Cynthia Harris

For our blog series this month, we are looking at some of our favorite duos from the eighties and nineties in “Duos to Love.” Today we will meet Paul and Jamie Buchman and their daughter Mabel. Yep, it’s Mad About You. It’s not about you, it’s about them, but I am mad about you too—very thankful you are on this journey with me learning about the golden, and sometimes tarnished, age of television.

In 1992, NBC aired Mad About You. The series was about newlyweds Paul (Paul Reiser) and Jamie (Helen Hunt) Buchman, He was a documentary filmmaker and she worked in public relations. They lived in Greenwich Village for seven years until they were canceled. Both Teri Hatcher and Valerie Bertinelli were considered for the role of Jamie. It’s hard to imagine anyone but Helen in the role. I think the critics agreed; Hunt was nominated for six Emmy Awards for Best Actress in a Comedy Series. In 1993, she lost to Roseanne Arnold for Roseanne; in 1994 and 1995, she lost to Candice Bergen for Murphy Brown; in 1996 and 1997 and 1998 she won. Overall, the show won thirty-four nominations, with twelve wins.

For seasons one through six, the two top stars received $250,000 per episode but in season seven they got a nice raise, landing $1,000,000 per episode.

Before Mabel (Alyssa and Justin Baric) came along, their “baby” was Murray their dog. Paul met Jamie while he was on a walk with Murray. They meet at a newsstand when they are both looking for The New York Times. In real life, the two stars met because Hunt was sharing a house with a good friend of Paul’s wife, Paula. After reading Reiser’s pilot, Hunt changed her mind about concentrating on her film career and wanted the role.

When Reiser pitched the idea to NBC he said it was about the life of a couple in their private moments. He compared it to a couple going to a party but this show was more about what happens when they leave the party and it’s just the two of them in the car talking on the way home. Reiser also compared it to the successful thirtysomething but “shorter and funnier.”

The rest of the cast included Lisa Semple (Anne Ramsay), Jamie’s older sister; Fran Devanow (Lelia Kenzle), Jamie’s best friend; Ira Buchman (John Pankow), Paul’s cousin and friend; Sylvia Buchman (Cynthia Harris), Paul’s mother-in-law who is not in the running for Best Mother-in-Law according to Jamie; Burt Buchman (Louis Zorich), Paul’s father; and Dr. Mark Devanow (Richard Kind), Fran’s ex-husband who is a bit eccentric but not too odd because he wins her back as his wife during the show’s run.

There were a lot of recurring characters on this show. Several showed up more often than others: Debbie Buchman (Robin Bartlett), Paul’s sister; Dr. Joan Golfinos (Suzie Plakson), Debbie’s life partner; Nat Ostertag (Hank Azaria), the Buchmans’ dog walker; Mr. Wicker (Jerry Adler), the apartment building superintendent; Dr. Sheila Kleinman (Mo Gaffney), the Buchmans’ therapist; Maggie Conway (Judy Geeson), their neighbor; Jay Selby (Tommy Hinkley), Paul’s college friend; and Sid (George O. Petrie), Paul’s colleague.

However, there were also a few very famous recurring characters. Mel Brooks showed up as Paul’s uncle Phil in four shows. Cyndi Lauper was Ira’s on/off again girlfriend Marianne in five episodes. Jamie’s mom was in 15 shows but played by three different women: Carol Burnett (10), Penny Fuller (4) and Nancy Dussault (1). Another interesting recurring character was Lisa Kudrow. She was Ursula Buffay, the waitress at their favorite restaurant, Riff’s. She appeared 24 times and when Friends was created, her twin sister Phoebe was written into the show. In one episode after not seeing Ursula much, Paul asks her where she has been and she says “I’ve been hanging out with friends.”

You can imagine how huge the guest star list is for this series. Get ready for auctioneer speed and I will list some of them; just know I am leaving out a lot of famous and fun people. Here goes: We have Ed Asner, Kevin Bacon, Christie Brinkley, Garth Brooks, Sid Caesar, Tim Conway, Ellen DeGeneres, Jamie Farr, Barbara Feldon, Al Gore, Seth Green, Billy Joel, Nathan Lane, Jerry Lewis, Yoko Ono, Regis Philbin, Carl Reiner, Jerry Seinfeld, and Bruce Willis.

Paul Reiser also composed the theme song, “Final Frontier,” with Don Was. Both Andrew Gold and Anita Baker versions of the song were used during the eight-year run. Reiser also played the piano for the theme recording.

In 2019, a twelve-episode revival series debuted. Both Reiser and Hunt returned for the sequel. The Buchmans are now empty nesters after dropping Mabel off at college. Other veterans returning included Ramsay, Pankow, Kind, Harris, Adler, Gaffney, and Carol Burnett. Abby Quinn was Mabel.

This was a popular show that was always discussed around the water cooler. It’s first year on NBC it aired Wednesday nights against In the Heat of the Night and Coach; Coach was in the top twenty. The next season it was moved to Thursdays nights and oddly was still up against In the Heat of the Night but was also on against The Simpsons. Season three found it with little competition and it was ranked eleventh place for the year. As networks do, now that it had a dedicated audience, it was moved to Tuesday nights where it dropped out of the top forty. The show remained in the Tuesday slot, still up against Roseanne but its audience returned and it crept into the top twenty again. It remained in the same spot for its final two years, one year competing with JAG and the next year against Home Improvement which was a top-ten show. I know this was a lot of detail, but I think it helps to think about how much the schedule moving can potentially hurt a show. Fans get used to a certain night and sometimes clear their schedule for that evening and when shows continue to move around, it is frustrating for everyone. Now, we can just DVR shows and it’s not such a big deal.

This was a well-written show, and the producers and writers spent a lot of time on character development. It had some quirky moments and did some fun plot twists that kept it fun and fresh. Of course, both Hunt and Reiser were amazing actors and went on to great success in the movies. I did not see much about how the 2019 reboot was received by viewers. Considering the competition that the show faced as the network moved it around, it did very well for its seven years. The critics loved it and it was certainly recognized by the Emmy committee every year. I am hoping it will come to Antenna or ME TV soon and we can again spend some time with the Buchmans.

We are in the middle of my “Don’t Judge Me” blogs. Today I am picking up my gavel to make a ruling on Sirota’s Court.

This sitcom made its debut December of 1976. By April of 1977, it had disappeared from the airwaves. It was produced by Peter Engel Productions and Universal Television.

The show followed Judge Matthew Sirota (Michael Constantine) who sits on the bench for the night court. He works with, and has an off-again, on-again romantic relationship with, court clerk Maureen O’Conner (Cynthia Harris). The liberal public defender is Gail Goodman (Kathleen Miller) who battles with private attorney Sawyer Dabney (Ted Ross) and assistant district attorney Bud Nugent (Fred Willard). Bailiff John Belson (Owen Bush) has the judge’s back. Like the Mary Tyler Moore Show, the series devotes time to Judge Sirota’s professional and private lives.

If that concept sounds eerily familiar, it should. Seven years after Sirota’s Court left the air, Night Court appeared. Maybe Sirota’s Court was ahead of its time or could not survive the scheduled competition, but it’s hard not to see Night Court as an almost identical clone of this show. The newer judicial comedy featuring Harry Anderson would last nine seasons and produce 193 episodes.

In the original version, the Honorable Sirota incorporates a sense of humor and a boatload of common sense into his courtroom. Being in a large metropolitan city, Sirota is a surprisingly compassionate judge, considering the bizarre cases, the odd clients, and the eccentric court comrades he has to deal with. He often had to take on the role of referee between public defender Goodman who was trying to make the world a better place however she could, attorney Dabney who only cared about making a buck, and totally inept assistant district attorney Nugent.

The show employed a lot of different writers for only thirteen episodes. Twelve different writers were credited on the series. Some of the plots included Judge Sirota trying to prevent being named one of the ten worst judges in America, dealing with dentists who were using laughing gas on election night, or the night a full moon brings in an even more ridiculous roster of bizarre situations to rule on.

The show was on Wednesday nights. There was no way this series was going to obtain satisfactory ratings going up against All in the Family and Baretta. All in the Family was in the seventh year of its nine-year reign and still was in the top twenty. Baretta, which was in its third year, had a solid following and was in the top ten. In addition, the show took a lot of heat for one of its episodes, “Court Fear,” when the judge performed a same-sex wedding. It’s creator, Peter Engel, mentioned several times that the show “never got cancelled, it just sort of faded away.” Another factor may have been too many writers. Considering Jack Winter wrote 4 of the 13 episodes, that left 11 writers covering the other 9 shows. Perhaps there was not enough time to fully develop the characters with so many different perspectives.

Considering there were only 13 episodes, it’s impressive that Sirota’s Court was nominated for an Emmy for Outstanding Art Direction or Scenic Design for a Comedy Series and for a Golden Globe for Constantine for Best Performance by an Actor in a Television Series, Musical or Comedy. Constantine was up against Tony Randall for The Tony Randall Show, Freddie Prinze for Chico and the Man, Alan Alda for MASH, and winner Henry Winkler for Happy Days.

Unfortunately, I could not find DVDs for this show anywhere, even the rare and hard-to-find DVD sites. It would be interesting to compare it with Night Court and see how similar the two shows actually were. My ruling is that the show was competent to stand trial, but the powers that be were too quick to negotiate a settlement.

thewritelife61

How pop culture influences us

“Mad About You” . . . And Them

Sirota’s Court: It Never Got a Fair Trial