My Sister Sam: Sisters in Every Way

May 6, 2024December 15, 2023 / thewritelife61 / 2 Comments

This month our blog is all about Sibling Rivalry. It’s a bit unusual because it features two sitcoms and two dramas. I thought it might be fun to start and end with the sitcoms, and today we are learning all about My Sister Sam.

From 1986 to 1988, My Sister Sam aired on CBS. Samantha Russell (Pam Dawber) is a freelance photographer who lives in San Franciso. Her life is turned upside down when her 16-year-old sister Patti (Rebecca Schaeffer) shows up on her doorstep to live with her. They are 13 years apart in age, and Patti had been living with their aunt and uncle in Oregon since the death of their parents. In real life, Schaeffer grew up in Oregon.

The cast is rounded out by coworkers Jordan Lucas, Sam’s agent (Joel Brooks); her assistant Dixie (Jenny O’Hara); and neighbor/photojournalist Jack (David Naughton), who is a ladies’ man.

The sisters have great chemistry, but they have very different personalities. Sam is a bit uptight and alphabetizes her juices in the refrigerator. Patti is a Valley girl, very laid back and a wanna-be rock star who plays the guitar.

In a Chicago Tribune interview in 1987, Dawber gave her philosophy of the show: “I see Sam as a woman who’s successful, who has a beautiful apartment but who doesn’t have the answers. Plus, she has to cope with a teenager who’d put her sister on a pedestal—she moved in because she thought Sam’s life was perfect—but finds out that she’s pretty neurotic. I mean, here is a woman, for openers, who’s compulsively neat, who needs to have control in her life.”

Their personal relationship mirrored their television one. Dawber said she considered Schaeffer a sister. She mentored her and even invited her to move into her home in LA where Dawber lived with Mark Harmon, her then-boyfriend, now husband. Dawber said that “We just kind of fell into this sisterly thing, . . . Cause I’d had a sister. My sister passed away when she was 22 and I was 25. And so having another young girl in the house was something I was very comfortable with. It was good for us.”

Pam Dawber’s production company, Pony Productions, developed the show created by Stephen Fischer. The screenplay was written by Fischer and Diane English. Dawber wanted to base her character a bit on Mindy from Mork and Mindy. She said that she was “not a comedian. I’m a reactor to all the zany people who revolve around me.” English and Mimi Weber took on the producer role, with the show filmed at The Burbank Studio. English would go on to write for Murphy Brown.

The theme song, which I admit I don’t remember, was called “Room Enough for Two,” and it was written by Steve Dorff and John Bettis. Kim Carnes, who had a hit with “Betty Davis Eyes,” sang the song. Dorff later was the composer for Murphy Brown and Murder She Wrote. Bettis worked on The Godfather, Part III and Star Trek V.

The show had a great time slot between Kate and Allie and Newhart on Monday nights. It ranked 21 overall. Of course, the networks rarely leave well enough alone, so they moved the show to Saturday nights opposite The Facts of Life. The end of the second season found the show down 50 points at 71overall. The network was toying with canceling the show, but after receiving a lot of fan letters, they brought it back in March of 1988. It moved to Tuesday nights and the ratings increased. However, the ratings did not stay that high, probably because the competition was Who’s the Boss and Matlock. In April, CBS canceled it outright, leaving 12 unaired episodes.

Sadly, a year after the show was canceled, Schaeffer was murdered in her home by an obsessed fan. After living with Pam, Schaeffer got her own place. She was living in West Hollywood when she was killed. Dawber said she told Schaeffer not to put her real name on her mailbox. Dawber had a scare with a stalker earlier in her career, and she learned not to put her real address on her driver’s license or anything that a fan could track you down with. Schaeffer didn’t listen and her name was on her mailbox.

The man who killed her, Robert Bardo, said he saw her in a promo in 1986 and began watching the show. He sent her fan letters. At one point, he flew from Arizona to LA to the studio to look for her. He took gifts to the studio several times, but studio security always stopped him. Bardo returned to Arizona. After the show was canceled, Schaeffer took on several movie roles which were very different from her role as Patti. One love scene enraged Bardo. Bardo was stopped from buying a gun due to mental health issues. He convinced his brother to buy him one for target practice. Then he boarded a bus to LA. He hired a private detective to find Schaeffer’s address; the detective located it through the Department of Motor Vehicles.

One morning Schaeffer was waiting for delivery of a script of The Godfather III for an audition with Francis Ford Coppola. Bardo rang her bell, and she answered thinking it was the delivery person. He introduced himself and told her she had sent him a card and photo after receiving fan mail. She explained she was busy that day, so he went to a local diner. He returned to her house, and she said he was wasting his time expecting any relationship with her. Then he shot her point blank. He got away and returned to Tucson but was apprehended a day later after running in and out of traffic, shouting that he was the one who killed Rebecca Schaeffer.

Dawber was filled with grief and anger. She reunited with the cast of My Sister Sam for a Public Service Announcement for gun control, and she testified before Congress for stricter gun laws. After Schaeffer’s death, California passed an anti-stalking law in 1990. Now all fifty states have one on the books. Bardo was sent to California where he was found guilty of first-degree murder. He was sentenced to life in prison without the possibility of parole.

My Sister Sam was a ground-breaking show having women in so many of the critical roles. During the Chicago Tribune interview, Dawber said that “the significant thing is that My Sister Sam is a show about women that is run by women. . . . Not only are three of our five regular cast members women, but we have a female executive producer, two writer-producers, and a director. It really wasn’t intentional. It just happened that way.”

It would have been interesting to see how the show fared if it had kept its original time slot and the plots that would have been written as Patti became an adult. Did she begin to resemble her sister more or did she keep her carefree personality? And would her sister adopt some of her less serious traits? Almost every review I read about the show said it was genuinely funny, adorable, relatable, etc. With all the moving around the schedule and “is it on the air or not” decisions, only 44 episodes were created, so there aren’t enough for syndication or DVDs.

And of course, it’s devastating what happened to Rebecca Schaeffer. She was a rising star, and you have to wonder what type of career she would have had if she had lived more than 22 years. Dawber had to experience the death of another sister much too young to die. I’m glad a lot of laws came out of the experience, but it was such a brutal murder. Now, 35 years later, our country is still dealing with devastating murders because not enough laws have been created.

Tom Poston, One of the Busiest Men in Hollywood

August 16, 2021 / thewritelife61 / 2 Comments

When I decided to do research for a blog series about some of my favorite sitcom actors, I knew Tom Poston had to be on the list. Poston seems to be someone who’s always a bit under the radar, and I’m not sure he ever received the accolades he deserved.

Image result for images of tom poston — Photo: wikifandom.com

Poston was born in 1921 in Columbus, Ohio. His father was a liquor salesman and dairy chemist, an interesting combination. Poston started at Bethany College in West Virginia but joined the Air Force in 1941. He went to flight school and served as a pilot in the European Theater for WWII and was part of the Normandy invasion.

After returning home, he decided to move to New York City to study acting and graduated from the American Academy of Dramatic Arts.

He was cast in his first television show, Tom Corbett, Space Cadet, in 1950. In 1955 Poston married actress Jean Sullivan. They would divorce in 1968, having one daughter.

He continued receiving dramatic roles throughout the early fifties. In 1956 he joined the Steve Allen Show, along with his cast mates Don Knotts and Louie Nye. In 1959 he won the Best Supporting Actor Emmy for his work on the show. In 1960 The Steve Allen Show moved to Los Angeles and Poston decided to remain in New York, but Tom and Don Knotts stayed life-long friends. He appeared on Broadway often and began making the game show circuit and continued accepting drama roles on the small screen.

Image result for images of tom poston steve allen show — With Steve Allen cohorts Don Knotts and Louis Nye–Photo: tumbral.com

When Mel Brooks was putting together the pilot for Get Smart, ABC was planning on airing the show and they wanted Tom for the star. However, when ABC declined the show and when NBC picked it up, Don Adams got the lead; Poston did appear on the show as a KAOS bad guy.

Poston married for the second time in 1968 to Kay Hudson with whom he had two children. They divorced in 1975 but remarried in 1980 and remained husband and wife until her death from ALS in 1998.

Image result for images of tom poston and bob newhart — The Peeper–Photo: pinterest.com

In 1975, he began recurring roles on two different sitcoms: On the Rocks and The Bob Newhart Show. On the Rocks was a show about the friendly rivalry between prisoners and their guards. On the Bob Newhart Show, Poston played “The Peeper,” Bob’s college buddy and big .prankster.

In 1977, Tom took on the role of Damon Jerome, photographer on We’ve Got Each Other. Beverly Archer played his assistant while her husband Stuart Hibbard (Oliver Clark) did the cooking and house cleaning. The show was cancelled after 13 episodes.

Image result for images of tom poston mork and mindy — Photo: thetodayshow.com

He appeared on a variety of shows during the late seventies and from 1979-1981, he portrayed grouchy neighbor Franklin Delano Bickley on Mork and Mindy. Poston said the role he played on the show was written for him. He said Robin was hysterically funny all the time. He said Pam Dawber was a comic genius because she was able to keep the focus on both Mork and Mindy, because anyone else would have been lost in Robin’s antics.

Image result for images of tom poston newhart cast — Photo: dailyamerican.com

He moved from Colorado on that show to Vermont the next year when he became George Utley, handyman on Newhart. For eight seasons he worked at the Stratford Inn, becoming friends with Dick and Joanna. He was nominated for an Emmy in 1984, 1986, and 1987. (Pat Harrington won in 1984 for One Day at a Time and John Laroquette won for Night Court in 1986 and 1987.)

In an interview with the Television Academy, Poston discussed the last episode of Newhart. He said the cast members were kept in the dark about the ending. He said he was in the stands with the audience when that last scene with Suzanne Pleshette and Bob as Bob Hartley waking up from his “dream” was filmed. He said Bob’s wife Ginny had the idea, and Tom thought it was fabulous.

From 1990-1991, you could find him in Good Grief, playing Ringo Prowley, in a show set in a mortuary; when that show was cancelled, he was back with Bob Newhart on Bob as Jerry Fleisher.

Image result for images of tom poston that seventies show — That Seventies Show–Photo: tvmaze.com

During the 1990s, he would accept five recurring roles: Mr. Looney on Family Matters, Phineas Swenson on Murphy Brown, Dr. Art Hibke on Coach, Floyd Norton on Grace Under Fire, and Burt Sigardson on That Seventies Show. In between, he also managed to find time to guest star on more than thirty other shows including Home Improvement, Cosby, ER, The Drew Carey Show, and Will and Grace. He also accepted roles on the big screen in twelve movies during his career, the last two being The Princess Diaries 2: Royal Engagement and Christmas with the Kranks, both in 2004, as well as 15 Broadway productions.

Image result for images of tom poston suzanne pleshette — Working together in 1959–Photo: pinterest.com

Tom tried married life once again in 2001 when he married actress Suzanne Pleshette. They were married until his death in 2007 from respiratory failure.

I was just amazed by Tom Poston’s career: a ton of television appearances–he probably had more recurring roles than almost any other actor during that time; a well-respected big screen career, a variety of Broadway roles and many gameshow stints. He was nominated for five Emmys, winning one. He always made the rest of the cast look better. I truly enjoyed getting to know a bit more about Tom Poston, one of our greatest sitcom stars.

Garry Marshall: A Tribute To The Man Who Created So Many Happy Days For All Of Us

October 2, 2017September 10, 2021 / thewritelife61 / 3 Comments

Today we get to honor one of my all-time favorites in the celebrity world – Garry Marshall. By all accounts, whatever you read, he was hilarious, humble, and hard-working. He was known as a family man, always putting them first. Let’s learn a little bit about his life.

His Early Life

Garry Kent Marshall was born in The Bronx, New York on November 13, 1934, the son of Anthony Wallace Marshall, a director and producer of industrial films, and Marjorie Irene, a teacher who ran a tap dance school. His father changed his last name from Masciarelli to Marshall before Garry was born.

Marshall had a typical childhood which included “the usual bruised knees, runny nose, dead frogs and stolen bases.” But he said his formative years were primarily devoted to discovering girls, making people laugh, and learning to play drums. “When I was growing up, there were three drummers I admired: Gene Krupa, Max Roach, and this little girl drummer in my school who used to blow in my ear after practice.”

His brother is Ronny Marshall Hallin, a television producer; his sister is Penny Marshall, actress and director; and his brother-in-law for ten years was Rob Reiner, actor and director.

Garry decided to attend Northwestern University to major in journalism. After graduation, he was drafted into the Army and sent to Korea as part of the Special Services. He was able to write and produce shows which set him on a new career path once he returned to the United States. Discussing his service, he said, “The lowest musical experience of my life came when I was in the Army. I was a solo marching snare drummer and kept cadence for my battalion. One day while my battalion was marching, I was playing so badly that the Captain shot a hole through my drum with a .45 revolver.”

Garry moved to New York after the Army and met Fred Freeman. The two of them began writing together. To support himself while his writing career got underway, Garry supplemented his income playing drums and writing for the Daily News sports department.

His TV Production Career

Marshall began his career as a joke writer for comedians and became a writer for The Tonight Show with Jack Paar. He eventually secured a staff writing position on The Joey Bishop Show. There he met Jerry Belson in 1961, with whom he would go on to write two feature films, a Broadway play, and episodes for a variety of TV series including The Dick Van Dyke Show, The Lucy Show, and I Spy.

In 1963, he married Barbara; they would have three children.

Marshall and Belson’s first television series as creator-producers was Hey, Landlord, which lasted one season (1966–67).

Their next series was more successful. They adapted Neil Simon’s play The Odd Couple for television. Felix Unger and Oscar Madison are total opposites but best friends. Garry’s sister Penny would play Myrna in the show.

Marshall continued to borrow from The Odd Couple throughout his career. Over and over again he employed the comic device of coupling two distinctly different characters: the hip and the square on Happy Days, the earthling and the Orkan on Mork and Mindy, the rich and the poor on Angie, and, later, the businessman and the prostitute in the movie Pretty Woman.

Most of his hit television series were created and executive produced by him. Rather than forming his own independent production company, which had become standard procedure for producers at the time, Marshall remained at Paramount to make a succession of hit situation comedies for ABC. By the end of the 1978-79 season, four of the five highest-rated shows of the year were Marshall’s.

In the Norman Lear era, when series like All in the Family tackled social issues, Marshall focused on younger viewers with lighter, more escapist fare, most of it set in the supposedly simpler past. In an interview reprinted in American Television Genres (1985), Marshall recalled that, after producing the adult-oriented Odd Couple, he had been anxious to make shows “that both kids and their parents could watch.”

His philosophy to get younger viewers: “You have to do something silly to get their attention. Then I like to knock them off their chairs with laughter. I go for the gut. I want them to laugh hard. I don’t want them quietly staring at a bright, witty show.”

Happy Days debuted as a series in January of 1974, and by the 1976-77 season it was the most popular show on TV. Most people don’t realize this, but the show began as a skit on Love American Style, and I remember watching it when it aired the first time. The show was set in Milwaukee in the 1950s, focusing on a group of high school friends; the Cunningham family; and Fonzie, the cool guy in town.

Regarding Fonzie, Marshall said, “I knew that if I could get him over the garage, I could get him into the kitchen; he could become a member of the family.”

He worked with a variety of his family members throughout his career. His mother appeared in the Happy Days episode, Happy Days: Beauty Contest as “Mrs. Weiss,” the piano player.

Laverne and Shirley was a spin-off of Happy Days. Two friends, Brewery workers, get involved in various kinds of trouble. Marshall explained his idea for the show: “No one else on TV is doing early Lucy. The other ladies on sitcoms are classy – they’re well off, smart, and they dress well. Laverne and Shirley are definitely not classy. They’re blue collar workers who went to work right after high school. They’re decent people.”

Happy Days would produce two more shows in Joanie Loves Chachi that explored the life of Joannie Cunningham and Fonz’s nephew Chachi after high school as they tried to figure out their relationship and Mork and Mindy, a show starring Robin Williams and Pam Dawber about an alien living in Colorado.

His Acting Career

A la Hitchcock, Marshall turns up as an uncredited actor in the background, occasionally appearing in cameos on his own hit TV shows.

On Dick Van Dyke, he appeared as referee in a 1965 episode and a bartender in a 1966 episode. If you look closely, you will see him as a random man in three Odd Couple episodes. He showed up as a drummer in two Laverne and Shirley shows and on a Happy Days episode.

He had a small re-occurring part on Murphy Brown and provided the voice for two Simpsons shows (“Eight Misbehavin’” and “Homer the Father”).

In 2014, Marshall appeared in a guest star role in a Two and a Half Men.

He continued to show up in comedies until his death, the last one being Brooklyn Nine-Nine.

When he made the switch to movies, he continued to find small roles for himself. He plays a first baseman in Runaway Bride, an audition director in Beaches, and a bum in Pretty Woman. It seems there was no part too small. He also played his real-life sister’s husband in Hocus Pocus in 1993.

His Directing Career

His career as a film director was just as impressive, yielding several gems and cult classics, from Pretty Woman to Runaway Bride to The Princess Diaries.

In the early 1980s, he met Héctor Elizondo while playing basketball and they became great friends. Marshall was known for his obsession with basketball: his contract often obligated studios to provide a basketball court on his film locations.

Elizondo appeared in every film that Marshall directed, beginning with his first feature film Young Doctors in Love. Elizondo once noted that he is written into all of Marshall’s contracts whether he wanted to do the film or not.

In the opening credits of Exit to Eden (their eighth film together), Elizondo is credited “As Usual … Hector Elizondo.” In 1984, Marshall had a film hit as the writer and director of The Flamingo Kid. He later produced Nothing in Common with Tom Hanks and Jackie Gleason and Overboard with Goldie Hawn and Kurt Russell.

In 1988, he directed the legendary weepie Beaches, starring Barbara Hershey and Bette Midler.

Although he was original choice to direct Sleepless in Seattle, Nora Ephron ended up with the job. His most famous movie as director also won him an Oscar nomination for Pretty Woman in 1990.

Pretty Woman star Richard Gere said of Marshall in Variety: “He was a mentor and a cheerleader and one of the funniest men who ever lived. He had a heart of the purest gold and a soul full of mischief.”

Some people might be surprised to find out that Garry was the director for The Princess Diaries and The Princess Diaries 2 starring Anne Hathaway and Julie Andrews. Garry considers Julie Andrews one of his favorite actresses because “she could act, she can sing, she’s a lady who can curse with perfect diction.”

He seemed to be surrounded by family whether at home or work. In his last movie, Mother’s Day, he re-united with Julia Roberts, Kate Hudson, and, of course, Hector Elizondo. His sister Penny provided narration; his son Scott helped direct; and his wife, Barbara, a nurse, played a nurse in the film. (“She has her own costume,” Marshall joked.) There were also a few grandchildren included in certain scenes.

Awards

When he gave a speech upon accepting the Lifetime Achievement Prize given at the American Comedy Awards in 1990, Marshall said, “If television is the education of the American people, then I am recess.”

In addition, he received the Valentine Davies Award (1995), the Women in Film Lucy Award in recognition of excellence and innovation in creative works that have enhanced the perception of women through the medium of television, the Television Hall of Fame for his contributions to the field of television in 1997, the National Association of Broadcasters’ Broadcasting Hall of Fame in 2012, the Laurel Award for TV Writing Achievement in 2014, as well as a star on the Hollywood Walk of Fame.

Conclusion

On the morning of July 19, 2016, Marshall died at a hospital in Burbank, California at the age of 81 due to complications of pneumonia after suffering a stroke.

Robin Williams’s daughter Zelda wrote, “RIP Garry. You forever changed my father’s life, and thus, mine. Thank you for capturing so much joy on film, over and over.”

Henry Winkler tweeted, “Larger than life, funnier than most, wise and the definition of a friend.”

“How could one individual work parts of seven decades in the entertainment industry and make zero enemies?” Ron Howard asked, “Garry achieved that, and it was the result of his absolute integrity as a man and as an artist.”

Garry Marshall was an amazing and talented man. He was a family man above all else. He was an actor with 84 credits, a writer with 40 credits, a producer with 31 credits, and a director with 30 credits. He was a drummer and a journalist. His career covered more than six decades and his star was shining bright when he left show business.

He will be remembered for creating television shows that touched viewers and drew them into the world their characters inhabited. We rooted for all of them and looked forward to spending time with them each week. He created some of the most memorable characters on television. He also provided many lovable movies for our DVD collections with Pretty Woman at the top of the list.

He wrote My Happy Days in Hollywood in 2012. This is one of my all-time favorite classic television era autobiographies. He not only discusses his successes but admits to all his screw ups and mistakes as well. It’s a refreshingly honest account by a down-to-earth and humble man. It’s one of the best ways to get to know this fascinating guy and is a wonderful tribute to a man who quietly influenced generations of actors and actresses. Let’s end by hearing how his book was perceived by some of those people who knew him best.

“Garry Marshall is walking entertainment. He is smart, insightful, funny…and so is his book.” ―Henry Winkler

“Even though he speaks slowly with a distinctive New Yorkese Bronx accent, he has managed to quickly create, write, and produce a raft of beloved television series that speak ‘American’. I am happy that he gifted us with a witty memoir (about his Happy Days in Hollywood).” ―Carl Reiner

“Thanks to my brother I have a life. I’m sorry I almost ruined his during Laverne & Shirley.” ―Penny Marshall

“I never thought my fairy godmother would look―or sound―like Garry. He is a gift of a human being, and this book is wicked sweet.” ―Anne Hathaway

“Garry Marshall is one of the most beloved and talented people I know…and maybe the most normal guy in the business. This wonderful biography will allow readers to discover for themselves the decent and kind man who writes and directs with such a huge heart—all grounded from humble beginnings in The Bronx. This is a must-read book.” —Julie Andrews

“Garry Marshall is quite simply one of my favorite people. He is loving, loyal, and hilarious! Having made movies with Garry when I was 20, 30, and 40…I guess you could say Garry and Barbara have raised me! In a time where people have lost touch with things to laugh about, this book is sure to be a cure.” —Julia Roberts

Married . . . with Children

October 18, 2016February 19, 2018 / thewritelife61 / Leave a comment

The title is the only reference I’ll be making to that 1980s show. In honor of our 29^th anniversary today, I thought I would look at sitcoms dealing primarily with marriage. Surprisingly, there have not been as many as one would think. It’s amazing how many sitcoms are about single parents, families, friends, or co-workers. If there are any similarities between our married life and Al and Peg Bundy’s life, I really don’t want to know about them. So, let’s look at a few sitcoms that did focus on blessed unions.

The George Burns and Gracie Allen Show – George Burns and Gracie Allen filmed 120 episodes for their television series. They were married in real life, and the set design for the show was based on their real-life home. Gracie was zany, but her literal perspective of the way life worked made uncanny sense. George loved Gracie and knew that she was the center of his marriage and career. George was very generous and made numerous gifts to Cedars-Sinai Medical Center which is at the intersection of George Burns Road and Gracie Allen Drive. I love looking at marriage that way – it’s an intersection found at the center of a very diverse couple.

I Love Lucy – In 1953, I Love Lucy joined the Monday night line-up with The George Burns and Gracie Allen Show. Lucy and Ricky (Lucille Ball and Desi Arnaz) are probably the most famous married couple. For six years, they took ordinary situations and exaggerated them. Lucy’s hare-brained schemes created an endless source of comedy. However, the problems with couple faced were believable, and they were the same problems other young couples were facing the first couple years of marriage like how to pay the rent, buying a new dress, and dealing with in-laws.

Pete and Gladys – Starring Harry Morgan and Cara Williams, this was one of, if not the first, spinoff. Pete Porter was a neighbor featured on December Bride for six years. When the show went off the air, we finally met Gladys, his wife. He was an affectionate and caring husband and she was a very nice homemaker. Unfortunately, the show only lasted two seasons, although Harry Morgan went on to star in many television shows.

The Dick Van Dyke Show – Dick and Laura Petrie (Dick Van Dyke and Mary Tyler Moore) showed us an intimate side of married life for five years. They were funny and had an interesting life. Sometimes they even watched a bit of television at night. They were a couple who admitted they were a bit insecure about parenting. They worked through their problems with humor and logic. Although Dick was a writer and Laura a stay-at-home mom, they were equal intellectuals and that was the basis of their relationship.

The Bob Newhart Show – Bob and Emily Hartley (Bob Newhart and Suzanne Pleshette) were another couple who were intellectual equals. They were funny, understanding, and warm. They argued about real issues, and they made up. Both the characters had very definite identities, and they did not always see eye to eye, but they respected each other and loved each other deeply.

Mork and Mindy – Mork and Mindy was a sitcom about an alien and the girl next door (Robin Williams and Pam Dawber). If most American couples think they have some impossible issues to work through, they should watch a few episodes of Mork and Mindy. The show lived on for four years, primarily because of Robin Williams’ wild improvisations and Pam Dawber’s believable love for Mork. Mork and Mindy was not only a spinoff from Happy Days, but it was actually inspired by a Dick Van Dyke Show episode “It May Look Like a Walnut.” Director Jerry Paris created the idea when Garry Marshall mentioned that his son would like to see a spaceman on television. Paris, who played Jerry Helper on the Dick Van Dyke Show, remembered that episode and invented Mork. In season four, Mork laid an egg, in more ways than one, and the show was cancelled.

Dharma and Greg – When free spirit Dharma and lawyer Greg (Jenna Elfman and Thomas Gibson) get married on their first date, the show was born. They have conflicting views on everything except how much they love each other. These views lead to comical situations – imagine a Republican and Democrat married in today’s political climate! Dharma overshares all her views and feelings, while Greg was raised to not talk about such things. I think a lot of us can relate to that.

Mad About You – Paul and Jamie Buchman (Paul Reiser and Helen Hunt) are newlyweds who cope with life as a recently married couple. They point out the gentle humor of everyday life situations. One description of the show said that this show starts after a party when the husband and wife are alone in the car discussing the evening. For seven seasons, they tackled the issues so when the series was over, there was no “seven-year itch” to worry about.

A fun fact, Carl Reiner reprised his Alan Brady role from the Dick Van Dyke Show on Mad About You. The episode made several references to the classic sitcom, including Jamie saying “Oh Paul,” an aside to Laura Petrie’s famous “Oh Rob.”

These were several of the couples we watched during our life who indirectly influenced the way we viewed marriage. Each of the couples has something to teach us about successful marriages. One review of Burns and Allen concluded that “the George Burns and Gracie Allen Show exuded excellence, with a unique format, interesting plots, a great cast, and virtually non-stop comedy featuring the unparalleled zany wit of Gracie.” I would consider it a compliment if that was a review for our marriage as well.