77 Sunset Strip: A Bit Kookie

July 21, 2025June 9, 2025 / thewritelife61 / 2 Comments

As we continue with our “Favorite Crime Solvers of the Past,” we turn to 77 Sunset Strip. Even if you never watched the show, you might be familiar with the theme song where they snapped and kept repeating “77 Sunset Strip.”

Created by Roy Huggins, the show debuted on ABC in 1958 and ran until spring of 1964. This was the third appearance by Detective Stuart Bailey. In 1946, Huggins’ novel, The Double Take, was published. In 1948, Bailey stepped into the big screen, starring in I Love Trouble played by Franchot Tone. A decade later he showed up on television played by Efrem Zimbalist Jr.

Bailey, a former WWII secret agent and foreign languages professor, works with former government agent Jeff Spencer (Roger Smith). Their office is at 77 Sunset Strip, Suites 101 and 102. Suite 103 is occupied by Suzanne Fabry (Jacqueline Beer), a French switchboard operator who handles phones for several clients including Bailey and Spencer. Occasionally she helps them solve a crime.

Other characters come and go from the offices including Roscoe (Louis Quinn), who gives out horse-racing tips when he’s not at the track; he often is an operative for the duo.

Gerald “Kookie” Kookson (Ed Byrnes) is a bit of a kook. He loves rock and roll, is witty, appreciates looking good, and works as a valet at the club next door. But he wants to be a private detective and makes full partner during the show. Kookie provides some comedy with his slang like “ginchiest” for coolest or “piling up Zs” for sleeping. During season 2, Byrnes asked for more money with his character expanding his role, but the answer was a firm no, so he left the show. Warner Brothers eventually settled with him, and he returned in May of that year.

Other occasional visitors include Lt. Roy Gilmore (Byron Keith) and the Frank Ortega Trio (played by themselves), a jazz band, who perform next door. They recorded for Warner Brothers who was also behind the television show.

The show had a fun, witty edge to it making it interesting to watch the interactions of the characters in addition to the crime solving. Bailey and Spencer were updated versions of forties’ noir detectives. Some of the shows had very different plots, something like the shows Moonlighting would feature a few decades later. “The Silent Caper” had no dialogue and, in another one, Bailey finds himself in a ghost town and he’s the only main character in the episode. During the last season in “The Target,” roles were played by crew members who were usually behind the camera including director William Conrad, associate producer James Lydon, and writer Tony Barrett.

Guest stars were plentiful and included Robert Conrad, Dyan Cannon, Cloris Leachman, Shirley MacLaine, Elizabeth Montgomery, Mary Tyler Moore, Roger Moore, William Shatner, Marlo Thomas, Robert Vaughn, and Adam West.

Mack David and Jerry Livingston wrote the famous theme which became a top 10 hit on the Billboard chart. The duo worked on several other Warner Brothers crime shows including Surfside Six, Bourbon Street Beat, and Hawaiian Eye, all based on the 77 Sunset Strip formula and exotic location.

By 1963, ratings were declining and the show revamped. If you read my blog often, you realize this is one of my pet peeves. If they want to change the casts, I understand that. However, in this one, like so often, Bailey is suddenly working alone and there is no mention made of any of the other characters, just as if they never existed. They did this on Happy Days, The Doris Day Show, and several other popular series.

In addition to booting the cast, Jack Webb was brought in as executive producer and William Conrad as director. And if the name William Conrad sounds familiar, yes, it is the same person as the man who starred on Cannon. During the fifties and sixties, Conrad racked up 32 directing credits.

Bailey is now a solo investigator. The title didn’t change, but the old office is no longer there nor the club nor the theme song. A new one written by Bob Thompson was used, and the show took on a darker, more serious nature. Bailey gets a secretary named Hannah who we rarely see.

The show was on Fridays for its entire run, just switching time slots now and then. By season two it was in the top ten. In seasons three through five, it got its biggest competition from Route 66, which it beat in the ratings. The final season, the show got moved to a later slot, going up against The Alfred Hitchcock Hour but, neither of them were in the top thirty.

Big surprise, viewers weren’t fans of the changes or the more serious tone of the show, and they drifted away. The show was cancelled in February. Efrem Zimbalist Jr. moved over to the FBI. Roy Huggins had a hugely successful career. He would write for and create more top shows including Run for Your Life, Maverick, Alias Smith and Jones, The Rockford Files, and The Fugitive. Viewers at least got the satisfaction of knowing that making such drastic changes to the show caused the end of that story. Stream a few of the early seasons on Philo, Roku, or Pluto TV and let me know what you think.

The Virginian: Where Nobody Knows Your Name

June 23, 2025June 1, 2025 / thewritelife61 / 2 Comments

As we get ready to “Go West Young Man,” today our blog series is getting to know the The Virginian (which is sometimes confusing because it was renamed The Men from Shiloh later for part of the series). This series debuted on NBC in 1962. It produced 249 episodes, running until 1971, making it the third longest-running western (Gunsmoke and Bonanza were the top two).

Lew Wasserman was involved with Universal, and they produced Wagon Train which was on NBC. Universal sold the series to ABC in 1962 after it had been on the air for three years, and NBC was not happy, but Wasserman told them that he had a new show for them, The Virginian.

It was also the first 90-minute western. Like Stagecoach West, it was set in the Wyoming Territory. While the pilot was black and white, the rest of the series was filmed in color.

The series was based on an Owen Wister novel, The Virginian: Horseman of the Plains which was published in 1902.

The series featured a foreman at the Shiloh Ranch near Medicine Bow played by James Drury. The foreman was never referred to by his name. Drury once said, “Nobody knows the name of my character, not even me.” His sidekick was Trampas (Doug McClure). Sheriff Abbott (Ross Elliott) also shows up on and off throughout the nine seasons. For the first four seasons, the ranch owner, Judge Henry Garth (Lee J. Cobb) and his daughter Betsy (Roberta Shore) also live there. The cast changed fairly often throughout the series, but Drury and McClure were along for the entire ride.

The plots of the show often revolve around themes of prejudice, injustice, being a responsible and hard worker, and standing up for the right thing.

During the final season, the show changed its title, and the series changed quite a bit. There was a new theme song, and it took on more of the character of the popular spaghetti westerns. Stewart Granger and Lee Majors joined the cast. While the ratings increased, the network was intent on cancelling the show, along with the rural purge that happened at that time.

Later when the show was no longer on the air, Drury discussed two of his castmates, one he admired and considered a friend and one he did not! About Grainger who joined the show for the last year, Drury said, “He was a disaster, and I couldn’t stand him. He wanted everything changed to make him the star of the show. . . . He also fired the whole camera crew and hired a new crew for his episodes.” However, on reflecting about his co-star Doug McClure, Drury recalled “off-screen Doug was quite like his character, and you couldn’t help but smile when he walked into a room because he was full of good humor and good spirits all the time. He could cheer anybody up. He became my best friend, and I still miss him terribly—you couldn’t ask for a better co-star.”

As you can imagine, being on the air for nine years meant a lot of guest stars showed up on the series, including Eddie Albert, Charles Bronson, Robert Culp, Joan Crawford, Bette Davis, Patty Duke, Robert Duvall, Harrison Ford, Jack Lord, Lee Marvin, Vera Miles, Leonard Nimoy, Ryan O’Neal, Robert Redford, George C. Scott, William Shatner and Franchot Tone.

The Virginian was on Wednesday nights for its entire run. When it began, it was up against Wagon Train on ABC while CBS ran CBS Reports and The Many Loves of Dobie Gillis. Both The Virginian and Wagon Train managed to hit the top thirty that year. The next year, its biggest competition was The Adventures of Ozzie and Harriet followed by The Patty Duke Show. The Nelsons hit the top thirty and The Virginian and The Patty Duke Show were in the top twenty. The show continued to be in the top twenty or top thirty for the rest of its run, hitting the top ten in 1966, despite being on at the same time as many popular sitcoms during those years, including Batman, The Beverly Hillbillies, The Courtship of Eddie’s Father, Gomer Pyle USMC, Lost in Space, Mister Ed, and My Living Doll. It was still in the top twenty when it was canceled.

This show is fondly remembered by viewers who tuned it at the time. It’s been in syndication for decades, racking up new generations of fans. In one of his later interviews, Drury talked about the appeal of the show. He said, “People now tell me about their grandkids who discover the show on cable and start watching it. It’s a wonderful feeling to know the show is still viable after all these years.” That alone is reason to be proud of working on this show.

Ben Casey: The Bad Boy of Medicine

July 3, 2023November 15, 2022 / thewritelife61 / 2 Comments

Medical series have been a staple since television started. This month we are checking out a few of the favorites in a blog series: “Examining Our Favorite Medical Shows.” First up is a show that was on in the sixties: Ben Casey.

Ben Casey was on the air from 1961-66 on ABC. Created by James E. Moser, the character of Ben Casey was based on Dr. Allan Max Warner who was a neurosurgeon. Warner worked closely with the actors to show them how to handle instruments and patients. It was not a cheap show to produce. More than $50,000 of medical equipment was purchased for the show and each 60-minute episode had a budget of $115,000. Warner later changed to psychiatry because he said his association with the show prevented him from becoming board-certified. Dr. Joseph Ransohoff, another neurosurgeon, became the medical consultant.

The series followed Ben Casey (Vince Edwards), an idealistic neurosurgeon at County General. Dr. David Zorba is his mentor (Sam Jaffe). In the final season, Jaffe left and the new chief of neurosurgery was Dr. Daniel Niles Freeland (Franchot Tone). Rounding out the cast were Dr. Ted Hoffman (Harry Landers), Dr. Maggie Graham (Bettye Ackerman), orderly Nick Kanavaras (Nick Dennis), and Nurse Willis (Jeanne Bates). The show had a gritty edge to it and featured the life of doctors working in a city hospital and the tough physical and ethical situations they had to deal with.

Several sources said that Cliff Robertson and Jack Lord turned down the role of Ben Casey. Also, Russell Johnson said he auditioned for the role, but was rejected and his next audition was for the role of the Professor on Gilligan’s Island. However, I read several other sources that mentioned that Bing Crosby discovered Edwards and planned a television show to feature his find. Bettye Ackerman’s character was cast as an anesthesiologist who was supposed to be Casey’s love interest but they never developed any chemistry. In real life, Ackerman was married to Jaffe.

Filmed at Desilu Studios, the series was produced by Bing Crosby Productions. The show had 33 directors including Sydney Pollack; Vince Edwards directed seven of the episodes. However, its writing staff was even bigger with about 80 different people penning scripts. I never understood how that worked so well. As a writer, I would want to get to know the characters I was writing for and then continue to learn about them, but during the sixties, there were a lot of people who only contributed one or two scripts to any given series.

The theme music was written by David Raksin and pianist Valjean made it a top-40 hit.

The show was on Monday nights for its first three seasons. Season four, it moved to Wednesdays and returned to Mondays for the final two seasons. The first season it ranked in the top 20 and moved into the top 10 for its second year. Once the network moved the show to Wednesdays where it had to compete with The Beverly Hillbillies and The Dick Van Dyke Show, it fell out of the top thirty and never returned to its former popularity. During the last season, several changes were made. Casey fell in love with Jane Hancock, a woman who came out of a 13-year-long coma. The episodes also began to continue from one to another instead of being stand-alone stories, encouraging viewers to find out what happens the next week.

During the run of the show, four novels were written based on the series (1962-3), as well as a daily (1962-1966) and Sunday (1964-1966) newspaper comic strip by Jerry Capp and ten Dell Comic books (1962-64). There was even a board game created called Ben Casey MD. And even more surprising was a doll called Dr. Ben Casey’s Patient. Surely children were not exposed to the show.

Another medical show, Dr. Kildare, aired the same year as Ben Casey. The shows were often confused, but they were really quite different. Dr. Kildare was an intern who respected his mentors and the doctors he served under. He was the handsome guy next door, friendly and always striving to help his patients. Casey was brash and had already served his learning time, so he more often bucked the system and was not as respectful to the doctors working with him. He was handsome but in a more wild, bad boy, appearance. However, both shows tackled some very interesting and controversial subjects from the medical field.

Ben Casey might have gone off the air, but he did not disappear. The show has been parodied on a variety of shows including The Flintstones. “Ben Casey” was used by American troops in Vietnam War as slang for a medic. In 1988, a made-for-tv-movie The Return of Ben Casey brought Edwards back to the small screen. It was a syndicated show, and aired with the hope that it would be a pilot for a new series, but none of the networks picked it up.

The cast was not holding hands and singing Kumbaya, but it did function amidst a lot of dysfunction. Director Mark Rydell discussed Edwards’ gambling problem which became the show’s gambling problem. Landers who played Dr. Hoffman said Edwards was constantly asking the cast and crew for money to take to the race track, and he would be gone for hours at a time. He often came in with $20-30 thousand dollars in his pocket, demanding that he leave filming by 11; other stars had to stand in for him to tape the rest of the show. Despite his unprofessional behavior, several stars liked Edwards. Jaffe, who had many conflicts with Edwards, was not one of them which is why he eventually left the show. Director Jerry Lewis and guest star Sammy Davis Jr. also had problems with Edwards. Landers also mentioned that when Tone took over Jaffe’s role, he was constantly drunk on the set. When Landers directed the show, he kept Tone sitting down so viewers would not see that he was swaying.

Considering all the issues the show had, the number of writers contributing scripts, the unprofessional behavior of several of the actors, and the movement of the show from Monday to Wednesday where it had stiff competition, the show actually did well and was popular with viewers for five years. It set the tone for many of the shows that would follow including Marcus Welby, Medical Center, and ER. Next week we will learn more about Dr. Kildare.