The Rifleman: Spinning Through Life

As we wind up our Riding the Range blog series, we end with another show set in the 1880s: The Rifleman.

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The series was set in the New Mexico Territory and starred Chuck Connors as Lucas McCain and Johnny Crawford as his son Mark.  The show was on ABC from 1958 through April 1963. Lucas McCain was one of the first single parents on television.

The show was created by Arnold Laven and developed by Sam Peckinpah. Peckinpah would go on to direct many famous westerns. The pilot episode was written by Peckinpah and Dennis Hopper starred in it. It was aired on Dick Powell’s Zane Grey Theatre. Some famous people worked behind the scenes. Connors would write several of the episodes and Robert Culp, who would become the co-star of I Spy, wrote a two-part episode. Ida Lupino directed “The Assault” in 1961.

McCain was a Union soldier in the American Civil War. His wife died from smallpox when their son was six, and McCain and Mark move from Oklahoma to New Mexico where Lucas buys a ranch outside North Fork. McCain is not a perfect father; he is often stubborn and opinionated. Sometimes he seems overprotective of his son. He tries to teach Mark life lessons. In one episode, he tells him “A man doesn’t run from a fight, Mark, but that doesn’t mean you go looking to run to one.”

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Chuck Connors was offered the role of McCain but turned it down because he thought the salary was too low. Several other actors were tested but no one had the same chemistry with the young boy that Connors did, so they made him another offer with a higher salary.

There are some North Fork folk who show up on many of the shows including bartender Marshal Micha Torrance (Paul Fix), Frank (Bill Quinn), hotel owner Lou (Patricia Blair), blacksmith Nels (Joe Higgins), banker John (Harlan Warde), general store owners Milly (Joan Taylor) and Hattie (Hope Summers), and hotel clerk Eddie (John Harmon). Bill Quinn was Bob Newhart’s father-in-law. Patricia Blair left in 1963 to star in Daniel Boone. Hope Summers moved to Mayberry after the show ended and became Aunt Bee’s best friend. Joan Taylor only did a few shows after The Rifleman, but she came into the show with quite a few television appearances. Higgins, Warde, and Harmon were prolific actors who had very successful careers.

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Quite a few well-known stars make their appearance during the run of the show. Some of them include Harry Carey Jr., John Carradine, Lon Chaney Jr., Ellen Corby, Robert Culp, Sammy Davis Jr., Jack Elam, Dabbs Greer, Buddy Hackett, Michael Landon, Agnes Moorehead, Denver Pyle, Pernell Roberts, Robert Vaughn, and Adam West.

There were so many westerns on the air during the fifties and sixties that most of them needed a hook to set them apart. McCain was called The Rifleman because he used a modified Winchester Model 1892 rifle with a large ring lever. The lever design allowed him to cock the rifle by spinning it in his hand and it was rigged to rapid fire which we saw demonstrated in the opening of every show. I guess no one was bothered by the fact that McCain used a rifle that would not be invented until ten years later than the time the show was set in.

The show was on Tuesday nights for the first three seasons. For season four, it moved to Mondays. After the fifth season, the show was canceled due to low ratings. However, Connors and Crawford remained life-long friends. Connors admired Crawford’s work on the set and said he always respected the cast and crew.

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Crawford began his career as a Mouseketeer, one of the original 24. After the show ended, he became a pop singer with five hits. “Cindy’s Birthday” was his most famous and it was No. 8 on the Billboard 100 in 1962. Crawford came into the show with thirty acting credits, and he would go on to have thirty more after the show ended, but he never starred in another series.

Fun fact, The Rifleman was one of the few American shows that was allowed to be shown on Russian television. Apparently Breshnev loved the show. Later he met Chuck Connors when he came to the US. The actor made several trips to Russia.

I have seen this show on MeTV, and it is okay. I’m guessing that the reason it was on five seasons, and the reason it was canceled after five seasons, is because it was another western. Almost every western seemed to be successful in the fifties and sixties, but five years seems to be about the length of most of them with the exception of Gunsmoke, Bonanza and a handful of others. I have to admit that I am not drawn to McCain as a character, although I didn’t dislike him either. If you like westerns and have not seen it, it might be worth checking out.

Gather Round: It’s Time for Tales of Wells Fargo

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This month we are Riding the Range, exploring some of the westerns from the fifties and sixties. One of those shows that was on the air from 1957-1962 was Tales of Wells Fargo.

The show was produced by Revue Productions and set in the 1870s and 1880s. Gene Reynolds was one of the creators of the show, along with Frank Gruber and James Brooks. Reynolds would go on to great success as a director, producer and writer, and my favorite of his was M*A*S*H. Although this show was set in the same time as Daniel Boone, it was better at getting history correct. The show featured special agent Jim Hardie (Dale Robertson) with his horse Jubilee. It was loosely based on the life of real detective Fred J. Dodge. Sometimes Hardie ran into characters from history including Jesse James and Belle Starr.

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Fred Dodge was born in California in 1854. He went to work as an undercover agent for Wells Fargo, working in California, Nevada, and Arizona. In 1979 he was in Tombstone and recommended hiring Wyatt Earp as guard for the stage line. He became great friends with Earp. Later Dodge became constable of Tombstone while working undercover. In 1890 he left his undercover work and became a known employee of Wells Fargo in Texas. He purchased a 2,000-acre ranch near Boerne, Texas and when he retired in 1917, he lived there with his family. Dodge was described as an intelligent and successful investigator. He wrote 27 journals during his career, noting his activities and travels in them. Some of these were used for Tales of West Fargo.

I had always assumed this show was about stagecoach travel, but it was not, although stage coaches played a part. In the mid-1800s, the Wells Fargo stage line was the primary connection between the East and West coasts. Wells Fargo did not operate a stage coach line, but they did use that form of transportation for money, gold and other valuables to be delivered. Trains are involved in many of the plots. One of the trains used in the show would eventually travel to Hooterville and be renamed the Cannonball.

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The first five seasons were black and white half-hour shows, while the final season switched to a color, hour-long show. During the last season, Hardie settles on a ranch near San Francisco and several recurring characters (Jack Ging, William Demarest, Virginia Christine, Lory Patrick, and Mary Jayne Saunders) were added to the series. Earle Lyon replaced Nat Holt as producer in 1960.

The theme song was written by Stanley Wilson and Mort Greene. Wilson was a prolific composer, amassing 147 credits for composing and 278 for music department credit on television and in movies. Mort Greene was best known as a writer for The Red Skelton Show and for his musical role for Leave it to Beaver.

The number of well-known actors who appeared on the show was surprising. Here are just a few of the huge number: Claude Akins, Eddie Albert, Hugh Beaumont, Dan Blocker, Charles Bronson, Edgar Buchanan, Harry Carey Jr., Chuck Connors, Buddy Ebsen, Beverly Garland, George Kennedy, Tina Louise, Steve McQueen, Jack Nicholson, Leonard Nimoy, Denver Pyle, Jason Robards, Vito Scotti, Dawn Wells, and Adam West.

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It was an NBC show. The pilot premiered on Schlitz Playhouse of Stars. Its biggest competition was Father Knows Best in seasons two and three. It was very popular with the viewers. The show was in the top ten during seasons one through four. For the sixth season, with an entire new cast, new theme song, and color, it was almost like a new show. NBC moved it to Saturday nights against Perry Mason and ratings declined drastically, costs went up significantly, and it was canceled.

Robertson thought the key to the popularity of the show was because it was not geared specifically to adults or kids. It was a family show. When Robertson first read the script, it was terrible, but he owed Nat Holt a favor, so he accepted the role, assuming that it would never make it. Robertson received a 50% ownership in the show, so he said of course it made him want the show to be better and he convinced them to replace most of the original script. He said that he enjoyed his time on the show a lot and that the crew was close and professional. They never went over schedule or over budget during the entire run.

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The first two seasons were released on DVD in 2011 if you want to check them out. It sounds like this was a solid show. The network supported them, the cast was close, the production team was on top of things, and they all enjoyed their time with the show. That is a rare thing to hear in the television business. They took a gamble in the last season, and it didn’t work out, but perhaps it was for the best. It sounds like the actual show ended the season before because the last season things changed so much it was a completely new production. I would like to read more about Fred Dodge. His life sounds fascinating.