The Felony Squad: They Were Men Against Evil

This month we are taking a look at some of our favorite “Crime Solvers of the Past.” Today we wrap up the blog series with The Felony Squad which ran three seasons, debuting on ABC in 1966.

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Originally titled “Men Against Evil,” the show was going to be more of a soap opera feel which was broadcast twice a week. However, by the time the show aired, most of the personal relationships had been taken out of the plot. The series focused on Sergeant Sam Stone (Howard Duff) and Rookie Detective Jim Briggs (Dennis Cole). Rounding out the cast was Desk Sergeant Dan Briggs (Ben Alexander), also known as Dad to Jim and District Attorney Adam Fisher (Len Wayland). The first seasons included Captain Frank Nye (Barney Phillips) while later seasons featured Captain Ed Franks (Robert DoQui).

The show was known for having some big names in directing, writing, and guest stars. Many of the directors racked up more than 75 credits each and included George McCowan who worked on The Mod Squad and Cannon, Allen Reisner known for Hawaii Five-0, Lee Katzin who directed Mission Impossible, Laslo Benedek known for work on Perry Mason, and Vincent McEveety who directed stars in Murder She Wrote, Heat of the Night, and Simon & Simon. Howard Duff jumped behind the camera in season two to direct “Deadly Abductors” after directing seven episodes of Camp Runamuck a couple of years earlier.

Crafting scripts for the show were writers such as Richard Murphy who was the creator of this show, Don Brinkley who worked on Trapper John and Medical Center, Jack Turley who wrote for Cannon and The Man from UNCLE, and John Kneubuhl who also wrote for the Wild Wild West.

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A handful of the guest stars included Ed Asner, Richard Dreyfuss, Robert Duvall, Roddy McDowell, Ricardo Montalban, George Takei, Vic Tayback, and Cicely Tyson.

The Felony Squad theme was composed by Pete Rugolo. Rugolo had 83 credits in the business including writing music for a wide variety of television genres including Leave It to Beaver, The Fugitive, and Family. This theme was an instrumental and very reminiscent of a sixties action movie.

I couldn’t find a lot of reviews, but the New York Times’ Jack Gould described it as “a very old-fashioned and conventional yarn about tight-lipped detectives doing a day’s work.”

The series was on Monday nights until 1968 when it was moved to Fridays. The first two seasons the show was up against The Andy Griffith Show which was in the top ten. For the final season, the show moved to the weekend where it was up against an Andy Griffith Show spinoff, Gomer Pyle USMC, which was also a top ten.

The show obviously did well to stay on the air three years when it faced such tough competition. I wonder if being a 30-minute show as opposed to an hour was part of its downfall. No matter how great the writers are, it’s tough to get sophisticated and detailed enough with a plot to wrap up in half an hour. The show certainly found talented directors, writers, cast members, and guest stars. The show was shot in color and had a different feel to it, more realistic. The action is right in your face like you’re on set instead of watching from far off. Considering it maintained decent ratings before it was moved, it would have been interesting to see what would have happened if this show had been the competition with a newer show to see how it fared. Fans loved it, so if you want to see something different, check out a few episodes. I’m not sure why this series isn’t seen more, but YouTube is your best bet to find the most available episodes. Also, as a fun aside, if you want to see Stone, check out Batman’s second season episode, “The Impractical Joker,” when Duff as Stone peers out the window while watching the Dynamic Duo climb the wall.

The Marilyn Monroe of Television

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We are winding down our What a Character blog, about character actors in classic television shows. Today we are learning about Joyce Renee Brown, better known as Joi Lansing.

Lansing was born in Utah in 1929. Her father was a shoe salesman and orchestra musician, and her mom was a housewife.

Her parents divorced when she was young, and her stepfather Vernon Loveland adopted her. In 1940, the family moved to Los Angeles. Joi began modeling at 14 and was signed to an MGM contract, attending school at the studio.

Lansing began her film career in 1947, appearing in When a Girl’s Beautiful and Linda Be Good. She had uncredited roles in Easter Parade and Singing in the Rain, among others. Almost half of her 106 acting credits were for shorts and big-screen films.

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Her first three marriages lasted less than some of her films. At 17 she was married for less than a year. In 1950 her marriage to Jerome Safron was annulled after four months, and her marriage to Lance Fuller in 1951 ended in divorce in 1953.

Her first television role came in 1952 in Racket Squad. This was a show I had not run across before, but it was on the air for three years. It had a Dragnet-like feel to it with the main character Captain Braddock explaining “What you are about to see is a real-life story, taken from the files of the police racket and bunco squads, business protective associations and similar sources around the country. It is intended to expose the confidence game – the carefully worked-out frauds by which confidence men take more money each year from the American public than all the bank robbers and thugs with their violence.

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The early fifties kept her busy in drama series. In the the mid-to-late fifties, she appeared on I Love Lucy, The Gale Storm Show, December Bride, Perry Mason, Maverick, The Jack Benny Show, and Richard Diamond, Private Eye.

From 1955-59 she had a recurring role on The Bob Cummings Show with 24 appearances as Shirley, a model. While she was attending UCLA, a writer for the show spotted her. After being cast as pinup girls and stereotyped as a beautiful bombshell, this series proved Lansing had acting abilities, and it propelled her to receiving offers for better scripts.

In 1960, Lansing married Stan Todd and they remained married until her death. However, they had been separated for years.

Lansing was also a recording star. In the early sixties, she performed with Xavier Cugat and Les Paul. She recorded several songs during the sixties.

📷wikiwand.com Klondike

The sixties were split between film and television work. She accepted roles on ten shows including Klondike (7 episodes as Goldie), The Untouchables, The Joey Bishop Show, The Adventures of Ozzie and Harriet (12 episodes as various characters), Petticoat Junction, and The Beverly Hillbillies (6 episodes as Gladys Flatt, wife of musician Lester Flatt).

Lansing was in her last movie, Bigfoot, and last television role, The Governor and JJ, in 1970. While on the set of Bigfoot, she met Alexis Hunter who was playing a monkey in the film. Obviously, this was not a film to highlight on the resume. According to Hunter, the two fell in love and were together for three years until Joi’s death. Same-sex relationships were forbidden in Hollywood at the time, so they told people they were sisters. They had similar looks, so they got away with it.

Joi died from breast cancer in 1972 at only 43 years of age. Joi had been diagnosed with both breast and ovarian cancer in 1970 but went into remission. As a disclaimer, Bigfoot was the only acting role Hunter was credited with, and the revelation of her relationship with Lansing was only known from a book that Hunter wrote in 2015. I could not find any other documentation to back up her claim.

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I am torn about Lansing’s career. She certainly had a successful career on paper, but she never got the break she deserved with the right acting role. Considering that she had 106 credits and passed away at only 43, one has to wonder how many more credits she could have amassed if she had worked for another two decades. I know there is a fine line of Hollywood actresses who might have the looks but not the talent, but for those who have both, Hollywood is not often fair, stereotyping them into “dumb blonde” or “pinup” roles. I had only been familiar with Lansing from The Bob Cummings Show, so it was interesting to learn more about her and her career.

Gather Round: It’s Time for Tales of Wells Fargo

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This month we are Riding the Range, exploring some of the westerns from the fifties and sixties. One of those shows that was on the air from 1957-1962 was Tales of Wells Fargo.

The show was produced by Revue Productions and set in the 1870s and 1880s. Gene Reynolds was one of the creators of the show, along with Frank Gruber and James Brooks. Reynolds would go on to great success as a director, producer and writer, and my favorite of his was M*A*S*H. Although this show was set in the same time as Daniel Boone, it was better at getting history correct. The show featured special agent Jim Hardie (Dale Robertson) with his horse Jubilee. It was loosely based on the life of real detective Fred J. Dodge. Sometimes Hardie ran into characters from history including Jesse James and Belle Starr.

📷pinterest.com Fred J. Dodge

Fred Dodge was born in California in 1854. He went to work as an undercover agent for Wells Fargo, working in California, Nevada, and Arizona. In 1979 he was in Tombstone and recommended hiring Wyatt Earp as guard for the stage line. He became great friends with Earp. Later Dodge became constable of Tombstone while working undercover. In 1890 he left his undercover work and became a known employee of Wells Fargo in Texas. He purchased a 2,000-acre ranch near Boerne, Texas and when he retired in 1917, he lived there with his family. Dodge was described as an intelligent and successful investigator. He wrote 27 journals during his career, noting his activities and travels in them. Some of these were used for Tales of West Fargo.

I had always assumed this show was about stagecoach travel, but it was not, although stage coaches played a part. In the mid-1800s, the Wells Fargo stage line was the primary connection between the East and West coasts. Wells Fargo did not operate a stage coach line, but they did use that form of transportation for money, gold and other valuables to be delivered. Trains are involved in many of the plots. One of the trains used in the show would eventually travel to Hooterville and be renamed the Cannonball.

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The first five seasons were black and white half-hour shows, while the final season switched to a color, hour-long show. During the last season, Hardie settles on a ranch near San Francisco and several recurring characters (Jack Ging, William Demarest, Virginia Christine, Lory Patrick, and Mary Jayne Saunders) were added to the series. Earle Lyon replaced Nat Holt as producer in 1960.

The theme song was written by Stanley Wilson and Mort Greene. Wilson was a prolific composer, amassing 147 credits for composing and 278 for music department credit on television and in movies. Mort Greene was best known as a writer for The Red Skelton Show and for his musical role for Leave it to Beaver.

The number of well-known actors who appeared on the show was surprising. Here are just a few of the huge number: Claude Akins, Eddie Albert, Hugh Beaumont, Dan Blocker, Charles Bronson, Edgar Buchanan, Harry Carey Jr., Chuck Connors, Buddy Ebsen, Beverly Garland, George Kennedy, Tina Louise, Steve McQueen, Jack Nicholson, Leonard Nimoy, Denver Pyle, Jason Robards, Vito Scotti, Dawn Wells, and Adam West.

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It was an NBC show. The pilot premiered on Schlitz Playhouse of Stars. Its biggest competition was Father Knows Best in seasons two and three. It was very popular with the viewers. The show was in the top ten during seasons one through four. For the sixth season, with an entire new cast, new theme song, and color, it was almost like a new show. NBC moved it to Saturday nights against Perry Mason and ratings declined drastically, costs went up significantly, and it was canceled.

Robertson thought the key to the popularity of the show was because it was not geared specifically to adults or kids. It was a family show. When Robertson first read the script, it was terrible, but he owed Nat Holt a favor, so he accepted the role, assuming that it would never make it. Robertson received a 50% ownership in the show, so he said of course it made him want the show to be better and he convinced them to replace most of the original script. He said that he enjoyed his time on the show a lot and that the crew was close and professional. They never went over schedule or over budget during the entire run.

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The first two seasons were released on DVD in 2011 if you want to check them out. It sounds like this was a solid show. The network supported them, the cast was close, the production team was on top of things, and they all enjoyed their time with the show. That is a rare thing to hear in the television business. They took a gamble in the last season, and it didn’t work out, but perhaps it was for the best. It sounds like the actual show ended the season before because the last season things changed so much it was a completely new production. I would like to read more about Fred Dodge. His life sounds fascinating.

We Never Really Left Leave It to Beaver

This month we are learning about America’s favorite families. Today we are spending some time with the Cleaver family. In the past we have talked quite a bit about The Brady Bunch, and in some ways, Leave It to Beaver is like that show. The Brady Bunch portrayed the 1970s and although they have been on the air since that first episode debuted, the show never cracked the top twenty. The Cleavers taught us about the 1950s. That show also never got into the top thirty during its six-season run but has been on the air most of the past 65 years.

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The show was originally written to feature Theodore or Beaver played by Jerry Mathers. Beaver gets into a lot of mischief, but he is a good kid and always means well. He has an older brother Wally, played by Tony Dow. His parents are Ward (Hugh Beaumont) and June (Barbara Billingsley). I thought it was interesting that all four of the stars appeared in every single episode of the show, 234 of them.

We also got to know some of the boys’ best friends as well. Beaver hangs out with Larry Mondello (Rusty Stevens) and Gilbert Bates (Stephen Talbot). He also spends time with Gus an old fireman played by Burt Mustin who seemed old even then. Wally is often with Clarence “Lumpy” Rutherford (Frank Bank) whose father is friends with Ward and Eddie Haskell (Ken Osmond). Eddie is overly polite to Ward and June who are never fooled by his manners; he often picks on Beaver.

Mathers said that when he went to the audition, he went in his Cub Scout uniform because he didn’t want to be late for the den meeting. He was so honest and innocent about wanting to get to his Scout meeting that the producers hired him.

📷imdb.com With Eddy Haskell

Tony Dow never planned on getting a part. He had been in one commercial but no television series. He was an athlete and a diving champion and great swimmer. He had been working out at the Hollywood athletic club and a lifeguard there asked Dow’s mom if Tony could go with him to the audition. Dow ended up getting the part. Mathers later corroborated the story in his blog, saying that the actor who was in the pilot grew five inches the following year and was as tall as Beaumont, so they decided to hire another kid for the role. They wanted someone who looked like an athlete, so they chose Dow.

Beaumont took some inspiration from his studies to be a wise and caring father. He held a Master of Theology degree from USC and was an ordained minister. In addition to acting, Beaumont wrote one entire episode, contributed to several others, and directed 23 episodes.

While Beaumont contributed to the scripts, the show was primarily created by Joe Connelly and Bob Mosher, and many of the plots were based on their children.

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CBS put Leave It to Beaver on the air Wednesday nights in 1957. I can see where the ratings might suffer because the show was on during the last half of both Wagon Train and Disneyland, so a lot of viewers were watching another show at the time.

The network decided to drop the show at the end of the year, but ABC picked it up and extended its run for five more years. The new network aired it Thursday nights up against repeats of I Love Lucy and a show I know nothing about called Jefferson Drum. The description is that a widowed father starts a newspaper in a western town. The next season the show appeared on Friday nights with another move the following year to Saturday nights. In its fifth season it stayed on Saturday nights but switched times and the sixth season found it on Thursday nights against Perry Mason and Dr. Kildare. At that point, Jerry Mathers wanted to have a normal high school life, and the show ended.

The theme of the show is probably one of the best-known television themes. It was “The Toy Parade” composed by David Kahn, Melvyn Leonard, and Mort Greene.

📷dvnet.com Still the Beaver

In 1983, “Still the Beaver” aired to catch us up on the Cleaver family. Beaumont had passed away, but the rest of the cast showed up for the reunion. It led to a reboot that ran for four years from 1985-89 called The New Leave It to Beaver. Beaver and Lumpy run Ward’s business. Beaver lives in their family home. June is still living there, taking care of Beaver’s two boys. Eddie Haskell is still in Mayfield with his son Freddie. Wally is now a lawyer living in town, married and expecting his first child.

Ward and June took a lot of heat for being stereotypical parents in the show. While there was definitely some unrealistic behavior, fans continued to flock to the show for decades and now, almost 70 years after the first airing, it is still on the air and gaining new generations of viewers. June gets made fun of for wearing pearls and high heels, but when she was asked about that, she admitted that she wore the pearls because she had an indentation on her neck that she thought did not look good on film and the pearls covered it up. She said she wore heels because she had to be taller than the boys.

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Mathers is the only remaining primary cast member; the rest of the crew has passed away. He has admitted that the family on television was also close off the air. Mathers became good friends with Ken Osmond. When Dow passed away, Matters wrote, “It is with the utmost sadness I learned this morning of my costar and lifelong friend Tony Dow’s passing. He was not only my brother on tv but in many ways in life as well. Tony leaves an empty place in my heart that won’t be filled. He was always the kindest, most generous, gentle, loving, sincere, and humble man, that it was my honor and privilege to know. Of Beaumont, he said, “we had a good chemistry and . . . I was very glad that he was picked for the role and we had a wonderful friendship for his entire life until he passed away from a heart attack. Hugh and my dad had become friends and he occasionally came to our house to play cards with my father and his friends.” He also had fond words for Billingsley, that she was “a good friend and an even better mentor. . . I was lucky enough to work with her for six years and have a life-long relationship with her. She was a very kind woman and a generous philanthropist who supported many charities.”

Like some of the Brady kids, Mathers thought once he left the show, he left show business behind him. He attended Notre Dame High School in Sherman Oaks, California and had a typical teenage life. He enlisted in the US Air Force Reserves, attaining the rank of sergeant. He also was in a band called Beaver and the Trappers. After graduation, he worked as a loan officer at a bank and got involved in real estate. At the end of the 1970s, he decided to star with Dow in a stage production of “Boeing, Boeing” in Kansas City and afterward, the two of them toured in “So Long, Stanley” for 18 months. In 1981, Mathers began working as a DJ and, not long after, the reunion movie and reboot of the tv show was offered to him.

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I will admit that I have never been a huge fan of Leave It to Beaver. I never thought of it as a bad show, but I was just interested in other shows more. It is pretty incredible that it has been on the air for so many decades and still finds new viewers. I think I gravitate more to The Brady Bunch because it reflects the decade that I grew up in. It must be very strange for a person to live a role for six years, walk away at age 15 or so and then come back to it two decades later. From everything I read, both Mathers and Dow came away from their acting careers unscathed from so much of what you read other child actors had to endure. Along with Ron Howard, they seem to have been able to have a fairly normal life off the set. I think it’s great that Hugh Beaumont became friends with Mather’s father. They seem to have experienced the same great relationships with their tv parents that Patty Duke, Shelley Fabares, and Paul Petersen did. It’s always nice to hear that a show about a favorite American family in pop culture is also a great family away from the set.

Give Me a Sarsaparilla: Hopalong Cassidy

We are celebrating Classic TV for the first month of 2024. Our first choice is a western many kids never missed: Hopalong Cassidy.

📷wideopencountry.com Bill Boyd with Topper

Hopalong Cassidy was introduced to the world by Clarence E. Mulford in 1904 in short stories, and a book was released in 1906. Originally the character had a wooden leg which resulted in his nickname. The first big-screen Hopalong Cassidy film aired in 1935. His nickname was now attributed to a gunshot wound. It starred Bill Boyd, a forty-year-old actor. Boyd’s Hopalong was quite different from the book character. This film Hopalong was a clean-cut hero who drank only sarsaparilla and never took the first shot. By 1948, 66 original movies had been made with ten different sidekicks. That seems like a lot, but from just 1950-1959, about 700 western films were made.

Producer Harry Sherman had become tired of the films. So Boyd invested all of this money buying the rights to the character from Mulford and the rights to the earlier films from Sherman.

In 1949, NBC began showing the older movies on television. Westerns were huge on television, in movies, and in literature in the fifties, and Hopalong became very popular again. Boyd received all the revenue from the merchandise being sold.

📷imdb.com Boyd with Buchanan

Boyd was offered another show in 1952. From 1952-1955, the show was on the air. There was a different format for the new show. Instead of the typical two companions from the films, Edgar Buchanan took on the role of Red Connors. It was Buchanan’s first television role, but it would not be his last. Boyd provided voiceover for the series. He was now a US Marshal instead of foreman of the Bar 20 ranch. Hopalong still fought crime riding his horse, Topper.

The new series was composed of 40 new episodes, along with 12 older theatrical features that were cut down to 30-minute episodes.

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One of the reviewers on imdb discussed the show as “being a couple of notches above most of the contemporaries in quality.” He said outdoor scenes were actually filmed outside. He acknowledged that both Boyd and Buchanan were good actors, and Edgar provided both comic relief and dramatic support. The relationship the actors had, along with good writing, produced several really good episodes. He went on to provide information about three of his favorite shows:

“1. Grubstake–A terrific half-hour mystery. Prospector Percy Helton has struck gold. He was grubstaked by five partners. Two have been murdered. A third is Red. Who is the murderer? There is a slew of suspects in a movie-level cast–Christopher Dark, Michael Fox, Robert Paquin, and Timothy Carey(!). Gladys George steals the show as a flighty landlady engaged in a humorous romance with old codger Helton. The solution to the mystery is first rate.

2. The Feud–Two ranchers are bitter enemies. The son of one is murdered from ambush. Suspician naturally falls on his old enemy, B stalwart Steve Darrell, but foreman Hugh Beaumont, soon to become Beaver’s dad, is the culprit. He is having an affair with Darrell’s wife and hopes to get both her and the ranch when Darrell is lynched for the murder. There are some bitter scenes between the jealous Darrell and his unfaithful wife, and even a hot and heavy one between the woman and Beaumont. Perhaps not original, but certainly an adult slant compared to a typical Lone Ranger or Gene or Roy plot.

3. Lawless Legacy–An ordinary plot but given a big lift by Lone Ranger on vacation Clayton Moore as a vicious murderer.”

The series propelled Boyd back into stardom, and he became a famous celebrity, giving talks around the world. Although Hopalong is not as well known today as The Lone Ranger or the Cartwright Boys, his television show is still considered a classic. In 2009, the US Postal Service issued twenty postage stamps honoring early television programs. In this series, which included The Adventures of Ozzie and Harriet, Dragnet, I Love Lucy, Lassie, The Lone Ranger, Perry Mason, The George Burns and Gracie Allen Show, Boyd was pictured sitting on his horse Topper.

In addition to the films and television series, there were 104 radio shows and hundreds of comic books.

By 1955, Boyd was tired of his role and ready to retire. While he was ready to step out of the entertainment business, he wanted to ensure that his staff would continue to have jobs. CBS was getting ready to air a little show they thought might be successful, and his entire crew moved to that series, Gunsmoke, which continued to provide employment for another two decades.

Hopalong Cassidy’s films on television introduced westerns to an entirely new generation and kept westerns in the spotlight for the decade. By March of 1959, eight of the top ten shows were westerns and the television schedule featured thirty different western shows.

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I think Boyd was smart to purchase the rights and he was definitely in the right place at the right time to benefit during the fifties. And kudos to him for taking care of his cast and crew.

Raymond Bailey: Banking On a Starring Role

Photo: rottentomatoes.com

This month’s blog series is “Time for Some Texas Tea.” We are learning about some of the stars of The Beverly Hillbillies. Today we are banking on getting to know Milburn Drysdale, also known as Raymond Bailey.

Bailey was born Raymond Thomas Bailey in 1934 in San Francisco, California. When he was only a teenager he made the trek to Hollywood to try his hand at acting. He had a tougher time breaking into the business and worked a lot of odd jobs including day laborer in a silent movie theater where he was fired after sneaking into a mob scene which I found pretty funny and creative. He also worked as a stockbroker and a banker which would come in handy later in his career.

Photo: thenationalwwiimuseum.com

When things did not seem to be working out, he moved to New York City. He had no better luck on the east coast than on the west coast, so he joined the crew as a merchant seaman and toured the world, including China, Japan, the Philippines, the Mediterranean, and Hawaii. While in Hawaii, he also worked on a pineapple plantation, acted in the community theater, and sang for a local radio station.

He decided to give Hollywood a second chance in 1938, and he actually began getting some small movie parts. His first credited role was in SOS Tidal Wave. He was Mr. West in The Green Hornet in 1940. He appeared in 30 movies before Pearl Harbor was struck. When the US entered WWII, he joined the US Merchant Marine. After his time was up, he returned to Hollywood.

In 1951, Bailey married Gaby George and they would remain married until his death. I could not learn much about Gaby, but she was born in another country, and they were married in Manhattan. I’m not sure if she came here earlier in her life or met Bailey while he was traveling the world. She would have been 37 when they married, and I believe she received naturalization papers when she was 55.

The Alfred Hitchcock Show “Breakdown” Photo: completehitchcock.com

Raymond continued receiving big-screen roles, and in 1952 he had his first television appearance in Tales of Tomorrow as Congressman Burns. He appeared in forty-six additional series during the decade of the fifties, including The Donna Reed Show, Jack Benny, Burns and Allen, Gunsmoke, and Private Secretary. His movie career continued with roles in 26 films including Sabrina, Picnic, King Creole, and Vertigo. In the mid-fifties, he also explored Broadway with roles in four plays.

While Bailey didn’t abandon his film career, the sixties found him on the small screen the majority of the time. In the early sixties, he could be seen on a variety of shows including Lassie, The Ann Sothern Show, Bachelor Father, Perry Mason, Bonanza, My Three Sons, and Mister Ed. In 1961, he was offered his first regular role as Mr. Beaumont on My Sister Eileen. He appeared in 25 of the 27 episodes of the show.

Photo: ask.com

In 1962 he was offered the role he would become a household name for: Milton Drysdale on The Beverly Hillbillies. His time as a banker helped him manage millions of dollars in the Clampett accounts. Much to his wife’s chagrin, Drysdale talks the Clampetts into buying the mansion right next to his so he can keep a better eye on them and their money. He was their mentor as they adjusted from country life to city life as much as they could adjust.

Unfortunately, Bailey developed Alzheimer’s, and the symptoms began just as the show was ending. The Beverly Hillbillies was canceled during the “Rural Purge” when all country-related shows were ended by the network in 1971. After the series was canceled, Ray only had two acting credits; they were both in Disney movies that came out in the mid-seventies: Herbie Rides Again and The Strongest Man in the World.

With Nancy Kulp Photo: imdb.com

Baily then became a bit of a recluse until his death in 1980 from a heart attack. It sounds like the only non-family member he kept in touch with was Nancy Kulp who played his secretary Jane on The Beverly Hillbillies.

It was fun to learn more about the career of Raymond Bailey. He certainly defined the word “perseverance.” I’m glad he was able to do what he had a passion for. It would have been interesting to see how he would have done in another comedy series. His Alzheimer’s diagnosis probably ended his career twenty years earlier than it would have. It sounds like he found love and a fulfilling career and that is certainly a success no matter what your profession is.

Denver Pyle: Oil Was Just His Side Business

This month we are getting up close and personal with some of our favorite television stars. Today we are getting to know one of the most prolific actors to appear on classic television: Denver Pyle. Denver amassed acting credits for 263 different television series and movies during a fifty-year career.

Photo: Facebook.com

Denver was born Denver Dell Pyle in 1920 in Colorado, but not in Denver, in Bethune. His father was a farmer. His brother Willis became an animator who worked at the Walt Disney Animation Studios and UPA. Also, an interesting note is that Ernie Pyle, the famous journalist and war correspondent, was his cousin.

Photo: reddit.com

After his high school graduation, Pyle enrolled at Colorado State University but dropped out to pursue a show business career. He was a drummer for a band and then bounced around in different jobs including working in the oil fields, working shrimp boats in Texas, and as an NBC page. When WWII began, he joined the Merchant Marine. He was injured in the battle of Guadalcanal and received a medical discharge. Following his stint in the war, Pyle worked as a riveter at a Los Angeles aircraft plant. While there, he was spotted by a talent scout in an amateur theater production. Pyle decided he wanted a career in the entertainment business and trained under Maria Ouspenskaya and Michael Chekhov.

His first movie roles occurred in 1947 in The Guilt of Janet Ames and Devil Ship. He would continue polishing his film career for the next fifty years, with his last big-screen feature being Maverick in 1994.

When he was filming The Alamo with John Wayne in 1960, Wayne realized Pyle had an eye for photography. He made arrangements with the PR office to hire Pyle as the official set photographer for the film.

Photo: ladylavinia’s1932blog.wordpress.com

He received his first television role in 1951 in The Cisco Kid. He gravitated toward westerns and in the fifties would appear in many of them including Roy Rogers, Gunsmoke, The Range Rider, Hopalong Cassidy, Annie Oakley, The Gene Autry Show, The Adventures of Kit Carson, The Lone Ranger, The Adventures of Jim Bowie, and The Tales of West Fargo.

In 1955, Pyle married Marilee Carpenter. They had two children and divorced in 1970.

The sixties still provided many roles in westerns (The Life and Legend of Wyatt Earp, Have Gun Will Travel, Bonanza, The Rifleman, Gunsmoke, and Death Valley Days among others), but he also began appearing on dramas and sitcoms: to name a few, Route 66, The Dick Van Dyke Show, Dr. Kildare, The Twilight Zone, Perry Mason, and Gomer Pyle USMC.

On Dick Van Dyke Photo: sitcomsonline.com

In many of these shows, he returned nine or ten times to guest star in episodes. During the run of Perry Mason, Pyle would play a victim, a defendant, and a murderer on the show.

He received the first recurring roles of his career during this era on sitcoms. On Tammy, he played Grandpa Tarleton in 1965-66, and from 1963-66, he portrayed Briscoe Darling on The Andy Griffith Show. He only appeared in Mayberry six times but left a lasting impression on fans.

After playing Briscoe, Pyle invested in oil, buying oil wells thought to be near the end of their production. In the eighties, technology allowed the wells to produce more oil; Pyle made much more from oil than he did acting. However, he continued his career because he said, “I look at it this way, acting provides the cash flow I need for oil speculation, and besides that, I like acting. It’s fun.”

Doris Day Show Photo: thrillingdaysofyesteryear.com

His career did not slow down too much throughout the seventies and eighties. In the seventies, you could watch him in The Waltons, Streets of San Francisco, Cannon, and Barnaby Jones. The eighties featured him in The Love Boat, Murder She Wrote, Dallas, and LA Law.

During this time, he also received three other regular cast roles. From 1968-1970, he played Doris Day’s father in The Doris Day Show. From 1977-78. He was Mad Jack in The Life and Times of Grizzly Adams, and in 1979-85, he took on Uncle Jesse in The Dukes of Hazard. In fact, his last acting credit was for a made-for-tv movie where he once again portrayed Jesse in The Dukes of Hazzard Reunion! in 1997.

Dukes of Hazzard Photo: twitter.com

In 1991, Pyle married a second time. He wed Tippie Johnston and they remained married until his death. The couple did a lot of fundraising for charity including Special Olympics and Denver Pyle’s Children’s Charities. In addition, Pyle sponsored Uncle Jesse’s Fishing Tournament in Texas. For the ten years, he ran it, it raised more than $160,000 to support children’s needs.

In 1997, Pyle died on Christmas from lung cancer.

If you watch reruns from any decade of classic television, you will be very familiar with Denver Pyle. Although he was part of the cast in five very popular shows, it would have been fun to see him get the starring role in a show. It’s amazing to realize how many shows he was a part of. Considering he was in the television business for forty years and for almost fifteen of those years, he was busy being part of the cast of a weekly show, that left 25 years to amass 250 other series that he found time to appear on; that is almost one a month for 25 years—very impressive.

Bernard Fox: What a Character – Calling Dr. Bombay

We are in the middle of our “What A Character” blog series. No overview of television character actors during the golden age would be complete without Bernard Fox.

As a young tyke, you still expect him to say, “Come along old chap.” Photo: tagswrc.com

Fox was meant to be an actor. He was born to Queenie and Gerald Lawson in Glamorgan, Wales. Both his parents were actors. Fox had his first film role at the age of 18 months. By 14 he was an apprentice assistant manager of a theater.

Bernard served with the Royal Navy during WWII as a minesweeper and then in the Korean War. From 1956-2004 he made more than 30 films. Ironically, he was in two different Titanic movies. In 1958 at the beginning of his career, he was in A Night to Remember and in 1997, at the end of his career, he was in the Oscar-nominated Titanic. He liked to say that he was the only person to survive the Titanic twice.

He began his television career in 1955 when he received a recurring role on the United Kingdom show Sixpenny Corner as Tom Norton. The show was centered around Bill and Sally Norton, a young married couple who ran a garage together. Fox played Bill’s youngest brother.

Titanic 1997 Photo: imdb.com

Eventually, he made his way to the United States. His first US show was in Wire Service in 1957, a show filmed at the Desilu studio. His next seven shows were filmed in the United Kingdom.

Fox mentioned that being a character actor was a mental strain. Early in his career, he had to worry about when the next job would be coming. He did post office work, logging, and other interesting jobs to get by. Once he got to America, he was able to rely on his acting career and didn’t have to moonlight anymore.

In 1962, he married his wife Jacqueline. They had two daughters. The same year he was back on US television with a regular role on The Danny Thomas Show. He played Danny’s English friend, Alfie Wingate. In 1963 he appeared on Ensign O’Toole, The Great Adventure, and General Hospital. The mid-sixties showed him in a variety of shows including McHale’s Navy, Perry Mason, The Dick Van Dyke Show, F-Troop, I Spy, I Dream of Jeannie, The Man From U.N.C.L.E., and The Farmer’s Daughter.

Hello Constable Photo: pinterest.com

He had another recurring role during this era on The Andy Griffith Show as Andy’s friend/valet Malcolm Merriweather. Fox appeared on the show in season three. We see him pedaling his bike next to Andy’s squad car at Andy’s house and says, “Excuse me, Constable.” When Andy understands what he is saying, he explains that he is the sheriff. With all the quirky characters in Mayberry, Malcolm fit right in and it’s a charming scene.

He continued receiving regular work in the late sixties for The Monkees; The Wild, Wild West; Here Come the Brides; and Daniel Boone.

Monkeeing Around Photo: sunshinefactory.com

Bernard did not enjoy his time on The Monkees set. He called them “an amateur bunch of rabble rousers . . . a bunch of unprofessional idiots.” He said that “they’d have cans of chocolates or something in the cupboards and in between shots, they’d be cramming chocolates in their mouths.” Fox was amazed, he said he got used to it but “professionally speaking, I expected a bit more.”

It was in the late sixties that he received the role he may be best known for: Dr. Bombay on Bewitched.

In an interview on bewitched.net, Fox was asked about his popular character, Dr. Bombay. He said that the spin he put on the doctor made him more interesting, saying, “If I’d just gone for an ordinary doctor, you wouldn’t have heard any more about it. But because I made him such a colorful character, that’s why they wanted him back.” He said the character was “easy to write for” and the writers had him being summoned from all over the world. He showed up in a variety of costumes including a wet suit, a football uniform, a toga, a towel, and a matador costume among others.

On Bewitched Photo: closerweekly.com

Bernard discussed the stars on Bewitched. He said Marion Lorne was a “dear lady.” When asked about Agnes Moorhead, he said she was a “thoroughly professional lady” and that praise from her was a thrilling thing to get. He said that he “liked Dick very much, a fine actor. He was a darling man.” And about Elizabeth, he said, “she was always very sweet and knew her lines.” She liked to bet on horses and whenever she won, she treated the cast to a party on the set. He also said once she found out he had a vegetable garden, she got him a subscription to Gourmet Magazine which she renewed every year.

He fondly recalled one episode where he was supposed to be squeezing a lemon into clam dip. When he squeezed it, it went in Elizabeth’s eye. The director yelled, “cut” and re-filmed it, but it happened again. The director said, “Bet you can’t do it a third time,” but he did, so they left it in the show.

Visiting MASH Photo: imdb.com

His career did not slow down in the seventies where you could watch him on The Partridge Family, Night Gallery, Love American Style, Columbo, Cannon, Soap, and MASH. When asked about his appearance on The Partridge Family, Fox said, “Oh, I loved Shirley, she’s a doll, she’s a really nice lady.”

Following the pattern, he also had a recurring role in this decade as Colonel Crittendon on Hogan’s Heroes. As Crittendon, he was incompetent and dense and drove Colonel Hogan crazy with his ineptness.

Colonel Crittendon Photo: pinterest.com

In his bewitched.net interview, Fox also discussed his role on Hogan’s Heroes a bit. He said that in one episode he had hidden some maps in a corn bin. When he lifted the lid, it came down on his head. He just put the lid up and carried on with the script. When the director asked about reshooting, Fox said it was fine, and they left it in the film. He did say when he was playing a role on Hogan’s Heroes and Bewitched at the same time, it could get a bit confusing. They typically worked it out. For example, he said one time the studios agreed that Fox would be on the Bewitched set Tuesday and Wednesday and on Hogan’s Heroes Thursday and Friday.

Offers did slow down a bit in the eighties and nineties, and he ventured into animation work during those two decades. However, he still accepted offers for Fantasy Island, Lou Grant, The Love Boat, Hart to Hart, The Jeffersons, Simon and Simon, and Murder She Wrote among others.

His last acting credit occurred in 2001 for Dharma and Greg.

Not only was Fox an actor but he was an expert in history of the theater. For fun, he enjoyed gardening, painting landscapes, and performing magic.

Photo: walmart.com

In 2016, Fox died from heart failure.

I’m so glad he was able to find a successful career on television in the United States. After learning in a previous blog what a legend Marion Lorne was in England where she lived much of her life, I like to think about Aunt Clara and Dr. Bombay sharing some time talking about the delightful English ways that they missed. Hopefully they served tea on the set once in a while.

Matlock: Charming but Cantankerous

We are winding down our blog series, One-Named Detectives, and today we have Matlock on the hot seat. In the mid-1980s, Andy Griffith returned to television, starring in Matlock, a legal drama created by Dean Hargrove. The show’s concept was similar to Perry Mason which was also created by Hargrove. During its run from 1986-1995, the show was produced by a variety of companies including Intermedia Entertainment Co., The Fred Silverman Co., Dean Hargrove Productions (which was named Strathmore Productions during the first two seasons), and Viacom Productions.

The show began its life on NBC before moving to ABC from 1992-1995. In 1997, Matlock was featured on a two-part episode of Diagnosis Murder which aired on CBS. During this episode, we learned that early in his career, Dr. Sloan (Dick Van Dyke) had convinced Matlock to invest his life savings in the 8-track tape company and he lost it all. He was forced to buy cheap suits and survive on hot dogs and both things became habits that continued even after he had money again.

Ben Matlock was a folksy and well-liked, but grumpy, attorney. Ben attended Harvard Law School, followed by a few years as a public defender before opening up his own practice in Atlanta. He lives in a contemporary farmhouse and only drives Ford Crown Victorias.

Matlock was apparently based on Georgia lawyer Bobby Lee Cook who was also known for his legal skill and down-home charm. One of his most famous cases was defending former running back Bobby Hoppe. Hoppe was on the Auburn 1957 championship team and three decades later was charged for murder of a bootlegger in 1957; the case ended with a hung jury. Hoppe played for a short time with the Washington Redskins and the San Francisco 49ers. After his football career he returned to school and obtained his BS and Masters in Education. In 2010, his wife wrote that Bobby had indeed killed the bootlegger, Don Hudson.

Matlock - The Thief (1989) - Coins on Television
Photo: BrianRxm.com

Matlock, a widower, is also known for being a bit cheap despite his $100,000 standard fee, the equivalent of about $240,000 in 2021. However, he has been known to waive a fee or let a client pay in by installments. During most episodes, he finds an overlooked clue at the crime site a la Columbo.

Best Matlock Episodes | Episode Ninja
Matlock from Season 1 with Linda Purl and Kene Holliday Photo: episodeninja.com

The cast changed during the run of the show. In season one, his daughter Charlene (Linda Purl) is a partner before moving to Philadelphia to set up her own practice. Tyler Hudson (Kene Holliday) is his private investigator for the first three seasons. Conrad McMasters (Clarence Gilyard Jr.) takes over that job for seasons 4-7, followed by Cliff Lewis (Daniel Roebuck). Season 2 features Cassie Phillips (Kari Lizer), Ben’s file clerk. Michelle Thomas (Nancy Stafford) is an American lawyer living in London, an equal partner of Matlock’s for seasons 2-6. Ben’s daughter Leanne MacIntyre (Brynn Thayer) comes on board for seasons 7-8 as Thomas’s replacement. Finally, Julie March (Julie Sommars) is a district attorney, Matlock’s rival in court, and his good friend of Ben’s from season 3-6. Those are a lot of cast changes to keep straight!

There were also a variety of recurring characters, primarily from the police department. Don Knotts, who worked with Griffith on The Andy Griffith Show, was Les Calhoun, Ben’s next-door neighbor from seasons 3-6.

27 Matlock ideas | matlock, andy griffith, favorite tv shows
Together Again: Knotts and Griffith Photo: pinterest.com

In addition to Knotts, other cast members of the old show who appeared on Matlock included Aneta Corsaut, Jack Dodson, Betty Lynn, and Arlene Golonka.

Daniel de Vise wrote the book Andy and Don: The Making of a Friendship and a Classic American TV Show in 2015. He relayed that “Andy harbored enormous ambitions for Matlock. He envisioned Ben Matlock as a sort of antihero, more complex than Andy Taylor, vain, uncultured, cheap, and vaguely unlikable.”

Dean Hargrove didn’t like that vision of the character. He felt the character’s darker characteristics were being exposed and wanted Griffith to “humanize” him.

However, de Vise said it was “Andy who imbued Matlock with humor. Over its nine-year run, Matlock became an increasingly whimsical series, with the formality of the early episodes giving way to a looser, warmer more Southern style.” He said Griffith knew his new show was a drama but also understood how to lighten things up just enough. As de Vise explained–“The humor was often subtle: a raised eyebrow or gentle groan when Matlock heard something he didn’t like or a drawn-out ‘Nooo,’ just like Barney Fife used to do it.”

Matlock’s theme song was written by Dick De Benedictis specifically for the show. De Benedictis had more than 90 composing credits and produced music for a variety of genres of shows. He composed music for Perry Mason, Columbo and Diagnosis Murder as well.

The show began life on Tuesdays at 8 pm EST and continued for five years until it moved to Fridays at 8 pm EST. In season one, the show was in the top 20 and up against Who’s the Boss and Growing Pains on ABC which were both in the top 10. In 1991 it dropped out of the top-rated shows and moved to Thursday nights. In 1992 it beat out several shows throughout the year in those time slots and jumped back into the top 30. It stayed in that schedule for the remainder of its run, never cracking the top 30 again and its last year faced the tough competition of Friends.

After nine years on the air, the show ended because Andy wanted to spend more time with his family.

Grandpa Simpson mentions the show on The Simpsons. In “Whacking Day,” he relates “I’m an old man. I hate everything but Matlock.”

The show’s seasons were released on DVD from 2008-2015.

Matlock has been popular in reruns, showing up at various times on TBS, Hallmark, CBS Drama, WGN, FETV, and MeTV.

Andy Griffith | Biography, TV Shows, Movies, & Facts | Britannica
Photo: brittanica.com

With 181 episodes, Matlock had a long and successful run. After playing Andy Taylor for so many years and having the show available in syndication after it went off the air, it would be tough to create a more popular character. Between the two shows, Griffith had three unsuccessful shows in The New Andy Griffith Show, Headmaster, and Salvage 1.

Andy Griffith dies at 86 | MPR News
Photo: mprnews.com

But with Matlock, Griffith was once again able to play a southern character who he made the show his own. You can’t compare the two shows, but on its own evaluation, Matlock is a well-written and well-acted show and deserves to be watched on its own merits.

Allan Melvin: What a Character!

We are winding down our blog series, “What A Character.” If you watched television between 1959 and 1989, you will definitely recognize this week’s character actor: Allan Melvin.

Category:Characters voiced and/or played by Allan Melvin | Legends of the  Multi Universe Wiki | Fandom
Photo: wikipedia.com

Melvin was born in 1923 in Kansas City, Missouri, but he always said he grew up in New York City where his parents moved to not long after his birth. After high school, he attended Columbia University, studying journalism before joining the US Navy in WWII.

He married Amalia Sestero in 1944 and they were together for his entire life and had two children. Amalia was also an actress and Melvin met her when he attended an actor’s group that she helped start.

All in the Family Star Allan Melvin Dies at 84 | PEOPLE.com
Photo: people.com

After being discharged from the Navy, Allan worked in the sound effects department of NBC Radio. He also had a nightclub act. He was on Arthur Godfrey’s Talent Scouts radio show which he won. His first television role was that of Corporal Steve Henshaw on The Phil Silvers Show. Melvin’s wife remembered that time fondly: “I think the camaraderie of all those guys made it such a pleasant way to work. They were so relaxed.”

After the show ended, Melvin was often typecast as a military character or the abrasive, but happy-go-lucky guy. Even when he was not a recurring character, he often had multiple appearances on a series.

Allan and Amalia moved their family to California, hoping for more television roles in the early sixties.

Throughout the sixties, Melvin was kept busy with television work, appearing on The Danny Thomas Show, The Bill Dana Show, Perry Mason, Lost in Space, Love American Style, and The Andy Griffith Show. He had two recurring roles: Art Miller on The Joey Bishop Show and Sol Pomerantz on the Dick Van Dyke Show.

Allan Melvin Bio
Photo: imayberry.com

He was often cast as the tough guy on The Andy Griffith Show, with eight appearances in all. Melvin discussed his time on the show and said “I always enjoyed doing the show. We had a lot of fun doing it, and they were a great bunch.”

From 1965-1969 you could find him on Gomer Pyle USMC as Sergeant Charlie Hacker.

As early as 1963, Melvin was doing voice work on The Flintstones.  His animation work would continue throughout his career and after about 1974, cartoon voices were his only gigs. One of his best-known roles is Magilla Gorilla.

Magilla Gorilla. | Cartoon photo, Classic cartoon characters, Vintage  cartoon

I’m not sure why, but Melvin only appeared in one movie, although it was a good one.  He was the desk sergeant at the end of the Doris Day-Brian Keith film, With Six You Get Eggroll. A couple of Andy Griffith writers wrote the screenplay, and Howard Morris, known as Ernest T Bass, directed the film.

In the 1970s he was cast in his two most memorable roles.

The Brady Bunch - Alice Nelson (Ann B. Davis) and her boyfriend Sam "The  Butcher" Franklin (Allan Melvin) pose … | The brady bunch, Old tv shows,  Classic television
Photo: pinterest.com

He was Sam Franklin, Alice’s boyfriend on The Brady Bunch. Sam owned a butcher shop and was an avid bowler. In a later movie, we learned that he finally made an honest woman of Alice. Ann B Davis said “Allan Melvin, neat guy, very tall. He was just a nice, open, big guy, and it was fun to play with him.”

He was also neighbor and friend of Archie Bunker as Barney Hefner on All in the Family and Archie Bunker’s Place. Allan said it was a good experience and everyone’s input was welcome. Jason Wingreen, who played Harry the bartender on the show talked about Melvin in anther wordpress blog, classictvhistory (https://classictvhistory.wordpress.com/tag/allan-melvin/). When asked if he was the same in person as he was in character, Wingreen said, “He was more intelligent than that. Allan wrote little poems, little couplets of sorts, and they were very funny. Like limericks, but not quite limericks. Some of them were very intelligent and very, very funny. Never published. Allan and I became very close friends.”

Actor who summered in TC dies at 84 | Local News | record-eagle.com
With Carroll O’Connor on Archie’s Place Photo: record-eagle.coom

Melvin also did a lot of commercial work.  You could see him pitching products from Sugar Frosted Flakes to Remington razors to Liquid Plumr. He was the plumber for Liquid Plumr for fifteen years.

Liquid-Plumr ad w/Allan Melvin, 1981 - YouTube

In 2008, Melvin died from cancer.

Melvin certainly had a career to be proud of. One thing I never learned was when he decided that acting was the career he wanted. He became one of the most beloved and most-recognized character actors in the sixties and seventies–definitely a character worth celebrating.