The Felony Squad: They Were Men Against Evil

This month we are taking a look at some of our favorite “Crime Solvers of the Past.” Today we wrap up the blog series with The Felony Squad which ran three seasons, debuting on ABC in 1966.

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Originally titled “Men Against Evil,” the show was going to be more of a soap opera feel which was broadcast twice a week. However, by the time the show aired, most of the personal relationships had been taken out of the plot. The series focused on Sergeant Sam Stone (Howard Duff) and Rookie Detective Jim Briggs (Dennis Cole). Rounding out the cast was Desk Sergeant Dan Briggs (Ben Alexander), also known as Dad to Jim and District Attorney Adam Fisher (Len Wayland). The first seasons included Captain Frank Nye (Barney Phillips) while later seasons featured Captain Ed Franks (Robert DoQui).

The show was known for having some big names in directing, writing, and guest stars. Many of the directors racked up more than 75 credits each and included George McCowan who worked on The Mod Squad and Cannon, Allen Reisner known for Hawaii Five-0, Lee Katzin who directed Mission Impossible, Laslo Benedek known for work on Perry Mason, and Vincent McEveety who directed stars in Murder She Wrote, Heat of the Night, and Simon & Simon. Howard Duff jumped behind the camera in season two to direct “Deadly Abductors” after directing seven episodes of Camp Runamuck a couple of years earlier.

Crafting scripts for the show were writers such as Richard Murphy who was the creator of this show, Don Brinkley who worked on Trapper John and Medical Center, Jack Turley who wrote for Cannon and The Man from UNCLE, and John Kneubuhl who also wrote for the Wild Wild West.

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A handful of the guest stars included Ed Asner, Richard Dreyfuss, Robert Duvall, Roddy McDowell, Ricardo Montalban, George Takei, Vic Tayback, and Cicely Tyson.

The Felony Squad theme was composed by Pete Rugolo. Rugolo had 83 credits in the business including writing music for a wide variety of television genres including Leave It to Beaver, The Fugitive, and Family. This theme was an instrumental and very reminiscent of a sixties action movie.

I couldn’t find a lot of reviews, but the New York Times’ Jack Gould described it as “a very old-fashioned and conventional yarn about tight-lipped detectives doing a day’s work.”

The series was on Monday nights until 1968 when it was moved to Fridays. The first two seasons the show was up against The Andy Griffith Show which was in the top ten. For the final season, the show moved to the weekend where it was up against an Andy Griffith Show spinoff, Gomer Pyle USMC, which was also a top ten.

The show obviously did well to stay on the air three years when it faced such tough competition. I wonder if being a 30-minute show as opposed to an hour was part of its downfall. No matter how great the writers are, it’s tough to get sophisticated and detailed enough with a plot to wrap up in half an hour. The show certainly found talented directors, writers, cast members, and guest stars. The show was shot in color and had a different feel to it, more realistic. The action is right in your face like you’re on set instead of watching from far off. Considering it maintained decent ratings before it was moved, it would have been interesting to see what would have happened if this show had been the competition with a newer show to see how it fared. Fans loved it, so if you want to see something different, check out a few episodes. I’m not sure why this series isn’t seen more, but YouTube is your best bet to find the most available episodes. Also, as a fun aside, if you want to see Stone, check out Batman’s second season episode, “The Impractical Joker,” when Duff as Stone peers out the window while watching the Dynamic Duo climb the wall.

We Still Love Lucy

We have been learning a lot about Lucille Ball this month. We delved into I Love Lucy and why it was so important to American culture. We got to know Lucy as a person. And we discussed Jess Oppenheimer and the influence he had on her. Today we are finishing up the month by checking out three shows she starred in after I Love Lucy went off the air: they all debuted in the sixties.

The first show, the Lucy-Desi Comedy Hour, was an extension of I Love Lucy. It spun out thirteen one-hour specials that aired between 1957 and 1960. Five of them debuted during the 1957-58 season of I Love Lucy. The other eight were shown on the Westinghouse Desilu Playhouse and they featured the same cast as I Love Lucy.

Desi tried to talk the network into doing these specials the first year just to keep some freshness in the series, but he was denied the chance. By the last season, they agreed it might work.

During the final season of the series, both the Mertzes and the Ricardos move to the Connecticut suburbs. Apparently, the two couples were running an egg farm to make their living and Fred was Ricky’s manager.

Despite their move out of the City, many of these episodes feature Lucy’s meetings with famous guest stars. For example, in “Lucy Takes a Cruise to Havana,” Lucy meets Hedda Hopper. Production costs were estimated to be $350,000 but with the guest stars, these costs increased and rather than do ten episodes the first year, Arnaz was forced to spread them out over three years.

Ratings were good in the beginning but with the news of Lucy and Desi’s marriage in trouble, both this series and I Love Lucy started to lose viewership. By the time the last episode was filmed, the couple could not even talk without a fight erupting and they communicated by messages. The day after filming, Ball filed for divorce.

The theme song of the series was used with a bit of updating. That symbolizes all ten episodes. It was the same series, but it wasn’t. Had this type of programming happened throughout the original series it might have been more popular but coming on the heels of the ending of the show and the fans being aware that “Ethel and Fred” could barely tolerate each other in real life and then learning “Lucy and Ricky” were ready for divorce took a lot of the fun out of watching the show.

From 1962-68, Lucy attempted another sitcom. While Vivian Vance was no longer Ethel, she was a co-star for the first three seasons of the show. Gale Gordon who had been Lucy’s first choice for Fred Mertz in the early fifties was no longer under contract in 1962 and appeared in this series beginning in season two.

While Arnaz and Ball had divorced two years before this series debuted, they were still in business together. Their company, Desilu Productions, was struggling with the end of I Love Lucy. In 1961 four of their shows were canceled. By spring of 1962, only The Untouchables was still on the air.

Desi approached Lucy about returning to a weekly sitcom. She agreed if it could take the time slot on Mondays that I Love Lucy had, and if Vivian Vance was part of the cast, and the I Love Lucy writers were brought back. The new show, The Lucy Show, debuted Monday, October 1, 1962.

Lucy Carmichael lives with her two kids (Candy Moore and Jimmy Garrett) and Vivian Bagley (Vivian Vance), a divorced friend, and her son (Ralph Hart). Vivian was the first woman to be divorced on television. Her husband had left her a trust fund, so Lucy had to approach the bank often for funding for some of her harebrained projects and purchases. In season two, Gale Gordon took on the role of banker Mr. Mooney. The show had decent ratings and continued in its format until 1965. Lucy moves from New York to Los Angeles when her daughter goes to college in California. Vivian remarries and stays in New York. Lucy meets a new best friend, Mary Jane Lewis (Mary Jane Croft). When Lucy learns that Mr. Mooney is being transferred to the LA bank, their relationship continues, and eventually she works for him.

At the end of the second season, a dispute occurred between Lucy and the writers over a script Ball felt was not up to their standard, and the writers left. In 1964 Desi had resigned as head of Desilu, so Ball took over as president. Most specials, sports shows, and cartoons on CBS were now in color, but they refused to broadcast most of their series in color. Ann Sothern began appearing on the show as a countess to fill in the gaps of Vance being absent.

For the 1966 season, the show dropped all references to Lucy’s children, her trust fund and her life in New York. I don’t know why shows think viewers will just go along with these strange format revamps. Doris Day did the same on her show when her former life and children just disappeared one day and were never mentioned again. Because the show was set in California, a lot of guest stars were featured on the show, many of them bank customers.

During the last season of the show, Gary Morton, Ball’s second husband, was named executive producer of the show. He actually seemed to do well in this role. For this year, Ball was nominated and won an Emmy for the star of the show, the show was nominated for Emmys for best comedy show (but lost to Get Smart) and for the writing and for Gale Gordon as supporting comedy actor (who lost to Werner Klemperer of Hogan’s Heroes). The show was #2 in the ratings.

Surprisingly, this is when Lucy decided to end the show and put it into syndication. Even odder is the fact that she began a new show with a similar plotline that same year. Lucy and her real-life kids, Lucie and Desi Jr. joined the cast which included Croft, and Gordon with Vance making appearances during the run of the show. This show, like the other two, was on the air for six seasons.

Ball as Lucy Hinkley Carter is living in LA, a widow with two children Kim and Craig, played by her own two kids. She works for her brother-in-law Harry Carter, played by Gale Gordon but now they are at an unemployment agency. Vance made six guest appearances on the show.

Again in this show, a number of famous guest stars showed up including Ann-Margret, Milton Berle, Carol Burnett, George Burns, Liberace, Eva Gabor, Helen Hayes, Dean Martin, Vincent Price, Ginger Rogers, Dinah Shore, Danny Thomas, Lawrence Welk, and Flip Wilson.

In 1973 the show fell out of the top ten, the first Lucille Ball show to ever do so. Lucy did a sixth season and then ended the show.

Lucille Ball deserved a break after this show ended. She had been on the air for 23 years. Little Ricky, or little Desi, had been born early in I Love Lucy history and now he was off on his own acting career. After 1974 when this show went off the air until her death in 1989, most of her projects were connected with I Love Lucy, although she was listed as executive producer for several shows including Mission Impossible and Mannix.

None of these post-I Love Lucy shows were much different from each other, but it proved that America still wanted to watch Lucy on the air. Television looked very different in 1974 than it did in 1951, and Lucille Ball influenced and inspired much of that change. I wonder if Lucy would be surprised to learn that fifty years after her final show ended its production, she is just as popular as ever and Lucy merchandise is unending. It says a lot about just how true it was that everyone loves Lucy.

Lucille Ball: A Force To Be Reckoned With

This month we are learning why We All Love Lucy. We’ll delve into her sitcoms and get to know Jess Oppenheimer and hear about his role in her television life. But today, we are starting with the woman herself, Lucille Ball.

📷facebook. A young Lucille Ball

Lucille Desiree Ball was born August 6, 1911, in Jamestown, New York. She was the only daughter of Henry Durrell Ball, a lineman for Bell Telephone, and Desiree Evelyn Hunt Ball. They lived at 60 Stewart Avenue. The family belonged to the Baptist Church there, and many of her relatives were among some of the first European settlers in Massachusetts.

The family moved frequently for her father’s career, but Jamestown always had a claim on Lucy, and they celebrate her in many ways there. The family lived in Montana, New Jersey, and Michigan before her father passed away from typhoid fever at age 27 in 1914.

Her mother returned to New York, living in Celoron, a summer resort on Chautauqua Lake. The road she grew up on is now named Lucy Lane. Celoron had an amusement park with a boardwalk, the Pier Ballroom, a roller coaster, a bandstand, and a stage.

📷Good Housekeeping

Lucy’s mother remarried four years later. It was her stepfather who encouraged Lucy to audition for his Shriner’s chorus line, which gave her the first taste of what it would be like to be in show business. When she was 16 the family returned to Jamestown.

When Lucy was only 14, she was dating a 21-year-old hoodlum. Her mother was devastated by the situation and finally enrolled Lucy in the John Murra Anderson School for Dramatic Arts in New York City to encourage her in her theater career. Ball did not love the school, and her instructors told her she would not be successful in the entertainment business. Luckily, Lucy did not take their comments to heart. She later said that “one of the things I learned the hard way was that it doesn’t pay to get discouraged. Keeping busy and making optimism a way of life can restore faith in yourself.”

In an attempt to prove the school wrong, Lucy began working as an in-house model for Hattie Carnegie. This was where she first changed her hair. Being a brunette, Carnegie taught Ball to bleach her hair blonde. Her modeling was interrupted for two years when she dealt with the effects of rheumatic fever.

At the ripe old age of 21, Ball returned to New York City to pursue an acting career. She went back to the Carnegie agency and became the Chesterfield Cigarette Girl.

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In 1933 she was in Roman Scandals as a Goldwyn Girl; while playing a slave girl, she had to have her eyebrows entirely shaved off, and they never grew back. Some of the things an actor goes through for roles is crazy. After that movie she moved to Hollywood to try a film career. After becoming a contract player for RKO Radio Pictures, she received a decent amount of work. At this time, she met the Marx Brothers, appearing in Room Service. She also worked with Fred Astaire and Ginger Rogers in several musicals.

When she registered to vote in 1936, both she, her brother, and her mother registered as Communists. During that year she signed a document as a Communist supporting Emil Freed for assembly and was appointed delegate to the State Central Committee of the Communist Party of California.

Ball later claimed she never had a strong political affiliation. In 1944, Lucy can be seen in a newsreel fund raising for Franklin Roosevelt. She also mentioned that she voted for Eisenhower in 1952 when he was on the Republican docket. In 1953 Ball met with HUAC and gave a sealed testimony. She said that she voted Communist at her grandfather’s insistence and did not know she had been appointed a delegate. Before filming episode 68 of their show, her husband and co-star Desi addressed the audience and said Lucy was not a Communist; she was just influenced by her grandfather. He joked that “the only thing red about Lucy is her hair, and even that is not legitimate.”

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In the late thirties, she dabbled in radio to earn some additional money. She was a regular on “The Phil Baker Show” and on “The Wonder Show” where she met announcer Gale Gordon.

In 1940 Lucy met Desi Arnaz when they both appeared in the movie Too Many Girls. They fell in love immediately, and before the year was out, they eloped. Arnaz was drafted in 1942, but a knee injury kept him from active service, and he was placed in Hollywood organizing and performing USO shows for wounded GIs.

Lucy finally got her big break in 1943. Arthur Freed was making a movie based on the play “DuBarry Was a Lady”; he bought it for Ann Sothern, but when she turned it down, she recommended her best friend, Lucille Ball.

In 1944, Ball filed for divorce, but the couple reconciled before it went through. Lucy and Desi had Lucie in 1951 when Lucy was almost 40, and son Desi was born during the series and written into the scripts in 1953. Mom and son appeared on the first cover of TV Guide which came out in 1953.

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Ball continued to make movies throughout the forties and kept a foot in radio. In 1948 she was cast as Liz Cooper on the radio show, “My Favorite Husband” on CBS.

When CBS wanted to transition the show to television, Lucy wanted Desi to be her television husband. CBS said no, so the couple went on the road with an act to prove the popularity of the them working together and CBS backed down.

The show was incredibly successful. (If you want to learn more details about the series and all the history that it produced, keep an eye out for my blog which will post January 13, 2025.) The couple created their own production company and had many “firsts” with technology producing their show. During filming breaks of the show, Lucy and Desi made two movies: The Long, Long Trailer in 1954 and Forever, Darling in 1956.

After years of turmoil and ups and downs in their marriage, the couple divorced. However, they continued to remain in each other’s lives through their children and their relationship. Later in life, Lucy said “Desi was the great love of my life. I will miss him until the day I die.”

📷closerweekly.com Ball and Vance

Lucy bought Desi’s share in the production company which produced a variety of shows including Mission: Impossible, Star Trek, and The Untouchables. In 1967 Lucy sold her shares to Gulf+Western, owned by Paramount, for $17 million, which would translate into $138 million today.

Lucy married Gary Morton in 1961. At the time, Morton was a comedian 13 years younger than Lucy. He said he had never seen an episode of I Love Lucy. Ball hired Morton for her production company, teaching him the television business.

For the next decade, Lucy worked on a number of television specials. She also tried sitcom life again. She starred in The Lucy Show from 1962-68 and in Here’s Lucy from 1968-1974. We’ll discuss these shows the last week of January. Many of Lucy’s friends appeared on these shows. Her close friends included Mary Jane Croft, Judy Garland, Ethel Merman, Barbara Pepper, Ginger Rogers, Ann Sothern, Vivian Vance, and Mary Wickes.

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Ball kept busy acting during the early 1980s. Desi Arnaz passed away in 1986. In 1988 Lucy had a mild heart attack. She appeared at the 1989 Academy Awards show and she and co-presenter Bob Hope were given standing ovations. She died a month later. Lucy had been a heavy smoker, and her cause of death was abdominal aortic aneurysm which is seen more in smokers.

Lucy always sent flowers to Carol Burnett on her birthday. The day before she died, she ordered them, and they were delivered a few hours after Carol learned of her death.

Lucy was cremated and her ashes were interred in Forest Lawn Cemetery with her mother’s remains. In 2002, both women’s remains were moved to the Hunt family plot in Jamestown. In Jamestown you can find the Lucille Ball Desi Arnaz Museum & Center for Comedy and the Lucille Ball Little Theater.

In 2009 a statue of Lucy was erected in Celoron. Many people called it “scary,” and it became known as “Scary Lucy,” which I totally endorse. In 2016, a more lifelike statue was created to replace Scary, but the scary statue had become so popular, it was left on display with the new one as its neighbor.

📷youtube.com The different sides of Lucy

Those two statues symbolize my relationship with the show. I appreciate the show and everything it did to create the classic age of television. Whether it’s technical filming strategies, the writing, the way the business was run, everything was important in this show. However, I have to admit, it’s not a show I choose to watch. It changed the entire course of television in similar ways that All in the Family would do a few decades later, but I honestly don’t enjoy watching either of these series. That might be a fault in my genes, but I also have to be honest.

However, Lucy Ricardo, while we may think of her as naïve and sophisticated, traditional and unconventional, submissive and disobedient, was an important icon in the way that women thought about themselves in the fifties.

Women had been brought in to work and gain independence while so many men were overseas fighting, and then they were asked to give it all up and go back to a domestic and tranquil life. Leslie Feldman, a political scientist and author of The Political Theory of I Love Lucy, writes that Lucy was “a transitional figure—she’s on the cutting edge.  . . Are [women] going to stay home and be wives and mothers? Are they going to go to work? Or are they going to do both? And what if they really do better and earn more money than their husbands? What about that? That’s an element of Lucy too.”

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Lucy was a force in show business. While she was not alone in taking control of her own career—Donna Reed, Betty White, and Ann Sothern were also powerhouses in establishing their own companies and running them—Lucy did it with the nation watching her. Even the choices she made about whether to divorce Desi or not were all done in the public eye and were sending messages whether people chose to receive them or not.

Lucille Ball was an amazing actress and an amazing business person. Apart from whether I enjoy watching the show or not, it changed the history of television and the way sitcoms were written, cast, and remembered. Thank you, Lucille Ball, for not listening when your instructors told you that you would never make it in show business. You not only made it in television, you truly made television what it is today.

Vic Tayback: Cooking Up Some Fun

This month we are celebrating some of our favorite Supportive Men, actors who usually are not the star of a show but add the special flavor only they can to some of our favorite shows.

Before we move on to our topic today, can I just say a huge THANK YOU to all of you who have joined me on this journey through classic television. Today is my 400th blog and it has been so much fun. Next week will be 401, but for today we are looking at the career of Vic Tayback.

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Most of us probably know him best as Mel on Alice; he played Mel Sharples in both the original movie, Alice Doesn’t Live Here Anymore, as well as the television show that was on for nine years.

Tayback was born in Brooklyn in 1930. His parents settled there after leaving Aleppo, Syria. During his teenage years, the family moved to California where he attended Burbank High School. He loved sports and played on a variety of teams, his favorite being football.

After high school, he enrolled at Glendale Community College. He also spent some time with the US Navy.

With his love of sports, he decided to attend the Frederick A. Speare School of Radio and TV Broadcasting to be a sports broadcaster. While there he was required to perform in a production of “Stalag 17” for one of his classes. He wasn’t thrilled about doing so, but he realized that he loved making people laugh and decided to switch his career to acting. While trying to break into the industry, he paid his dues driving a cab and working as a bank teller.

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The first of Tayback’s astounding 151 acting credits occurred in 1958 in a little-remembered series, Buckskin. This western was set in Annie O’Connell’s boarding house in Buckskin, Montana in 1880 and the stories were told by ten-year-old Jody. Vic continued to receive a few other appearances on television in the late fifties, as well as two films.

In the sixties, Tayback’s career took off. He would show up on 32 television episodes and 9 big-screen films, including With Six You Get Eggroll with Doris Day and Brian Keith. His tv roles were in comedies such as F-Troop, I Dream of Jeannie, Family Affair, Get Smart, The Monkees, and That Girl. He also could be seen in a variety of dramas that included 77 Sunset Strip, Dr. Kildare, Rawhide, Cimarron Strip, Star Trek, and Mission Impossible.

📷newyorkdailynews.com The Cheap Detective

The sixties also found Vic in the role of groom. In 1963, Tayback married Sheila Barnard, and they remained married until his death.

During the seventies, his appearances escalated to more than forty television series and ten movies. Some of his television shows included Bonanza, The Mary Tyler Moore Show, Bewitched, Columbo, Mannix, Ironside, Mod Squad, The Partridge Family, All in the Family, Barney Miller, Cannon, Medical Center, Family, and Hawaii Five-0. His movies included a few genres running from Disney’s The Shaggy DA to Papillon (Papillon was the story of a French convict who befriends a fellow criminal in South America in the 1930s, and he plans an escape).

It was during the mid-seventies that he was offered the role of Mel Sharples. In 1974 the movie was released, and the television show aired in 1976. The show was very popular with viewers. Vic said he and Mel were somewhat similar characters. While people still quote Flo on the show with her “Kiss my grits,” Tayback had his own tagline on the show, “Stow it.”

📷imdb.com Alice

If you didn’t see the show, it featured a greasy-spoon diner in Phoenix, Arizona. Alice moves there after the death of her husband with her son Tommy. She becomes a waitress at Mel’s along with sassy Flo and shy, gullible Vera. Despite the bad food, they have a lot of regulars who come in for a meal. If you want to visit the restaurant, the building it was based on is at 1747 NW Grand Ave in Phoenix and was called Pat’s Family Restaurant. (It was also featured in American Graffiti.) It is now called Mel’s Diner. According to Trip Advisor, it is ranked #448 out of 1795 restaurants in Phoenix.

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The role of Mel won Tayback Golden Globe awards in both 1979 and 1980. In 1978 he was nominated for an Emmy as Supporting Actor in a Comedy. While he did not win, he was in some amazing company. That year, fellow nominees included Harry Morgan and Gary Burghoff for M*A*S*H, Tom Bosley in Happy Days, and Rob Reiner from All in the Family, who took home the win that year.

The series aired on Saturday nights and the first year was in the top thirty. In 1977, its second season, it was moved to Sunday nights, following All in the Family where it rose into the top ten. In 1979, All in the Family left the airwaves, and Alice then followed One Day at a Time. Seasons three-five, it continued to be in the top thirty. In 1981, the show was moved to Monday nights up against M*A*S*H where it fell out of the top 30. However, season seven found it back on Sundays following The Jeffersons where it rose back into the top thirty. However, it took another dive in ratings the next year and then was cancelled. I think it probably stayed on the air a year or two beyond when it should have. However, interestingly enough, the year it was cancelled, CBS introduced 15 new shows. I’m not sure most people have ever heard of any of them; they were all gone by 1986 with the exception of The Twilight Zone (reboot) and West 57th, which was a news show aimed at younger audiences.

Vic was also an avid horse-racing fan and owned quite a few thoroughbreds. On Alice, Mel was also a track fan, and sometimes the writers asked Mel for names of horses they could use, and he often gave them names of his horses.

On the show, Vic was often made fun of for his bad cooking. In a 1985 interview he said, “If I walked into a restaurant, the other diners would look around and say, ‘I hope you’re not cooking.’” Heinz then offered him the role of spokesperson for their Heniz 57 sauce and his line in the commercials, was “I used to be a lousy cook.” He was also remembered for an Aqua Velva commercial he did with Pete Rose.

Unfortunately, Tayback was a heavy smoker which caused heart trouble for him. While doing Alice, he had a triple-bypass surgery. While he did try to quit numerous times, he just could never kick the habit. In 1990, he died from a heart attack at age 60.

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While we were cheated of several decades of performances from Vic with his early death, he did leave an amazing legacy in the Company of Angels theater in Los Angeles. According to its website, “In 1959, a group of actors, including Tayback, Leonard Nimoy, Richard Chamberlin, and Vic Morrow founded the theater to provide a space for actors and other theater artists to work on their craft free of commercial constraints.”

Thank you, Vic Tayback, for deciding to make people laugh in your career and investing in the future of acting so those memories continue in the future.

David White: The Man Behind McMahon and Tate

This month our blog series is Supportive Men. These actors were not the stars of the series, but they contributed a lot of fun to the show. First up is David White who we know best as Larry Tate from Bewitched.

White was born near Denver, Colorado, in 1916. His family moved around a bit. He lived in Pennsylvania and Missouri and graduated from Los Angeles City College. He worked at the Pasadena Playhouse before enlisting in the Marine Corps during WWII. After his four years in the military, he began acting again with the Cleveland Play House.

📷pinterest.com On The Phil Silvers Show

In 1949, White found himself living in New York where he made his Broadway debut in “Leaf and Bough.” The theater critics were not kind in their reviews, and the show closed after three performances. The following year, he tried the stage again in “The Birdcage” with Maureen Stapleton. He was then given a role in “The Anniversary Waltz,” co-starring Macdonald Carey and Kitty Carlisle which ran for 611 nights. He paid his dues, working in a variety of jobs while trying to establish his acting career. His resume included a farm laborer, a truck driver, a doorman at the Roxy Theater, and working at the J.H. Taylor Management Co.

In the 1950s, David began his long television career. His first appearance was in The Philco Playhouse production of “Rich Boy” with Grace Kelly. While most of his roles were in dramatic shows and westerns, he did a few comedies including Father Knows Best, My Favorite Martian, The Farmer’s Daughter,  and My Three Sons. Most of his roles were as corrupt businessmen or arrogant politicians.

📷dvdizzy.com In The Apartment

In 1952, David married actress Mary Welch. Welch appeared in several successful plays on Broadway. She was a member of Lee Strasberg’s Actor’s Studio before opening her own school called The Welch Workshop. White and Welch worked together in only one production, at a regional theater, in “Tea and Sympathy.” In 1958 she died of complications from their second pregnancy. They had a son Jonathan and sadly, he died in 1988 in the bombing of the Pan Am Flight 103 over Lockerbie, Scotland. (This was a tragic incident when Libyan terrorists planted a bomb on a plane flying from London to New York. It exploded 35 minutes into the trip and killed all 259 people on board and 11 people in the neighborhood where it landed.)

After his wife died, White and his son moved to Hollywood where White launched a big-screen career. His film debut was in 1957 with Tony Curtis, Barbara Nichols and Burt Lancaster in The Sweet Smell of Success. He only had 16 movies in his credits, but they included The Apartment, Sunrise at Campbello, and Brewster’s Millons.

📷closerweekly.com On Bewitched

From 1964-1972, he perfected the comedic role of Larry Tate on Bewitched. As president of McMann & Tate, he was constantly firing Darrin for one reason or another, usually related to some circumstance caused by Samantha’s family. White also directed one episode of the series, “Sam’s Double Mother Trouble.”

During an interview with Herbie J. Pilato (author of Bewitched Forever), White said he “got the part because I was an honest man, and that’s how Larry and I were different. I’m not two-faced, and he was. I had more integrity than Larry ever had. I was smarter and had a deeper sense of values. I had to diminish who I was to play Larry, whom I viewed as a very insecure person who only had a certain brilliance in certain areas. He was smart enough to hire people who possessed the skills he did not—like Darrin. I wasn’t born to play Larry. I had to create him. He was a make-believe character of his own truth slated in a comedy series. When playing humor and farce you take that truth and stretch it as far as it will go. But not any farther. When I was playing Larry, though he was a funny character, I never tried to be funny. To me, acting has to do with fulfilling the needs of the character you’re playing, not the actor who’s playing him. Although the one thing the actor and the character have in common is that both have needs. A real heavy is a man who doesn’t have any moral structure whatsoever; one who ends up cheating or even killing someone. Larry was selfish, but he was never that extreme. If anything, he was still a little kid who never matured.”

📷x.com Bewitched

In that same interview, White said his favorite Bewitched episodes were “Moment of Truth” (Season 3, Episode 2 when Samantha has to tell Darrin Tabitha is also a witch and they try to keep the secret from the Tates), “Bewitched, Bothered and Infuriated” (Season 3, Episode 31 when Clara tells them about a future newspaper article that says Larry broke his leg on their trip, so Darrin and Samantha try to protect him while causing a lot of annoyance to Larry and Louise), and “Toys in Babeland” (Season 4, Episode 2 when Endora brings one of Tabitha’s toys to babysit her while she runs a quick errand which leads Tabitha to bring a lot of toys to life).

After the show ended, White continued both his television and film careers. He also continued in the theater, primarily with Theatre West and the Mark Taper Forum in Los Angeles.

📷imdb.com My Three Sons

During the seventies and eighties, he showed up in a variety of popular shows including Adam-12, Cagney and Lacey, Cannon, Columbo, Dallas, Dynasty, Love American Style, Mission Impossible, Qunicy M.E., Room 222, The Odd Couple, The Love Boat, The Mary Tyler Moore Show, and The Rockford Files.

After his son’s death, White became a bit of a recluse. He had just begun working again when he passed away from a heart attack in 1990 at the age of 74. Certainly, David White had a successful career, amidst his personal heartbreaks, appearing on the stage, in films, and on television. It would have been wonderful if he had another chance to be part of the cast of another hit show, maybe a dramatic role. However, if you only costar in one show, the role of Larry Tate and the memories we have of him on Bewitched is a great one to have.

Pernell Roberts: A Man of Many Talents

We are up close and personal this month with some of our favorite male television stars, and Pernell Roberts is definitely on that short list. Pernell Roberts was well known to television viewers in the early sixties and the early eighties. Some fans might not even realize the two characters he was best known for, Adam Cartwright on Bonanza and Dr. John McIntyre on Trapper John, MD were played by the same man.

The Family of Bonanza Photo: toledoblade.com

Pernell Elven Roberts Jr. was born an only child in 1928. He was named for his father who was a Dr. Pepper salesman. During high school, Roberts played the horn, acted in several school and church plays, played basketball, and sang in the local USO shows. He enrolled at Georgia Tech but then enlisted in the US Marine Corps. He played both the tuba and horn in the Marine Corps Band while sometimes tackling the sousaphone and percussion parts. After his time in the Marines, he enrolled at the University of Maryland where he enjoyed participating in classical theater. He left college to continue his acting career.

In 1949, he had his professional stage debut in “The Man Who Came to Dinner” with Moss Hart and Kitty Carlisle. He then took on several roles in Philadelphia.

In 1951, Roberts married Vera Mowry; she was a professor of theatre history at Washington State University. They divorced in 1959. They had one son who was killed in a motorcycle accident in 1989.

In 1952, Roberts made the big move to New York City appearing in off-Broadway shows. Several of his costars were Joanne Woodward and Robert Culp. He performed several Shakespeare roles.

In 1956, Roberts made his television debut in Kraft Theatre. In 1957, he signed with Columbia Pictures. His first big-screen role was as Burl Ives’ son in Desire Under the Elms. His second role was with Glenn Ford and Shirley MacLaine in The Sheepman.

Roberts continued to accept television roles with ten appearances in 1958 and six in 1959.

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From 1959-1965 he would portray Adam Cartwright, Ben’s oldest son on Bonanza. Each of the brothers had a different mother, and Adam was the only Cartwright to attend college, studying architectural engineering. After acting in classical theater for so much of his early career, the transition to a weekly series was a difficult one for Roberts. He thought it a bit ridiculous that the independent sons had to get their father’s permission for everything they did. He wanted to act in a show with greater social relevance. So, although the show would continue until 1973, he left in 1965 after appearing in 202 episodes. The storyline was that Adam was traveling in Europe or living on the east coast. Bonanza producer David Dortort said Roberts was “rebellious, outspoken . . . and aloof, but could make any scene he was in better.”

The Odd Couple Photo: sitcomsonline.com

During this time on the show, Roberts married again in 1962; he wed Judith Roberts and they would divorce in 1971.

After leaving Bonanza, Roberts returned to theater, playing a variety of roles. He toured with many musicals including “The King and I”, “Kiss Me Kate”, “Camelot”, and “The Music Man.”

Pernell also became involved in the civil rights movement, joining Dick Gregory, Joan Baez, and Harry Belafonte in the sixties demonstrations including the March on Selma.

On Mission Impossible Photo: ebay.com

From 1972-1996, Roberts was married to Kara Knack. They also divorced.

Throughout the late sixties and seventies, Pernell continued appearing in television series and made-for-tv movies. You’ll see him in westerns such as Gunsmoke, The Big Valley, and The Virginian; spy genres including Wild Wild West, Mission Impossible, and The Girl from U.N.C.L.E.; crime shows including Hawaii Five-0, Mannix, Police Story, Ironside, Cannon, and The Rockford Files; and several medical series—Marcus Welby, West Side Medical, and Quincy. He even showed up on The Twilight Zone and The Odd Couple.

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Perhaps he enjoyed those medical shows because he returned to television to star in his own series in 1979, playing Trapper John, MD. The plot was featured Trapper John from M*A*S*H later in his career at San Francisco Memorial Hospital where he was Chief of Surgery. He worked with a young surgeon who had also served in a MASH unit, Alonzo “Gonzo” Gates (Gregory Harrison). The series lasted seven seasons.

In 1979, he told TV Guide that he chose to return to a weekly show because he had “seen his father age and realized it was a vulnerable time to be without financial security.” Roberts felt the role allowed him to use his dramatic range of acting skills and to address important social issues.

In the 1990s, Roberts took on very few television appearances; his last television performance was in Diagnosis: Murder in 1997.

Roberts would attempt marriage one last time in 1999 when he wed Eleanor Criswell. When Pernell passed away in 2010 from pancreatic cancer after being diagnosed in 2007, they were still together.

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Pernell also enjoyed golfing, swimming, playing tennis, running, reading, cooking, and singing. He appeared on two record albums during his career. The cast of Bonanza recorded an album in 1959 and he released a folk music album in 1962, titled “Come All Ye Fair and Tender Ladies.”

He certainly had a long and varied career: music, movies, Broadway, and television. He also used his fame to help causes he believed in. I don’t think he is remembered as well as he should be. Maybe it’s because he left Bonanza too early to be included on a lot of the memorabilia that came out of that show or because there was such a gap between his two series that he starred in. Whatever the reason, I hope this blog has helped recall some of our memories of the three decades he spent entertaining us.

Big Valley: Home of the Barkleys

We are in the midst of our western series, and today we turn our attention to a show that was on ABC for four years, from 1965-1969: The Big Valley. Created by A. I. Bezzerides and Louis F. Edelman and produced by Levy-Gardner-Laven (a trio of Jules V. Levy, Arthur Gardner, and Arnold Laven).

Photo: amazon.com

The series is set on the Barkley Ranch in the 1870s, home of the Barkleys, one of the wealthiest families in the area. The ranch is based on the 30-acre Hill Ranch which existed from 1855-1931. Lawson Hill was murdered in 1861 ad then his wife Euphemia ran it. They also had three sons and one daughter. Today the ranch is covered by Camanche Reservoir waters. The exterior shot of the house used in the show was also Tara in Gone with the Wind.

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On Big Valley, Victoria Barkley (Barbara Stanwyck) runs the ranch with the help of her sons Jarrod (Richard Long), Heath (Lee Majors), and Nick (Peter Breck) and daughter Audra (Linda Evans).

Barbara Stanwyck in The Big Valley by Silver Screen | Barbara stanwyck,  Actresses, Silver screen
Barbara Stanwyck Photo: pinterest.com

Heath was her husband’s illegitimate son, but she considered him her own child. He never met his father who had never been told of his existence; Heath learned it from his mother on her deathbed.

Three Great Stories in the Barkley Library - The Big Valley Writing Desk
The boys of Big Valley Photo: tapatalk.com

Jarrod was an attorney and was refined and well educated. He was briefly married but his wife was killed shortly after by a bullet meant for him. Nick was the younger, hot-tempered son who helped his mother run the ranch. He was a soldier in the Union Army during the Civil War. He had a great sense of humor and was very loyal to his family.

15 Things You Don't Know About Linda Evans - INSP TV | TV Shows and Movies
Linda Evans Photo: insp.com

Audra was rather bold for the times. She was a tomboy but had a soft heart and tended to children at the local orphanage.

There was another younger Barkley, Eugene (Charles Briles), who was a medical student at Berkeley. He was seen off and on through season one, then drafted into the army and never really mentioned again.

Considering that the show was only on the air four years, a lot of stars appeared. A small sample includes Jack Albertson, Lew Ayres, Anne Baxter, Milton Berle, Charles Bronson, John Carradine, Yvonne Craig, Yvonne DeCarlo, Richard Dreyfuss, Robert Goulet, Julie Harris, Ron Howard, Cloris Leachman, Gavin MacLeod, Leslie Nielsen, Regis Philbin, Lou Rawls, Pernell Roberts, Wayne Rogers, Katharine Ross, William Shatner, and Adam West.

The Big Valley" Joshua Watson (TV Episode 1969) - IMDb
Lou Rawls guest star Photo: imdb.com

The Big Valley was a western but with a few twists and never predictable. It was the first time a woman would have the lead in a western.  The Barkleys may have been wealthy, but they were raised right. They were hardworking and fought for the underdog, making sure justice prevailed. However, it was not a cliché; no one could be trusted and nothing was exactly as it looked. Characters who appeared angelic ended up being truly evil.

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Unfortunately for the show, it was coming in at the end of the western’s popularity and was never in the top 30 during its time on the air. The other new shows that began when it did included Get Smart, I Dream of Jeannie, Hogan’s Heroes, Lost in Space, F Troop, and The Wild Wild West.

However, it received good reviews, and in 1966, Stanwyck was nominated and won the Emmy for drama series. She would also be nominated in 1967 and 1968, losing to Barbara Bain from Mission Impossible both years.

The theme was composed by George Duning. In 1966, a soundtrack from the show was released in mono and stereo versions. During his career Duning would work on more than 300 movie and television scores.

Like many television shows in the fifties and sixties, Dell Comics published six comic books based on the show. For some reason, I did not see much in the way of merchandising for this show compared to other westerns or shows from the sixties.

A warmhearted retrospective with 'Big Valley' cowgirl Linda Evans | Medium
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The cast got along well. Evans and Stanwyck were exceptionally close and rehearsed at Barbara’s house every Saturday. When Arthur Gardner was interviewed on the Television Academy, he said that Stanwyck mentored the younger cast members. He said “he could not praise her enough” for the work she did.

52 The Big Valley ideas | tv westerns, barbara stanwyck, linda evans
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It’s too bad the show didn’t begin earlier in the decade; it might have been able to stay on the air a bit longer. It was a unique concept with a powerful woman as the star. You can currently see it on Me TV on Saturdays as well as a few other networks.       

Bert Convy: A Multi-Talented Star

I’m calling this series “The Men of November.”  We are taking a look at five actors who contributed to television during the classic decades of the 1940s-1980s. I’ve decided to take them in alphabetical order so we are starting with Bert Convy.

Photo: findagrave.com

Born in St. Louis in 1933, Convy’s family moved to Los Angeles when he was seven.  His focus was athletics, not acting, in school. When he was 17, the Philadelphia Phillies gave him a contract to play in their minor league system which he did from 1951-1952. In 1951 he played for the Klamath Falls Gems (Oregon), and in 1952 he split his time with the Salina Blue Jays (Kansas) and the Miami Eagles (Oklahoma).

Once he realized baseball was not going to be his career, he joined The Cheers, who released a top ten hit called “Black Denim Trousers and Motorcycle Boots” in 1955. Convy opted to enroll at the UCLA School of Theater, Film and Television, earning a BA.

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Like Ken Berry, he was a performer in the Billy Barnes Revues which was popular in the fifties and sixties. In 1956, he was an usher on Art Linkletter’s popular show House Party. He appeared in several early television series throughout the late fifties, including Those Whiting Girls.

In 1959 he married Anne Anderson. They had three children and were divorced in 1991.

Perry Mason
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He showed up on the small screen a lot during the sixties, primarily in detective shows including Perry Mason in 1960. His first feature role was in the big screen drama Susan Slade starring Troy Donahue and Connie Stevens in 1961. He also spent a part of this decade on Broadway in ten different productions.

Photo: imdb.com

The decade of the seventies found him balancing roles in both detective (Mission Impossible, McMillan and Wife, Police Story and Charlie’s Angels among many others) and comedy shows (including Bewitched, Love American Style, and Karen). He appeared on The Partridge Family as a politician who dates Shirley. You get the distinct impression that they ended up together once the kids were out on their own. He also portrayed one of Mary’s boyfriends on The Mary Tyler Moore Show.

As Paul Revere on Bewitched
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He received his first recurring role in 1974, playing Lt. Steve Ostrowski on The Snoop Sisters. The show starred Helen Hayes and Mildred Natwick as two sisters, one widowed and one never married, who are mystery writers that also get involved in real murders.

Silver Scenes - A Blog for Classic Film Lovers: The Snoop Sisters ...
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Two years later he starred in a short-lived variety show with the convoluted title of The Late Summer Early Fall Bert Convy Show. The title alone probably doubled the advertising budget. When I say short-lived, I mean I could only find one episode of the show which featured Don Knots.

He was offered another permanent role in 1983 on It’s Not Easy. Originally Larry Breeding was given the role and made the pilot, but he passed away after a car accident. This show only lasted for 11 episodes. The plot is that Jack and Sharon have divorced. Sharon has remarried and she and her husband Neal (Convy) have decided to live across the street from Jack so it’s easier for the kids. Jack and Neal do not like each other.

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He appeared in a few series during the eighties including Aloha Paradise, Fantasy Island, Murder She Wrote, Hotel, The Love Boat and The People Next Door.  

Cannonball Run Poster
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While he would make ten big screen and fifteen made-for-television movies, two of them involved his buddy Burt Reynolds. Convy appeared in Semi-Tough in 1977 and Cannonball Run in 1981. The two friends developed a production company, Burt and Bert Productions.

Convy was probably best known for his game show work. He was a panelist during the sixties and seventies on a variety of shows including What’s My Line, To Tell the Truth, Match Game, and Password. He hosted Tattletales, Super Password and Win, Lose or Draw. His emceeing of Tattletales resulted in an Emmy for Best Game Show Host in 1977.

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In April of 1990, Convy collapsed and was diagnosed with cancer. The brain tumor was inoperable, forcing his retirement. His last credit was as himself on It’s Garry Shandling’s Show in 1990. He married his second wife Catherine Hills during the winter of 1991, and he passed away in July of 1991.

Sadly, Convy was never offered that perfect role that made him an icon, but he certainly had a full career. He had a lot of talents: acting, singing, and the personality to host game shows. I think it was his smile that always made him a favorite with me.

The Smothers Brothers Comedy Hour: Fifty Years After Getting the Pink Slip

The late 1960s and early 1970s might have contained the most diverse television shows than any other era. In 1968, there were the rural comedies like Green Acres and The Beverly Hillbillies; there were the standard sitcoms, My Three Sons, Get Smart, That Girl, Bewitched; there were the remains of a few westerns including The High Chaparral, The Virginian, and Gunsmoke; there were crime and thrillers such as Hawaii Five-0 and Mission Impossible; there was the crime/western in The Wild, Wild West, there were gameshows on at night including Let’s Make a Deal, The Dating Game, and The Newlywed Game; there were sci-fi shows like Star Trek and The Land of the Giants; family shows like Lassie; and even Lawrence Welk.

In addition, there were a couple of shows that were a bit edgier and introduced more  provocative concepts and themes. The Mod Squad featured three teens who were helping solve crimes in lieu of jail time, and then there was the almost-impossible-to-describe Laugh In.

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Similar to Laugh In was The Smothers Brothers Comedy Hour which also debuted in 1967 featuring Tom and Dick Smothers. It had more of a variety format to it but it had the same topical and satirical humor.

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The Who

In addition to poking fun at politics, the war, religion, and current issues, you could tune in to the Smothers Brothers for some of the best and sometimes controversial music in the industry. Performers such as Jefferson Airplane, Steppenwolf, Simon and Garfunkel, The Who, Cream, Pete Seeger, and The Doors appeared on the show.

Photo: metro.com
Jefferson Airplane

The show aired Sunday nights against Bonanza on NBC; ABC aired The Sunday Night Movie in its first season and Hee Haw in its second season.

The series had some of the best writers on television: Alan Blye, Hal Goldman, Al Gordon, Steve Martin, Lorenzo Music, Don Novello, Rob Reiner, David Steinberg, and Mason Williams. Reiner and Martin both commented on the show in an interview by Marc Freeman in the Hollywood Reporter 11-25-2017 (“The Smothers Brothers Comedy Hour at 50: The Rise and Fall of a Ground-Breaking Variety Show”).  

Reiner relayed that “you had two cute boy-next-doors wearing red suits, one with the stand-up bass and the other with his guitar. They looked like the sweetest, most innocent kids. You got drawn to them, and then they hit you with the uppercut you didn’t see coming.”

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Martin elaborated “When you have the power wrapped up in innocence, it’s more palatable. They were like little boys, but you also had Dickie there to reprimand Tommy when he would make an outrageous statement. It’s like the naughty ventriloquist dummy who can get away with murder as long as the ventriloquist is there to say ‘You can’t say that.’ It’s the perfect setup for getting a message across.”

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Jack Benny

In addition to the musical acts, hundreds of celebrities appeared on the show between 1967 and 1969, including Jack Benny, Carol Burnett, George Burns, Bette Davis, Jimmy Durante, Barbara Eden, Nanette Fabray, Eva Gabor, Shirley Jones, Don Knotts, Bob Newhart, Tony Randall, Ed Sullivan, Danny Thomas and Jonathan Winters, along with so many others.

Part of the show was the brothers’ ongoing sibling rivalry about whom their parents liked best. They also began to add political satire and ribald humor. Pat Paulsen delivered mock editorials about current topics such as the draft and gun control, and in 1968 he had a mock presidential campaign.

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Pat Paulsen for president

Church sermon sketches poked fun at religion. The show lampooned many of the values older Americans valued, often delivering anti-establishment and pro-drug humor. No one was given an exception, and the show lambasted the military, the police, the religious right, and the government.

Battles over content were ongoing with the network. The network pulled Pete Seeger’s performance of his anti-Vietnam War song, “Waist Deep in the Big Muddy.” They nixed Harry Belafonte’s song, “Don’t Stop the Carnival” because it had a video collage behind him of the 1968 Democratic National Convention riots.

Younger viewers were tuning in, and despite the conflicts, the show was picked up for a second season. The network insisted they receive a copy of the show at least ten days in advance for editing. In April of 1969, William Paley canceled the show without notice. Some sources contend it was canceled by CBS president Robert Wood. Some sources cite the issue with unacceptable deadlines and others mention Tom Smothers lobbying the FCC and members of Congress over corporate censorship that brought about the firing. The brothers filed a breach of contract suit against the network and after four years of litigation, a federal court ruled in their favor, awarding them $776,300.

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Here’s a typical joke from the show that was not as controversial.

Tom: You can tell who’s running the country by how much clothes people wear, see?

Dick: Do you mean that some people can afford more clothes on, and some people have . . . less on? Is that what you mean?

Tom: That’s right.

Dick: I don’t understand.

Tom: See, the ordinary people, you’d say that the ordinary people are the less-ons.

Dick: So, who’s running the country?

Tom: The morons.

The Smothers Brothers elicited humor that was as topical, influential, and critical as anyone had ever heard before on television. Fifty years later, both the network and the brothers realized everyone over-reacted. If the Smothers Brothers had tried to play by the rules a bit, they would not have lost their platform to continue to help change what they saw as a messed-up culture.

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The CBS executives felt the program created too much controversy. In their defense, politicians, especially Lyndon Johnson and Richard Nixon, exerted a lot of pressure on the network. Remember this was a time of three networks and ads are what produced the profits to fund shows. The network received a boatload of hate mail daily about the program and, when viewers begin talking boycotting advertisers, executives sit up a bit straighter and listen.

The Smothers Brothers Show, a less controversial series, debuted in 1975. They had two specials on NBC later and another CBS series in 1988 but never regained the influence they had in the sixties. However, the show did help pave the way for a future that permitted, and later embraced, shows with controversy beginning with All in the Family, continuing with Saturday Night Live, and recently seen on shows such hosted by Jon Stewart and Stephen Colbert. Although the comedy spouted on the show would seem quite tame by today’s standards, the show had an important part in the history of television and the rights of free speech.

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I have seen some DVDs out there from this show, but they are pricey. Recently I saw season two going for $190. I do see Laugh In on Decades quite often, so perhaps The Smothers Brothers might show up somewhere too, although I’m not sure this show would hold up as well as Laugh In, but the musical performances would be fun to see.

The Man From UNCLE: What Happens When James Bond Comes Out of the Cold and Into TV

We are in the midst of our Murder, Mystery, and Mayhem series this month. In the mid-1960s, westerns were still the most popular show on television with rural sitcoms coming on the scene. Crime shows still had their fair share of air time, but spy shows were non-existent. With the end of the Cold War, Bond movies, and books like The Spy Who Came in From the Cold, these types of thrillers were bound to hit the small screen. From 1964-1968, The Man from UNCLE took us behind the scenes to observe the dangerous life of special agents.

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Beginning on Tuesday nights on NBC, the show was produced by Metro Goldwyn Mayer. The creator, Norman Felton, asked Ian Fleming to act as a consultant. (Some sources list Felton as the sole creator; some credit Sam Rolfe as a co-creator.) The book The James Bond Films mentions that Fleming suggested two characters: Napoleon Solo and April Dancer. Napoleon Solo became one of the main characters on The Man from UNCLE, and we will learn more about April Dancer later. Solo was also a villain in the movie Goldfinger. Originally titled “Solo,image of ” the popularity of the film led to a title change in the television show to The Man from Uncle.

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Solo (Robert Vaughn), being an American, was set up in a partnership with a Russian, Illya Kuryakin (David McCallum). The duo would take on multinational secret intelligence work under UNCLE, The United Network Command for Law and Enforcement. They sometimes worked with Alexander Waverly (Leo G. Carroll) who headed up an English organization. They frequently went up against THRUSH. We never learned who was part of THRUSH or what their goals were, apart from taking over the world of, course.

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David McCallum

Solo was supposed to be the typical ladies’ man, with Kuryakin being the intelligent, funny, and loyal partner, but McCallum turned into an instant celebrity. Hysterical fans attended promotional appearances and magazines gave he and his wife Jill Ireland little peace and quiet. One article I read discussed an incident in Baton Rouge, LA when McCallum was locked in a bathroom so the police could clear out the screaming women. When he was supposed to do a spot in a Macy’s store in New York, police had to disperse 15,000 screaming women who made it too dangerous for him to appear and did “a colossal amount of damage” to the store.

Solo and Kuryakin accessed their secret headquarters through a tailor’s shop, Del Floria’s.

Photo: filmandfurniture.com

In an interesting twist, the creators decided to feature an “innocent character,”–a Joe Doe or Jane Smith who the viewers could identify with—in every episode.

The theme music was created by Jerry Goldsmith, changing slightly each season as new composers came on board, eight in all.

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With the exception of one show, the episodes were titled “The ______ Affair.” Every year at least one two-part show was aired. The pair of shows became theatrical films released in Europe. Additional footage was added to the movies. Some of these films were later seen on American television and include To Trap a Spy (1964), The Spy with My Face (1965), One Spy Too Many (1966), The Spy in the Green Hat (1967), and How to Steal the World (1968), among others.

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Although stuntmen were hired for the two leads, they also did their own stunts. Typically, the actor and stuntman did each stunt, and the final version combined the best of them. However, McCallum tried to avoid heights, and Vaughn disliked water scenes.

Like Get Smart, the recurring characters were a small group, and guest stars were necessary for each episode. Both high-profile and up-and-coming actors were eager to appear on the show. William Shatner and Leonard Nimoy can be seen together in “The Project Strigas Affair” two years before they starred on Star Trek. Other actors who appeared include Judy Carne, Joan Collins, Yvonne Craig, Broderick Crawford, Robert Culp, Chad Everett, Barbara Feldon, Anne Francis, Werner Klemperer, Janet Leigh, June Lockhart, Jack Lord, Ricardo Montalban, Leslie Nielsen, Carroll O’Connor, Vincent Price, Cesar Romero, Kurt Russell, Sonny and Cher, and Telly Savalas.

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Of course, spies need technological gadgets to get a leg up on the competition. Some of their communication devices included a security badge and a business card. They could also communicate with a portable satellite disguised as a cigarette case or fountain pen.

Like all good crime fighters, the duo needed a car, and theirs was a Piranha Coupe, based on the Chevrolet Corvair.

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Weapons were also a necessity in their line of work. The UNCLE Special was a semi-automatic weapon which was useful except at night when THRUSH had access to a “sniperscope” which allowed the villains to shoot in total darkness.

The gadgets, props, and clothing for the show were so popular that they are exhibited in the Ronald Reagan Presidential Library. The CIA also exhibits some of the show’s items.

Season 1 was a great success even though partway through the season, the show moved from Tuesdays to Mondays. With season 2 came more “tongue-in-cheek” dialogue, and the series switched from black and white to full color. Athough the show was moved to Friday nights, its popularity continued.

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Season 3 added a campy element, a la the Batman and The Monkees craze, against the stars’ wishes. The ratings decreased and the show never attained the same quality and ratings again. It was renewed for a fourth season but cancelled partway through when there was no increase in viewership.

Although the show was only extremely popular for two years, it garnered eight Emmy nominations and five Golden Globe nominations, including a win for David McCallum as best star in 1966.

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Of course, like all popular shows from the 1960s, a tv movie was made a few years later and a big-screen remake came decades later.

The Return of the Man from UNCLE: The Fifteen Years Later Affair was seen on CBS, not NBC, in 1983 with both Vaughn and McCallum reprising their roles. At the beginning of the movie, we learn that although THRUSH was obliterated with the arrest of its leader, he has now escaped from prison. Rather than stick with the chemistry of the two leads, the tv movie pairs each lead with a younger agent.

In 2015, Guy Ritchie’s big-screen The Man from UNCLE was set in the 1960s featuring Solo (Henry Cavill), Kuryakin (Armie Hammer), and Gaby Teller (Alicia Vikander). The trio must work together in a joint mission to stop an evil organization from using Gaby’s father’s expertise in science to build a nuclear bomb. All the while, they don’t totally trust each other, and secretly put their own country’s agendas first. As far as reboots go, the film was actually a good rendition of the original show.

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Of course, there was no limit to the merchandising in connection with the show. Several comic books based on the series were published, as well as two dozen novels. In addition to membership cards, viewers could show their love

for the show with board games, action figures, model kits, lunch boxes, and toy guns.

I did promise to get back to April Dancer. Halfway through The Man from UNCLE series, the network released a spin-off, The Girl from UNCLE starring Stefanie Powers as April Dancer. Not as popular as the original, it was cancelled after one season.

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Dancer works with British agent Mark Slate (Noel Harrison). Leo G. Carroll appeared as Mr. Waverly in this series also. Luckily Powers was fluent in several languages, because Dancer often went undercover with a foreign accent.

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Unfortunately, Dancer reeled in the bad guys, but Slate was the one who got to kill them. However, April did get some cool gadgets such as a perfume atomizer that sprayed gas and exploding jewelry.

This show also used Goldsmith’s theme music in an arrangement by Dave Grusin.

Both The Girl from UNCLE and The Man from UNCLE are available on DVD.

Although The Man from UNCLE was only hugely popular for two years and The Girl from UNCLE never attained a fan base, the shows ’ concept spawned a huge pop culture obsession. At one point, more than 10,000 letters a week were delivered to the network. The show sparked an interest in spy shows that would pave the way for future shows such as Mission Impossible; The Wild, Wild West; I Spy; and Get Smart. Like The Man from UNCLE, each of these shows would result in reboot big-screen movies in later decades, as well as a large output of memorabilia.

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It’s interesting that this show feels dated now with the current technology, yet Get Smart continues to be a hit. I think the humor and campiness of Get Smart keeps it relevant which is ironic, because that is what basically brought about the end of The Man from UNCLE. Despite its current non-relevancy, it was an important part of pop culture and deserves to be celebrated for its cult status in the mid-sixties and the realistic portrayal of spies to generations of viewers.