Cesar Romero: Batman’s Most Joy-Filled Villain

We are winding up our series: Bam! Pow! Batman Villains. Today it’s all about The Joker: Cesar Romero.

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Romero was born in New York City in 1907. His father was an import/export merchant, and his mother was a concert singer. He grew up in Bradley Beach, New Jersey. His father lost most of his money during the 1929 Wall Street Crash.

Romero teamed up with dancer Lisbeth Higgins and they formed a professional dance partnership, appearing in nightclubs and theaters throughout New York City including the Ambassador Roof and the Montmartre Café. Although he had no professional training, he was often compared to Fred Astaire. He also was cast in several off-Broadway productions including “Stella Brady” and “Dinner at Eight.”

Later Romero would refer to himself as the Latin from Manhattan and he provided for his family members who followed him to Hollywood. He played the stereotypical Latin lover during the thirties and forties, including The Devil is a Woman with Marlene Dietrich in 1935. However, he also made westerns and did a bit of dancing during these decades on the big screen.

His friendship with Frank Sinatra brought him roles in Around the World in 80 Days, Pepe, Marriage on the Rocks, and Oceans’ 11.

📷imdb.com Wagon Train

In 1942, Cesar enlisted in the US Coast Guard, serving in the Pacific Theater of Operations. After his military career ended, Romero returned to his acting career.

His television career began in 1948 in the show, Variety. During the fifties he was primarily appearing on dramas, but he did show up on Private Secretary with Ann Sothern and continued his western roles on Wagon Train, Zorro, and Death Valley Days.

The sixties kept him extremely busy on television. He kept people laughing on Pete and Gladys, The Ann Sothern Show, Get Smart, and Here’s Lucy. He rode the range on Stagecoach West, Bonanza, Rawhide, and Daniel Boone. He stayed dramatic on shows including 77 Sunset Strip, Dr. Kildare, and Ben Casey.

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However, the show he was best known for in the sixties, is the show that made him part of my blog series this month, Batman. He had to endure a long time in the make-up chair. He refused to shave his mustache for the role, so white face makeup was smeared all over his face until it was hidden.

Romero admitted that this role reinvigorated his career. When he was offered the role of the Joker, he was 59 years old. Romero said the role was “the kind of part where you can do everything you’ve been told not to do as an actor. You can be as hammy as you want.”

He discussed how surprised he was when William Dozier called him about the show. He said Dozier told him that “the important characters were all villains. They had done the first two with the Riddler and the Penguin with Frank Gorshin and Burgess Meredith, and now they were ready to do the third, and the villain was the Joker. He said, ‘I would like you to play the part.’ So, I said I would like to read the script and know what it is all about. He said, ‘Come on over to the studio, and I will show you the film of the first episode.’ Of course, it was great. I said, ‘Let me read this Joker part, and if it is as good as the first one, hell yes, I will do it.’ So I read the script, and I thought it was a gas, and I said, ‘Sure, I’ll do it.’”

No serious villain, the Joker was cheerful and extroverted. He oozed goofiness and always appeared to be having a great time carrying out his nefarious activities. Dressed in his famous purple costume, he had his own automobile that could rival the Batmobile.

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While most of the villains saw Batman and Robin as roadblocks in their evil schemes and problems to take care of, the Joker found great joy in taking down the superheroes. In one episode he says “Oh, but I must, I must! Why, outwitting Batman is my sole delight, my heaven on earth, my very paradise!”

You couldn’t miss him if you watched almost any television in the 1970s and 1980s. He appeared on a ton of shows, just a few of which included Bewitched, Nanny and the Professor, Love American Style, The Love Boat, Night Gallery, Mod Squad, Ironside, Medical Center, Charlie’s Angels, and Hart to Hart.

From 1985-88, he was a regular on Falcon Crest. Earl Hamner Jr., the creator of The Waltons, created this show featuring the Gioberti family, owners of Falcon Crest Winery. Romero played the love interest of matriarch Angela Channing, played by Jane Wyman.

He finished his career in the 1990s. He was in his eighties when he appeared on The Golden Girls, and Murder She Wrote, his last television role.

Romero also played a role in politics. As a registered Republican, he was very involved in many campaigns. He worked for Nixon-Lodge in 1960 and later supported Lodge in his run for President. When Lodge did not get the results that he hoped for, Romero turned his support to Barry Goldwater for the general election. He also worked for his friend George Murphy in his run in the California senate race. He later helped Ronald Reagan in his gubernatorial runs in California as well as his presidential campaigns.

It was reported in many articles that Romero had 30 tuxedos and more than 500 suits. That is not surprising because he had a clothing line, Cesar Romero Ltd. He was also a model and spokesperson for Petrocelli suits in the sixties.

Romero stopped acting in 1990. He remained busy though with several ventures including hosting classic movie programs on television. In 1994, Romero died from complications of a blood clot on New Year’s Day. He was being treated for bronchitis and pneumonia.

I enjoyed getting to know a bit more about Cesar Romero, but, I have to admit, that I don’t feel like I know him much better than I did before. He seemed to have been stereotyped as a Latin lover and then again as the Joker. I would like to go back and watch some of his appearances on westerns. It was hard to find much information about Romero beyond his career and political interests.

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I know The Joker was not his most challenging role, but he will always have a place in America’s heart for the work he did on Batman as will these fun super villains we got to know this month.

Celebrating National Minnesota Day with Marion Ross

For those of you who are big fans of the “National Day of” calendars, you know that there are celebrations for National State Days. In my blog this month, we are learning about celebrities from those National State Days. We begin with National Minnesota Day and one of the stars born there is Marion Ross.

Marion was born in Watertown, MN in 1928. She moved from Waconia to Wilmar and then to Albert Lea. She must have always had stars in her eyes because at age 13 she changed the spelling of her name from Marian to Marion because she thought it would look better on a marquee. After her sophomore year in high school, she enrolled at the MacPhail Center for Music in Minneapolis. A year later, her family moved to California where she graduated from Point Loma High School.

Photo: ihearthollywood.com

Ross was named Most Outstanding Actress at San Diego State University; however, her major was archeology. After graduating in 1950, she did some summer theater in California and then began auditioning for films. The year she graduated, she eloped with Freeman Morse. They were married for 18 years.

Marion was successful in her movie career. Her first film was Forever Female with Ginger Rogers and William Holden in 1953. She would appear in 26 movies including The Glenn Miller Story and Sabrina. Ross recalled her time in Hollywood. She says it was a great time to be an actor. “All the stars ate in the studio’s dining room. Marlene Dietrich would come swooping into the room, and a hush would fall over the place. Those early days in Hollywood were just so thrilling, almost more than I could bear.”

Ironically, her first television role on Calvacade of America also took place in 1953. She would go on to have an amazing television career with more than 140 different roles on the small screen. While most of her appearances in the fifties were on the drama shows or westerns, she did show up on Life with Father as an Irish maid from 1953-55. She also was a teacher on The Donna Reed Show.

Photo: metv.com

Ross on Perry Mason

The sixties found her primarily on dramas such as Outer Limits, Dr. Kildare, and The Fugitive. However, she also received recurring roles on three series: The Gertrude Berg Show, Mr. Novak, and Paradise Bay. She was Mary Morgan on Paradise Bay, a soap opera set in California. Although the show was only on for a year, she appeared on 158 episodes before it ended.

See the source image
Photo: metv.com

Her last role of that decade landed her on The Brady Bunch. When the kids get sick, Mike calls the boys’ male doctor and Carol calls the girls’ female doctor.  Instead of choosing one, they decide to keep seeing their same patients.

The early seventies kept Ross busy on shows such as Hawaii Five-0, Love American Style, and Marcus Welby. In 1974 that Love American Style skit led to the show Happy Days where Marion reprised her role as Marion Cunningham. She continued her role as biological mother to Richie and Joanie (and poor Chuck occasionally) and as a surrogate mother to Fonzie for eleven years.

Photo: pinterest.com

In May of 2020, Ross did an interview on TVLine.com with Matt Webb Mitovich. He asked if she had a favorite episode from the show. She said there were two that were definitely favorites. One was when Marion gets mad at the family because they expect so much. She stood up for herself, told Howard he could have his food and took it out uncooked and put it in front of them, then storms out the door and went to work at Arnold’s. Her other favorite was the scene when she did the tango with Fonzie. She said Henry Winkler caught on right away but she had to work with a coach for a week to get it down right.

Photo: parademagazine.com

She also discussed the softball team Garry Marshall put together to keep everyone out of trouble in the off season. She said they played all over the US and continued, “And then at one point, we were invited to go to Europe. We went to Germany and played softball with the US infantry which was incredible. And then once our show was totally over, after we did our last show at Paramount, we all got on a plane at the crack of dawn and flew to Okinawa and played softball with the US infantry there.” She played rover but said she could hit. Her strategy was to hit the ball and then run with her arms raised up.  Everyone was so afraid of hitting “the old lady” she would make it on first base.

Photo: yahoo.com

After the demise of Happy Days, Marion wasn’t content to sit back and enjoy life. She continued her television appearances and from 1984-2018 you could catch her on a variety of shows including Night Court, MacGyver,Grey’s Anatomy, and Hot in Cleveland. She had recurring roles on another six series. She played several different women named Emily on The Love Boat, as the iron-willed Jewish matriarch on Brooklyn Bridge, mean Grandmother Forman on That Seventies Show, Drew’s mother on The Drew Carey Show, Marilyn Gilmore on The Gilmore Girls, and Ida Holden on Brothers and Sisters.

Marion was also able to get back on the stage. She took roles in “Arsenic and Old Lace”, “Steel Magnolias”, “Long Day’s Journey into Night”, “The Glass Menagerie”, “Pippin”, and “Barefoot in the Park.” She also toured the country in a one-woman show as poet Edna St. Vincent Millay in “A Lovely Light.”

Photo: albertleatribune.com

In 2008 the Albert Lea Civic Theater in Albert Lea, Minnesota changed the name of its venue to the Marion Ross Performing Arts Center. Marion retired in 2018. She could then concentrate on some of her hobbies which include gardening, reading, spending time with family, watching movies, listening to the radio, praying, and singing. Marion’s two children are also in the entertainment business, Jim as an actor and Ellen Kreamer as a writer/producer on many shows including Friends and one of my recent favorites, Trial & Error.

In 2018 Ross published her memoir, My Days, Happy & Otherwise. The book is described as “funny, poignant, and revealing.” It features Garry Marshall’s final interview, a foreword from Ron Howard, conversations with her own children, and her entire story.

Photo: parademagazine.com

With the Covid pandemic continuing, Ross is happy to be spending her time at her California home being in her garden and spending time with family. As she put it, “It is such a wonderful time to bond and connect with family even if we are not together. I also have been calling friends to see how they are and have a little chat.”  Some good motherly advice for all of us.

What do You Wear to Eat Beans and Franks with Arnold Ziffel?

There is a lot that happens behind the scenes to help make a show a hit. In previous blogs (see the December 2018 blogs about Earl Hagen and Jay Livingston), we learned about composers. This month we’ll take a look at the costumers and the set designers. The wardrobe department has the responsibility to make sure the characters are wearing the appropriate clothing for their character.

Zsa Zsa Gabor, ca. 1952
Photo: quotesgram.com

Green Acres presented a challenge for the wardrobe department. Most of the citizens were farmers, so overalls and house dresses fit the bill. Sam Drucker was the grocer, postman, and newspaperman for Hooterville, among other jobs. He always wore a blue shirt with a tie and had his postman vest or grocery apron on. Lisa and Oliver Douglas played an attorney and his wife who relocated from New York City and the social scene to rural Hooterville to run a farm. Oliver often wore suits on his tractor, looking somewhat silly and questioned by the locals. Lisa also continued to wear her glamorous outfits, but somehow, she was accepted by everyone and fit in wherever she went.

Photo: metv.com

Lisa Douglas could wear anything and look good. She often wore her negligees around the house without being thought a hussy. She could show up in a sequined gown for a local band performance and was just one of the crowd. She wore gowns of boldly colored prints, but she was just as likely to show up in a single-colored sheath dress with a simple strand of pearls.

Photo: imdb.com

With her lavish updo hairstyle and her extensive collection of jewelry, Lisa was fun to outfit. Three designers were responsible for the majority of Lisa’s wardrobe: Jean Louis, Lucie Ann Claire Sandra, and Nolan Miller.

Jean Louis

Born Jean Louis Berthault in 1907 in Paris, France, he was an Academy Award winner for The Solid Gold Cadillac in 1956 starring Judy Holliday. (Jean was nominated for 13 Academy awards.)

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He attended the School of Decorative Arts and then went to work for Agnes Drecoll, courtier. In 1935, he moved to New York city where he worked for Hattie Carnegie before going to Hollywood. While working there he began gathering a large clientele, including Wallis Simpson and Irene Dunne.

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Black gown -1960s Jean Louis Silk Tiered Gown

From 1944-1958, he was head designer for Columbia Pictures. Some of his most creative designs included Rita Hayworth’s black satin dress from Gilda, the beaded gowns worn by Marlene Dietrich, and the sheer, sparkling dress Marilyn Monroe displayed when she sang “Happy Birthday” to John F. Kennedy. He also was the primary designer for Kim Novack.

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Gold and black lame dress

In 1958 he moved over to Universal. There he began a working relationship with Doris Day, with Pillow Talk, their first collaboration. Journalist Tom Vallance described his work:- “He created a sophisticated allure for Doris that launched a new phase of her career.” James Garner, who also starred with Doris in several films said she “exuded sex appeal while still maintaining her All-American Girl next door image.” Jean Louis also worked with Lana Turner during this era, putting together her colorful wardrobe in Imitation of Life. Jean’s daughter said her father “had the most amazing discerning eye for color. It was a sixth sense for him.”

Jean Louis had designed the clothing for The Loretta Young Show from 1953-1961. She was a close friend of Jean and his wife Maggie. After Maggie passed away, he and Young married in 1993. She was considered one of, if not the best, well-dressed stars. He also designed clothing for Ginger Rogers, Vivian Leigh, Julie Andrews, Katherine Hepburn, and Judy Garland.

Jean began to freelance in 1960. He opened a boutique in Beverly Hills and sold his label, “Jean Louis, Inc.” at better department stores all over the country. During this time, he also updated the United Airlines stewardess uniforms.

Photo: metv.com

From 1965-1967 he designed Lisa Douglas’s dresses on Green Acres. He was the perfect designer for her. Gifted with a great sense of humor, he could undoubtedly relate to the humor on the show.

Photo: thewritelife61.com

As he said during a Vogue interview, “You can use marvelous fabrics, have wonderful, impossible embroidery—in fact, be superluxe and superluxe is what the couture is all about.”

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In the 1970s, he opened a boutique in France and launched his first fragrance. His career was still flourishing with clients like Jacqueline Kennedy, Sophia Loren, and Bianca Jagger.

Jean Louis passed away in 1997. His influence continues to be felt among designers today. Some of the fashion icons who admit being influenced by him include Michael Kors, Vera Wang, Giorgio Armani, and Zac Posen.

Photo: imdb.com

Lucie Ann-Claire Sandra

Lucie Ann vintage nightgowns are among the most glamorous and desirable negligees ever made. Lucie Onderwyzer founded the fashion company in 1947 in Beverly Hills. Known for bold color and exuberant details like pompoms, bows, rosettes, and rhinestones, she designed for many stars including Elizabeth Taylor.

Photo: pinterest.com
A few of Lisa’s gowns in the background

She designed all the peignoir sets worn by Eva Gabor in Green Acres. Her designs were also featured in other television shows and movies. In one episode of Bewitched, Darrin goes to the store to purchase a Lucie Ann for Samantha.

Photo: pinterest.com
Darrin shopping for Samantha

Lucie passed away in 1988 and her company was bought by Deena Lingerie Co and later Lady Ester Lingerie Company which is still making them today.

Norman Miller

Norman Miller was a wardrobe consultant for Eva on Green Acres.

At www.emmytvlegends.org/interviews/people/nolan-miller, Miller described his relationship with Eva.

 “I adored Eva. We worked together for many years. Later on, our working relationship became a friendship that I really valued. She wasn’t silly. She was a very smart lady. Not so smart with the men of her life. Her home was incredibly elegant. Anything that she needed I would do.” Miller shares about the time when Eva discovered a store called Loehmann’s; the store would buy designer samples and pack them up in huge boxes for stars to pick from. “Eva was a size 8 and the sample sizes were 2, and she’d simply ask me to do my magic and tailor them to her size. I smile at that as Eva could get anyone to change things around for her. I sometimes wonder whether she did understand fully well what was entailed in changing a size 2 into an 8 just like what was entailed in coming up with an animation idea tailor-made for her. She’d bat her eyelashes and sprinkle in a few ‘darlings’ and you find yourself doing what she wanted.”

Photo: pinterest.com
A pink chiffon sleeveless floor-length Nolan Miller dress with accompanying chiffon and ostrich feather wrap worn by Eva Gabor on the television series Green Acres.

Miscellaneous

These three designers were the major forces behind Lisa Douglas’s beautiful fashion style on Green Acres. Gabor had an amazing fashion sense and was well known for her private wardrobe. She also was a successful business woman, owning a multi-million-dollar wig company.

Photo: newyorksocialdiary.com

Eddie Albert tells a great story about Gabor and her fashion. At her funeral, he said he probably saw more of Gabor than any of her five real-life husbands did. And, like any couple, married or not, they had their differences. She, for example, never quite understood his passion for wildlife conservation. “Every time you hear about a sick fish, you make a speech. Vy?,” Albert recalled his co-star saying. “And I would tell her, ‘I think we ought to preserve nature, save wild animals,’ and so on. Well, one day she showed up in a gown made of feathers, and I asked her not to wear it. ‘But so chic!’ she said. And I said, ‘Yes, and ladies will see it and want one, and thousands of birds will die.’ And she said, ‘But, Eddie, feathers don’t come from birds.’ ‘Well,’ I asked, ‘where do they come from?’ And she said, ‘Dahlink. Pillows! Feathers come from pee-lowz!’ ”

Perhaps there was more of Eva Gabor in Lisa Douglas than we realized.

Photo: sitcomsonline.com