Josie and the Pussycats: On Every Network At the Same Time

We are winding up our blog theme for October, “Get Animated.” I think II saved the best for last. When I remember watching cartoons as a kid, I was fairly neutral on most of them. I liked Tom and Jerry and The Jetsons. I did not like the Dudley Do-Right/Penelope Pitstop group of characters. I was indifferent to most cartoons until I was ten and a new one debuted. I loved Josie and the Pussycats. I couldn’t really relate to Foghorn Leghorn, but I got Josie.

Dan DeCarlo created “The Archies,” and in 1970 he came up with “Josie and the Pussy Cats.” He later found out that in addition to the comic books, a cartoon was being given to Hanna-Barbera and he was not getting any of the profits from the sale.

Carlo discussed how he came up for the idea: “I went to United Feature with  . . . Josie. . . They asked for more  . . . [it was too much] . . . I shoved Josie, and concentrated on Willie Lumpkin . . . When the strip ended, I quickly submitted the Josie strip back to Publishers and Harold Anderson, and he sent it back to me . . . I took it to Archie to see if they could do it as a comic book. I showed it to Richard Goldwater, and he showed it to his father, and a day or two later I got the OK to do it as a comic book.”

Sixteen episodes ran the first season, and they were repeated the next year. Season three moved to outer space and that didn’t do much for me. This group was rerun again in season four. The final two years, 1974-76, just continued to show these same 32 episodes. Oddly during these final two years, you could catch the cartoon on ABC, CBS, and NBC.

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The reason I loved this show is because it was all about girl power. Josie and the Pussycats was a teen pop band who toured the world. Somehow, they managed to get into the same types of mysteries the Scooby Doo gang did; they even had their own van. Josie was the lead singer, songwriter and guitarist for the band. Her co-band members were Valerie who played the tambourine and drummer Melody. Valerie was the first Black character to be a regular member of a Saturday morning cartoon.

Rounding out the cast were roadie Alan and twins Alexandra and Alexander. Alexander was their manager, but he was not the brave boy leading the women; he was more cowardly and afraid of his sister who caused a lot of trouble for the band. Alexandra also had a cat Sebastian.

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Like The Partridge Family or The Monkees, a song was featured each episode usually during a chase scene. And like The Partridge Family, they wore special costumes, usually leopard print ones. Don’s wife shared a story about the inspiration behind the costumes. In 2002, she told Blake Bell that “we were going on a cruise. I had a friend . . . she made me a costume and that was the pussycat costume. . .  I brought the costume . . . Dan . . . decided it should be made a little bit sexier. I had a hat with a point on the forehead, cut around the eyes . . . he thought we would just use the ears. When we had the whole costume together that’s when Josie was created actually [based] with the style of this costume.”

Each episode had a formula with the band on their way to their next performance when they get mixed up in an adventure, often caused by Alexandra. They might meet a mad scientist or villains like The Wild Wild West featured where they wanted to take over the world or use some terrible invention to harm a lot of people. Alexandra also wanted to steal Alan away from Josie, so that was often behind her mischievous plots.

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Josie was voiced by Janet Waldo, but her singing was done by Kathleen Dougherty. She was the redhead of the group. Valerie’s words were voiced over by Barbara Pariot and her singing by Patrice Holloway. She was a brunette. Melody, the blonde, was voiced by Jackie Joseph and her singing was done by Cheryl Ladd. It was Ladd’s first television project. Alan was played by Jerry Dexter. Alexander had the distinct voice of Casey Kasem and his sister was Sherry Alberoni. We also heard Don Messick as Sebastian during the episodes.

The only thing I didn’t love about the show is that Melody was portrayed as the stereotypical dumb blonde. She was naïve and easy to confuse. Her ears wiggled when danger was near.

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Hanna-Barbera put together a real-life girl group to not only provide the singing voices but to record an album. There was a talent search to find singers who looked like the cartoon characters.

The theme song was titled, what else, “Josie and the Pussycats.” It was written by Hoyt Curtin, Hanna, and Barbera. It was based on a tune that had been used briefly on The Jetsons. Capitol/EMI Records released an album and two 45-RPMs in 1970. The two songs that were most popular were “Every Beat of My Heart” and “Stop, Look, and Listen.” Kellogs, the sponsor of the show, also offered four 45s, if consumers sent a form in from the back of a cereal box.

The outer space episodes from season 3 were based on the band taking a promotional photo in front of a new spaceship. Alexandra pushes the group aside, accidentally triggering the launch sequence which sends them all into outer space. For some reason, Valerie knew how to fly the spacecraft. In this version, which is similar to the original 16, the wacky people they encounter are from other planets rather than cities on Earth.

A complete DVD set was released in 2007. The group has made a few encore performances. In 2001, there was a live action movie which I don’t remember at all. In 2016 a comic book was released, and in 2017, Riverdale, a live-action show, featured the trio as students at Riverdale High.

Josie and the Pussycats was never meant to be the mainstay The Archies was. I did love The Archies as well, with a poster on my wall and comic books on my bookshelf. However, Josie was just what I was looking for as a ten-year-old in 1971. I could easily imagine myself on tour, solving mysteries, and outwitting Alexandra. I thought about revisiting the original sixteen episodes for this blog, but I could not bring myself to do it. The ten-year-old is content remembering how fun these cartoons were, and I didn’t want to disappoint her by revealing how well they do or don’t hold up today. If you decide to take a trek back in time, let me know what you think about the show.



How a Cat Becomes An Angel

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Today we look at one of the most popular shows on television forty years ago: Charlie’s Angels.  The show propelled the entire cast into national superstars.  Viewing the show today might cause someone to question what the big deal was about the show, but in 1976-77, it was a new twist on contemporary crime shows.

Forty years later, the show still has maintained its spot in pop culture history, primarily due to reruns, the movie remakes from 2000 and 2003, and an updated show from 2011.

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Aaron Spelling developed the series.  Although he had a successful track record, ABC did not feel that this show had potential. The original script called for a blonde, a brunette, and a redhead.  It was titled “Alley Cats” and the three crime solvers—Alison, Catherine and Lee—apparently hung out in alleys and carried whips and chains which they used to subdue criminals.  I can certainly understand the network thinking Spelling was losing his touch.

Kate Jackson, a brunette, was hired and cast as Kelly Garrett; the characters were now renamed Kelly Garrett, Sabrina Duncan, and Jill Munroe.  Jackson felt more affinity with the Sabrina Duncan character, so the producers moved her into that role and gave her semi control of the series development.

Spelling then hired Farrah Fawcett, a blonde, based on her role in Logan’s Run, a film from 1976.

Hundreds of actresses auditioned for the role of Kelly Garrett.  Eventually the producers set aside their wish for a redhead and hired Jaclyn Smith, based on her onscreen chemistry with Jackson and Fawcett.

Jackson disliked the concept of the whips and chains aspect of the show (thank you Kate Jackson!!!), so the girls became graduates of the police academy.  The head of the agency was a wealthy man who is never seen by his detectives. The three girls excelled at the police academy where they went to school but were forced into gender-based careers of a meter maid, an office worker, and a crossing guard, so he hires them to solve crimes for him.

One day, Jackson noticed a picture of three angels in Spelling’s office, and she suggested the name Harry’s Angels. The network thought Harry’s Angels might get confused with one of their other shows, Harry O, so it then became Charlie’s Angels.

Gig Young was brought in to read for the role of Charlie, but showed up too intoxicated, so Spelling went to ask his friend, John Forsythe to take the role.

David Doyle was then hired as John Bosley, Charlie’s assistant and office manager.  Bosley is the only one of the cast who ever sees Charlie in person. I always wondered why they named him Bosley, given that David Doyle and Tom Bosley look a lot alike and this might have contributed to the confusion.

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The pilot received enormous ratings, but ABC wanted it tested again.  Still thinking that this was one of the worst concepts for a show they had ever heard, the network wanted to double check the numbers. It still scored high, so on the air it went.

Each show began with the girls surrounding the speaker phone to get the case details from Charlie.  They then went on to solve the case and ended the show back in the office getting congratulated by Charlie.

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Before Season 2, Fawcett decided she wanted to leave the show to pursue a film career.  One issue stopping her was the fact that all three stars had signed five-year contracts. After much negotiation, the network allowed her to leave, with the concession that she return for three appearances in season 3 and three appearances in season 4. Cheryl Ladd was approached to take her place but she declined the role. When asked to reconsider, she changed her mind and accepted the role of Kris Munroe, Jill’s sister.

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In season 4, Kate Jackson also left. The year before she was offered the lead role in Kramer vs Kramer.  The network would not allow her time off to do the film.  The role then went to Meryl Streep who won an Oscar. Jackson refused to come back for season 4.

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Many actresses were considered including Barbara Bach, Connie Sellaca, Shari Belafonte, and Michelle Pfeiffer. The network opted for Shelly Hack who came on board as Tiffany Wells, a Boston police graduate. In November of Season 1, more than half the available viewers were tuned in to Charlie’s Angels, but Season 4 saw a 40% decline in its audience. Hack was fired, and season 5 welcomed Tanya Roberts to the cast as Julie Rogers, a prior model and private investigator. However, the ratings continued to decline, and the show was then cancelled.

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Why the show was so successful the first two years has been hotly debated.  Was it just a case of “Jiggle TV” as it was often labeled?  Several critics at the time, commented that despite the sexy apparel of the female detectives, the characters were still intelligent women successfully working in a predominantly man’s world. (There was $20,000 allocated per episode for wardrobe, the equivalent of $90,000 today.  Most characters averaged 8 changes per show.) This was one of the first times an all-female cast appeared in a work situation typically reserved for men’s roles.  The original cast was very close and had a chemistry never matched by their replacements.  The three women continued to be friends, each enduring a battle with cancer which Fawcett lost in 2006.

So, which Angel was the most successful?

Kate Jackson. Born in Alabama in 1948, Jackson started attending The University of Mississippi, but then transferred to the American Academy of Dramatic Arts in New York City. She worked as a page at Rockefeller Center and appeared in summer stock plays in Vermont.  Her first break was being cast as Daphne in Dark Shadows.  In the 1970s, she accepted the role of Jill Danko on The Rookies. That led to Spelling offering her the Charlie’s Angel job. She later went on to star in two other series, Scarecrow and Mrs. King and Baby Boom.  She appeared in 9 films, 5 series, 15 episodes of other shows, and 29 made-for-tv movies.

Farrah Fawcett. Born in Texas in 1947, Fawcett attended the University of Texas at Austin, majoring in art.  After her junior year, her parents gave their permission for her to move to California to try a modeling and acting career. She received a contract with Screen Gems and began appearing in commercials including Noxzema, Max Factor, and Beautyrest.  She began appearing on a variety of series including The Flying Nun, I Dream of Jeannie, The Partridge Family, and Marcus Welby.  She was married to Lee Majors from 1973-1982 and involved with Ryan O’Neal from 1979-1997.

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Her iconic poster was photographed in 1976.  Many cites indicate the poster company reached out to Farrah and that led to her Logan’s Run role.  However, the photographer Bruce McBloom, who was a family friend, gave his account differently. He says ABC approached all three stars of Charlie’s Angels and offered to shoot posters for each one, with the stars getting a percentage of the sales.  Smith and Jackson declined, but Fawcett agreed. She didn’t like the original shots and asked for McBloom. She was supposed to be shot in a bikini but that was not working, so McBloom asked her what else she had in her closet because they were shooting at her home. (She did her own hair and makeup). She came out in the red one-piece and they both felt it was the one.  Fawcett picked out the photos she liked best, and more than 12 million posters were sold. The suit now resides in the Smithsonian, along with Fonzie’s leather jacket and Archie Bunker’s chair.

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Farrah ended up appearing on 21 tv shows, two of which she co-starred in. (She went on to appear in Good Sports with her then-boyfriend Ryan O’Neal.) She was in 16 films, including Logan’s Run and Cannonball Run. Like her co-stars, she also made 22 made-for-tv movies.

Jaclyn Smith.  Born in 1945 in Texas, she wanted to be a ballerina. In 1973, she received national notice as a Breck Shampoo girl and accepted the Charlie’s Angel role in 1976. Before Charlie’s Angels, Smith appeared in 6 tv shows and had small roles in 3 movies.  She appeared in 9 shows after Charlie’s Angels and 4 films.  Like Jackson, she spent most of her time in made-for-tv-movies, 30 in all.

Cheryl Ladd. Born in South Dakota in 1951, Ladd worked as a carhop during high school. Her intentions were to attempt a music career, and in 1970 she was hired to sing for “Melody” on the animated series, Josie and the Pussycats. She began accepting tv roles, appearing in The Rookies, Harry O, and The Partridge Family, among others. She was considered for the role of Nancy on Family which eventually went to Meredith Baxter. She was married to David Ladd from 1973-1980, and has been married to Brian Russell since 1981.

Ladd appeared in 31 tv series, co-starring in 5 of them.  She was in 15 films and made 30 made-for-tv films.  Still working, she appears in a new film this year, Unforgettable.

Shelly Hack. Born in 1947, Hack became a model at 16 and is well known as the Revlon Charlie Perfume girl before she was the Charlie’s Angel girl. She took a bit part in Annie Hall in 1977 and was cast as an Angel in 1979. She continued to accept tv roles after Charlie’s Angels, appearing in 11 total, co-starring in two. She was in 10 films, most of them in the 1980s, and as the trend seen by her co-stars, made 12 made-for-tv movies.

In the late 1990s, Hack left acting for a political career.  She became a voting registrar and polling station supervisor in Bosnia-Herzegovina. She produced several foreign political debates and became a media consultant for pre-and post-conflict countries, primarily in Eastern Europe. She has been married to Harry Winer since 1990.

Tanya Roberts. The youngest of the Angels, Roberts was born in 1955 and dropped out of school at 15. She studied acting while earning a living as a model and Arthur Murray instructor. She briefly married but that was annulled.  In 1974, she married Barry Roberts who passed away in 2006.

After Charlie’s Angels was cancelled, she appeared in 13 other shows, co-starring in Hot Line and That Seventies Show.  She appeared in 19 movies, the most famous being A View to a Kill in 1985 and also made 4 made-for-tv movies.

John Forsythe. It’s hard to compare any of these stars to John Forsythe.  As Charlie’s Angels debuted, he was at the end of a long and full career, while his co-stars were entering the prime of their careers.   I have shared much of his career in prior blogs.  After Charlie’s Angels, he would go on to star in Dynasty from 1981-89 and in Powers That Be from 1992-3. Overall, he appeared in 48 television series, co-starring in 6. He made 23 films and 27 made-for-tv movies.

David Doyle. Born in 1929 in Nebraska, David was the third-generation family member to become a lawyer.  Wisconsin can claim him because he graduated from Prairie du Chien high school. He went to college with Johnny Carson who remained a friend.  He gave up his law career to try his hand at acting and received his first movie role in 1956. In 1956, he married his wife Rachel and she passed away due to a fall in 1968. In 1969, he married Ann and their marriage continued until his death. He made 26 films, 18 made-for-tv movies and appeared in 62 tv shows, co-starring in Charlie’s Angels and Bridget Loves Bernie, along with several animation series.  Younger viewers might remember him as the voice of Grandfather Lou Pickles in Rug Rats. He passed away in 1997 from a heart attack.

So, which Angel was the most successful?  I’ll let you make that determination, but I might lean toward the non-female cast member David Doyle  (removing John Forsythe from the equation). It’s hard to deny any of the cast members’ success when looking at the popularity of the show.