike, Pall Mall, and Tareyton.
While the theme song went through variations during the run of the show, it was always a version of “Danny Boy.”
The show was
popular and did well in the ratings but had not made the top 30 after three
years. Jean Hagen decided to leave the show.
beginning of the fourth season, the title changed to The Danny Thomas Show. Thomas and producer Sheldon Leonard were
trying to decide how to explain Hagen’s absence. Divorce was not acceptable and
filling the same role with another actress didn’t seem like a good option
either. They decided to have her die between seasons.
of the show now switched to Danny being a widower. The family moved from their
home to an apartment. Danny dated occasionally and almost got engaged to singer
before learning she didn’t like children. The ratings were declining with the
new format, so it was decided to have Danny marry again.
Mary Wickes played the role of Liz O’Neal, Danny’s press agent from 1955-1957.
At the end of the 1957 season, Rusty becomes ill, and Danny hires Kathy O’Hara (Marjorie Lord) as his nurse. Kathy was a widow with a young girl (Lelani Sorenson). Danny and the kids both fall in love with her and they become engaged in the season finale. ABC cancelled the show, but NBC was looking for a show to take over the spot of I Love Lucy which was ending its production, so they took it over and put it on the schedule for the fall of 1957.
The first episode of the fifth season “Lose Me in Las Vegas” centered on Danny and Kathy who had married an were on their honeymoon. Angela Cartwright took over the role of Kathy’s daughter from Sorenson. Danny adopted Linda. The family moved into a larger apartment. The ratings skyrocketed, and it was the number 2 show by the end of the season.
Sherry Jackson decided to leave the show during season six, and her absence was explained by her going to a school in Paris. Jackson had a five-year contract which she honored. She and Hagen had been very close, and Jackson wanted to leave when Hagen did, but Hagen only had a three-year contract.
In season seven, Terry comes back, now played by Penney Parker. During the season she gets engaged and eventually marries Pat (Pat Harrington Jr.), a friend of Danny’s. Terry and Pat move to California and are rarely mentioned afterward.
Make Room for Daddy might have had the first spinoff of a character not in the cast. In one of the episodes from 1960, “Danny Meets Andy Griffith,” Danny is pulled over in Mayberry and is detained in the jail. Sheriff Andy Taylor is featured in the show, and The Andy Griffith Show was created.
For the final two seasons, Danny and Kathy traveled for much of the series. They toured Europe while Rusty and Linda stayed home with Danny’s manager Charlie (Sid Melton) and his wife Bunny (Pat Carroll). Thomas decided to retire from the show in 1964. The show ended on a high note, still ranking number nine.
Although the show ended in 1964, NBC brought back the main cast of Thomas, Lord, Cartwright, Hamer, Jackson, Randolph, and Hans Conried, Uncle Tonoose, to star in a two-hour reunion special, The Danny Thomas TV Family Reunion. Having a reunion show was another first accomplished by this sitcom.
In 1969, CBS
created their own reunion special, titled Make
Room for Grandaddy. It had such high ratings that CBS put it on the schedule,
but Thomas didn’t like the time slot and pulled the show.
In 1970, ABC tried again. Sherry Jackson again was Terry, but her husband now was Bill; what happened to Pat? Terry had a six-year-old son Michael (Michael Hughes) whom Terry left with Danny and Kathy (still played by Thomas and Lord) to join Bill, a soldier stationed overseas. The show only lasted one year. One of the reasons given was that Sheldon Leonard was no longer controlling the scripts and actors, and the show was moved from Wednesdays to Thursdays during the season.
The show was so popular with kids that a comic book series was developed.
As I mentioned, this show does not get the credit it deserves. While Danny tended to be short-tempered and Kathy was the voice of reason, the scripts for the entire series were well written and realistic. It had an extremely talented cast. Unlike some series, the children really carried the show. The children acted like children, not mature adults, in most ways, but they created great characters and were very funny. Rusty always had a viewpoint on any given situation. Their moments are the ones that make this show so memorable. Many of the episodes center around the kids. A typical example is “Casanova Junior ” : Rusty hasn’t asked a girl to the school dance because he has no confidence. Danny gives him some pointers and now the girls are falling all over themselves to go out with Rusty. The only problem is Rusty, he’s gone from no confidence to treating the girls badly and Danny is not happy about it.
The show ended in the top ten. It created the first sitcom spinoff of a non-cast member and the first reunion movie. I specify “non-cast” member because December Bride included Pete Porter in its cast, and he talked about his wife Gladys. Later the show Pete and Gladys was created.
Despite the challenges it faced with cast members coming and going, the change from ABC to NBC, and the characters growing up on the show with changed the dynamics of the series, the show continued to garner great ratings and was given a second life in a new series in Make Room for Grandaddy. Along with The Donna Reed Show, it was one of the trend-setting family sitcoms from the 1950s and ’60s.
My series, “Just a Couple of Characters” continues with Part 3 today. This month, we learn more about actors we recognize but may not know much about. This week Henry Jones and Olan Soule are on the hot seat.
Born in New Jersey in 1912 and raised in Pennsylvania, his grandfather was a first-generation Prussian immigrant who became a Representative. Henry went to St. Joseph’s College, a Jesuit school. He landed his first Broadway show in 1938, playing Reynaldo and a grave digger in “ Hamlet. ” Like many of the actors in the late 30s and early 40s, Henry joined the Army for World War II. He was a private. During his service, he was cast as a singing soldier, Mr. Brown, in Irving Berlin’s “This is the Army.”
When he came back to the US, he married Yvonne Sarah Bernhardt-Buerger in 1942. I think that it took longer for her to sign her name on the marriage certificate than the marriage lasted because ten months later they were divorced. Jones continued his stage roles and began a movie career. He had bit parts in 35 films, including The Bad Seed, Will Success Spoil Rock Hunter?, Vertigo, and Butch Cassidy and the Sundance Kid. He won a Supporting Actor Tony in 1958 for his performance of Louis Howe in “Sunrise at Campobello.”
In 1948 he
married Judith Johnson. They had two children (one is actress Jocelyn Jones) but
divorced in 1961.
gap of television and film, he starred in seventeen tv movies as well.
Although his movie career kept him somewhat busy, it was nothing compared to his television work. Jones was credited with 205 acting appearances, meaning he had roles in 153 different television series. Jones was able to tackle a wide range of roles, being believable as a judge, a janitor, a murderer, or a minister. Jones had no illusions about becoming a romantic lead. He once said that “casting directors didn’t know what to do with me. I was never tall enough or good looking enough to play juvenile leads.”
His first television appearance was in drama series, Hands of Mystery, in 1949. His work in the 1950s was primarily in theater shows about dramas. He also appeared in the George Burns and Gracie Allen Show and Father Knows Best.
He continued his drama roles into the 1960s. He also appeared in 3 episodes of The Real McCoys and westerns including Wagon Train, The Big Valley, and Daniel Boone. He showed up on mysteries such as the Man from U.N.C.L.E. and The Name of the Game. He also found work on unique shows including Lost in Space, Route 66, and the Alfred Hitchcock Show. Hitchcock liked his work and used him five times. He also appeared in several comedies, Bewitched and That Girl. He starred in Channing in 1963-64. Jones played Fred Baker, a dean who mentors Professor Joe Howe who teaches English at Channing College while he writes his memoir about the Korean War.
During the 1970s, he continued to work on a variety of genre shows. We see him on westerns, The Virginian, Gunsmoke, and Bonanza. We see him in thrillers like The Mod Squad; McMillan and Wife; Owen Marshall, Counselor at Law; and The Six Million Dollar Man, on which he had a recurring role as Dr. Jeffrey, a scientist who built robots. However, comedies continued to be his mainstay, and he appeared in many of them including Nanny and the Professor, the Mary Tyler Moore Show, The Paul Lynde Show, The Doris Day Show, the Partridge Family, and Barney Miller.
In addition to all his guest spots, he was cast in three shows during this decade. In The Girl with Something Extra, he played Owen Metcalf in 1973. The role he was best remembered for was Judge Johnathan Dexter on Phyllis. He was Phyllis’s father-in-law from 1975-1977. As Josh Alden, he appeared on Mrs. Columbo for thirteen episodes.
Recurring roles comprised most of his television appearances in the 1980s. He continued to accept guest roles on such shows as Quincy ME, Cagney and Lacey, Magnum PI, Murder She Wrote, The Love Boat, and Mr. Belvedere. He would make regular appearances on Gun Shy, Code Name: Foxfire, Falcon Crest, and I Married Dora.
Jones continued to appear in shows in the 1990s, including Coach and Empty Nest. In 1999, he passed away after suffering from complications from an injury from a fall.
Olan Soule’s timeline
was similar to Jones. He was born in Illinois in 1909, growing up in Iowa, and
he passed away in 1994. While Jones’ grandfather arrived in America, Soule’s ancestors
included three Mayflower passengers. He began his acting career on the radio.
In 1929 he
married Norma Miller. They would be married until her death in 1992 and they
had two children.
For eleven years, he was part of the cast of the soap, “Bachelor’s Children.” His roles changed when he transitioned to television. On radio, he could play any role, but his 135-pound frame prohibited him from getting many roles he played on radio. He told the Los Angeles Times during an interview that “People can’t get over my skinny build when they meet me in person after hearing me play heroes and lovers on radio.”
certainly was not lacking in roles. Soule is credited with more than 7000 radio
episodes and commercials, 60 films, and 200 television series.
The 1950s found him appearing in many sitcoms, including George Burns and Gracie Allen, I Married Joan, I Love Lucy, December Bride, the Ann Sothern Show, and Dennis the Menace.
He would appear regularly in Dragnet from 1952-59 and in Captain Midnight from 1954-56.
He got even busier in the 1960s, working nonstop. The only show he had a recurring role on was The Andy Griffith Show where he played choir director and hotel clerk John Masters. Other comedies he appeared on included The Jack Benny Show, Pete and Gladys, Bachelor Father, Make Room for Daddy, Mister Ed, My Favorite Martian, The Addams Family, The Monkees, Petticoat Junction, and That Girl. He also took on roles in suspense shows including One Step Beyond, the Alfred Hitchcock Show, and the Twilight Zone. He also specialized in westerns, including Maverick, Stage Coach West, Have Gun Will Travel, The Rifleman, Bonanza, Gunsmoke, and The Big Valley.
He started the 1970s continuing to show up on series such as Family Affair, My Three Sons, McMillan and Wife, Cannon, Police Woman, and a recurring role on the comedy Arnie.
In the mid-1970s he began appearing on Battlestar Galactica and Project UFO. Most of his career in the decade was spent providing voiceovers for animated shows, primarily Batman.
Soule died from lung cancer at age 84.
Both Soule and Jones were prolific actors who had long and successful careers. Neither one of them were the leading men type of actors, but they could tackle a wide range of roles. Soule once said, “Because of my build and glasses, I’ve mostly played lab technicians, newscasters, and railroad clerks.” Not a bad life for someone who loves acting. If you watch Antenna or Me Tv, chances are you will see these two characters pop up quite often.
When it comes to prolific actors in television and film, few people can equal Harry Morgan’s career. Known for his deadpan delivery, he was in more than 100 films. He also starred in 11 television series and appeared on 6 TV Guide covers.
Born Harry Bratsberg in 1915, he grew up in Muskegon, Michigan. His parents came from Norway and Sweden. Harry went to the University of Chicago, planning on becoming an attorney but got interested in acting instead. In 1937, he began appearing with stock companies, followed by Broadway roles.
His first wife was Eileen Detchon who he was married to from 1940 until her death in 1985. Her photo appears on Colonel Potter’s desk on M*A*S*H. They had four sons: Christopher, Charley, Paul and Daniel. Morgan remarried in 1986 and was married to Barbara Bushman until his death.
He was signed by Twentieth Century Fox in 1942. His screen debut was The Shores of Tripoli under the name Henry Morgan. Later that year he appeared in Orchestra Wives and a few years later was in The Glenn Miller Story with Jimmy Stewart. In 1943, he starred with Henry Fonda in the highly acclaimed The Ox-Bow Incident.
In 1954, he was offered the role of Pete Porter in December Bride which ran until 1959. In the show, he complained about his wife Gladys a lot, but we never meet her. When the show ended, he starred in a spin-off Pete and Gladys from 1960-1962. Pete Porter is an insurance salesman. His scatter-brained, but beautiful, wife is played by Cara Williams.
The next year he was cast in The Richard BooneShow from 1963-1964. This was an anthology series which Richard Boone hosted. A cast of 15 actors appeared in different roles each episode. Morgan appeared in all 25 episodes. The show never captured viewers, probably because it was on against Petticoat Junction.
Almost immediately upon its ending, he was again cast in a television show with a role on Kentucky Jones during 1964 and 1965. Kentucky Jones is a veterinarian and former horse trainer. He and his wife adopted a Chinese boy named Dwight Eisenhower “Ike” Wong. After his wife’s death, the local Asian community and handyman Seldom played by Morgan helps him raise Ike.
Morgan had a couple of years of guest starring in shows such as The Wackiest Ship in the Army and Dr. Kildare, and then he was cast in Dragnet from 1967-1970. He and Jack Webb were friends before the show and continued to be best friends throughout Harry’s life. Webb had directed the previous Dragnet show in the 1950s and revived the show in 1967, convincing his friend to play the role of Officer Joe Gannon who helped Sergeant Joe Friday (Webb) solve crimes in Los Angeles.
Between 1970 and 1972 he would show up in The Partridge Family in two different roles and Love American Style among other shows. 1972 would find him starring in another show, Hec Ramsey, until 1974. This show reunited Morgan with Richard Boone who starred in it and Jack Webb who produced it. Ramsey was a western detective who preferred to solve crimes with his brain rather than his gun. The show only lasted for ten episodes.
From 1974-1983, he was cast in his most famous role, that of Colonel Potter on M*A*S*H. A military hospital staff treating soldiers during the Korean war rely on laughter to get through the gruesome work. The show combined heartache and joy to tell the story of the 4077th. When the show was cancelled, Harry continued the role in the spin-off, After M*A*S*H from 1983-1985.
On M*A*S*H Morgan painted the portraits attributed to Colonel Potter. He won the Emmy for Outstanding Supporting Actor in 1980, receiving 11 nominations overall during the run of the show.
His description of Colonel Potter was: “He was firm. He was a good officer, and he had a good sense of humor. I think it’s the best part I ever had. I loved playing Colonel Potter.”
When asked if he was a better actor after working with the show’s talented cast, Morgan responded, “I don’t know about that, but it’s made me a better human being.
Morgan also appeared in several Disney movies during the 1970s, including The Barefoot Executive, Snowball Express, Charley and the Angel, The Apple Dumpling Gang, The Cat from Outer Space, and The Apple Dumpling Gang Rides Again.
In 1986 he was cast in Blacke’s Magic. The show featured a magician and his father, a con man, who solve crimes. Unfortunately, like many of the shows he was a part of, this one only lasted 15 episodes. When it ended in 1987, Harry was immediately given a role in You Can’t Take It with You where he appeared on three episodes during 1987 and 1988. Morgan starred as Martin; the show was based on the original play, but the television series was set in the 1980s. Although Morgan was only in three episodes, he was in the majority of them, because the entire show consisted of four episodes.
In the 1980s, he appeared in commercials for ERA realty and Toyota.
During the late 1980s and early 1990s, he appeared in six different shows, with recurring roles on TheSimpsons and Third Rock from the Sun. In 1996 he retired.
In 2006, Morgan was inducted into the Hall of Great Western Performers at the National Cowboy & Western Heritage Museum.
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Many of his western films were done with James Stewart. They did five films together, and Morgan says Stewart was one of the nicest men he ever met and extremely professional.
In addition to Jack Webb, he was good friends with Tim Conway and Don Knotts.
A very interesting man, in his spare time, he enjoyed golfing, fishing, travel, spending time with his family, reading, raising horses, horse riding, painting, and poetry.
He died in 2011 from pneumonia.
Following Morgan’s death, Mike Farrell, who played B.J. Hunnicutt, starring with Morgan in M*A*S*H, released the following statement:
“He was a wonderful man, a fabulous actor and a dear and close friend since the first day we worked together. As Alan [Alda] said, he did not have an unadorable bone in his body . . . He was a treasure as a person, an imp at times, and always a true professional. He had worked with the greats and never saw himself as one of them. But he was . . . He was the rock everyone depended on and yet he could cut up like a kid when the situation warranted it. He was the apotheosis, the finest example of what people call a ‘character actor’. What he brought to the work made everyone better. He made those who are thought of as ‘stars’ shine even more brightly . . . The love and admiration we all felt for him were returned tenfold in many, many ways. And the greatest and most selfless tribute to the experience we enjoyed was paid by Harry at the press conference when our show ended. He remarked that someone had asked him if working on M*A*S*H had made him a better actor. He responded by saying, ‘I don’t know about that, but it made me a better human being.’ It’s hard to imagine a better one.”
The title is the only reference I’ll be making to that 1980s show. In honor of our 29th anniversary today, I thought I would look at sitcoms dealing primarily with marriage. Surprisingly, there have not been as many as one would think. It’s amazing how many sitcoms are about single parents, families, friends, or co-workers. If there are any similarities between our married life and Al and Peg Bundy’s life, I really don’t want to know about them. So, let’s look at a few sitcoms that did focus on blessed unions.
The George Burns and Gracie Allen Show – George Burns and Gracie Allen filmed 120 episodes for their television series. They were married in real life, and the set design for the show was based on their real-life home. Gracie was zany, but her literal perspective of the way life worked made uncanny sense. George loved Gracie and knew that she was the center of his marriage and career. George was very generous and made numerous gifts to Cedars-Sinai Medical Center which is at the intersection of George Burns Road and Gracie Allen Drive. I love looking at marriage that way – it’s an intersection found at the center of a very diverse couple.
I Love Lucy – In 1953, I Love Lucy joined the Monday night line-up with The George Burns and Gracie Allen Show. Lucy and Ricky (Lucille Ball and Desi Arnaz) are probably the most famous married couple. For six years, they took ordinary situations and exaggerated them. Lucy’s hare-brained schemes created an endless source of comedy. However, the problems with couple faced were believable, and they were the same problems other young couples were facing the first couple years of marriage like how to pay the rent, buying a new dress, and dealing with in-laws.
Pete and Gladys – Starring Harry Morgan and Cara Williams, this was one of, if not the first, spinoff. Pete Porter was a neighbor featured on December Bride for six years. When the show went off the air, we finally met Gladys, his wife. He was an affectionate and caring husband and she was a very nice homemaker. Unfortunately, the show only lasted two seasons, although Harry Morgan went on to star in many television shows.
The Dick Van Dyke Show – Dick and Laura Petrie (Dick Van Dyke and Mary Tyler Moore) showed us an intimate side of married life for five years. They were funny and had an interesting life. Sometimes they even watched a bit of television at night. They were a couple who admitted they were a bit insecure about parenting. They worked through their problems with humor and logic. Although Dick was a writer and Laura a stay-at-home mom, they were equal intellectuals and that was the basis of their relationship.
The Bob Newhart Show – Bob and Emily Hartley (Bob Newhart and Suzanne Pleshette) were another couple who were intellectual equals. They were funny, understanding, and warm. They argued about real issues, and they made up. Both the characters had very definite identities, and they did not always see eye to eye, but they respected each other and loved each other deeply.
Mork and Mindy – Mork and Mindy was a sitcom about an alien and the girl next door (Robin Williams and Pam Dawber). If most American couples think they have some impossible issues to work through, they should watch a few episodes of Mork and Mindy. The show lived on for four years, primarily because of Robin Williams’ wild improvisations and Pam Dawber’s believable love for Mork. Mork and Mindy was not only a spinoff from Happy Days, but it was actually inspired by a Dick Van DykeShow episode “It May Look Like a Walnut.” Director Jerry Paris created the idea when Garry Marshall mentioned that his son would like to see a spaceman on television. Paris, who played Jerry Helper on the Dick Van Dyke Show, remembered that episode and invented Mork. In season four, Mork laid an egg, in more ways than one, and the show was cancelled.
Dharma and Greg – When free spirit Dharma and lawyer Greg (Jenna Elfman and Thomas Gibson) get married on their first date, the show was born. They have conflicting views on everything except how much they love each other. These views lead to comical situations – imagine a Republican and Democrat married in today’s political climate! Dharma overshares all her views and feelings, while Greg was raised to not talk about such things. I think a lot of us can relate to that.
Mad About You – Paul and Jamie Buchman (Paul Reiser and Helen Hunt) are newlyweds who cope with life as a recently married couple. They point out the gentle humor of everyday life situations. One description of the show said that this show starts after a party when the husband and wife are alone in the car discussing the evening. For seven seasons, they tackled the issues so when the series was over, there was no “seven-year itch” to worry about.
A fun fact, Carl Reiner reprised his Alan Brady role from the Dick Van Dyke Show on Mad About You. The episode made several references to the classic sitcom, including Jamie saying “Oh Paul,” an aside to Laura Petrie’s famous “Oh Rob.”
These were several of the couples we watched during our life who indirectly influenced the way we viewed marriage. Each of the couples has something to teach us about successful marriages. One review of Burns and Allen concluded that “the George Burns and Gracie AllenShow exuded excellence, with a unique format, interesting plots, a great cast, and virtually non-stop comedy featuring the unparalleled zany wit of Gracie.” I would consider it a compliment if that was a review for our marriage as well.
After reading about That Girl and what a tough time Marlo Thomas and Ted Bessell had finding new roles that did not stereotype them as Don and Ann, I thought about actors who were able to transcend that hurdle. I could think of numerous actors and actresses who were able to have two important television roles. Mary Tyler Moore began as Laura Petrie but Mary Richards was also a strong character. Ron Howard grew up from Opie Taylor to Richie Cunningham. Kristy McNichol lived out her adolescence in Family and then moved to Florida as Barbara in Empty Nest.
I started to do some research and found the following actors who had numerous television series.
Alan Alda – Of course, his iconic role was Hawkeye Pierce in M*A*S*H. From 1972-83 he kept us laughing or crying in Korea. Since M*A*S*H he has taken on roles in several television series including ER (1999), West Wing (2004-06), 30 Rock (2009-10), The Big C (2011-13), and The Blacklist (2013-14).
Fun Fact: He got his start on the Phil Silvers Show in 1957.
Meredith Baxter – Most people remember her as Elyse Keaton in Family Ties (1982-89), but for me it was Nancy in Family (1976-80). Other shows include Bridget Loves Bernie (1972-73), The Faculty (1996), Cold Case (2006-07), The Young and the Restless (2014), and Finding Carter (2014-15).
Fun Fact: Her mother was Whitney Blake, Missy on Hazel.
Sally Field – I think most people will always think of Sally Field as the Flying Nun (1967-70). Her first show was Gidget (1965-66). As we discussed a couple of weeks ago, she had a role in the forgettable Hey Landlord (1967) and she was The Girl with Something Extra (1973-74). Like Alan Alda, she also had a recurring role in ER (2000-06), and her most recent show is Brothers and Sisters (2006-11).
Fun Fact: She won an Emmy for her appearance on ER.
John Forsythe – While younger people only know him as the voice of Charlie on Charlie’s Angels (1976-81) or Blake Carrington from The Colbys (1980-86) which led to Dynasty (1981-89), one of my favorite sitcoms of all is Bachelor Father which John starred as Bentley Greg from 1957-62. Before BachelorFather, he starred in Lights Out (1951-2), Suspense (1951-52) and Studio One (1949-55). Before Charlie’sAngels, he was in the John Forsythe Show (1965-66) and To Rome withLove (1969-71). His last show was The Powers That Be (1992-93).
Fun Fact: Along with Harry Morgan and Meredith Baxter, he was on episodes of The Love Boat.
Harry Morgan – Harry Morgan is the king of shows, with 12 series to his credit. He is probably best remembered for three of them–Pete and Gladys (1960-62), Dragnet (1967), and M*A*S*H (1974-83). His first sitcom was December Bride (1954-59) which spun off Pete and Gladys. In the 60s before Dragnet he was in Kentucky Jones (1964-65) and Dr. Kildare (1965). The seventies saw him in HecRamsey (1972-74) and Gunsmoke (1970-75). After M*A*S*H, he literally was in After M*A*S*H (1983-85), Blacke’s Magic (1986), You Can’t Take It With You (1987-88), and Third Rock From the Sun (1996-97).
Fun Fact: He was in an episode of the Partridge Family in the first season.
Bob Newhart – Bob Newhart gets the award for having the most shows with his name it in. Fans fondly remember The Bob Newhart Show set in Chicago when he played Dr. Hartley (1972-78) or Newhart where he was the inn owner Dick Loudon (1982-90). His first show was The Bob Newhart Show (1961). After Newhart, he tried out Bob (1992-93) and George and Leo (1997-98). Like Alan Alda and Sally Field, he also had a recurring role on ER (2003) and most recently has had a recurring role on The Big Bang Theory (2013-15).
Fun Fact: The 1982-90 show had the best finale ever when the show ended with Bob in bed with his wife from the 1972-78 series thinking Newhart had been a dream.
Ed O’Neill – If any actor should have been stereotyped after a role, Ed O’Neill seemed doomed after Al Bundy in Married. . . With Children (1987-97), yet he now has an even bigger hit in Modern Family as Jay Pritchett (2009-16). In between he was on the Big Apple (2001), Dragnet (2003-4), a remake of Harry Morgan’s show, and John From Cincinnati (2007). Like Alan Alda, he took on a role on The West Wing (2004-05).
Fun Fact: He signed as an undrafted free agent with the Pittsburgh Steelers in 1969 but was cut in training camp.
Dick Van Dyke – Finally, we have Dick Van Dyke. Before I researched this blog, I thought he and Bob Newhart might have the most sitcoms to their credit. He comes in with only four starring shows overall. Like Bob, he never wanted to stray far from his name: We had the iconic Dick Van Dyke Show as Rob Petrie (1961-66), The New Dick Van Dyke Show (1971-74), The Dick Van Dyke Show (1988), and then Diagnosis: Murder (1993-2001). Like so many of these actors who have something in common with Alan Alda, Dick Van Dyke’s first appearance in a sitcom was also The Phil Silvers Show (1957-8).
Fun Fact: He can trace his family line back to the Mayflower.
Why do some stars get locked into a role that they are never able to separate themselves from? Think Henry Winkler as the Fonz, Lucille Ball as Lucy, or Don Knotts as Barney. I think part of it is that we get so attached to these characters we almost want to believe they are real and the actor moving on destroys that image.
The above actors all had different situations that allowed them to move on more easily. Alan Alda never had that hit show again. After M*A*S*H, he took on dramatic recurring roles. Meredith Baxter was in a mixed genre of shows. Of her two hit shows, one was a drama, Family, and one a sitcom, Family Ties. Dick Van Dyke had the same formula: The first Dick Van Dyke Show, a sitcom, and Diagnosis: Murder, an action/mystery series. John Forsythe and Harry Morgan came into show business during the golden days of television. They were able to have extremely successful shows and characters and then start over. Forsythe had 10 series to his credit, Morgan had 12. Sally Field, although starting out in television, was certainly better known as a movie actress. Audiences were seeing her on the big screen as other characters so they perhaps don’t pigeon hole her into one role so much. Ed O’Neill actually had success on two sitcoms about families. Maybe Jay Pritchett is so successful because he shows what Al Bundy may have been like growing up in a more enlightened era where the fathers help parent and run the house. And Bob Newhart, I think, was successful because he actually plays the same character in most of his shows, and we love that character so we keep looking for him, no matter what the show is actually titled.