Cesar Romero: Batman’s Most Joy-Filled Villain

We are winding up our series: Bam! Pow! Batman Villains. Today it’s all about The Joker: Cesar Romero.

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Romero was born in New York City in 1907. His father was an import/export merchant, and his mother was a concert singer. He grew up in Bradley Beach, New Jersey. His father lost most of his money during the 1929 Wall Street Crash.

Romero teamed up with dancer Lisbeth Higgins and they formed a professional dance partnership, appearing in nightclubs and theaters throughout New York City including the Ambassador Roof and the Montmartre Café. Although he had no professional training, he was often compared to Fred Astaire. He also was cast in several off-Broadway productions including “Stella Brady” and “Dinner at Eight.”

Later Romero would refer to himself as the Latin from Manhattan and he provided for his family members who followed him to Hollywood. He played the stereotypical Latin lover during the thirties and forties, including The Devil is a Woman with Marlene Dietrich in 1935. However, he also made westerns and did a bit of dancing during these decades on the big screen.

His friendship with Frank Sinatra brought him roles in Around the World in 80 Days, Pepe, Marriage on the Rocks, and Oceans’ 11.

📷imdb.com Wagon Train

In 1942, Cesar enlisted in the US Coast Guard, serving in the Pacific Theater of Operations. After his military career ended, Romero returned to his acting career.

His television career began in 1948 in the show, Variety. During the fifties he was primarily appearing on dramas, but he did show up on Private Secretary with Ann Sothern and continued his western roles on Wagon Train, Zorro, and Death Valley Days.

The sixties kept him extremely busy on television. He kept people laughing on Pete and Gladys, The Ann Sothern Show, Get Smart, and Here’s Lucy. He rode the range on Stagecoach West, Bonanza, Rawhide, and Daniel Boone. He stayed dramatic on shows including 77 Sunset Strip, Dr. Kildare, and Ben Casey.

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However, the show he was best known for in the sixties, is the show that made him part of my blog series this month, Batman. He had to endure a long time in the make-up chair. He refused to shave his mustache for the role, so white face makeup was smeared all over his face until it was hidden.

Romero admitted that this role reinvigorated his career. When he was offered the role of the Joker, he was 59 years old. Romero said the role was “the kind of part where you can do everything you’ve been told not to do as an actor. You can be as hammy as you want.”

He discussed how surprised he was when William Dozier called him about the show. He said Dozier told him that “the important characters were all villains. They had done the first two with the Riddler and the Penguin with Frank Gorshin and Burgess Meredith, and now they were ready to do the third, and the villain was the Joker. He said, ‘I would like you to play the part.’ So, I said I would like to read the script and know what it is all about. He said, ‘Come on over to the studio, and I will show you the film of the first episode.’ Of course, it was great. I said, ‘Let me read this Joker part, and if it is as good as the first one, hell yes, I will do it.’ So I read the script, and I thought it was a gas, and I said, ‘Sure, I’ll do it.’”

No serious villain, the Joker was cheerful and extroverted. He oozed goofiness and always appeared to be having a great time carrying out his nefarious activities. Dressed in his famous purple costume, he had his own automobile that could rival the Batmobile.

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While most of the villains saw Batman and Robin as roadblocks in their evil schemes and problems to take care of, the Joker found great joy in taking down the superheroes. In one episode he says “Oh, but I must, I must! Why, outwitting Batman is my sole delight, my heaven on earth, my very paradise!”

You couldn’t miss him if you watched almost any television in the 1970s and 1980s. He appeared on a ton of shows, just a few of which included Bewitched, Nanny and the Professor, Love American Style, The Love Boat, Night Gallery, Mod Squad, Ironside, Medical Center, Charlie’s Angels, and Hart to Hart.

From 1985-88, he was a regular on Falcon Crest. Earl Hamner Jr., the creator of The Waltons, created this show featuring the Gioberti family, owners of Falcon Crest Winery. Romero played the love interest of matriarch Angela Channing, played by Jane Wyman.

He finished his career in the 1990s. He was in his eighties when he appeared on The Golden Girls, and Murder She Wrote, his last television role.

Romero also played a role in politics. As a registered Republican, he was very involved in many campaigns. He worked for Nixon-Lodge in 1960 and later supported Lodge in his run for President. When Lodge did not get the results that he hoped for, Romero turned his support to Barry Goldwater for the general election. He also worked for his friend George Murphy in his run in the California senate race. He later helped Ronald Reagan in his gubernatorial runs in California as well as his presidential campaigns.

It was reported in many articles that Romero had 30 tuxedos and more than 500 suits. That is not surprising because he had a clothing line, Cesar Romero Ltd. He was also a model and spokesperson for Petrocelli suits in the sixties.

Romero stopped acting in 1990. He remained busy though with several ventures including hosting classic movie programs on television. In 1994, Romero died from complications of a blood clot on New Year’s Day. He was being treated for bronchitis and pneumonia.

I enjoyed getting to know a bit more about Cesar Romero, but, I have to admit, that I don’t feel like I know him much better than I did before. He seemed to have been stereotyped as a Latin lover and then again as the Joker. I would like to go back and watch some of his appearances on westerns. It was hard to find much information about Romero beyond his career and political interests.

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I know The Joker was not his most challenging role, but he will always have a place in America’s heart for the work he did on Batman as will these fun super villains we got to know this month.

The Secret Word is George Fenneman

I am cheating just a bit with this post. During this Oddly Wonderful series, I think I can push the envelope enough. You Bet Your Life was a very different type of game show. If ever there was a person who personifies oddly wonderful it was Groucho. But I really wanted an excuse to write about George Fenneman.

George Fenneman is best remembered for his role on Groucho Marx’s quiz show, You Bet Your Life which began on radio in 1947 and transitioned to television in 1950. The show went off the air in 1961, the year I was born. Obviously, I don’t remember the original show, but I saw it in reruns and always had a crush on George; I think it was his smile that always got me.

Photo: imdb.com

George was born in Beijing (then Peking), China in 1919. His father was in the importing/exporting business. When he was not quite one, his parents moved to San Francisco where he grew up. After high school, he attended San Francisco State College. He graduated in 1942 with a degree in speech and drama. He took a job with a local radio station KGO for a short time. He married his college sweetheart Peggy Clifford in 1943 and they would stay married until George died. The couple had two daughters and a son.

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Poor eyesight and asthma prevented Fenneman from military action in World War II, but he was able to become a broadcast correspondent for the War of Information. In 1946 he was back in California, in the radio industry again. One of the shows he announced for was Gunsmoke. After the episode concluded, he would introduce Matt Dillon (William Conrad) to discuss the sponsor’s products which often was cigarettes such as L&M or Chesterfield.

Some of the other radio shows he announced for included The Orson Welles Show, The Eddie Albert Show, and the Hedda Hopper Show.

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He and Peggy were neighbors of Christian Nyby. In 1951, Nyby was hired as director for the film, The Thing from Another World. George joined the cast as in the minor role of Dr. Redding who has an important scene at the end of the film. It took 27 takes for him to get the speech right, and he realized he was better suited for radio. However, he would appear in two additional films, the little-known Mystery Lake in 1953 and How to Succeed in Business Without Really Trying in 1967. While his voice was part of several other films, most notably in the original Ocean’s 11 as the man talking on the phone to Sheriff Wimmer.

Jack Webb had worked on broadcasts with George during the war. He hired Fenneman as announcer for his radio show, Pat Novak, For Hire. When Dragnet aired the same year, Jack took George with him. George, along with Hal Gibney took on the role of narrator for the show. They both continued with the show in 1951 when it moved to television. Dragnet was off the air for a number of years and returned to television in 1967. Fenneman was again hired as narrator with John Stephenson for that version. George was the one who was heard saying, “The story you are about to see is true. The names have been changed to protect the innocent.” Stephenson handled the closing narration. Fenneman was also cast as a news reporter in a variety of shows including Please Don’t Eat the Daisies, The Man from U.N.C.L.E., The Name of the Game, and on Batman in 1966 in the episode, “The Yegg Foes in Gotham.”

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On Batman

In addition to appearing on Groucho’s show on television, Fenneman was the host or announcer for several other shows. He emceed two games shows during his time with Groucho: Anybody Can Play in 1958 and Your Surprise Package in 1961. In 1963, He hosted a show on ABC titled Your Funny, Funny Films which was a cousin to the later Candid Camera and America’s Funniest Home Videos.

He was usually an unseen announcer on The Ed Sullivan Show, but in 1964, the night the Beatles were on the show for the second time, he did a spot on the air for Lipton Tea. From 1978-1982 he hosted a show on PBS, Talk About Pictures. In this show, Life magazine photographer Leigh Weiner and George interviewed respected photographers and looked at their best photos.

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With Leigh Weiner on PBS

He also was the voice for Home Savings & Loan commercials from the late 1960s until his death from emphysema in 1997. He also acted as announcer for shows such as Dean Martin and Jerry Lewis, Donny and Marie, The Jim Nabors Show, and The Life of Riley.

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With Martin and Lewis

In 1993, The Simpsons aired an episode that spoofed Dragnet, and Fenneman can be heard on the show delivering his famous line about names being changed to protect the innocent.

Despite his large cannon of work as an announcer and emcee, Fenneman became a household celebrity when he went to work for Groucho on You Bet Your Life. One day George was standing on the corner of Hollywood and Vine. Robert Dwan, who had hired him at KGO Radio, came up and told him he was holding an audition for a new show for Groucho. Fenneman went up against thirty other announcers and won the job which paid $55 a week. He was hired just to do commercials. At some point, Groucho decided he should also be scorekeeper, as well as his straight man.

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When discussing Groucho, George said, “I have to say he was unique, and he was fearless. It was a great privilege to work with him for 15 years and to be his friend for 30.” After Fenneman’s death, Peggy did an interview for an article by Lawrence Van Gelder for the NY Times in June of 1997. She said that George was always a fan of Groucho and the Marx Brothers. She remembered them often going to the Golden Gate Theater when they were in college. They went to watch the Marx Brothers rehearse future movie scenes for comic timing. She remembered watching scenes from A Night at the Opera and A Day at the Races.

Groucho, known for his quick wit and acid tongue, found an agreeable and attractive man in Fenneman. When viewers queried George whether the show was scripted or ad-libbed, he always said yes. Actually, it was about 50/50.  Groucho was fed some lines from the interviews with the contestants, but he never met them ahead of time and was given the freedom to interject whatever comments he chose.

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George often took the brunt of Groucho’s humor. One time he had to inhale helium, one day he came down from the ceiling when the secret word was said in place of the usual duck, or he would be questioned about something on the show. For example, one evening each of the contestants was a very attractive woman and Groucho made it seem that Fenneman had set that up on purpose. One contestant mistakenly referred to George as Mr. Fidderman, and Groucho called him out to discuss his double life.

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George never knew what Groucho had in store for him. Often Marx would summon George from behind the curtain, and he always looked uncomfortable which was quite genuine. But Groucho had great affection and appreciation for him, calling him the perfect straight man.

At times on the show, George could also be quite funny, but he knew his main role was straight man, and he usually toed that line carefully.

George and Groucho remained friends long after the show was cancelled. They often got together before Groucho’s death in 1977 at age 87. Groucho never lost his sense of humor. At one of their last visits, Groucho was in very frail health. Helping Groucho get across the room, George lifted him out of his wheelchair and carried him. He had his arms around his torso and began to shimmy him across the floor. Groucho’s rasping voice said, “Fenneman, you always were a lousy dancer.”

Photo: en.wikipedia.org

Although the shows have never been released in a chronological DVD collection, they are available. The programs were recorded in full and then edited to the desired length. On MP3 discs, some of the unedited tapes are available which provide a very different perspective than the aired show.

There are a few announcers still well known in the business. I think of Rod Roddy, Johnny Gilbert or Johnny Olson who have game show fame, but it is a career that is being phased out. There is something charming about watching the former announcers for shows promoting products and interacting with the stars. Harry Von Zell from the Gracie Allen and George Burns Show comes to mind or Don Wilson from the Jack Benny Show. Like rotary phones, transistor radios, and Polaroid cameras, they are fondly remembered from a slower and less technological period in history.

With this series being Oddly Wonderful, I am stretching it a bit by focusing on George. In our definition of oddly wonderful, he was definitely the wonderful.