77 Sunset Strip: A Bit Kookie

As we continue with our “Favorite Crime Solvers of the Past,” we turn to 77 Sunset Strip. Even if you never watched the show, you might be familiar with the theme song where they snapped and kept repeating “77 Sunset Strip.”

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Created by Roy Huggins, the show debuted on ABC in 1958 and ran until spring of 1964. This was the third appearance by Detective Stuart Bailey. In 1946, Huggins’ novel, The Double Take, was published. In 1948, Bailey stepped into the big screen, starring in I Love Trouble played by Franchot Tone. A decade later he showed up on television played by Efrem Zimbalist Jr.

Bailey, a former WWII secret agent and foreign languages professor, works with former government agent Jeff Spencer (Roger Smith). Their office is at 77 Sunset Strip, Suites 101 and 102. Suite 103 is occupied by Suzanne Fabry (Jacqueline Beer), a French switchboard operator who handles phones for several clients including Bailey and Spencer. Occasionally she helps them solve a crime.

Other characters come and go from the offices including Roscoe (Louis Quinn), who gives out horse-racing tips when he’s not at the track; he often is an operative for the duo.

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Gerald “Kookie” Kookson (Ed Byrnes) is a bit of a kook. He loves rock and roll, is witty, appreciates looking good, and works as a valet at the club next door. But he wants to be a private detective and makes full partner during the show. Kookie provides some comedy with his slang like “ginchiest” for coolest or “piling up Zs” for sleeping. During season 2, Byrnes asked for more money with his character expanding his role, but the answer was a firm no, so he left the show. Warner Brothers eventually settled with him, and he returned in May of that year.

Other occasional visitors include Lt. Roy Gilmore (Byron Keith) and the Frank Ortega Trio (played by themselves), a jazz band, who perform next door. They recorded for Warner Brothers who was also behind the television show.

The show had a fun, witty edge to it making it interesting to watch the interactions of the characters in addition to the crime solving. Bailey and Spencer were updated versions of forties’ noir detectives. Some of the shows had very different plots, something like the shows Moonlighting would feature a few decades later. “The Silent Caper” had no dialogue and, in another one, Bailey finds himself in a ghost town and he’s the only main character in the episode. During the last season in “The Target,” roles were played by crew members who were usually behind the camera including director William Conrad, associate producer James Lydon, and writer Tony Barrett.

Guest stars were plentiful and included Robert Conrad, Dyan Cannon, Cloris Leachman, Shirley MacLaine, Elizabeth Montgomery, Mary Tyler Moore, Roger Moore, William Shatner, Marlo Thomas, Robert Vaughn, and Adam West.

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Mack David and Jerry Livingston wrote the famous theme which became a top 10 hit on the Billboard chart. The duo worked on several other Warner Brothers crime shows including Surfside Six, Bourbon Street Beat, and Hawaiian Eye, all based on the 77 Sunset Strip formula and exotic location.

By 1963, ratings were declining and the show revamped. If you read my blog often, you realize this is one of my pet peeves. If they want to change the casts, I understand that. However, in this one, like so often, Bailey is suddenly working alone and there is no mention made of any of the other characters, just as if they never existed. They did this on Happy Days, The Doris Day Show, and several other popular series.

In addition to booting the cast, Jack Webb was brought in as executive producer and William Conrad as director. And if the name William Conrad sounds familiar, yes, it is the same person as the man who starred on Cannon. During the fifties and sixties, Conrad racked up 32 directing credits.

Bailey is now a solo investigator. The title didn’t change, but the old office is no longer there nor the club nor the theme song. A new one written by Bob Thompson was used, and the show took on a darker, more serious nature. Bailey gets a secretary named Hannah who we rarely see.

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The show was on Fridays for its entire run, just switching time slots now and then. By season two it was in the top ten. In seasons three through five, it got its biggest competition from Route 66, which it beat in the ratings. The final season, the show got moved to a later slot, going up against The Alfred Hitchcock Hour but, neither of them were in the top thirty.

Big surprise, viewers weren’t fans of the changes or the more serious tone of the show, and they drifted away. The show was cancelled in February. Efrem Zimbalist Jr. moved over to the FBI. Roy Huggins had a hugely successful career. He would write for and create more top shows including Run for Your Life, Maverick, Alias Smith and Jones, The Rockford Files, and The Fugitive. Viewers at least got the satisfaction of knowing that making such drastic changes to the show caused the end of that story. Stream a few of the early seasons on Philo, Roku, or Pluto TV and let me know what you think.

Remembering William Christopher

I wanted to pay a tribute to William Christopher, who passed away December 31, 2016, exactly one year after Wayne Rogers, one of his co-workers on the show M*A*S*H.

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Christopher was born in Evanston, Illinois October 20, 1932. Growing up in that area, he attended New Trier High School in Winnetka, the same high school as Rock Hudson.  His family’s genealogy apparently included Paul Revere. Ironically, his grandmother hoped he would go into the ministry like his grandfather who was the founder of the First Methodist Church in Chicago, and in some ways, he did. Christopher went to college at Wesleyan University in Middletown, Connecticut, graduating with a BA in Drama, focusing on Greek Literature. (In the last episode of M*A*S*H, Father Mulcahy wears a Wesleyan sweatshirt.) He participated in fencing, soccer, and the glee club in college.  Connecticut was also where he met his wife Barbara on a blind date.  They married in 1957 and later adopted twin boys, John and Ned.

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Building on his theater experience which began with him playing a groundhog in the third grade, he moved to New York.  Eventually he made his Broadway debut in Beyond the Fringe where he worked with Peter Cook and Dudley Moore. Not long after, he moved to California to continue acting.

He began his work in television in 1965 appearing in 12 O’Clock High. For the next seven years, he worked regularly appearing in Hank in 1965, The Patty Duke Show in 1966, 2 appearances in The Andy Griffith Show in 1965 and 1966, Death Valley Days in 1966, four separate episodes of Hogan’s Heroes from 1965-68, Gomer Pyle where he was in 16 episodes from 1965-8, That Girl in two episodes as Chippy Dolan, The Virginian in 1971, Alias Smith and Jones in 1971, Insight in 1972, and 4 shows of Nichols from 1971-2.

Along with his television roles, he appeared on the big screen during this period. His first movie was Fortune Cookie in 1966 where he played an intern, The Perils of Pauline in 1967 as a doctor, The Private Navy of Sargent O’ Farrell in 1968 as Private Jake Schultz, The Shakiest Gun in the West in 1968 as a hotel manager, and With Six You Get Egg Roll in 1968. With Six You Get Egg Roll was Doris Day’s last movie before she moved into television and then retired. After playing so many military and religious roles, this one was out of character as he played a hippie Zip Cloud along with future M*A*S*H member Jamie Farr.wc6

In 1972 he got his big break, being cast as Father Mulcahy in the television version of M*A*S*H. George Morgan, who was cast in the pilot, was replaced and Christopher received the role. Morgan appeared in four series and three movies before the pilot, but only two other series after. M*A*S*H was on the air from 1972-1983, and Christopher was in 213 of the 251 episodes. Fans loved the goodness Father Mulcahy displayed, along with his humanness when the inhumanity of war tried his patience and frustrated him. Some of his best lines from the show included:

“This isn’t one of my sermons; I expect you to listen.”

“Klinger, how’d you like the last rites…and a few lefts!”

“I think the world of Colonel Potter. He’s a good Christian – yet hardly dull at all.”

“Remember what the good book says: Love thy neighbor, or I’ll punch your lights out!”

While he was part of the M*A*S*H cast, he appeared on other series including Columbo and Movin’ On in 1974, Lucas Tanner, Karen, and Good Times in 1975. Like so many of the stars we meet in this blog, he was on The Love Boat in four episodes from 1981-4. He appeared again on the big screen in the movie Hearts of the West in 1975 as a bank teller. He also made a TV movie, For the Love of It in 1980.

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In 1983, the series After MASH debuted, and Christopher reprised his role of Father Mulcahy along with Harry Morgan as Dr. Sherman Potter, Jamie Farr as Klinger and Gary Burghoff as Radar. The show was not a great success and ended after 30 episodes.

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Christopher never had another recurring role in a television show, but he continued to work in the business appearing in Murder She Wrote in 1985, CBS Summer Playhouse in 1987, The Smurfs 6 times from 1984-88, The New WKRP in Cincinnati in 1993, Lois and Clark: Adventures of Superman in 1997, Diagnosis Murder, Team Knight Rider, and Mad About You in 1998. His last television role was in 11 episodes of Days of Our Lives where he played a priest. In 1987 he made his second TV movie, The Little Troll Prince.

During the years of 1975-2011 he also appeared on several game shows, talk shows, and M*A*S*H-related specials and reunions. In 1994 he made his last movie, Heaven Sent.

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He continued his love of theater touring the country with Jamie Farr in The Odd Couple in the mid-1990s. He also toured with the Church Basement Ladies in 2008-9.

Christopher was generous with his time, helping to raise money for the National Autistic Society (NAS).  The organization was near and dear to his heart because his son Ned suffers from autism. He and his wife wrote a book in 1985, Mixed Blessings, about their experience with their son.

 

William Christopher is revealed to be a very nice man liked by everyone who worked with him.  He was married to Barbara for the rest of his life, was a good family man, generous in working with the NAS, and had a full career.

After Christopher died, Alan Alda tweeted “His pals from #MASH miss Bill powerfully. His kind strength, his grace and gentle humor weren’t acted. They were Bill.”

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Jamie Farr summed it up best in his tribute to his friend and co-worker:

We are all devastated by our beloved Bill’s passing. I have known him for over 50 years. During the 1960s we lived in the same neighborhood in Studio City. My Joy and I would see him and his wife Barbara going for walks as we were going for walks. Bill and I did the very last Doris Day movie together, “With Six You Get Egg Roll.” We were both cast in the tv series “M*A*SH” at almost the same time. He was a gentle soul and in my opinion probably the most underrated actor of all of us on the show. He was wonderful. During between set ups for camera angles Bill would read his Homeric book in Homeric Greek. He was a real egg head. He and his Barbara traveled the world and he would try to learn the language of the countries they were going to visit. He went to Egypt one year and tried his Arabic on me. He was better than I was. We used to imitate Bill on the set using his high pitched voice. One time he came down with hepatitis and when he returned to the series we had his actor’s chair painted yellow. Bill and I did a National Tour of the play “The Odd Couple” with Bill portraying Felix and me doing Oscar, Bill was at one time on the Board of the Devereaux Foundation for Autistic Children. It was a real honor to have had him and Barbara as friends and a great honor to have shared the tv screen with this gracious, talented and charming soul. May his memory be eternal. Rest in Peace Father Mulcahy.