Taxi: The Hip Fleet of Sunshine Cab Co.

Cast Photo: clickamericana.com

As we continue with our “Work It Out” blog series, today we are taking a long ride with Taxi. This show was created for ABC by James L. Brooks, Stan Daniels, David Davis, and Ed Weinberger and produced by John Charles Walters Co. The show was apparently inspired by an article in The New Yorker, “Night Shifting for the Hip Fleet” by Mark Jacobson in 1975. The article profiled several drivers who worked the night shift for a New York cab company. Taxi was in business from the Fall of 1978 to the Spring of 1982 on ABC and then drove over to NBC for a year.

The show is set primarily at the Sunshine Cab Company in Manhattan. Louie De Palma (Danny DeVito) is the dispatcher that everyone loves to hate. Brooks said that when they went to visit a company as the night drivers were just coming back from their shifts, they saw a dispatcher taking a bribe from a driver for a clean cab. That gave them the idea of Louis. DeVito described Louie as someone who “made life miserable for everyone. The manifestation of what was going on inside of him came out in a mean-spirited way to those around him. Deep down he just wanted people to love him.”

Photo: vodkaster.com

Drivers included Alex Reiger (Judd Hirsch) who considers cab driver his profession as opposed to a temporary get-by job. Elaine Nardo (Marilu Henner) is a single mother who also works at an art gallery. In the first episode when Elaine is hired, Reiger introduces the crew by saying, “You see that guy over there? Now he’s an actor. The guy on the phone? He’s a prize fighter. This lady here: She’s a beautician. The guy behind her? He’s a writer. Me? I’m a cab driver. I’m the only cab driver in this place.”

Tony Banta (Tony Danza) a boxer, and Bobby Wheeler (Jeff Conaway) a struggling actor are other coworkers. We also get to know the Reverend Jim Ignatowski (Christopher Lloyd), an aging hippie who gets a job driving and Latka Gravas (Andy Kaufman), an immigrant mechanic. Latka was a weird character, and I have to say that I did not enjoy him on the show. Andy Kaufman invented the character for a comedy act. During the show, he met and married Simka (Carol Kane).

The person who probably had the easiest audition was Danza. He said that when he went to read for the show, he had broken his third metacarpal on his right hand and had a black eye from knocking out a guy in the ring in Brooklyn. He had never acted before and didn’t really know what he was doing.

Although the show was a sitcom, there were a lot of important issues tackled during the run of the show including addiction, parenthood, obesity, animal abuse, homosexuality, racism, gambling, grief, divorce, and sexual harassment, among others.

Ruth Gordon Photo: ebay.com

This show had more than its share of important guest stars. Ruth Gordon and Eileen Brennan both were nominated for Emmys for their guest appearances, with Gordon winning hers. Other stars who showed up included Marcia Wallace, Penny Marshall, Dr. Joyce Brothers, Edwin Newman, George Wendt, Ted Danson, Tom Selleck, Tom Hanks, and Bubba Smith.

Brooks wrote for The Simpsons and The Mary Tyler Moore Show. Daniels also wrote for The Mary Tyler Moore Show and was best known for The Tonight Show. Davis was one of the writers behind The Bob Newhart Show and Weinberger would go on to write for The Cosby Show. It was no surprise that this show was known for its amazing writing, and the series was nominated for 31 Emmys during its five seasons, it won 18 of them, most impressively it won Outstanding Comedy in 1979, 1980, and 1981. Kane, Hirsch, DeVito, and Lloyd and all won Emmys for acting. James Burrows won two for directing.

Taxi had one of the most-recognized theme songs from the 1980s. “Angela” was written and performed by Bob James.

I did not hear much about conflict on the set, although several performers, including Hirsch, indicated they did not care much for Kaufman. Kaufman had it written in his contract that he only work two days a week, so for most of the filming a guy with a sign around his neck that said “Andy” worked with the cast, so I don’t think there was necessarily a lot of bonding with him anyway.

Conaway was fired after 69 episodes. It was apparently well-known that he had a major addiction problem, and when one of the producers discovered him passed out when he was supposed to be filming, they wrote him out of the episode and then wrote him out of the show.

The cast seemed very happy and like a family. Henner said that they could always express an opinion about their character and thoughts on a scene. Brooks said Burrows was able to bridge the two worlds of writers and actors. He spent time with actors all day and then went to the writers’ room to talk to them and was the liason between the two. Henner agreed and said that Burrows was brilliant at adding memorable moments to a scene. She said in one episode she was losing her mind a bit and someone says the champagne is flat and the producer had her bend over and blow bubbles in the glass. She said it was brilliant.

Photo: rottentomatoes.com

DeVito also mentioned a scene that was special for him. One night when Louie was all alone in the garage, he took out the mic and sang a song. Then he said, “I always wanted to do that.” It was a very heart-warming moment and made Louie more interesting and gave him more depth.

Burrows said that most of the cast was young and they all bonded so well. Sometimes they went roller skating, to dances, and they even had a softball team. Rhea Perlman was on the show off and on and during one of their lunch breaks, she and DeVito got married.

Henner talked about their weekly parties. She said everyone at Paramount wanted to hang out with them including the cast of Happy Days, Mork & Mindy, Laverne & Shirley, and Bosom Buddies. She said that John Travolta and Frances Ford Coppola stopped by. John Belushi hung out with DeVito a lot and was there for one of their get-togethers and he died the next day.

Photo: tvguide.com

Hirsch said the group wanted something to do after the show because they didn’t want to go home; they wanted to hang out together more than anything else.

Brooks probably summed up the show the most eloquently. He said that “there’s a lot of things that take a glow in retrospect. The great thing about Taxi was that there wasn’t a moment on the show they didn’t appreciate how lucky there were to have it. That was the show’s energy. I’ve never seen anything like it. . . People show up at the right time and everyone’s lucky enough to have each other at a certain point. It becomes a beautiful team sport.”

Isn’t that the best tribute anyone could give a show?  I’m glad they all had an appreciation for it, and I’m glad they included us in their family.

“I’m a neurotic nut, but you’re crazy!”

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Today we learn about the story behind The Odd Couple.  I think that this show is one of the most under-appreciated shows out there. It came at a time when shows like The Mary Tyler Moore Show, The Bob Newhart Show, and M*A*S*H were being acclaimed for their sophisticated writing and depth of characters.  The Odd Couple achieved these same credentials. Garry Marshall learned the importance of character-driven scripts during his time writing for The Dick Van Dyke Show. Ironically, Marshall wrote 18 scripts for The Dick Van Dyke Show and Jerry Paris (Jerry Helper on The Dick Van Dyke Show) directed 18 episodes for The Odd Couple.

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In March of 1965, the play debuted. Written by Neil Simon, The Odd Couple was based on the real-life experiences of his brother Danny. The play ran for 966 performances and was nominated for a Tony that year. In 1968, a movie was made starring Walter Matthau as Oscar Madison and Jack Lemmon as Felix Unger. Simon signed away his television rights. When Garry Marshall and Jerry Belson developed the series, it was listed as “Neil Simon’s Odd Couple. Simon objected to his name being associated with the show, because he said he did not know what the writing would be like. His name was removed, but he did come to appreciate the series, and he had a cameo role in the episode “Two on the Aisle” in 1974.

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The show was on the air for five years from 1970-1975, producing 114 episodes. Tony Randall was hired first.  Both Dean Martin and Art Carney were considered for the part of Felix. Randall was pushing for Mickey Rooney to get the role of Oscar.  Martin Balsam was also under consideration. Garry Marshall fought hard for Jack Klugman, and eventually Klugman received the part. Both Randall and Klugman had starred in different versions of the play.

The show was on the verge of cancellation every year, but the summer ratings were always so high that the show continued to be renewed. Jack Klugman had high hopes for the syndication of the show, and he convinced Tony Randall to give up part of his salary for syndication rights. Klugman was right; in the 1980s, the show was on the air on several channels. Although the show never cracked the top 30, critics liked the show and it was nominated for an Emmy three times for Outstanding Comedy Series. Both Klugman and Randall were nominated for Emmys every year the show was on the air for Outstanding Lead Actor in a Comedy Performance; Klugman won in 1971 and 1973 while Randall took home the award in 1975.

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This was the memorable introduction to the show each week:

“On November 13, Felix Unger was asked to remove himself from his place of residence. (A door slams shut, only to reopen and we see someone angrily hand Felix his saucepan) That request came from his wife. Deep down, he knew she was right, but he also knew that someday, he would return to her. With nowhere else to go, he appeared at the home of his childhood friend, Oscar Madison. Sometime earlier, Madison’s wife had thrown him out, requesting that he never return. Can two divorced men share an apartment without driving each other crazy?”

Bill Woodson narrated the opening. The actions of the two leads during the credits changed a bit from year to year but centered around Oscar being a slob and Felix being a neat freak.

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There were several variations about how Felix and Oscar met.  As you can see in the opening, they were mentioned as being childhood friends. However, in the first season, one of the episodes recalled a murder trial where Felix and Oscar were jurors, claiming they met then.  Later several episodes mentioned them meeting in the Army. In Season 3, the word “childhood” was removed from the opening segment.

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During the first season, the show was filmed in the same apartment as the movie version. It was done with one camera and a laugh track.  For the second and subsequent years, three cameras were used, and the laugh track was replaced by a live audience.

Oscar and Felix lived at 1049 Park Avenue, an existing address in New York. The actual building was used for the opening credits and exterior shots. Almost all the exterior shots feature two cars: a 1966 Ford 4-door station wagon and a red VW Beatle. Fans still visit the building, and occasionally mail is delivered for Oscar or Felix.

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Many of the show’s details were adapted from real life. Brett Somers played Oscar’s ex-wife and just happened to be his ex-wife in real life. Oscar and Klugman both followed horse racing. Oscar wrote for the New York Herald.  The Herald did exist from 1835-1924 when it merged with the Tribune.

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Felix’s kids were named Edna and Leonard. Tony Randall’s middle name was Leonard, and his sister’s name was Edna. Felix moved out of the house November 13, Garry Marshall’s birthday. Randall and Felix both had an appreciation for opera and classical music.

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Oscar was a hot dog and beer guy while Felix was a filet mignon and red wine person.

ABC was always worried about the issue of homosexuality. As a prank, Klugman and Randall would occasionally provide improvised dialogue to send to the network just to get them worked up.

As mentioned earlier, Brett Somers played Oscar’s ex-wife. Randall’s ex-wife Gloria was played by Janis Hansen. Pamela Ferdin had the role of Edna, while the role of Leonard was played by two different actors who would both go on to become teen idols: Willy Aames and Leif Garrett.

Al Molinaro played Murray the cop, the guys’ friend and one of the regular poker players. Penny Marshall played Oscar’s secretary Myrna Turner. Elinor Donahue played Miriam Welby who was Felix’s girlfriend until the last season. The last episode of the series reunites Felix and Gloria who remarry.

There were many celebrity guest stars on the show for the five-year run, and many of them played themselves. Some of the famous faces to appear on the show include Martina Arroyo, Roone Arledge, Dick Clark, Roy Clark, Howard Cosell, Richard Dawson, Richard Fredricks, Monty Hall, Hugh Hefner, Billy Jean King, Allen Ludden, Jaye P. Morgan, Bobby Riggs, Bubba Smith, Betty White, Paul Williams, and Wolfman Jack. Garry Marshall shows up four different times on the show–as a drummer, as Werner Turner, and as Man 1 and Man 2.

Two of the best-loved episodes were “Password” and “Fat Farm.”

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In “Password,” Oscar Madison  is invited to be a celebrity guest on Password after he runs into the show’s host, Allen Ludden, and his wife, Betty White, at a restaurant. Because  Felix loves Password, he begs Oscar to accept the invitation, and to bring Felix along as his partner. During the taping, Felix overthinks every clue. When Oscar says “meat,” Felix says “Lincoln” (because “Lincoln loved mayonnaise”). When the password is “bird,” Felix gives Oscar the clue “Aristophanes” (because Aristophanes wrote The Birds). “If Charlie Chan had these clues, he’d be running a laundry,” Oscar grumbles. But the game isn’t a total disaster. When Oscar gets the password “ridiculous,” he gives Felix the clue “Aristophanes” right back, and Felix responds correctly. The friends lose the game but not their friendship.

In “Fat Farm,” proving he’s in top shape, Felix stands on his head and jumps onto a desk (earning Randall applause from the audience), while Oscar can barely make it through a couple of push-ups. Oscar rationalizes why he should not go on Felix’s annual two-week visit to a health camp–“I like my blubber! It keeps me warm, it keeps me company, it keeps my pants up!.” Felix wears him down, so Oscar goes along. It makes him crazy that the camp serves imaginary desserts and bans food from the bedrooms. Soon Oscar discovers a delicatessen just down the road and undertakes a smuggling operation.

Jack Klugman and Tony Randall developed a very close and life-lasting friendship during the years they appeared together as Oscar and Felix. After the show was cancelled, they continued to see each other often. They performed in regional productions of The Odd Couple from the late 1980s through the mid 1990s. They appeared in commercials as Felix and Oscar for Yoplait yogurt, Yahtzee, and Eagle snacks. They even recorded an album “The Odd Couple Sings” for London Records.

On March 23, 2001, Larry King Live featured Jack Klugman and Tony Randall. This clip from the show gives us a good idea of what their friendship meant to them.

KING: Was it as much fun doing it, Tony, as it appeared there?

RANDALL: Yes, yeah. Especially working with Jack. It sounds as if I’m saying the right thing, but it’s true. But acting has always been fun for me. I’d rather act than do almost anything else.

KING: Did you — Jack, was this a natural simpatico between the two of you? It just happened?

KLUGMAN: Oh yeah, it happened so beautifully. Like, we had maybe five pages that would remain — from Monday when we read the script — five pages would remain by Friday by the time we did it.

If for instance, he had to teach me manners, it would be Tony teaches Jack manners, and it would be four blank pages, and then we’d improvise. And he’s the best improviser in the world. He taught me how to improvise. People when they improvise, they talk, talk, trying to fill time. He would provoke — I had to teach him football, right? He knows it, he watches sports all the time. But instead of — I said, all right, now get down, so he came next to me. So, I said we’re not the Rockettes, come over here. And then he put his face right here, and I said, I don’t want to dance with you. So, he would provoke you into saying something funny. That’s true improvisation. It was wonderful. I had a great time. I learned a lot.

KING: Was it natural for you too, you and him?

RANDALL: It just clicked.

KING: It just clicked?

RANDALL: That doesn’t always happen.

KING: No.

RANDALL: It doesn’t even happen always with good actors.

KING: You could put two good actors and put them together, and it doesn’t necessarily mean it will work, right?

RANDALL: That’s right, that’s right.

KING: So, there has to be a natural chemistry?

RANDALL: A spark. You can’t explain, you can’t predict it.

KLUGMAN: But you also, if I may say, you both got to want the same thing, which is the best show you can put on. See, I mean, we were not interested in billing or in stardom. We wanted this to be the best show we could. And we never had any of that, I should get more, he should get more. We never, ever had that kind of argument, never. We may have discussed what’s funny to him, what’s funny to me, and we’d work it out. But it was wonderful that way. There was no jealousy.

. . .

CALLER: And I was very touched by that, and I was wondering if you could tell us how much your friendship has played a part in your life and your careers and forgive me if you’ve already talked about that.

KING: Good question. Tony?

RANDALL: Well, perhaps this is an odd thing to say. I’ve had almost no friends in my life. Very few. You count them on this many fingers, so the friendship with Jack is pretty important.

KING: Why?

RANDALL: I don’t know. I was married for 54 years. And we didn’t have children, and we were sufficient to each other. And we didn’t have friends. We were just a little world. And we were happy. And we had almost no social life. And my friendship with Jack just grew and it was about the only friendship I had.

KING: Do you agree The Odd Couple is about friendship?

RANDALL: It’s about male bonding, absolutely. That’s what the play’s about.

KING: Jack, what kind of friend is Tony Randall to you?

KLUGMAN: He’s the best.

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Tony Randall passed away in 2004 at age 84 from pneumonia following heart surgery. Following Randall’s death, Jack Klugman authored a book with Burton Rocks titled Tony and Me: A Story of Friendship which was published in August of 2005. He wanted to pay a tribute to his friend and hoped to raise money through royalties which would enable a theater to be named in honor of Randall. Klugman talks about the Broadway that existed when they were young and how it influenced each of them. He said Randall founded the National Actors Theater with $8,000,000. He worked diligently to promote it from 1991 when it opened until his death in 2004. And he paid $35,000 a week to bring local students in to expose them to good theater. After his death, it disbanded.

I could not find a Tony Randall Theater, but I was able to locate the Tony Randall Theatrical Fund which supports “nonprofit theater companies, innovative productions, initiatives in art education, and arts-based community outreach programs.”

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In commenting on Randall’s death, Klugman said “My favorite episode of The Odd Couple was one where we were on Password. They were throwing Tony off the show, and he had a great adlib. He said, ‘Oh, boy, what a gyp!’ And that’s the way I feel now. What a gyp.”

Jack Klugman died in 2012 from prostrate cancer at the age of 90.

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It’s nice to learn that Felix and Oscar were truly the friends we thought them to be in real life. With all the articles currently being written about the lack of male friendships and how detrimental that is on men’s health, these two were good role models.

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In 2005, the American Booksellers Association posted an interview with Klugman on November 3, written by Tom Nolan. Jack was discussing some of the book events he attended and what it meant to him to talk with viewers who watched and enjoyed The Odd Couple. He received intimate feedback from strangers about why the show was important to them. He said “You know you do a show, and you do the best you can. We used to work until eleven o’clock every night on The Odd Couple, to make it good. Now it’s 30 years since it’s been off the air, and I go around, and people say: ‘I grew up with you. I sat on the couch with my mother or my father, and we laughed with you.’ And suddenly the people have faces, and names, and feelings. It’s been invigorating! You know, you don’t count on that; you don’t know that you’re really entertaining people or having an effect on people’s lives. I had a guy from Sports Illustrated who did an interview with me say he became a sportswriter because I was a sportswriter on The Odd Couple. Yeah, it’s like wow, you’re kidding. Now I’m getting this in person, and I really love it.”

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We all thank you Jack Klugman and Tony Randall for the entertainment you provided and the friendship you created!