You Are About to Experience The Outer Limits

October 21, 2024March 14, 2024 / thewritelife61 / 2 Comments

It’s Eerie Shows month. Last week we learned about Alfred Hitchcock Presents, a thriller anthology show. Today we have another anthology series of science fiction themes – The Outer Limits. The show examined the nature of man every week and included many classic science fiction themes such as life in outer space, time travel, and human evolution.

The original title of the show was Please Stand By. It was on ABC from 1963-65. Joseph Stefano was the producer for season one and the creative guiding force, writing more episodes than anyone else. He was the writer of Hitchcock’s film, Psycho. Harlan Ellison, a prolific writer, wrote two episodes for season two. Robert Towne wrote a script for the show and later received an Oscar for his writing for Chinatown.

The show also employed a well-known cinematographer in Conrad Hall. He worked on a variety of television shows and in film, winning Oscars for Butch Cassidy and the Sundance Kid, American Beauty, and Road to Perdition; he was nominated for another seven movies.

The shows began with a Control Voice saying:

“There is nothing wrong with your television set. Do not attempt to adjust the picture. We are controlling transmission. If we wish to make it louder, we will bring up the volume. If we wish to make it softer, we will tune it to a whisper. We will control the horizontal. We will control the vertical. We can roll the image, make it flutter. We can change the focus to a soft blur or sharpen it to crystal clarity. For the next hour, sit quietly and we will control all that you see and hear. We repeat: There is nothing wrong with your television set. You are about to participate in a great adventure. You are about to experience the awe and mystery which reaches from the inner mind to The Outer Limits.”

Seasons one and two were a bit different with season two focusing more on hard science. Sometimes we forget that special effects were not something these crew members had much experience with on television. Often, the cast was experimenting, just trying to find solutions to creating these new effects. Robert Justman, who was one of the assistant directors on the show, talked about how they created monsters on the show in his Television Academy interview. He said for one of the first monsters, they had planned to use a negative image instead of a positive one, but that was not enough. He got the idea to rub the image with Vaseline and it created these iridescent spots on it which gave them their monster.

The music for season one was by Dominic Frontiere and season two was supplied by Harry Lubin. Frontiere was credited with 59 shows and films, including Matt Houston and Vega$. Lubin was best known for his music on The Loretta Young Show and One Step Beyond.

Season one garnered good ratings and their fans were very loyal. However, the ratings dipped in season two after changing focus and moving from Monday to Saturday night. Stefano knew that competing with The Jackie Gleason Show on Saturday night meant the show was over, and he left before season two started.

The episodes of The Outer Limits were often confused with The Twilight Zone, not only by viewers but by actors appearing in them. We’ll learn more about The Twilight Zone next week.

Another fan of the show was Gene Roddenberry. He was often on set, and the show would become a big influence on Star Trek later in the decade. A lot of the crew, cast, costumes, and props on The Outer Limits made their way into Star Trek episodes.

Like so many shows, this one was revived in 1995, and it ran for seven seasons.

I’m not sure why but I don’t remember watching this show in reruns the way I did The Twilight Zone. Maybe it was not shown as often or maybe it was on when our family was watching other shows, but it was interesting to learn what made it different from The Twilight Zone. I’m not sure how many of the “monster” episodes would compete with the special effects of today, but it’s worth taking a look at a few of them and the science they not only developed but the technology that was invented.

Buddy Ebsen: From The Tin Man to King of the Hill

December 25, 2023November 20, 2022 / thewritelife61 / 2 Comments

As we wind up our blog series, “Time for Some Texas Tea,” we are also reading the last blog of the year. We have been learning about the careers of several actors who appeared on The Beverly Hillbillies and today we have saved Buddy Ebsen who had the most successful career of the cast.

Ebsen was born Christian Ludolf Ebsen Jr. in 1908 in Illinois. He was the only son of four children born to his parents who had immigrated from Germany. His father was a choreographer and owned a dance studio. He was also a physical fitness advocate and operated a gym for the local school district. His mother was a painter.

When Buddy was ten, his family moved to Florida for this mother’s health, eventually ending up in Orlando where he took dance at his father’s studio. Ebsen was a member of the swim team all four years and became a Florida State Champion. He graduated in 1926. Originally, he chose a career in medicine and attended the University of Florida at Gainesville. He transferred to Rollins College in Winter Park for a year to be closer to home and save money. They had no science courses, so his mom suggested he take an acting class. When the Florida land boom crashed, Ebsen could no longer afford his tuition and he had to drop out.

He moved to New York City and worked at a soda fountain to get by. Ebsen began his career in the entertainment industry as a dancer. He and his sister were known as The Baby Astaires and they performed in supper clubs and on vaudeville. They were booked at the Palace Theater in New York City after Walter Winchell saw them perform in Atlantic City and gave them a rave review.

In 1933 Buddy married Ruth Cambridge; their marriage ended in divorce in 1945 after having two daughters.

His first film was Broadway Melody of 1936. In that same year, he danced with Shirley Temple in Captain January. In 1938 he appeared with Judy Garland as his dance partner. Walt Disney brought Ebsen in to be filmed dancing in front of a grid so the animators could use it to draw the Silly Symphonie with Mickey Mouse.

MGM offered Buddy an exclusive contract but he turned it down, and Louis Mayer told him he would never work in Hollywood again. In 1939 the same MGM cast him as the Scarecrow in The Wizard of Oz. Ebsen and Ray Bolger swapped roles and Buddy became the Tin Man. He recorded the songs, went through all the rehearsals, and then began filming the movie. He began experiencing body aches, cramps, and shortness of breath which eventually landed him in the hospital. Doctors diagnosed him with an allergy to the aluminum dust in the makeup, and he had to give up the role and was replaced by Jack Haley.

Ebsen took up sailing after he recovered and learned it so well that he taught it to naval officer candidates. He was turned down every time he tried to enlist in the Navy. The US Coast Guard did accept his application, and he was made a lieutenant, junior grade. He served on the USS Pocatello which was a weather ship, recording weather 1500 miles west of Seattle. He was honorably discharged in 1946.

Ebsen received permission from the Pocatello’s commanding officer to bring aboard costumes, props, and musical instruments. He wrote, cast, and directed vaudeville shows, concerts, and plays while on the sea. Rehearsals were held in the cramped steering room.

In 1945, Ebsen married fellow lieutenant Nancy Wolcott. They had four daughters and a son. Their marriage lasted 39 years but also ended in divorce.

In 1949, he made his television debut on The Chevrolet Tele-Theater. During the fifties, he continued to make films and to appear on television series.

Breakfast at Tiffany’s Photo: pinterest.com

During the decade of the sixties, he was very busy in both mediums. He made four big-screen films including Breakfast at Tiffany’s. He appeared primarily on television, with appearances on a variety of shows including Maverick, The Twilight Zone, The Andy Griffith Show, Gunsmoke, Bonanza, and Rawhide.

From 1962-71, Buddy became Jed Clampett, the head of the family who moves them to Beverly Hills after they earn millions from oil on their Tennessee land. The critics did not like The Beverly Hillbillies one bit. However, the viewers made the number one show several times. I have to side with the critics. Although the show still had high ratings in 1971, it was canceled by the network because they wanted to move their shows in a more “urban” direction.

Nancy Kulp seemed to be close to most of the cast especially Irene Ryan as Granny and Raymond Bailey, and Ebsen seemed to be close to most of the cast, especially Donna Douglas and Max Baer. However, Kulp and Ebsen were definitely not close. He was very much a conservative and she was decidedly liberal. Donna Douglas related that “they had a different view, so they had some heated discussions about that. They would go on for weeks.” In 1994, Kulp ran for US House of Representatives in her native Pennsylvania. Ebsen not only supported her opponent, he offered to make commercials talking about how liberal she was. He had no connection with Pennsylvania at the time. She claims he was just being spiteful, and he claims she did not know the issues.

After the cancellation of The Beverly Hillbillies, Ebsen appeared in Hawaii Five-0 and then in quite a run of made-for-television movies. In 1973, Buddy was offered his second starring role in a show as Barnaby Jones, a detective who comes out of retirement to investigate the death of his son. Lee Meriwether played his widowed daughter-in-law Betty. Barnaby Jones stayed out of retirement until 1980 when the show was canceled. The show was still receiving decent ratings, but Buddy decided he was ready for retirement.

When asked about Ebsen, Meriwether said, “He really worked at being at the top of his game. You had to keep up with him. I adored him. I think he had feelings for me too.” She later said that “he loved the idea of being a detective. We had CSI-type equipment in the office on the set and he liked doing his own tests.”

Despite a rumored relationship with Meriwether, in 1985, Ebsen married his third wife, Dorothy Knott, and they remained together until his death.

Except for a few credits here and there, Ebsen did not have a lot of acting credits after the mid-eighties. He did accept a recurring role on Matt Houston during season three of that show when he played Matt’s uncle for 22 episodes.

His last movie was a cameo in the big-screen film, The Beverly Hillbillies, and he played Barnaby Jones. His last acting role as a person was Burke’s Law in 1994. His last television appearance was a voice only for King of the Hill in 1999.

In addition to sailing, Ebsen had a lot of other interests. He was an avid coin collector. He also wrote several novels and books. He also released three albums, The Beverly Hillbillies with Irene Ryan in 1993, Buddy’s Originals in 2001, and Buddy Ebsen Says Howdy in 2003.

If that was not enough, he played the guitar, golfed, rode horses, painted, gardened, fished, and traveled.

Ebsen passed away in 2003. His Coast Guard papers are stored at the US Coast Guard Historian’s Office in Washington DC.

Many of the rest of his records were given to the University of Wyoming American Heritage Center by his wife after he passed away. The gift included papers from all stages of his career, artwork created by him, his sailing trophies, and athletic medals among other items. The AHC has a large Hollywood and entertainment collection.

In October of 2022, a new exhibit was unveiled, “The Entertaining Life of Buddy Ebsen.” He certainly did have an entertaining life. While Jed Clampett made him famous, his career was much more interesting than that one role.

Thanks for getting to know Buddy Ebsen better and for taking this journey in 2023 to learn more about classic television and all the people who were important in that evolution.

Not Anyone Can Pull a Stunt Like This

May 15, 2023May 12, 2023 / thewritelife61 / 2 Comments

Since this month is a Potpourri Month, I thought it might be fun to look at the career of stuntmen on television. I’m calling this one “Propourri” because you have to be well trained to do these types of stunts.

Left to right: stuntmen Bob Miles, Bob Herron, Whitey Hughes, actor Michael Dunn, stuntman John Hudkins, Bill Shannon, and actor Quintin Sondergaard. Photo: famousfix.com

A stuntman or stuntwoman is a person who performs dangerous action sequences in a movie or television show. They have usually had extensive training to do these perilous moves safely. Sometimes they are hired as a team with a stunt crew, rigging coordinator, and special effects coordinator.

Stuntmen like Evel Knievel are daredevils who perform for a live audience. If someone fills in for a specific actor all the time, they are stunt doubles. So, what type of stunts do these professionals perform? Sometimes it’s car crashes, explosions, fights, or falls.

The first stuntmen to entertain audiences were performers who traveled around, often in circuses. Later these types of performers worked with Buffalo Bill and in shows that celebrated the Old West.

Today we are going to concentrate on television performers. Currently, stunt professionals must be certified to obtain the insurance producers need to obtain.

The Academy of Television Arts and Sciences now awards Emmys for stunt coordinators but there is no Oscar for this work.

Life-threatening injuries are not uncommon in this work and sadly, deaths do still occur. While most of my research found stuntmen killed in movies, I only found one relating to television. In 1985, Reid Rondell was killed in a helicopter explosion filming Airwolf.

I thought it would be fun to look at the careers of a few stuntmen from the golden age of television. Most of these men made their money in films, but all three of them had successful careers working on television shows as well.

Whitey Hughes

Whitey Hughes was born in 1920 in Arkoma, Oklahoma. He grew up on a farm, so in addition to working with plows and horse teams, he learned to break horses with his father. When he was sixteen, the family moved to Los Angeles. After graduating from high school, Whitey became a Screen Actors Guild member in 1947.

Whitey began his movie career in 1946. During the fifties, he worked on a lot of western films. Hughes said that in the early part of his career, he often had to be a double for the leading lady. (We’ll come back to this subject later in the blog.) He did stunt work for a variety of actresses including Anne Baxter, Rita Hayworth, Barbara Hershey, Virginia Mayo, Stephanie Powers, and Lana Turner.

Speaking of women, one of the roles, Whitey loved best was being the husband of Dotti; they were married for seventy years.

During the fifties, Whitey worked on a lot of westerns including Cheyenne. In the sixties, you would see him on Rawhide or as Kurt Russell’s double on The Magical World of Disney. If you want to see him in action, the best show to watch would be The Wild Wild West; his crew did some amazing things on that show and Whitey coordinated the stunt work for 1965-1968.

The eighties found him in Fantasy Island, Wonder Woman, and BJ and the Bear while in the nineties he was part of Little House on the Prairie and The Fall Guy. His last work was in a movie in 1998. In 2009, Whitey died in his sleep. It is good he died peacefully; I can’t imagine the toll that this type of work took on his body for fifty years.

Hal Needham

Hal Needham was born in 1931 in Memphis, Tennessee. He served as a paratrooper in the US Army during the Korean War. After the war, he worked as an arborist doing tree-topping services. He was also the billboard model for Viceroy Cigarettes while he was trying to establish his career in Hollywood.

Hal’s first big job was the stunt double for Richard Boone on Have Gun, Will Travel. From 1957-63 he was in 225 episodes. During the sixties, he would show up in many television series including Laramie, Wagon Train, Laredo, The Wild, Wild West, Star Trek, Gunsmoke, Big Valley, and Mannix.

Hal was the highest-paid stuntman in the world. That seems fitting because during his career he broke 56 bones, broke his back twice, punctured a lung, and lost a few teeth.

Needham was responsible for wrecking hundreds of cars, fell from many buildings, was dragged by horses, perfected boat stunts and was the first human to test the car airbag.

He revolutionized the work of stuntmen and worked to get his craft recognized and appreciated. He mentored up-and-coming professionals.

His career transitioned from a stuntman to a stunt coordinator to a second unit director to a director. In all, he would work on 4500 television episodes and in 310 films, according to imdb.com. He made his directing debut on a movie he wrote called Smokey and the Bandit with Burt Reynolds and would go on to direct Hooper and The Cannonball Run for Reynolds among other series and films.

In 1977 Gabriel Toys debuted the Hal Needham Western Movie Stunt Set with a cardboard saloon movie set, lights, props, a movie camera, and an action figure that could break through a balcony railing, break a table and crash through the window. They have become highly collectible.

Needham owned a NASCAR race team. He also set a Guinness World Record as the financier and owner of the Budweiser Rocket Car which is now on display at the Smithsonian’s National Air and Space Museum.

He also managed to win both an Emmy and an Oscar. Reynolds and Needham were close friends; Needham lived in Reynold’s guest house for 12 years and their relationship was used as the basis for the plot in Once Upon a Time in Hollywood.

Bob Herron

Bob Herron was born in 1924 in California. When his parents divorced, he moved to Hawaii with his father. The swimming and high diving he did there was a boost to his stunt career. His mother married Ace Hudkins who was a supplier of horses to the movie industry. Herron helped his stepfather in this business before enlisting in the Navy.

In 1950 he began doing stunt work. His first job was on Rocky Mountain with Errol Flynn and he was shot off horses. This would be a piece of cake compared to his role in Oklahoma Crude where he fell 55 feet from the top of an oil derrick into a stack of boxes.

In the sixties, he began his stunt work on television. He was in Gunsmoke, I Spy, I Dream of Jeannie, The Man from UNCLE, The Girl from UNCLE, Star Trek, Mission Impossible, Get Smart, and Bonanza. He doubled for Ross Martin in The Wild, Wild West. During the seventies, he appeared on Petrocelli, Little House on the Prairie, Marcus Welby, The Mary Tyler Moore Show, The Rockford Files, Kojak, and Charlie’s Angels among other shows. He was still going in the eighties doing his stunts on Hart to Hart, Magnum PI, Remington Steele, the Dukes of Hazzard, Matt Houston, Airwolf, The A-Team, and MacGyver. Despite being almost seventy, he continued in the nineties on shows like Father Dowling’s Murder Mysteries, The Wonder Years, and Murder She Wrote.

I did smile a bit to see shows like I Dream of Jeannie and The Mary Tyler Moore Show on this list. The Jeannie episode is one where she brings her great-grandfather to Cocoa Beach to show Tony how to desalinate water and the Mary episode is one where Sue Anne falls in love with someone who doesn’t return the feelings. I guess it proves you never know where a stunt person will show up.

I don’t know how he managed to survive sixty years performing dangerous stunts but he must have been in amazing physical shape.

I did promise to come back to men having to double for women in the forties and fifties. Thankfully, that is no longer the case, and women’s numbers are increasing among the 3400 stunt performers in SAG.

Former gymnast Shauna Duggins did the hard fighting work in Jennifer Garner’s show Alias. Because pay is determined by union contracts, stuntwomen do not suffer from the pay discrimination that sometimes shows up in the industry. Stunt performers are paid a minimum of $1005 for one day of work and they can negotiate higher pay based on their experience.

Shauna Duggins and Jennifer Garner
Photo: broadwayworld.com

Duggins was at the University of California Davis when she first thought about being a stuntwoman. She learned more about martial arts and spent hours working out in gyms after graduation. In 2000 she auditioned for stunt work in The X Files as Krista Allen’s double and got the job. Then she was in Charlie’s Angels for Kelly Lynch and Cameron Diaz.

It was after that movie that she got the role on Alias where she worked for five years. To protect these women, SAG has a 24/7 hotline for performers to phone if they feel they have been the victim of sexual abuse.

In 2018 Duggins won an Emmy after twenty years in the business. Her advice to young women who decide to make this their career: “train as much as you can in various skills. Go to different gyms with stunt performers, train with all of them and just learn from each other.”

I’m glad we took some time to learn about the tough and dangerous job these performers do. It was so interesting to learn a little bit about some of these industry stars.

Shelly Fabares: A Life Spent in the Entertainment Industry

May 15, 2017May 15, 2017 / thewritelife61 / 2 Comments

Michele Ann Marie (Shelly) Fabares was born in 1944 in California. She began acting at 3 and at age 10 she appeared in her first television show. Her aunt was the actress Nanette Fabray who also began acting as a child, and then went on to musical theater.

During the 1950s, Shelly appeared in several television shows including Annie Oakley, The Loretta Young Show, and the Twilight Zone, in addition to 8 others. She was part of the cast of Annette in 1958, playing Moselle Corey. The star of the show was Annette Funicello. She is an orphan who grew up in the country and now lives with her wealthy aunt and uncle, not fitting into the snobby community. The show was cancelled after 19 episodes. Annette was a life-long friend of Shelly’s. They met in seventh grade, and Shelly was at her bedside when she passed away from multiple sclerosis in 2013.

Later that year she was offered the part of Mary Stone on The Donna Reed Show. The show was on the air seven years. Shelly left the show in 1963 to pursue a film career but stayed close to the cast, especially Donna Reed who was a second mother to her. Paul Petersen and Fabares both described how amazing Donna Reed and Carl Betz were during their time on the show. Realizing how tough the industry can be for young kids, they protected them and loved them as second parents. Both Shelly and Petersen pursued their music interests on the Donna Reed Show. In 1962, she recorded “Johnny Angel” which went to number 1 on the Billboard 100.

Shelly appeared in 13 films in the 1950s and 1960s, including three with Elvis Presley—Girl Happy in 1965, Spinout in 1966, and Clambake in 1967. She also appeared on television on The Ghost and Mrs. Muir, Daniel Boone, Lancer, and Bracken’s World. Shelly married Lou Adler in 1964.

Her acting career continued to skyrocket in the 1970s. She appeared as Joy Piccolo in Brian’s Song in 1971. She appeared in 26 television shows, three of them regular series. The Brian Keith Show was on the air from 1972-74. Keith was Dr. Sean Jamison and Shelly played his daughter, Dr. Ann Jamison. The two of them ran a free pediatric clinic in Hawaii financed by a wealthy patron. Sticking with the medical theme, she joined the cast of The Practice in 1976-77 working with Danny Thomas. She played Jenny Bedford, the daughter of Dr. Jules Bedford. At the end of the decade she tried another sitcom, Highcliff Manor, which only lasted 6 episodes. I don’t remember this sitcom, but it seems an odd one: the manor, owned by Fabares’ character, Helen Blacke, was home to the Blacke Foundation, a research institute staffed by an eclectic group of eccentric characters. It sounds a bit like Scorpion, maybe just a couple decades’ too early.

She continued working on television in the 1980s, appearing on Fantasy Island, Mork and Mindy, Matt Houston, The Love Boat, Newhart, and Murder She Wrote. She joined the cast of One Day at a Time, playing Francine Webster between 1978-1984. She also made the movie Hot Pursuit in 1987. The description of the movie is that young Danny is following his rich girlfriend’s family to the Caribbean. But suddenly he simply must take a chemistry test and cannot go with them. After they have left, he gets a leave from his professor and takes a plane to find them. But he is not quite sure where they are, and meets smugglers, crazy captains, and murderers. Fabares’ marriage to Lou Adler legally ended in 1980, although they had been separated since 1966. In 1984, she married M*A*S*H star Mike Farrell.

Entering her 5^th decade of acting, she made her last film, Love or Money in 1990. She continued her television work appearing in A Whole New Ballgame and the Justice League. She also had a regular gig providing the voice for Martha Kent in Superman from 1996-99. In addition to the Donna Reed Show, the show that Fabares is best known for was Coach which ran throughout most of the 90s, from 1989-1997. As Christine Armstrong, she is the girlfriend, and later, wife of Coach Hayden Fox, played by Craig T. Nelson. The show revolves around the football team that Fox coaches. He lives for sports while Christine is not the least interested. This causes a bit of friction and miscommunication in their relationship.

Fabares had a long and full career. While her career kept her busy, she had to deal with several major life situations:

Donna Reed, her second mother, passed away in 1986 from pancreatic cancer. Shelly adored Donna, and Donna’s final words were to make sure Shelly’s birthday gift was wrapped and delivered.

At the same time Reed was dying, Fabares’ mother was suffering from Alzheimers.

In 2000, Shelly needed a liver transplant because she had autoimmune hepatitis.

She had to deal with the death of her life-long friend Annette Funicello in 2013.

Few actors can begin acting as a child, transition into teen parts, transition into movie roles, and then continue acting as an adult in sitcom series, but she did that beautifully. Hopefully she and hubby Mike Farrell continue to enjoy a long and well-deserved retirement.