Cesar Romero: Batman’s Most Joy-Filled Villain

We are winding up our series: Bam! Pow! Batman Villains. Today it’s all about The Joker: Cesar Romero.

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Romero was born in New York City in 1907. His father was an import/export merchant, and his mother was a concert singer. He grew up in Bradley Beach, New Jersey. His father lost most of his money during the 1929 Wall Street Crash.

Romero teamed up with dancer Lisbeth Higgins and they formed a professional dance partnership, appearing in nightclubs and theaters throughout New York City including the Ambassador Roof and the Montmartre Café. Although he had no professional training, he was often compared to Fred Astaire. He also was cast in several off-Broadway productions including “Stella Brady” and “Dinner at Eight.”

Later Romero would refer to himself as the Latin from Manhattan and he provided for his family members who followed him to Hollywood. He played the stereotypical Latin lover during the thirties and forties, including The Devil is a Woman with Marlene Dietrich in 1935. However, he also made westerns and did a bit of dancing during these decades on the big screen.

His friendship with Frank Sinatra brought him roles in Around the World in 80 Days, Pepe, Marriage on the Rocks, and Oceans’ 11.

📷imdb.com Wagon Train

In 1942, Cesar enlisted in the US Coast Guard, serving in the Pacific Theater of Operations. After his military career ended, Romero returned to his acting career.

His television career began in 1948 in the show, Variety. During the fifties he was primarily appearing on dramas, but he did show up on Private Secretary with Ann Sothern and continued his western roles on Wagon Train, Zorro, and Death Valley Days.

The sixties kept him extremely busy on television. He kept people laughing on Pete and Gladys, The Ann Sothern Show, Get Smart, and Here’s Lucy. He rode the range on Stagecoach West, Bonanza, Rawhide, and Daniel Boone. He stayed dramatic on shows including 77 Sunset Strip, Dr. Kildare, and Ben Casey.

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However, the show he was best known for in the sixties, is the show that made him part of my blog series this month, Batman. He had to endure a long time in the make-up chair. He refused to shave his mustache for the role, so white face makeup was smeared all over his face until it was hidden.

Romero admitted that this role reinvigorated his career. When he was offered the role of the Joker, he was 59 years old. Romero said the role was “the kind of part where you can do everything you’ve been told not to do as an actor. You can be as hammy as you want.”

He discussed how surprised he was when William Dozier called him about the show. He said Dozier told him that “the important characters were all villains. They had done the first two with the Riddler and the Penguin with Frank Gorshin and Burgess Meredith, and now they were ready to do the third, and the villain was the Joker. He said, ‘I would like you to play the part.’ So, I said I would like to read the script and know what it is all about. He said, ‘Come on over to the studio, and I will show you the film of the first episode.’ Of course, it was great. I said, ‘Let me read this Joker part, and if it is as good as the first one, hell yes, I will do it.’ So I read the script, and I thought it was a gas, and I said, ‘Sure, I’ll do it.’”

No serious villain, the Joker was cheerful and extroverted. He oozed goofiness and always appeared to be having a great time carrying out his nefarious activities. Dressed in his famous purple costume, he had his own automobile that could rival the Batmobile.

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While most of the villains saw Batman and Robin as roadblocks in their evil schemes and problems to take care of, the Joker found great joy in taking down the superheroes. In one episode he says “Oh, but I must, I must! Why, outwitting Batman is my sole delight, my heaven on earth, my very paradise!”

You couldn’t miss him if you watched almost any television in the 1970s and 1980s. He appeared on a ton of shows, just a few of which included Bewitched, Nanny and the Professor, Love American Style, The Love Boat, Night Gallery, Mod Squad, Ironside, Medical Center, Charlie’s Angels, and Hart to Hart.

From 1985-88, he was a regular on Falcon Crest. Earl Hamner Jr., the creator of The Waltons, created this show featuring the Gioberti family, owners of Falcon Crest Winery. Romero played the love interest of matriarch Angela Channing, played by Jane Wyman.

He finished his career in the 1990s. He was in his eighties when he appeared on The Golden Girls, and Murder She Wrote, his last television role.

Romero also played a role in politics. As a registered Republican, he was very involved in many campaigns. He worked for Nixon-Lodge in 1960 and later supported Lodge in his run for President. When Lodge did not get the results that he hoped for, Romero turned his support to Barry Goldwater for the general election. He also worked for his friend George Murphy in his run in the California senate race. He later helped Ronald Reagan in his gubernatorial runs in California as well as his presidential campaigns.

It was reported in many articles that Romero had 30 tuxedos and more than 500 suits. That is not surprising because he had a clothing line, Cesar Romero Ltd. He was also a model and spokesperson for Petrocelli suits in the sixties.

Romero stopped acting in 1990. He remained busy though with several ventures including hosting classic movie programs on television. In 1994, Romero died from complications of a blood clot on New Year’s Day. He was being treated for bronchitis and pneumonia.

I enjoyed getting to know a bit more about Cesar Romero, but, I have to admit, that I don’t feel like I know him much better than I did before. He seemed to have been stereotyped as a Latin lover and then again as the Joker. I would like to go back and watch some of his appearances on westerns. It was hard to find much information about Romero beyond his career and political interests.

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I know The Joker was not his most challenging role, but he will always have a place in America’s heart for the work he did on Batman as will these fun super villains we got to know this month.

Frank Gorshin: Batman’s Most Puzzling Villain

This month, our theme is Bam! Pow! Batman Villains. We have learned a bit about the careers of the Joker and Cat Woman, and today we are spending some time with the Riddler, portrayed by Frank Gorshin.

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Gorshin started out as an impressionist and comedian before transitioning into acting.

Frank was born in Pittsburgh in 1933 into a blue-collar, middle-class family. His mom was a seamstress, and his father was a railroad worker. His paternal grandparents arrived in the US from Slovenia and his mother was born in Slovenia, coming to the Pittsburgh area as a young girl; his parents were very involved in the Slovenian community, both singing with the Preseren, a Slovenian singing society.

When he was 15, Gorshin got a part-time job as an usher at the Sheridan Square Theatre. He studied the mannerisms of the actors he watched in those movies and developed an impressionist act. Some of his favorite actors to mimic included James Cagney, Cary Grant, Al Jolson, and Edward Robinson. After entering a talent contest in 1951, he won a week-long engagement at the Carousel nightclub in New York.

Sadly, Gorshin’s older brother was hit by a car two days before and died. His parents convinced him to keep his performance schedule and sent him to New York.

After high school, Gorshin enrolled at the Carnegie Tech School of Drama (now Carnegie Mellon University).

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At age 20, Frank was drafted into the US Army and sent to Germany. He was an entertainer in Special Services for a year and a half. When Gorshin left the Army, he began his acting career, appearing in four movies and on television in Alfred Hitchcock Presents.

I can’t imagine the horror Gorshin’s parents felt when getting a call in 1957 that their son had fallen asleep while driving from Pittsburgh to Hollywood, a 39-hour trip for a screen test. With their other son passing away from a car crash six years earlier, now they had to deal with the fact that their other son was in a coma with a fractured skull. Luckily, he made a full recovery.

Another big event occurring in 1957 was his marriage to Christina Randazzo. They had a son and separated later in life, but they never did divorce as far as I could tell.

Until his death, Gorshin would appear in more than sixty big-screen films. During the fifties, he only appeared in a handful of television series, but that would change in the 1960s. Some of the most memorable shows included The Defenders, The Munsters, Star Trek, and The High Chapparal. With his comedy act, he visited The Ed Sullivan Show four times. The first time he did his impressionist act on the series, he would be scheduled with this new band called The Beatles.

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The sixties also found him on Batman, his reason for being in this month’s blog series. He said that he developed a fiendish laugh at Hollywood parties. “I listened to myself laugh and discovered that the funniest jokes brought out the high-pitched giggle that I use on the show. With further study, I came to realize that it wasn’t so much how I laughed as what I laughed at that created the sense of the menace.”

He did not love the unitards that many of the comic book villains wore, so he asked for a green business suit and bowler hat, covered with question marks since he always left riddles for Batman and Robin to solve. He often said “Riddle me this, Batman” which became a catchphrase of the mid-sixties.

Gorshin said “When I was first approached to play the Riddler, I thought it was a joke. Then I discovered the show had a good script and agreed to do the role. Now I am in love with the character.”

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Gorshin was the only villain to be nominated for an Emmy. He got the nod in 1966 for the episode “Hi Diddle Riddle.” He had some tough competition, going against Werner Klemperer as Colonel Klink on Hogan’s Heroes, Morey Amsterdam on The Dick Van Dyke Show, and winner Don Knotts on The Andy Griffith Show.

Gorshin was in ten episodes of the show, but after appearing numerous times, he was unavailable, and the producers replaced him with John Astin. I realized hindsight is 20/20 as they say, so the producers were never considering the effect the show would have on pop culture and the decades it would be a fan favorite, but that switch seems extreme. However, they did it with Julie Newmar and Eartha Kitt as well, so maybe they figured if you have to replace a villain, let’s replace them with someone very different from the original. Gorshin, however, was not a fan of being replaced but did get over it enough to accept his tenth episode role in season three and appeared as Riddler in the 1979 made-for-television movie Legends of the Superheroes.

Frank made his Broadway debut in 1969 in the musical biography, “Jimmy” which was about the controversial life of New York mayor Jimmy Walker.

Gorshin was very busy in the seventies and eighties. Among the twenty plus shows he appeared on were The Virginian, Martin and Rowan’s Laugh In, Ironside, Hawaii Five-0, Charlie’s Angels, and Murder She Wrote.

In the last three decades of his life, he spent more time making big-screen films. One thing I found surprising is that Gorshin appeared in three soap operas, all at different times in his career: General Hospital in 1963, The Edge of Night in 1982, and The Bold and the Beautiful in 1999.

In the early 2000s, Gorshin did a one-man Broadway show, portraying George Burns. He was reunited with his Batman cast in a made-for-tv movie, Return to the Batcave: The Misadventures of Adam and Burt. His last appearance was on CSI: Crime Scene Investigation on “Grave Danger” on which he played himself. The episode was directed by Quentin Tarantino and was dedicated to Gorshin.

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Unfortunately, Gorshin was a heavy smoker throughout his life. Adam West once said that “Frank could reduce a cigarette to ash with one draw” and his nightclub performances warned patrons they would be exposed to a lot of second-hand smoke if they attended. Not surprisingly, he died from lung cancer, complicated by emphysema and pneumonia.

I enjoyed getting to know Frank Gorshin in this blog. While I was much more familiar with the careers of Burgess Meredith and Julie Newmar, Gorshin and Cesar Romero are actors I knew very little about. I hope you are also enjoying getting to know these fun “villains.”

Getting To Know Pete and Gladys

In the 1950s, one of the most popular sitcoms was December Bride starring Spring Byington. For five seasons, Henry Morgan, insurance salesman, played her next-door neighbor Pete Porter.

The show was cancelled in 1959, and in 1960 Pete showed up on the air again in a spin-off show titled “Pete and Gladys. He had often referred to his wife on December Bride, but we never got to meet her in person. Cara Williams took on the role of scatterbrained, but beautiful, Gladys. Like December Bride, this show was created by Parke Levy. Harry Morgan said Parke Levy was a very kind and knowledgeable man; he was one of the pioneers of sitcoms.

Cara Williams and Verna Felton–Photo: youtube.com

Verna Felton as Hilda Crocker also moved to the new show. Frances Rafferty who had played Ruth on December Bride also shows up on Pete and Gladys, but she is Nancy on the new show. For some reason, producers think we won’t notice missing characters but on December Bride, Pete had a baby daughter named Linda. However, she does not exist in the spinoff.   We also get to know Pete’s uncle played by Gale Gordon and Gladys’s best friend Alice (Barbara Stuart). Morgan said not only was Gordon a great actor, but he was a very funny man.

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Pete who worked for Springer, Slocum, and Klever which sounded more like a shoddy law firm than an insurance company. He and Gladys Hooper had eloped nine years earlier. Pete told Gladys he had single-handedly capture a Japanese patrol, although it later came to light that he spent his military career as a clerk in the PX. Gladys was a housewife and kept busy as entertainment chair of the Junior Matron’s League of the Children’s Hospital and a member of the Westwood Bowling League.

Harry Morgan, Williams and Felton–Photo: dailymotion.com

While December Bride was in the top ten for four of its five years, Pete and Gladys never reached those numbers. Williams was nominated for an Emmy for Leading Actress in a Comedy although she lost to Shirley Booth from Hazel. The show only lasted two years. Whether a blessing or a curse, the show took over I Love Lucy’s spot on Monday nights and viewers probably could not help comparing the two shows. Director James V. Kern moved from Lucy to this show along with writers Bob Schiller and Bob Weiskopf.

Morgan, Williams, and Felton–Photo: sitcomsonline.com

However, for a two-year show, the number of guest stars was pretty impressive. Watching the show you can catch Jack Albertson, Morey Amsterdam, Bea Benaderet, Whitney Blake, Frank Cady, Richard Deacon, Donna Douglas, Sterling Holloway, Ron Howard, Ted Night, Nancy Kulp, Charles Lane, Howard McNear, Cesar Romero, and Reta Shaw. Morgan said that the guest stars got an exorbitant amount of money compared to the regular cast.

Morgan said Cara Williams was very talented, but she was not easy to work with. Often, they had different ideas about how a scene should go. She had a strong personality and was sometimes described as self-centered. Morgan said he admired her even though filming wasn’t always done smoothly. He recalled one time that she was demanding something and director Jack Arnold was tired of arguing, so he laid on the floor on his back, yelled, “Roll ‘em”, and when the scene sounded done, yelled “Cut.” Then he got up and left which was his way of answering her.

Morgan and Williams–Photo: nostalgiacentral.com

Not surprisingly, Morgan said he enjoyed his time on December Bride more than on Pete and Gladys, and he thought the former was the better show. However, if you take some time to watch December Bride, you might want to check out a few episodes of Pete and Gladys just to meet the woman Pete was always complaining about.  Unfortunately, both were listed on Amazon, but neither one was currently available.  I did see a December Bride DVD on etsy for a whopping $170. I do remember Pete and Gladys in syndication when I was younger, but I have never seen December Bride on a network schedule.   YouTube does have a number of episodes for both series, but be warned, some of the December Bride episodes have been colorized.

Everyone Could Use A Private Secretary

After learning a bit about the career of Ann Sothern last week, today we take a look at two of her shows: Private Secretary and The Ann Sothern Show. Although they were two different shows, the second almost seemed like a continuation of the first. To make things even more complicated, when the shows went into syndication, Private Secretary was renamed Susie and all the episodes of Susie would air, followed by The Ann Sothern Show and then back to Susie.

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As we learned last week, Ann suffered from hepatitis for three years. With her medical bills mounting and less film work coming in, she needed to make a living, so she turned to television to revive her career.

After appearing in series of ten Maisie films earlier in her career, Ann had a solid fan base. Ann was a smart business woman and she had a 42% ownership in her new show, Private Secretary. The show debuted in 1953.

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Ann portrays Susie MacNamara, a former actress and WAC WWII veteran; she is the secretary to Peter Sands (Don Porter), a talent agent. Susie often complicates life for her boss, although she means well.

One of her best friends was Violet (Ann Tyrell), their receptionist. Cagey Calhoun (Jesse White) is always trying to cause trouble for Peter as a rival talent agent.

Sothern with Ann Tyrell and Jesse White–Photo: episodate.com

While the scripts weren’t ground-breaking, they were well written and witty. Some shows reference one of Mr. Sands’ clients, actress Harriet Lake, which was Ann’s real name.

The show was noted for its state-of-the-art set decoration featuring IBM typewriters and Western Electric phone systems, as well as stylish furnishings.

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The show was on Sunday nights on CBS and alternated weeks with highly rated Jack Benny Show.  I have never seen this with any other show but Lucky Strikes, the show’s sponsor also financed The Jack Benny Show on CBS and Your Hit Parade on NBC. So, when Your Hit Parade was on hiatus for summer, Private Secretary’s reruns were shown on that network and then new shows would begin in the fall back on CBS.

The show continued to have great ratings but in 1957, even though the show was renewed for the next year, Ann got into an argument with producer Jack Chertok and she left the series which ended. I could never find definitively why they argued, but it had to do with the show’s profits.  

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Sothern was nominated for Best Actress Emmy for 1955, 1956 and 1957, losing to Loretta Young, Lucille Ball, and Nanette Fabray.

Instead of a sixth year of Private Secretary on CBS, The Ann Sothern Show debuted in 1958 as a weekly show. Chertok kept the rights to the title, hoping to get another actress to fill the MacNamara role. This show was created by Bob Schiller and Bob Weiskopf. Desi Arnaz would produce the show which worked out as Ann and Lucille Ball were very close friends. They appeared on each other’s shows.

In The Ann Sothern Show, Ann now plays Katy O’Connor, the assistant manager of an upscale New York hotel, The Bartley House. Her secretary is Olive Smith (Ann Tyrrell), the front desk clerk is Paul Martine (Jacques Scott), and the bell boy is Johnny Wallace (Jack Mullaney). Later Ken Berry replaced Mullaney as Woody Hamilton.

Many of the cast members from the former show appear on the new series. Although Katy has a boss she answers to, she has a lot of authority running the hotel. Katy’s first boss is Jason Macauley (Ernest Truex), a man who is dominated by his nagging wife Florence (Reta Shaw). When ratings were not great, Truex was replaced by Don Porter as James Devery. As in Private Secretary, there are some romantic currents between Katy and James. Olive’s boyfriend, a dentist, Dr. Gray, is played by Louis Nye. In season two, Jesse White showed up as Oscar Pudney an unethical newsstand owner near the hotel.

Sothern with Jacques Scott–Photo: wikipedia.com

The storylines often revolved around the personal life of the staff and stories about guests staying at the hotel. The concept provided the opportunity to attract a variety of guest stars during its run. In addition to Lucille Ball, actors who appeared on the show included Jack Albertson, Frances Bavier, Constance Bennett, Eva Gabor, Joel Grey, Van Johnson, Jayne Meadows, Howard McNear, Janis Page, Cesar Romero, and Connie Stevens.

Once again Ann was nominated for an Emmy is 1959 but lost to Jane Wyatt for Father Knows Best.

Post Cereals and General Foods were sponsors for this show, and the cast would often appear in commercials at the end of the show. Ann would then sign off with “Well, goodnight everybody. Stay happy!”

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For the second year, the show’s ratings were decent but not great. The show was moved to Thursday nights up against The Untouchables, a top ten show. The ratings declined, so it was cancelled.

The final episode ended in a cliffhanger. Mr. Devery finally realizes that he is in love with Katy and proposes to her. They kiss but the show ends before Katy can answer yes or no.

I remember watching the shows in syndication and I thought they were good. Ann Sothern appeared to be a likable person and a hard-working actress. Both shows were often in the top 25% of the ratings. With all the reboots that have been done, I have never heard of either of these shows as possibilities and they seem to be good options for a contemporary show.

If you want to check out the shows, Private Secretary has several DVD options. The only place I could find The Ann Sothern Show was on etsy, and the site specifically mentions that it is “not a retail set nor is this a commercial studio release.” Maybe with all the classic television networks debuting, we will see Private Secretary back on the air again soon.

The Man From UNCLE: What Happens When James Bond Comes Out of the Cold and Into TV

We are in the midst of our Murder, Mystery, and Mayhem series this month. In the mid-1960s, westerns were still the most popular show on television with rural sitcoms coming on the scene. Crime shows still had their fair share of air time, but spy shows were non-existent. With the end of the Cold War, Bond movies, and books like The Spy Who Came in From the Cold, these types of thrillers were bound to hit the small screen. From 1964-1968, The Man from UNCLE took us behind the scenes to observe the dangerous life of special agents.

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Beginning on Tuesday nights on NBC, the show was produced by Metro Goldwyn Mayer. The creator, Norman Felton, asked Ian Fleming to act as a consultant. (Some sources list Felton as the sole creator; some credit Sam Rolfe as a co-creator.) The book The James Bond Films mentions that Fleming suggested two characters: Napoleon Solo and April Dancer. Napoleon Solo became one of the main characters on The Man from UNCLE, and we will learn more about April Dancer later. Solo was also a villain in the movie Goldfinger. Originally titled “Solo,image of ” the popularity of the film led to a title change in the television show to The Man from Uncle.

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Solo (Robert Vaughn), being an American, was set up in a partnership with a Russian, Illya Kuryakin (David McCallum). The duo would take on multinational secret intelligence work under UNCLE, The United Network Command for Law and Enforcement. They sometimes worked with Alexander Waverly (Leo G. Carroll) who headed up an English organization. They frequently went up against THRUSH. We never learned who was part of THRUSH or what their goals were, apart from taking over the world of, course.

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David McCallum

Solo was supposed to be the typical ladies’ man, with Kuryakin being the intelligent, funny, and loyal partner, but McCallum turned into an instant celebrity. Hysterical fans attended promotional appearances and magazines gave he and his wife Jill Ireland little peace and quiet. One article I read discussed an incident in Baton Rouge, LA when McCallum was locked in a bathroom so the police could clear out the screaming women. When he was supposed to do a spot in a Macy’s store in New York, police had to disperse 15,000 screaming women who made it too dangerous for him to appear and did “a colossal amount of damage” to the store.

Solo and Kuryakin accessed their secret headquarters through a tailor’s shop, Del Floria’s.

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In an interesting twist, the creators decided to feature an “innocent character,”–a Joe Doe or Jane Smith who the viewers could identify with—in every episode.

The theme music was created by Jerry Goldsmith, changing slightly each season as new composers came on board, eight in all.

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With the exception of one show, the episodes were titled “The ______ Affair.” Every year at least one two-part show was aired. The pair of shows became theatrical films released in Europe. Additional footage was added to the movies. Some of these films were later seen on American television and include To Trap a Spy (1964), The Spy with My Face (1965), One Spy Too Many (1966), The Spy in the Green Hat (1967), and How to Steal the World (1968), among others.

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Although stuntmen were hired for the two leads, they also did their own stunts. Typically, the actor and stuntman did each stunt, and the final version combined the best of them. However, McCallum tried to avoid heights, and Vaughn disliked water scenes.

Like Get Smart, the recurring characters were a small group, and guest stars were necessary for each episode. Both high-profile and up-and-coming actors were eager to appear on the show. William Shatner and Leonard Nimoy can be seen together in “The Project Strigas Affair” two years before they starred on Star Trek. Other actors who appeared include Judy Carne, Joan Collins, Yvonne Craig, Broderick Crawford, Robert Culp, Chad Everett, Barbara Feldon, Anne Francis, Werner Klemperer, Janet Leigh, June Lockhart, Jack Lord, Ricardo Montalban, Leslie Nielsen, Carroll O’Connor, Vincent Price, Cesar Romero, Kurt Russell, Sonny and Cher, and Telly Savalas.

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Of course, spies need technological gadgets to get a leg up on the competition. Some of their communication devices included a security badge and a business card. They could also communicate with a portable satellite disguised as a cigarette case or fountain pen.

Like all good crime fighters, the duo needed a car, and theirs was a Piranha Coupe, based on the Chevrolet Corvair.

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Weapons were also a necessity in their line of work. The UNCLE Special was a semi-automatic weapon which was useful except at night when THRUSH had access to a “sniperscope” which allowed the villains to shoot in total darkness.

The gadgets, props, and clothing for the show were so popular that they are exhibited in the Ronald Reagan Presidential Library. The CIA also exhibits some of the show’s items.

Season 1 was a great success even though partway through the season, the show moved from Tuesdays to Mondays. With season 2 came more “tongue-in-cheek” dialogue, and the series switched from black and white to full color. Athough the show was moved to Friday nights, its popularity continued.

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Season 3 added a campy element, a la the Batman and The Monkees craze, against the stars’ wishes. The ratings decreased and the show never attained the same quality and ratings again. It was renewed for a fourth season but cancelled partway through when there was no increase in viewership.

Although the show was only extremely popular for two years, it garnered eight Emmy nominations and five Golden Globe nominations, including a win for David McCallum as best star in 1966.

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Of course, like all popular shows from the 1960s, a tv movie was made a few years later and a big-screen remake came decades later.

The Return of the Man from UNCLE: The Fifteen Years Later Affair was seen on CBS, not NBC, in 1983 with both Vaughn and McCallum reprising their roles. At the beginning of the movie, we learn that although THRUSH was obliterated with the arrest of its leader, he has now escaped from prison. Rather than stick with the chemistry of the two leads, the tv movie pairs each lead with a younger agent.

In 2015, Guy Ritchie’s big-screen The Man from UNCLE was set in the 1960s featuring Solo (Henry Cavill), Kuryakin (Armie Hammer), and Gaby Teller (Alicia Vikander). The trio must work together in a joint mission to stop an evil organization from using Gaby’s father’s expertise in science to build a nuclear bomb. All the while, they don’t totally trust each other, and secretly put their own country’s agendas first. As far as reboots go, the film was actually a good rendition of the original show.

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Of course, there was no limit to the merchandising in connection with the show. Several comic books based on the series were published, as well as two dozen novels. In addition to membership cards, viewers could show their love

for the show with board games, action figures, model kits, lunch boxes, and toy guns.

I did promise to get back to April Dancer. Halfway through The Man from UNCLE series, the network released a spin-off, The Girl from UNCLE starring Stefanie Powers as April Dancer. Not as popular as the original, it was cancelled after one season.

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Dancer works with British agent Mark Slate (Noel Harrison). Leo G. Carroll appeared as Mr. Waverly in this series also. Luckily Powers was fluent in several languages, because Dancer often went undercover with a foreign accent.

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Unfortunately, Dancer reeled in the bad guys, but Slate was the one who got to kill them. However, April did get some cool gadgets such as a perfume atomizer that sprayed gas and exploding jewelry.

This show also used Goldsmith’s theme music in an arrangement by Dave Grusin.

Both The Girl from UNCLE and The Man from UNCLE are available on DVD.

Although The Man from UNCLE was only hugely popular for two years and The Girl from UNCLE never attained a fan base, the shows ’ concept spawned a huge pop culture obsession. At one point, more than 10,000 letters a week were delivered to the network. The show sparked an interest in spy shows that would pave the way for future shows such as Mission Impossible; The Wild, Wild West; I Spy; and Get Smart. Like The Man from UNCLE, each of these shows would result in reboot big-screen movies in later decades, as well as a large output of memorabilia.

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It’s interesting that this show feels dated now with the current technology, yet Get Smart continues to be a hit. I think the humor and campiness of Get Smart keeps it relevant which is ironic, because that is what basically brought about the end of The Man from UNCLE. Despite its current non-relevancy, it was an important part of pop culture and deserves to be celebrated for its cult status in the mid-sixties and the realistic portrayal of spies to generations of viewers.

In Memory of Adam West

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Adam West was born William West Anderson on September 19, 1928 in Walla Walla, Washington.  He just passed away this summer on June 9. His father farmed and his mother gave up her career as an opera singer and concert pianist.  Like all kids, he had a collection of comic books including Batman. When his parents divorced, he moved to Seattle with his mother. He attended Whitman College in Washington and graduated with a BS in literature. He was drafted into the Army and became an announcer on the American Forces Network television.

After his service career, he became a milkman until he moved to Hawaii to pursue a career in television. In 1959, he took on his stage name of Adam West and moved to Hollywood with his wife and children. He quickly became an actor and appeared in 33 television shows, including 77 Sunset Strip, Maverick, Hawaiian Eye, Tales of West Fargo, Perry Mason, Gunsmoke, Petticoat Junction, and Bewitched.

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In 1966, William Dozier, producer for a new show about Batman decided to cast West over Lyle Waggoner after seeing him as a James Bond-type character in a Nestle Quik commercial. DC Comics described Batman as 6’2” and that was West’s height.

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When the series ended, he and Burt Ward found themselves typecast as Batman and Robin.  He did a series of appearances about the Batman character while pursuing a movie career. He ended his career with 49 movies to his credit.

He appeared in 78 television shows after Batman ended including The Big Valley, Emergency, Alice, Police Woman, Laverne and Shirley, The Love Boat, Hart to Hart, Murphy Brown, Diagnosis Murder, News Radio, Drew Carey, King of Queens, and 30 Rock.

After 1990, he apparently embraced his Batman character and appeared on numerous television shows as himself or Batman. When asked about this, he said, “I think it evolved. I learned a long time ago that because people love Batman, I should too. I learned that I shouldn’t resent it even though it prevented me from getting other roles. I really had to become fond of Batman in order to deal with it. I embraced it.”

In 1957, he and his first wife Billie divorced.  He married  dancer Frisbie Dawson in 1957 and divorced in 1962. In 1970, he married Marcelle, and they were together until his death.  He had two children with each of his wives and two stepchildren.

In 1994, he wrote an autobiography Back to the Batcave. In 2012, he received a star on the Hollywood Walk of Fame on Hollywood Boulevard.

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West loved outdoor activities and had a lot of hobbies including fishing, sailing, hiking, skiing, golfing, riding motorcycles, swimming, surfing, dancing, traveling, as well as spending time with his family, listening to classic rock, reading, and watching movies.

West died after a short battle with leukemia at age 88. The next week, LA shined the bat signal on city hall to honor him.

While West certainly had a full and varied career despite his typecasting from Batman, I would like to spend some time looking at the series that gave him his fame. Typically, I am not really into super heroes, but I loved this show when I was younger and still get a kick out of watching the campy comedy. I can still hear the narrator saying, “Same bat time, same bat channel.” The show was canceled not only because of low ratings but also because the special effects and lighting had tremendous costs.  When ABC dropped it, they tried to find another network to take it over.  They had no offers, so they dismantled the set. Two weeks later, NBC offered to pick up the show, but decided it was too expensive to start from scratch.

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In the 1960s, Ed Graham Productions received the rights to the comic strip Batman and intended to produce an adventure show similar to Superman or The Lone Ranger. ABC was thinking about a prime time show so DC Comics bought back the rights and sold them to 20th Century Fox. 20th Century gave it to William Dozier to produce.  Dozier had never read comic books and felt that the show should take a campy, pop-art approach. The show was originally an hour-long series, but with only half-hour time slots available, it was changed to a bi-weekly half-hour show.

The concept of the show was that millionaire Bruce Wayne and his ward Dick Grayson lead a double life in Gotham City.  When they move a shelf in their library and slide down the bat pole to the bat cave, they become Batman and Robin.  Only their butler Alfred is aware of their real identity. Police Commissioner Gordon calls them on the batphone, often referring to them as the dynamic duo. They usually hop in their bat mobile and speed to city hall to learn what villain is up to no good in their city.

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Adam West took the role of Batman/Bruce Wayne and Burt Ward was Robin/Dick Grayson. Other cast members included Alan Napier as Alfred the Butler, Neil Hamilton as Commissioner Gordon, Stafford Repp as Chief O’Hara, Madge Blake as Aunt Harriet, and Yvonne Craig as Batgirl.

My favorite villians included Julie Newmar and Eartha Kitt as Cat Woman, in love with Batman but not willing to give up her criminal life; Burgess Meredith as Penguin always carrying an umbrella; Frank Gorshin as The Riddler leaving riddles for clues; Vincent Price as Egghead a bald-headed genius who loves eggs; Cesar Romero as the Joker who leaves jokes for clues; and Victor Buono as King Tut when evil and Professor William McElroy as his non-evil personality.

The show aired twice a week on back-to-back nights. The first episode would set up the situation and end with the dynamic duo in some dangerous situation. Batman and Robin would get their assignment from the Commissioner and then, using a series of clues, try to figure out who the villain is and then how to defeat them. At some point, there was always a fistfight with the villain’s entourage at which time the villain typically escaped. During the fight, words would pop up on the screen like POW, BAM, ZONK, BOOM. Then the crime fighters would go to look for them at which point the dangerous and perhaps deadly situation occurred and the next episode would summarize what happened on the previous episode before defeating the bad guys for good. They often used inventions like shark repellant bat spray to aid them in their search.

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In Season 3, Bat Girl was added to the cast. The ratings were starting to fall so Dozier wanted to bring in a girl character to attract female viewers. Her real identity was Barbara Gordon, the Commissioner’s daughter.  The Commissioner never seemed to realize she was familiar to him. Because of low ratings, the show also became a once a week series in the third season.  Eartha Kitt took over the Catwoman role since Newmar was filming a movie at the time. Madge Blake’s health was failing, and her role was limited to two appearances during the last season.

The show was cancelled before the next season but it has continued to be popular in reruns. In 1966, an album was released “Batman: The Exclusive Original Soundtrack Album.” It included music by Nelson Riddle, dialogue excerpts from several of the characters in the show, as well as the Batman theme song, Batusi A Go Go, and several other tunes.

A lot of collectibles were produced during the run of the show including trading cards, Batmobile kits, coloring books, lunch boxes, board games, and View-Master reels. In 2013, Mattel designed an action figure line based on the tv characters, and several Hot Wheels/Matchbox cars have been produced. The Batmobile from the show was auctioned in 2013, selling for $4.2 million.  The huge profits from the car as well as the line of action figures prove the continuing interest in and success of this show now 50 years old.

Here are some fun facts I found about the series:

A total of 352 “Holy” words were used by Robin from “Holy Agility” to “Holy Zorro”.

Cesar Romero’s Joker laugh was created almost by accident. Shortly after being cast, Romero met with producers to discuss his role on his series. While waiting to meet with them, Romero happened to see conceptual art of Joker’s costuming. Romero felt the pictures almost looked absurd, and as a result spontaneously broke out into a playfully loud and almost manic laughter. A producer overhearing it responded by telling Romero “That’s it, that’s your Joker’s laugh!”

Burgess Meredith had not smoked in 20 years when he was cast as the Penguin. He came up with the Penguin’s distinctive squawking sound because the cigarettes were irritating his throat. Like his trademark “quack”, the Penguin’s waddling was largely a result of improvisation by Burgess Meredith, as he found it difficult to stand and walk straight while wearing the rubber padded fat suit that was part of his costuming.

Before going on the air, this show received the worst audience test scores in the history of ABC. It only went on the air because so much money had already been invested in it.

This was one of the “in” shows to appear on if you were a big name in Hollywood during the 1960s, and many top names guested on the show, including many who didn’t do much TV otherwise. Those performers who weren’t cast as guest villains could frequently be seen popping their heads out of windows to exchange a few words with Batman and Robin when the latter would be climbing up a building wall. Frank Sinatra, Natalie Wood, and Cary Grant were all fans of the show, and wanted to be on it, but the producers were never able to come up with the right roles for any of them. During the run of the series, this show crossed over with The Green Hornet (1966).

The “Giant Lighted Lucite Map of Gotham City” is a reverse image of St. Louis, right down to Forest Park, Fairground Park, Tower Grove Park, Lafayette Park, and Horseshoe Lake on the Illinois side, as well as the other river and road networks.

Each main villain had their own theme music.

In the first season, Burt Ward (Robin) was paid $350 per week.

Yvonne Craig has stated that she briefly did have a stunt double, but did most of her stunts herself. She actually operated the Batgirl Cycle herself as well. She was an accomplished biker at the time, and actually owned a bike.

Adam West (Bruce Wayne / Batman), Burt Ward (Dick Grayson / Robin) and  Neil Hamilton (Commissioner Gordon) are the only actors to appear in all 120 episodes of the series.

Suzanne Pleshette was one of the original choices to play Catwoman before Julie Newmar landed the role.

The show aired from January 12, 1966 to March 14, 1968 on ABC for 120 episodes. It was one of few TV series to be seen on 2 different nights a week: 7:30 Wednesdays and Thursdays. It remained there for a season and a half (Jan. 1966-Aug. 1967) until it was moved back once a week (Thursdays 7:30) for its final season. The episodes were generally two-parters: Wednesday’s episode was a cliffhanger, resolved in Thursday’s episode. The 1966-1967 season had 2 3-parter episodes (“The Zodiac Crimes/The Joker’s Hard Times/The Penguin Declines”[ep. #2.37-9, 1/11-12 & 18/1967] and “Penguin is a Girl’s Best Friend/Penguin Sets a Trend/Penguin’s Disastrous End”[ep. #2.42-4, 1/26/, 2/1 & 2/1967]) which left cliffhangers that would be solved the following week. When the series was reduced to (mostly) one part episodes during season three, the cliffhanger death traps and threats were still used, but greatly scaled back and occurring at the middle commercial break.

The three primary cast members of The Addams Family each made appearances on Batman. Carolyn Jones played the villainess Marsha, Queen of Diamonds, and John Astin played the Riddler during the second season. Additionally, Ted Cassidy had a window cameo, appearing in his part as Lurch from The Addams Family. Interestingly, Cassidy’s cameo took place in a story involving the Penguin, with whom Jones’ character Marsha teamed up in one of the three-part stories.

In episode 7, Alfred refers to Robin as Mr. Ward, and not Mr. Grayson.

While Superheroes and the movies and television shows they appear in seem to cycle up and down throughout the decades, the popularity of the Batman television show has never wavered.  The fact that Mattel would create action figures based on the original stars almost 50 years after the show debuted says a lot about the fans and the place the show holds in their hearts.

Thank you Adam West for creating such a memorable and well-loved character.  Rest in peace.

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