The Love Boat: Overflowing with Celebrities

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This month in Casting for Celebrities, we are looking at some of the shows that used television and movie stars in their casts every week. The Love Boat was on the water from 1977 until 1986. An extension of the show, The Love Boat: The Next Wave, was on from 1998-1999 with many of the original characters.  There were also four three-hour specials aired in 1986, 1987, and 1990.

If you are one of the five people in America that have never seen the show, it aired on ABC on Saturday nights. It was another Aaron Spelling production like Fantasy Island which we discussed last week.

A book, The Love Boats, by Jeraldine Saunders who was a cruise director for a passenger cruise line was used as the basis for the original made-for-tv movie in 1976.

The stars on this show played guests (and occasionally themselves) on the MS Pacific Princess run by Captain Merrill Stubing (Gavin MacLeod). His crew included Dr. Adam Bricker (Bernie Kopell), Purser Gopher Smith (Fred Grandy), bartender Isaac Washington (Ted Lange), and cruise director Julie McCoy (Lauren Tewes). In season three, Stubing’s daughter Vickie (Jill Whelan) came aboard. During the last three seasons, photographer Ace Covington Evans (Ted McGinley) joined the group and Judy McCoy (Patricia Klous) who was Julie’s sister took her place for the final two seasons.

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Lucky crew, this series was sometimes set on board the Pacific Princess or the Island Princess, depending on their schedules. A handful of other boats were used in several episodes and movies as well. Many of the shows were filmed in California. Unfortunately, both the Pacific Princess and the Island Princess were sold for scrap in 2013 and 2015 respectively.

Each episode contained several stories and all three titles are combined in one series title; for example “Captain & the Lady/Centerfold/One If by Land.”

Jack Jones sang The Love Boat theme. (Note: Dionne Warwick recorded the song for the final season, but I never learned why.) The lyrics were written by Paul Williams and the music was composed by Charles Fox. The words were:

Love, exciting and new
Come aboard, we’re expecting you
Love, life’s sweetest reward
Let it flow, it floats back to you

Love Boat soon will be making another run
The Love Boat promises something for everyone
Set a course for adventure
Your mind on a new romance

Love won’t hurt anymore
It’s an open smile on a friendly shore
Yes, love
It’s love

Love Boat soon will be making another run
The Love Boat promises something for everyone
Set a course for adventure
Your mind on a new romance

Love won’t hurt anymore
It’s an open smile on a friendly shore
It’s love, it’s love, it’s love
It’s the Love Boat, it’s the Love Boat

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For its first seven seasons, the show was very successful. It usually ranked in the top twenty. However, after falling out of the top thirty and then the top fifty the next year, the show was canceled after nine years.

Spelling offered McLeod the role of Captain Stubing. Ted Lange did not have to audition. He was offered the role after being seen on a previous show, That’s My Mama. Spelling’s first choice for Dr. Bricker was Dick Van Patten but because he was involved with Eight is Enough, Kopell got the role. Lauren Tewes was chosen from a group of more than a hundred actresses auditioning for the role.

More than 550 guest stars appeared on the show during its run. There were movie stars like Gene Kelly, Ginger Rogers, and Joan Fontaine. There were Broadway stars including Ethel Merman and Robert Goulet. TV stars abounded like Don Adams, Lorne Greene, Florence Henderson, and Eve Arden. Music was represented by The Pointer Sisters, Cab Calloway, and Janet Jackson. Sports stars were on board including Dick Butkus and Joe Namath. And then there were the celebrities like Bob Mackie and Andy Warhol. Marion Ross holds the record with 14 appearances.

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For some reason, The Love Boat does not have the same “time warp” problems as Fantasy Island. It’s been translated into more than 29 different languages and appeared in more than 93 countries. It’s very popular in syndication.

Before the Hallmark Channel debuted, this is where you went to watch people fall in love every week. It’s hard to remember how many people just happened to run into an ex on the ship or meet the perfect soul mate after being mistreated.

Apparently, the cast is still close. In a recent interview, Lange said his experience on The Love Boat was life changing. He also said that the beauty of the show was that they are all still friends. “I just directed Fred in ‘Give ‘em Hell Harry’ in Indiana and I’m going to New York to stay with Bernie and his wife. . . . Bernie is more like my brother, and Fred is like my best friend.”

Whelan described McLeod as an “incredible, protective man. He was just like a dad.”

If you need a reminder that love is still alive and well, you can check out the show on DVD or on ME TV on Sundays.

When Things Were Rotten: No “Happily Ever After” for this Tale

This month’s series is “Living in the Past: Timeless Comedies.” For our first blog, we travel back to the 12th century to Sherwood Forest to a time When Things Were Rotten. After viewing one episode of this show, you knew it could only have been created by the comic legend Mel Brooks. In this case, he had the help of John Boni and Norman Stiles.

Photo: nostalgiacentral.com

Debuting in 1975 on ABC, Brooks considered what life would have been truly like if the legend was just hype, and Robin and his Merry Men were just a bunch of buffoons. The series has many of the traits found in Brooks’ Blazing Saddles or Monty Python episodes.

Reading the list of brilliant cast members, this show seems like one that should have been a huge hit, but in reality, it only lasted for thirteen episodes. Based on its brief airing, perhaps Robert Klein was wise to turn down the role of Robin. Dick Gautier, who worked with Brooks on Get Smart, agreed to take on the role of the heroic leader. Henry Polic II played the Sheriff of Nottingham who always got taken in by the gang. Ron Rifkin is Prince John. Misty Rowe, known best for her Hee-Haw performances, is Maid Marian. The Merry Men were indeed merry, being made up of Bernie Kopell, Dick Van Patten, Richard Dimitri (who had a dual role as identical twin brothers), and David Sabin.

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Of course, in this parody, slapstick is involved in every episode. The sight gags were always described as hilarious, and every script was full of great one-liners. It was definitely not everyone’s cup of tea. For example, at times the sheriff was said to be barking mad and he would literally bark. In one episode, the “barking” sheriff asks Bertram to hang up some banners and a cutaway scene shows a husband, wife and two children on a wall saying, “Hi, we’re the Banners.” Another example is Richard the-Lion-Hearted coming ashore after the Crusades to be met by an umpire, yelling “Safe,” at which point the sheriff shouts, “Kill the umpire.” The humor came fast and furious at a rapid-fire pace. Brooks described the construction of the show by saying: “We took great liberties, and the writing was very crazy and funny.”

Photo: imdb.com

Unlike some parodies, the production of the show was high quality with lavish costumes and sets. Every episode featured a well-known guest star. Dudley Moore appeared as a piano-playing sheik named Achmed Muhammad Ben Gazzara. Other stars included Carl Ballantine, John Byner, Sid Caesar, Paul Williams, and Mel Brooks himself. Brooks said his favorite episode was “The French Disconnection” starring Caesar as a French ambassador.

Photo: imdb.com

The theme song was written by Lee Adams and Charles Strouse who had done the well-known theme for All in the Family as well as many composing for many popular musicals. The lyrics were:

“Once upon a time when things were rotten,
Not just food, but also kings were rotten.
Everybody kicked the peasants,
Things were bad and that ain’t good,
Then came Robin Hood (Ba-bahh!)

“Soon a band of merry men he’d gotten,
They wore outfits made of plain green cotton,
Helping victims was their business.
Boy oh boy was business good —
Good for Robin Hood!

“They laughed, they loved, they fought, they drank,
They jumped a lot of fences.
They robbed the rich, gave to the poor —
Except what they kept for expenses!

“So when other legends are forgotten
We’ll remember back when things were rotten.
Yay for Robin Hood!”

When Things Were Rotten was definitely a product of its time. Like Laugh-In or even Sesame Street, viewers had no time to reflect on a comment. Things moved at a frenetic pace. One of the New York Times critics, John O’Connor, timed the gags and noted there was a new one every fifteen seconds.

Photo: imdb.com

The critics gave the series great reviews and mentioned its inventiveness and quick humor. The ratings never backed up the praise however. Brooks had a different perspective. In an interview with Frank DeCaro in the New York Times (7-19-2013), Brooks discussed the show’s ending. “The show was canceled, Mr. Brooks said, not because it failed to find an audience — ‘The ratings weren’t bad,’ he insisted — but because, as a one-camera show, shot like a film, it just cost too much to produce. ‘I was very happy with When Things Were Rotten,’ he said. “We were on our way to doing 36 episodes, and then someone at Paramount called and said, ‘Mel, could you do it as a three-camera show?’ I said, ‘You mean like “I Love Lucy”? Are you crazy?’” When the network pulled the plug, Mr. Brooks remembers, friends offered their condolences. ‘Everybody said, ‘I’m sorry it didn’t work.’ I said: ‘It did work. It was just too expensive.’”

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The same reason many viewers might still appreciate the show today is also one of the factors of its demise. The show depended on fans knowing a lot of pop culture knowledge. People who love cultural history would have a blast watching the show, but the younger generations whom don’t have that database in the brain might feel disconnected.

Photo: imdb.com

Of course, the television schedule always has a lot of sway about whether a show is a hit or a flop. This show was on Wednesday nights. Its competition was Tony Orlando and Dawn and Little House on the Prairie. While Tony Orlando and Dawn was on its last legs and would not return in 1976, Little House on the Prairie was very popular. This was the second season for the show which had a huge audience; the show would continue until 1983.

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Comedy legend Mel Brooks

The show might have ended, but Brooks could not let the concept go. In 1993, his film, Robin Hood: Men in Tights would continue the concept. In this version, Cary Elwes as Robin leads his men, but if you look closely, you might think The Abbot (Dick Van Patten) resembles Friar Tuck in When Things Were Rotten.

Photo: imdb.com

One interesting technological advancement is that a show like this typically would never have been released on DVD because of its short run. Now, however, manufactured-on-demand makes the show available on Amazon. It’s the perfect length for a week-end marathon. You might realize that When Things Were Rotten, they were also pretty good and funny.

“I’m a neurotic nut, but you’re crazy!”

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Today we learn about the story behind The Odd Couple.  I think that this show is one of the most under-appreciated shows out there. It came at a time when shows like The Mary Tyler Moore Show, The Bob Newhart Show, and M*A*S*H were being acclaimed for their sophisticated writing and depth of characters.  The Odd Couple achieved these same credentials. Garry Marshall learned the importance of character-driven scripts during his time writing for The Dick Van Dyke Show. Ironically, Marshall wrote 18 scripts for The Dick Van Dyke Show and Jerry Paris (Jerry Helper on The Dick Van Dyke Show) directed 18 episodes for The Odd Couple.

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In March of 1965, the play debuted. Written by Neil Simon, The Odd Couple was based on the real-life experiences of his brother Danny. The play ran for 966 performances and was nominated for a Tony that year. In 1968, a movie was made starring Walter Matthau as Oscar Madison and Jack Lemmon as Felix Unger. Simon signed away his television rights. When Garry Marshall and Jerry Belson developed the series, it was listed as “Neil Simon’s Odd Couple. Simon objected to his name being associated with the show, because he said he did not know what the writing would be like. His name was removed, but he did come to appreciate the series, and he had a cameo role in the episode “Two on the Aisle” in 1974.

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The show was on the air for five years from 1970-1975, producing 114 episodes. Tony Randall was hired first.  Both Dean Martin and Art Carney were considered for the part of Felix. Randall was pushing for Mickey Rooney to get the role of Oscar.  Martin Balsam was also under consideration. Garry Marshall fought hard for Jack Klugman, and eventually Klugman received the part. Both Randall and Klugman had starred in different versions of the play.

The show was on the verge of cancellation every year, but the summer ratings were always so high that the show continued to be renewed. Jack Klugman had high hopes for the syndication of the show, and he convinced Tony Randall to give up part of his salary for syndication rights. Klugman was right; in the 1980s, the show was on the air on several channels. Although the show never cracked the top 30, critics liked the show and it was nominated for an Emmy three times for Outstanding Comedy Series. Both Klugman and Randall were nominated for Emmys every year the show was on the air for Outstanding Lead Actor in a Comedy Performance; Klugman won in 1971 and 1973 while Randall took home the award in 1975.

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This was the memorable introduction to the show each week:

“On November 13, Felix Unger was asked to remove himself from his place of residence. (A door slams shut, only to reopen and we see someone angrily hand Felix his saucepan) That request came from his wife. Deep down, he knew she was right, but he also knew that someday, he would return to her. With nowhere else to go, he appeared at the home of his childhood friend, Oscar Madison. Sometime earlier, Madison’s wife had thrown him out, requesting that he never return. Can two divorced men share an apartment without driving each other crazy?”

Bill Woodson narrated the opening. The actions of the two leads during the credits changed a bit from year to year but centered around Oscar being a slob and Felix being a neat freak.

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There were several variations about how Felix and Oscar met.  As you can see in the opening, they were mentioned as being childhood friends. However, in the first season, one of the episodes recalled a murder trial where Felix and Oscar were jurors, claiming they met then.  Later several episodes mentioned them meeting in the Army. In Season 3, the word “childhood” was removed from the opening segment.

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During the first season, the show was filmed in the same apartment as the movie version. It was done with one camera and a laugh track.  For the second and subsequent years, three cameras were used, and the laugh track was replaced by a live audience.

Oscar and Felix lived at 1049 Park Avenue, an existing address in New York. The actual building was used for the opening credits and exterior shots. Almost all the exterior shots feature two cars: a 1966 Ford 4-door station wagon and a red VW Beatle. Fans still visit the building, and occasionally mail is delivered for Oscar or Felix.

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Many of the show’s details were adapted from real life. Brett Somers played Oscar’s ex-wife and just happened to be his ex-wife in real life. Oscar and Klugman both followed horse racing. Oscar wrote for the New York Herald.  The Herald did exist from 1835-1924 when it merged with the Tribune.

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Felix’s kids were named Edna and Leonard. Tony Randall’s middle name was Leonard, and his sister’s name was Edna. Felix moved out of the house November 13, Garry Marshall’s birthday. Randall and Felix both had an appreciation for opera and classical music.

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Oscar was a hot dog and beer guy while Felix was a filet mignon and red wine person.

ABC was always worried about the issue of homosexuality. As a prank, Klugman and Randall would occasionally provide improvised dialogue to send to the network just to get them worked up.

As mentioned earlier, Brett Somers played Oscar’s ex-wife. Randall’s ex-wife Gloria was played by Janis Hansen. Pamela Ferdin had the role of Edna, while the role of Leonard was played by two different actors who would both go on to become teen idols: Willy Aames and Leif Garrett.

Al Molinaro played Murray the cop, the guys’ friend and one of the regular poker players. Penny Marshall played Oscar’s secretary Myrna Turner. Elinor Donahue played Miriam Welby who was Felix’s girlfriend until the last season. The last episode of the series reunites Felix and Gloria who remarry.

There were many celebrity guest stars on the show for the five-year run, and many of them played themselves. Some of the famous faces to appear on the show include Martina Arroyo, Roone Arledge, Dick Clark, Roy Clark, Howard Cosell, Richard Dawson, Richard Fredricks, Monty Hall, Hugh Hefner, Billy Jean King, Allen Ludden, Jaye P. Morgan, Bobby Riggs, Bubba Smith, Betty White, Paul Williams, and Wolfman Jack. Garry Marshall shows up four different times on the show–as a drummer, as Werner Turner, and as Man 1 and Man 2.

Two of the best-loved episodes were “Password” and “Fat Farm.”

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In “Password,” Oscar Madison  is invited to be a celebrity guest on Password after he runs into the show’s host, Allen Ludden, and his wife, Betty White, at a restaurant. Because  Felix loves Password, he begs Oscar to accept the invitation, and to bring Felix along as his partner. During the taping, Felix overthinks every clue. When Oscar says “meat,” Felix says “Lincoln” (because “Lincoln loved mayonnaise”). When the password is “bird,” Felix gives Oscar the clue “Aristophanes” (because Aristophanes wrote The Birds). “If Charlie Chan had these clues, he’d be running a laundry,” Oscar grumbles. But the game isn’t a total disaster. When Oscar gets the password “ridiculous,” he gives Felix the clue “Aristophanes” right back, and Felix responds correctly. The friends lose the game but not their friendship.

In “Fat Farm,” proving he’s in top shape, Felix stands on his head and jumps onto a desk (earning Randall applause from the audience), while Oscar can barely make it through a couple of push-ups. Oscar rationalizes why he should not go on Felix’s annual two-week visit to a health camp–“I like my blubber! It keeps me warm, it keeps me company, it keeps my pants up!.” Felix wears him down, so Oscar goes along. It makes him crazy that the camp serves imaginary desserts and bans food from the bedrooms. Soon Oscar discovers a delicatessen just down the road and undertakes a smuggling operation.

Jack Klugman and Tony Randall developed a very close and life-lasting friendship during the years they appeared together as Oscar and Felix. After the show was cancelled, they continued to see each other often. They performed in regional productions of The Odd Couple from the late 1980s through the mid 1990s. They appeared in commercials as Felix and Oscar for Yoplait yogurt, Yahtzee, and Eagle snacks. They even recorded an album “The Odd Couple Sings” for London Records.

On March 23, 2001, Larry King Live featured Jack Klugman and Tony Randall. This clip from the show gives us a good idea of what their friendship meant to them.

KING: Was it as much fun doing it, Tony, as it appeared there?

RANDALL: Yes, yeah. Especially working with Jack. It sounds as if I’m saying the right thing, but it’s true. But acting has always been fun for me. I’d rather act than do almost anything else.

KING: Did you — Jack, was this a natural simpatico between the two of you? It just happened?

KLUGMAN: Oh yeah, it happened so beautifully. Like, we had maybe five pages that would remain — from Monday when we read the script — five pages would remain by Friday by the time we did it.

If for instance, he had to teach me manners, it would be Tony teaches Jack manners, and it would be four blank pages, and then we’d improvise. And he’s the best improviser in the world. He taught me how to improvise. People when they improvise, they talk, talk, trying to fill time. He would provoke — I had to teach him football, right? He knows it, he watches sports all the time. But instead of — I said, all right, now get down, so he came next to me. So, I said we’re not the Rockettes, come over here. And then he put his face right here, and I said, I don’t want to dance with you. So, he would provoke you into saying something funny. That’s true improvisation. It was wonderful. I had a great time. I learned a lot.

KING: Was it natural for you too, you and him?

RANDALL: It just clicked.

KING: It just clicked?

RANDALL: That doesn’t always happen.

KING: No.

RANDALL: It doesn’t even happen always with good actors.

KING: You could put two good actors and put them together, and it doesn’t necessarily mean it will work, right?

RANDALL: That’s right, that’s right.

KING: So, there has to be a natural chemistry?

RANDALL: A spark. You can’t explain, you can’t predict it.

KLUGMAN: But you also, if I may say, you both got to want the same thing, which is the best show you can put on. See, I mean, we were not interested in billing or in stardom. We wanted this to be the best show we could. And we never had any of that, I should get more, he should get more. We never, ever had that kind of argument, never. We may have discussed what’s funny to him, what’s funny to me, and we’d work it out. But it was wonderful that way. There was no jealousy.

. . .

CALLER: And I was very touched by that, and I was wondering if you could tell us how much your friendship has played a part in your life and your careers and forgive me if you’ve already talked about that.

KING: Good question. Tony?

RANDALL: Well, perhaps this is an odd thing to say. I’ve had almost no friends in my life. Very few. You count them on this many fingers, so the friendship with Jack is pretty important.

KING: Why?

RANDALL: I don’t know. I was married for 54 years. And we didn’t have children, and we were sufficient to each other. And we didn’t have friends. We were just a little world. And we were happy. And we had almost no social life. And my friendship with Jack just grew and it was about the only friendship I had.

KING: Do you agree The Odd Couple is about friendship?

RANDALL: It’s about male bonding, absolutely. That’s what the play’s about.

KING: Jack, what kind of friend is Tony Randall to you?

KLUGMAN: He’s the best.

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Tony Randall passed away in 2004 at age 84 from pneumonia following heart surgery. Following Randall’s death, Jack Klugman authored a book with Burton Rocks titled Tony and Me: A Story of Friendship which was published in August of 2005. He wanted to pay a tribute to his friend and hoped to raise money through royalties which would enable a theater to be named in honor of Randall. Klugman talks about the Broadway that existed when they were young and how it influenced each of them. He said Randall founded the National Actors Theater with $8,000,000. He worked diligently to promote it from 1991 when it opened until his death in 2004. And he paid $35,000 a week to bring local students in to expose them to good theater. After his death, it disbanded.

I could not find a Tony Randall Theater, but I was able to locate the Tony Randall Theatrical Fund which supports “nonprofit theater companies, innovative productions, initiatives in art education, and arts-based community outreach programs.”

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In commenting on Randall’s death, Klugman said “My favorite episode of The Odd Couple was one where we were on Password. They were throwing Tony off the show, and he had a great adlib. He said, ‘Oh, boy, what a gyp!’ And that’s the way I feel now. What a gyp.”

Jack Klugman died in 2012 from prostrate cancer at the age of 90.

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It’s nice to learn that Felix and Oscar were truly the friends we thought them to be in real life. With all the articles currently being written about the lack of male friendships and how detrimental that is on men’s health, these two were good role models.

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In 2005, the American Booksellers Association posted an interview with Klugman on November 3, written by Tom Nolan. Jack was discussing some of the book events he attended and what it meant to him to talk with viewers who watched and enjoyed The Odd Couple. He received intimate feedback from strangers about why the show was important to them. He said “You know you do a show, and you do the best you can. We used to work until eleven o’clock every night on The Odd Couple, to make it good. Now it’s 30 years since it’s been off the air, and I go around, and people say: ‘I grew up with you. I sat on the couch with my mother or my father, and we laughed with you.’ And suddenly the people have faces, and names, and feelings. It’s been invigorating! You know, you don’t count on that; you don’t know that you’re really entertaining people or having an effect on people’s lives. I had a guy from Sports Illustrated who did an interview with me say he became a sportswriter because I was a sportswriter on The Odd Couple. Yeah, it’s like wow, you’re kidding. Now I’m getting this in person, and I really love it.”

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We all thank you Jack Klugman and Tony Randall for the entertainment you provided and the friendship you created!