The Virginian: Where Nobody Knows Your Name

As we get ready to “Go West Young Man,”  today our blog series is getting to know the The Virginian (which is sometimes confusing because it was renamed The Men from Shiloh later for part of the series). This series debuted on NBC in 1962. It produced 249 episodes, running until 1971, making it the third longest-running western (Gunsmoke and Bonanza were the top two).

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Lew Wasserman was involved with Universal, and they produced Wagon Train which was on NBC. Universal sold the series to ABC in 1962 after it had been on the air for three years, and NBC was not happy, but Wasserman told them that he had a new show for them, The Virginian.

It was also the first 90-minute western. Like Stagecoach West, it was set in the Wyoming Territory. While the pilot was black and white, the rest of the series was filmed in color.

The series was based on an Owen Wister novel, The Virginian: Horseman of the Plains which was published in 1902.

The series featured a foreman at the Shiloh Ranch near Medicine Bow played by James Drury. The foreman was never referred to by his name. Drury once said, “Nobody knows the name of my character, not even me.” His sidekick was Trampas (Doug McClure). Sheriff Abbott (Ross Elliott) also shows up on and off throughout the nine seasons. For the first four seasons, the ranch owner, Judge Henry Garth (Lee J. Cobb) and his daughter Betsy (Roberta Shore) also live there. The cast changed fairly often throughout the series, but Drury and McClure were along for the entire ride.

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The plots of the show often revolve around themes of prejudice, injustice, being a responsible and hard worker, and standing up for the right thing.

During the final season, the show changed its title, and the series changed quite a bit. There was a new theme song, and it took on more of the character of the popular spaghetti westerns. Stewart Granger and Lee Majors joined the cast. While the ratings increased, the network was intent on cancelling the show, along with the rural purge that happened at that time.

Later when the show was no longer on the air, Drury discussed two of his castmates, one he admired and considered a friend and one he did not! About Grainger who joined the show for the last year, Drury said, “He was a disaster, and I couldn’t stand him. He wanted everything changed to make him the star of the show.  . . . He also fired the whole camera crew and hired a new crew for his episodes.” However, on reflecting about his co-star Doug McClure, Drury recalled “off-screen Doug was quite like his character, and you couldn’t help but smile when he walked into a room because he was full of good humor and good spirits all the time. He could cheer anybody up. He became my best friend, and I still miss him terribly—you couldn’t ask for a better co-star.”

As you can imagine, being on the air for nine years meant a lot of guest stars showed up on the series, including Eddie Albert, Charles Bronson, Robert Culp, Joan Crawford, Bette Davis, Patty Duke, Robert Duvall, Harrison Ford, Jack Lord, Lee Marvin, Vera Miles, Leonard Nimoy, Ryan O’Neal, Robert Redford, George C. Scott, William Shatner and Franchot Tone.

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The Virginian was on Wednesday nights for its entire run. When it began, it was up against Wagon Train on ABC while CBS ran CBS Reports and The Many Loves of Dobie Gillis. Both The Virginian and Wagon Train managed to hit the top thirty that year. The next year, its biggest competition was The Adventures of Ozzie and Harriet followed by The Patty Duke Show. The Nelsons hit the top thirty and The Virginian and The Patty Duke Show were in the top twenty. The show continued to be in the top twenty or top thirty for the rest of its run, hitting the top ten in 1966, despite being on at the same time as many popular sitcoms during those years, including Batman, The Beverly Hillbillies, The Courtship of Eddie’s Father, Gomer Pyle USMC, Lost in Space, Mister Ed, and My Living Doll. It was still in the top twenty when it was canceled.

This show is fondly remembered by viewers who tuned it at the time. It’s been in syndication for decades, racking up new generations of fans. In one of his later interviews, Drury talked about the appeal of the show. He said, “People now tell me about their grandkids who discover the show on cable and start watching it. It’s a wonderful feeling to know the show is still viable after all these years.” That alone is reason to be proud of working on this show.

Wagon Train: Heading West

This month we are celebrating, “Go West Young Man” by taking a look at some of the westerns from the fifties and sixties. Up today is Wagon Train. This series debuted on NBC in 1957; in 1962 it moseyed over to ABC for its final three seasons. Lew Wasserman was involved with Universal which produced Wagon Train. When they sold the series to ABC, NBC was not happy, but Wasserman told them that he had a new show for them, The Virginian, which we’ll learn about in two weeks.

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The series was very popular, jumping to number one immediately. The plot is that a large wagon train is traveling through the west from Missouri to California. Ward Bond starred as the wagon master Seth Adams (when he died in 1960, John McIntire took over). Robert Horton played scout Flint McCullough; eventually he opted to leave and was replaced by Robert Fuller. Oddly, Horton and Fuller shared a birthday and were six years apart in age.

If I listed all the guest stars during the eight seasons, you would still be reading this next Monday. Just know, there were a lot.

The show was adapted from a 1950 John Ford film titled Wagon Master. In a 1960 episode, John Ford stepped in to direct an episode, “The Colter Craven Story.” One guest star I have to mention in this one was John Wayne. He speaks from the shadows as General Sherman (Wayne’s real name was Marion Michael Morrison, so for this credit, he went by Michael Morris) in this episode.

The original theme song was written by Henri Rene and Bob Russell and conducted by Stanley Wilson. A more contemporary theme accompanied season two, and it changed a few more times during the run of the show.

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The show had a huge budget for the time: $100,000 (about a million in today’s world of television). It was about 40% more expensive than most westerns at the time, and that is part of why it was able to feature so many guest stars.

When Gene Roddenberry pitched Star Trek to the networks, he described it as “a Wagon Train traveling across the universe.” He also hired writer Gene L. Coon who wrote 23 episodes of Wagon Train.

While wagon trains are considered an icon from our history, so was the product of the series’ first sponsor, the Edsel Division of the Ford Motor Co.

The show was an hour long and shot in black and white for the first six seasons. For season seven, the network filmed the show in color and increased the length to 90 minutes. The ratings were still high but didn’t increase, so the network could not justify the changes, and the television show went back to an hour in black and white.

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The show was placed on Wednesday nights up against Leave it to Beaver and Disneyland. Even with that competition, it was in the top thirty and by its second season, had jumped to the top ten where it stayed until it was sold to ABC. ABC kept the show on Wednesday nights, and it ran against The Virginian, both being in the top thirty in 1962.

So many people have fond memories of this show. It was on six seasons, but I think it was finally cancelled even though it was in the top thirty because of the western overload, ushering in the shows like Get Smart, The Man From UNCLE, Lost in Space, and The Smothers Brothers Show. Check out your favorite guest stars who were on the show and watch those episodes to see what it was like.