As we continue looking at some of our well-known character actors, today we consider the career of Milton Frome. Frome was born in Philadelphia in 1909. He began acting in his mid-20s.
His first major movie role was in Ride ‘em Cowgirl in 1939. Frome would go on to appear in 55 movies (including The Nutty Professor, Bye Bye Birdie, and With Six You Get Eggroll), as well as five made-for-TV movies. He also had a thriving television career beginning with Chevrolet Tele-Theatre in 1950.
Appearing in 34 different shows during the fifties, he performed in a variety of genres including dramas, comedies and westerns.
During that decade you would have seen him on I Love Lucy, Lassie, The Adventures of Superman, Playhouse Theater, The Thin Man, and The Gale Storm Show. He also worked with many comic legends on television, including Milton Berle, Red Skelton, and Dean Martin and Jerry Lewis.
His career escalated in the sixties when he would accept roles in 48 programs. He showed up in dramas, including The Twilight Zone, 77 Sunset Strip, and Dr. Kildare. He also found his way into many westerns such as Bat Masterson, Death Valley Days, Gunslinger, Big Valley, Rawhide, and Wagon Train. However, he seemed to excel at comedies and during the 1950s you could have spied him in many sitcoms. He accepted parts in Bachelor Father, Pete and Gladys, The Jim Backus Show, The Dick Van Dyke Show, Mister Ed, The Joey Bishop Show, I Dream of Jeannie, My Favorite Martian, The Donna Reed Show, Gomer Pyle USMC, Bewitched, The Monkees, The Patty Duke Show, Petticoat Junction, and The Andy Griffith Show.
Frome was never offered a permanent role in a series, but he did have a recurring role in The Beverly Hillbillies, appearing eight times as Lawrence Chapman, who managed Jed Clampet’s Mammoth Studios.
His television career slowed down a bit in the 1970s and became nonexistent by 1983, but he did make appearances in shows like Ironside, Columbo, Here’s Lucy, The Streets of San Francisco, Sanford and Son, and Trapper John MD. He also appeared in two Love American Style episodes in 1971 and 1973. In the 1973 episode, “Love and the Anniversary,” he played “The Man” and his son Michael played a bellhop.
At some point, Frome married Marjorie Ann Widman, but I could not verify when they married. I also could not verify if Michael was their son, or his son from another relationship.
Frome passed away in 1989 from congestive heart failure.
While it is now easy to analyze and detail an actor’s professional career, it was very tough to find any information about Frome’s personal life or his working relationships with other actors. It makes me sad that these hard-working actors who provided so much to our classic television-watching experiences are just not well known. Hopefully blogs like mine keep them in television viewers’ memories, and some day maybe I will have time to write a book about these unsung heroes of our pop culture history. Thanks for all you contributed to the golden age of television Milton Frome!
Continuing the “What a Character” series, today we look at the career of Nita Talbot. Born in 1930 in New York as Anita Sokol, Talbot had an almost fifty-year-long career. She began appearing in films in 1949 with It’s a Great Feeling (and would go on to make another 30), but it was in television that she had her greatest success. It’s a Great Feeling starred Doris Day and Jack Carson in a parody of what goes on behind the scenes of the making of a Hollywood movie.
She was married to Don Gordon from 1954-1958 and to Thomas Geas from 1961 until sometime in the 1970s. I could not narrow it down to any specific year. Both of her husbands were also actors. Her sister Gloria was the wife of Carl Betz who co-starred as Alex Stone on The Donna Reed Show.
Talbot began her television career in 1950 on Repertory Theater. Appearing in 32 different shows throughout the fifties, many of her appearances were in dramas, primarily shows with different plays weekly. Talbot had a recurring role on Man Against Crime starring Ralph Bellamy, appearing in 9 of the 123 episodes. Later in the decade she was cast in Joe and Mabel in 1956. Nita played the role of Mabel, a manicurist who was dating cab driver Joe. The show only lasted four episodes. At the end of the decade, she would have a recurring role on The Thin Man as Beatrice/Blondie Dane a con artist.
Nita would take on roles in 29 different shows in the sixties. This decade was her “western” season. She did appear in Gomer Pyle and The Monkees, but most of her roles were in westerns, including Gunsmoke, Maverick, The Man from Blackhawk, Rawhide, The Virginian, Daniel Boone, and Bonanza.
During this ten-year period, she would be cast in three shows, one drama, and two comedies. In 1960, she could be seen in Bourbon Street Beat about a New Orleans detective agency where she played Lusti Weather. She co-starred in one sitcom this decade with Jim Backus in The Jim Backus Show. Backus plays Mike O’Toole, who struggles to keep his news service business afloat. Talbot played the role of Dora, one of O’Toole’s reporters. The show only lasted for one season.
At the end of the decade, Talbot was offered the role that she would become best known for. Although she only appeared in seven episodes of Hogan’s Heroes, she earned an Emmy nomination for Best Supporting Actress in a Comedy Series in 1967-68 season for her role of Marya, a Russian spy.
One of her taglines was “Hogahn darlink.” While Hogan could charm most women, he never was certain when he could or couldn’t trust Marya, but he was often coerced to join forces with her against the Germans.
She continued her thriving television career during the seventies with another 26 shows; four of those would be permanent or recurring roles; however, none of them lasted very long.
In 1971, she was offered the role of Maggie Prescott in Funny Face starring Sandy Duncan. Duncan played a college student who worked part time as an actress and Talbot was her agent. When CBS picked up the pilot, they made several changes which resulted in Talbot’s role being dropped.
1973 found her as part of the cast of Here We Go Again. The show portrayed life after divorce for two couples. It should have been renamed, There We Went because the show only lasted for 13 episodes before being canceled.
In 1977 she joined the cast of Soap, playing Sheila Fine, who has an affair with Burt Campbell’s son Peter.
In 1979, Supertrain debuted. It was supposedly the most expensive show ever made. It was a “Love Boat” on the rails. The supertrain traveled across the country and every week passengers found love and solved life problems on their journeys. The show was derailed after nine episodes.
In between these roles, she tended to appear primarily in crime shows in the 1970s such as Mannix, McCloud, Columbo, Police Story, The Rockford Files, Charlie’sAngels, and Police Woman.
Her roles diminished a bit in the eighties with 13 appearances and 9 in the 1990s. She would be cast in one additional sitcom in 1988, Starting from Scratch. This show starred Bill Daily and Connie Stevens as a divorced couple. Stevens leaves her second husband to come back to her ex-spouse and two sons. Talbot played Rose. The show seemed to get good ratings and currently people are rating them 4.5-4.8 out of 5.0, so I’m not sure why it was canceled after a year.
Talbot retired in the late 1990s and is hopefully enjoying a less-busy life. She had a long and successful career and certainly was a character!
My blog theme for this month is “What a Character!” I am looking at the careers of four successful and hard-working actors. With 372 acting credits, perhaps there was no more prolific character actor than the beloved Charles Lane. He perfected the grumpy sourpuss always ready and gleeful to make life more complicated for others. His bio on imdb.com captures his type perfectly as the “scrawny, scowling, beady-eyed, beak-nosed killjoy who usually could be found peering disdainfully over a pair of specs, brought out many a comic moment simply by dampening the spirit of his nemesis.”
However, despite that, we always knew there was more to him, and that his real persona was being covered up by his crotchety outward characteristics. His character Herman Bedloe on Petticoat Junction portrayed this dual-personality perfectly. Bedloe was always trying to shut down the train, but we knew he actually liked the Bradley family, and occasionally you would get a glimpse of the lonely and soft-hearted side of him.
He was born Charles Gerstle Levison in San Francisco in 1905. His family survived the 1906 earthquake. His father was an insurance executive, and Charles would follow in his footsteps for his first career.
A friend, actor Irving Pichel, convinced Lane to try his hand at acting, and Lane joined the Pasadena Playhouse in the late 1920s. His first movie was City Girl in 1930, and his last was Acting on Impulse in 1993. During those six decades he had a successful career in both television and Hollywood. In 1933, Lane became one of the founding members of the Screen Actors Guild (SAG). In that year alone he made 23 films. There was an anecdote told about Lane that it was not uncommon for him to go to a movie, see himself on screen, and be surprised because he completely forgot he had been in the film. Starting out at $35 a day, by 1947 he was earning $750 a week.
His longest-running role was husband. In 1931 he married Ruth Covell; the couple had two children and were married until her death in 2002.
Perhaps most people recognize Lane from his role of rent collector for Henry Potter in It’s a Wonderful Life. Capra signed Lane to roles in ten of his movies. Lane was a corrupt attorney in Mr. Deeds Goes to Town (1936), an IRS agent in You Can’t Take It with You (1938), a newsman in Mr. Smith Goes to Washington (1939), a reporter in Arsenic and Old Lace (1944), and Blink Moran in State of the Union (1948). Among his most-cherished possessions was a letter from Capra where he wrote “Well, Charlie, you’ve been my No. 1 crutch.” Other popular films he was in include The Ghost and Mr. Chicken; It’s a Mad, Mad, Mad, Mad World; and The Music Man.
During World War II, Lane joined the Coast Guard. When he returned to civilian life, his television career took off. His first role was on Burns and Allen in 1951. During the 1950s, he appeared in more than 30 shows including Topper, The Thin Man, Perry Mason, and The Ann Sothern Show. He was often seen on Lucille Ball shows. He and Lucy had become friends when they both worked for RKO, and he had a great respect for Desi Arnaz’s acting ability.
During this decade he was cast on the show Dear Phoebe in 1954. Peter Lawford starred in the show as a former college professor who writes an advice column under the name Miss Phoebe Goodheart. Meanwhile, his romantic interest is Mickey Riley portrayed by Marcia Henderson, the paper’s sports writer. Lane took on the role of Mr. Fosdick, their boss.
The 1960s found him on almost every popular show of that decade. Tuning in to your favorite series, you would spy Lane on Bachelor Father, Pete and Gladys, Mister Ed, The Andy Griffith Show, The Joey Bishop Show, Get Smart, The Bing Crosby Show, The Man from UNCLE, The Donna Reed Show, Green Acres, Bewitched, and The Wild, Wild West, among many others.
Lane had recurring roles on five shows during the 1960s. On Dennis the Menace, he was the pharmacist Mr. Finch. He also could be seen on his friend’s series, The Lucy Show as Mr. Barnsdahl, a local banker. The Phyllis Diller Show had a cast that should have made it a hit and from 1966-67, Lane played Maxwell. Although many characters appeared on both The Beverly Hillbillies and Petticoat Junction, Lane had two different roles on the two series. He appeared in 24 episodes of Petticoat Junction between 1963-1968 as Homer Bedloe, a railroad executive who is always trying to find a reason to shut down the Cannonball. On the Beverly Hillbillies, he portrayed Foster Phinney.
Lane continued with both his movie and television appearances throughout the 1970s, taking roles on The Doris Day Show, The Odd Couple, Family, Rhoda, Chicoand the Man, and he continued his television appearances into the 1980s and 1990s with shows that included Mork and Mindy, St. Elsewhere, LALaw, and Dark Shadows.
The decade of the seventies would find him cast in two additional series, Karen and Soap. Karen debuted in 1975, starring Karen Valentine as Karen Angelo. Karen works for an advocate group for the common American citizen, Open America, founded by Dale Busch, who was played by Lane. On Soap, Charles took on the role of Judge Petrillo who presided over Jessica Tate’s murder trial; however, because of Jessica’s husband, the judge lost $40,000 in a bad investment.
Charles Lane was honored in 2005 when he turned 100. SAG proclaimed January 30 “Charles Lane Day,” and TV Land honored him in March for his long career. After receiving his award, he let it be known “in case anyone’s interested, I’m still available!”
Despite his being typecast in cranky roles, friends and family described him as funny, kind, and warm-hearted. Lane’s one vice was smoking. In 1990 he was rushed to the hospital when he was having problems breathing. When the doctor asked if he smoked, Lane informed him he had kicked the habit . . . 45 minutes earlier. He never smoked again and he lived another 12 years, dying peacefully in 2007.
Although it’s tough on actors to be typecast so early in their career, it’s a double-edged sword, because it also provides a lot of opportunities for roles. Lane was an enigma; while he always convinced us that he was just as mean as could be, we also knew if someone would give him a chance, he could be reformed like Scrooge; he just needed the opportunity. It always makes me smile to come across Charles Lane in a move or television episode. It’s like seeing an old friend, or perhaps the neighbor who yelled at you to get off his yard. However, if you looked closely, you would see him watching and wanting to be part of the action. As you watch your favorite older classic shows, keep an eye open for him.
As we wind up the “Valerie”-themed blogs, of course we have to include Valerie Bertinelli.
I’m guessing Valerie Bertinelli might have chosen a different career than acting if her family moves had been to other US cities. She was born in Delaware where her father was an executive with General Motors. Apparently, sometime during her childhood, the family (she has three brothers) lived in Louisiana, Oklahoma, and Michigan though I could not find definite dates. Barbara ended up in California during high school. When she lived in California, one of her friend’s dad was a television producer.
She transferred to the Tami Lynn School of Artists to study acting, and Tami Lynn became her personal manager during the 1970s. Unlike child stars who appear on various shows before getting their big chance, Valerie appeared in one episode of Apple’s Way in 1974 and then was offered the role of Barbara Cooper on One Day at a Time which ran from 1975-1984. During the show’s run, she showed up in the Nancy Drew Mysteries show, one movie, and five made-for-television movies.
One Day at a Time was one of Norman Lear’s string of 1970s hits. Bonnie Franklin starred as a divorced mother trying to raise two daughters, Barbara and Julie (Mackenzie Phillips). Schneider (Pat Harrington Jr.) was the maintenance man who became part of their “family.” Valerie was fifteen when the show began. She quickly became one of America’s sweethearts. Although it was a comedy, the show covered some darker subjects. It cast dealt with a lot of drama due to Mackenzie’s drug addiction and personal problems.
In 1981 Valerie took her brother to a Van Halen concert and met Eddie Van Halen. They dated but got married sooner than most people expected. The marriage had a lot of ups and downs; the couple had a son, but by 2001 they separated and divorced in 2007.
When One Day at a Time ended (it was not cancelled by the network, but Bertinelli and Franklin were ready to move on in their careers), Bertinelli again took on one movie role and quite a few television movies.
Valerie turned down several offers because of nudity. She was in the running as Ariel in Footloose and as Chloe in The Big Chill. With no major movie offers, Bertinelli returned to television to star in Sydney in 1990. Matthew Perry costarred in this show as Sydney’s brother, a rookie cop. Sydney moves to New York and opens a detective agency. The show only lasted a season.
In 1993, she again gave television a try, starring in Café Americain. On this show, Valerie is Holly Aldrige, a young American living in France. She gets a job as a waitress at a café where she meets a quirky group of people who become friends, despite her inability to speak French. Unfortunately, this one also lasted one season.
In 2001, Valerie joined the cast of Touched by an Angel for the show’s final two seasons, playing Gloria.
From 2010-2015 she was one of the stars in what might be her favorite role, Melanie Moretti on Hot in Cleveland. Three friends (Bertinelli, Jane Leeves, and Wendie Malick) are heading for Paris when their plane is forced to make an emergency landing in Cleveland. The three pals decide to stay in the city because they think they will be more popular with men in Cleveland than Paris. Their new landlord is Betty White.
I reference this as perhaps her favorite role because it didn’t have any of the drama of One Day at a Time, and she seemed to truly enjoy her time on the show and her castmates. She said her favorite time of day was sharing coffee with her costars on the show. In a Yahoo Entertainment interview, she said “I mean, if Hot in Cleveland came back, I would be there yesterday. I miss that show so much.”
Bertinelli has also discussed working with legend Betty White: “I mean we all know Betty’s funny, obviously, but there was such an ease to it. I know people think I’m crazy when I say this, but she literally glowed. She’s not of this world. She’s just got this beautiful glow aura about her, just because she’s such a kind, sweet soul. And I just adore her.”
Bertinelli also loved the rapport shared by the stars that shined through their performances. As she described them: “You can see how these characters love each other no matter what, no matter how stupid they get. I think it’s just the way we feel about each other, and plus, the writers happen to write some really, really funny shows. I mean, the writers on this were just beyond funny.” The cast still keeps in touch regularly.
During the run of the show, Valerie married Tom Vitale whom she had been involved with for seven years.
Since the end of Hot in Cleveland, Valerie has found a new career as a cooking star. She has hosted Valerie’s Home Cooking, Kids Baking Championship, Family Food Showdown, and Family Restaurant Rivals on the Food Network. Valerie won two Emmys for her Valerie’s Home Cooking show.
Valerie has a couple of famous relatives. Courteney Cox is a cousin, and when Bertinelli appeared on the show, Who Do You Think You Are? about genealogy, she learned she was related to Kind Edward I of England through her mother.
Valerie recently reflected on the reboot of One Day at a Time which features a Cuban family. Although most of the recent reboots have been flops, this show seems to be holding its own. Bertinelli discussed it: “It’s an amazing show. The women that are doing it are really so talented, and it’s got a lot to say . . . they’re doing a great job of staying topical . . . and shining a light on things that we need to look at. And keeping it funny at the same time.”
Perhaps we’ve learned more about Valerie through her cooking show than her acting. What do we know? The first dish she learned to make was lasagna. Her favorite cookbooks are by Ina Garten because “when you follow her directions, it really comes out perfectly.”
Coconut creamer is her must-have item, but she admits that she is a condiment horder especially with mustard, having about fifteen in her fridge. She loves lemon desserts, prefers savory over sweet, and likes to cook to music.
Her favorite food cities are Los Angeles and New Orleans. She credits her mother and grandmother with teaching her to cook. If she held a dinner party and could invite anyone, dead or alive, she would include Jesus, Pope Francis, Barak Obama, and Marilyn Monroe.
Valerie’s personal life has been filled with a lot of highs and lows, like the rest of us, but she seems to have settled into a place where she is happy and productive and just enjoying what she is doing. You can’t ask for more than that.
Knowing the theme for this blog series is Valerie, if I asked you to think of “Valeries” from television history, it might take you a while to come up with our subject for today. We are learning about Valerie Frizzle, an eccentric teacher who takes her class on educational field trips on her magical school bus on The Magic School Bus.
Based on the books that are written by Joanna Cole and illustrated by Bruce Degen, the original television show ran from 1994-1997, producing 52 episodes. It was created by Joanna Cole, Bruce Degen, and Laskas Martin. (A reboot The Magic School Bus Rides Again began recently.)
The premise of the show is that a class taught by Valerie Frizzle at Walkerville Elementary take field trips to learn about science. Mr. Ruhle is the principal, and he is not aware that the bus is anything other than a simple school bus. However, the “Friz’s” bus can change shape and form to explore anything: far into outer space, deep in the ocean, back to the days of dinosaurs, and even into the human body. The bus can transform itself into a plane, a jeep, or other form of transport. It can become a frog or another type of animal to get into a specific ecosystem.
The Friz has a pet lizard named Liz who accompanies the class on its trips. Liz eats insects, but when the bus shrinks, she is very frightened by bugs.
Apparently Walkerville is in a small community, because there are only eight children in her third-grade class: Arnold, Carlos, Dorothy Ann, Keesha, Phoebe, Ralphie, Tim, and Wanda.
The bus itself is a 1970s Ward International R-183 manufactured by Ward International Trucks, Inc. The bus is painted the typical school bus yellow. The magic part comes in with the devices that are installed in the bus. There is the shrinker scope that can shrink and re-size the bus when Ms. Frizzle asks it to. There is also a portashrinker that doesn’t work if the bus is wet and if someone tries to use it then, the Dew Dinger alerts them. There is also a mesmerglober which can change the shape of the bus. A magic battery runs on solar power.
The bus seems pretty indestructible. In one episode it floated around in lava. The bus has eyes and a mouth and often shows emotions like fear, anger, and sadness.
Valerie Felicity Frizzle is a quite a character. She has fiery red hair that is usually seen in a bun. Static electricity makes her hair frizzy. So, what do we know about Ms. Frizzle? She was a Shakespearian actress at one point in her life. She also had a band called The Frizzlettes and toured with rock star Molly Cule. She then went back to school for education. She learned about “busanautics” from a mechanic she knows, R.U. Humerus.
Voiced by the funny Lily Tomlin, the Friz is always optimistic. She cares about her students and is passionate about science. She lives in a mansion that has a bridge on the property as well as a fountain with a statue of Liz. You can often spot the bus parked in her driveway. She keeps a framed photo of Mr. Seedplot, suggesting that they may be romantically involved. She loves to tell jokes. She is very protective of her students who love and respect her.
Miss Frizzle has an interesting wardrobe and most of her clothing is science themed.
Some of her taglines are “To the bus!”; “Okay, bus, do your stuff!”; and “Take chances, make mistakes, get messy!”
During the four years the show was on the air, we got to know her students very well.
Arnold was not a fan of field trips. Like The Friz, he is a redhead. Arnold wears glasses. He was the shyest kid in the class, but he was brave. He cares about the environment and is interested in rocks. His aunt, Arizona Joan, is a famous archaeologist. He also has an uncle who is a firefighter in a national park.
Arnold’s favorite color is orange and he is Jewish. Pollen and pepper both make him sneeze. He also loves cold weather because that means he can drink hot chocolate.
His most famous sayings are “I knew I should have stayed home today”; “We’re doomed” and “Carlos!”
In one of his interviews, illustrator Bruce Degen mentions that Arnold was based on his son.
Carlos, a brunette, is the class clown. He tells a lot of jokes, some not so good which always gets the reactions, “Carlos!” from his classmates, especially Arnold. Carlos and Dorothy Ann often butt heads about learning because he is a hands-on learner while she is not.
Dorothy Ann likes to learn by reading. Her favorite science area is astronomy and she has a telescope at home. She tends to argue with many of her friends and one of her favorite sentences starts, “According to my research . . .”
Keesha can be a bit sarcastic. While Arnold and Dorothy Ann have different perspectives, Keesha and Ralphie are opposites. Keesha is a realist. Like Ms. Frizzle, she keeps her curly hair in a bun most of the time. Unlike most girls her age, she likes garter snakes.
Phoebe keeps her brown hair in a flip with a yellow hairband and bangs. She is kind-hearted, sweet, very bright, and patient. She’s left-handed and she cares a lot about animals. She often refers to her previous class, saying “At my old school . . .” When her father visits the school one day, he also refers to her old school.
Ralphie is a heavyset boy who often wears a baseball cap. He loves baseball, basketball, soccer, and hockey and is athletic. He daydreams a lot, learning through imagination. He is a fun-loving kid. He has a dog named Noodles. We learn he loves comic books and superheroes but dislikes anchovies and roller coasters. He worries about creatures like vampires which probably comes from overusing his imagination. His mother is a doctor and they seem to have a lot of fun together.
Tim is quiet and artistic; we often see him off drawing somewhere. Sometimes he tells jokes with Carlos. An interesting family fact is that his grandfather is a bee keeper and he delivers honey every winter.
Wanda is a tomboy. She is the smallest member but may be the toughest. She dreams of being a pilot and loves it when the bus can fly. She hates cold weather. Her mother visits class now and then; she is a science journalist. It’s often mentioned that her mother keeps reptiles around the house; one time an alligator is found in the bathtub and a gila monster in the sandbox. Wanda is a gaming expert; she also likes to play the guitar.
We often hear her say, “What are we gonna do, what are we gonna do, what are we gonna do?”
Famous Guest Stars
For an animation show, this series featured an incredible number of famous guest stars. Tyne Daly was Ralph’s mother; Elliott Gould was Arnold’s father; Swoosie Kurtz was Dorothy Ann’s mom, and Eartha Kitt was Keesha’s mother. Ed Begley Jr. showed up as Logaway Larry; Carol Channing was Cornelia C. Contralto, Cindy Williams was Gerri Poveri; Dolly Parton was Katrina Murphy; Sherman Hemsley was Mr. Junkit; Rita Moreno was Dr. Carmina Skeledon; Dabney Coleman was Horace Scope; and Bebe Neuwirth was Flora Whiff. Tony Randall took the role of mechanic, R.U. Humerus while Wynonna Judd became rock star Molly Cule. Dom DeLuise was a baker; Ed Asner a general; Alex Trebek an announcer; and Tom Cruise played himself.
The theme song is sung by Little Richard. The show begins with:
(Bus honks, drives up, doors open)
Valerie Frizzle: Seatbelts, everyone!
Arnold: Please let this be a normal field trip.
Wanda: With the Frizz?
Kids except Arnold and Dorothy Ann: No way!
Little Richard: Cruising on down main street. You’re relaxed and feeling good! (Yeah!)
Next thing that you know, you’re seeing…
Valerie Frizzle: (driving into ocean) Wa-ha-ha-hoo!
Little Richard: An octopus in the neighborhood?!
Surfing on a sound wave! Swinging through the stars!
Ralphie, Wanda and Carlos: Yee-ha!
Little Richard: Take a left at your intestine. Take your second right past Mars!
Kids: On The Magic School Bus!
Little Richard: Navigate a nostril!
Kids and Little Richard: Climb on The Magic School Bus!
Little Richard: Spank a plankton, too!
Wanda: Take that!
Kids: On our Magic School Bus!
Little Richard: Raft a river of lava!
Kids: On The Magic School Bus!
Little Richard: Such a fine thing to do!
Little Richard: So, strap your bones right to the seat, come on in and don’t be shy….
Just to make your day complete,
You might get baked into a pie!
Kids and Little Richard: On The Magic School Bus!
(Dorothy Ann, Keesha and Ralphie run up to Bus and enter before Bus shapeshifts)
Little Richard: Step inside, it’s a wilder ride!
(Bus appears under big title that reads “The Magic School Bus…”)
Kids and Little Richard: Ride on The Magic School Bus!
(Bus disappears to reveal title of episode)
I did not watch The Magic School Bus a lot. It went off the air about the time my older boys would have been the age to watch it. However, we read most of the books, and my kids learned a lot from them. Along with Arthur, this is probably one of my favorite cartoons for combining fun with learning.
Continuing our series about “Valerie,” today we look at a slice of American life from the 1970s. It’s hard to emphasize how much the movie Saturday Night Fever changed American culture. In the movie, a high school graduate played by John Travolta, escapes his hard life by dancing at the local disco. The hippie culture of the late 1960s and early ‘70s was shoved aside by the bold and brash disco era. It was hard to go anywhere without the background soundtrack of the movie being heard. Extravagant clothing and three-piece suits were back in style, along with platform shoes and blingy jewelry.
A year after the movie debuted, a new show called Joe and Valerie appeared in April of 1978. Joe (Paul Regina) works at his father’s plumbing store. He meets Valerie (Char Fontane) at the disco and they get romantically involved. However, Joe’s roommates, Paulie (David Elliott), a hearse driver, and Frankie (Bill Beyers/Lloyd Alan), a spa worker and chauvinist, have their opinions on the romance as does Valerie’s divorced mother Stella (Arlene Golonka). Rounding out the cast were Robert Costanzo as Joe’s father Vincent and Rita/Thelma (Donna Ponterotto), Valerie’s best friend.
The series was produced by Bob Hope’s production company, Hope Enterprises, and his daughter Linda served as executive producer. Bill Persky, who had been one of the forces behind That Girl, directed the first episode.
The writers for the show included Howard Albrecht, Hal Dresner, Bernie Kahn, and Sol Weinstein. Kahn and Dresner also served as producer for an episode each. Art direction was credited to Bruce Ryan and shop coordinator to Edwin McCormick.
The series was divided into two parts; in 1978 the episodes show Joe and Valerie meeting, falling in love and planning their future. Jumping to January 1979, the episodes center around the couple beginning their married life. Four half-hour episodes aired in April and May of 1978. Four half-hour episodes were set to air in January, but only three did; the final episode never was played on the air.
Episode 1, “The Meeting” aired April 24, 1978. Joe and Valerie meet at the disco and fall in love when Joe bets his roommates that he can take Valerie away from her dancing partner.
Episode 2, “The Perfect Night” aired May 1, 1978. Valerie arranges dates for Frank and Paulie. She sets up Frank with her best friend Thelma and the date is a disaster. The woman she set Paulie up with ended up getting married the night before, so Valerie is frantically looking for a substitute. Albrecht and Weinstein were credited as writers.
Episode 3, “Valerie’s Wild Oat” aired May 3, 1978. Joe and Valerie’s romance hits a potential roadblock when Valerie finds out that her new boss at the store is her ex-boyfriend Ernie (Marcus Smythe).
Episode 4, “The Commitment” aired May 10, 1978. When Valerie’s mother is unexpectedly called away for the weekend, Joe and Valerie face the prospect of spending their first night together. Joe loves Valerie too much to stay but worries how his roommates will react if he doesn’t.
Episode 5, “The Engagement” aired January 5, 1979. Joe and Valerie break the news to their parents that they are going to live together and looking for a place to live through a rental service which adds to the confusion.
Episode 6, “The Wedding Guest” aired January 12, 1979. Joe and Valerie learn that a gangster’s funeral has been scheduled at the same time as their wedding at the church.
Episode 7, “The Wedding” aired January 19, 1979. The newly married couple look back at the events that occurred around their wedding. Some of the problems included Vince wanting Valerie to wear his wife’s old-fashioned wedding dress, Frank and Paulie fighting over who is best man, and Valerie’s mother threatening to stay away from the wedding if her ex-husband comes.
The final episode, “Paulie’s First Love,” was never aired.
This was a bad year for series’ debuts. A number of shows flopped during this year including Hizzoner, Sweepstakes, and Supertrain, none of them making it to more than nine episodes.
Char Fontane (also listed as Fontaine occasionally) was born in California in 1952. She passed away from breast cancer in 2007. Before being cast in Joe and Valerie, she appeared on a variety of tv series in the 1970s and a couple after: LoveAmerican Style (1972), The FBI (1973), Barnaby Jones (1979), Supertrain (1979), Sweepstakes (1979), The Love Boat (1979), and Nero Wolfe (1981). In the mid-1980s she took a role in a made-for-tv movie, The Night the Bridge Fell Down and two movie roles: Too Much (1987) and The Punisher (1989). She was not credited with any roles after the 1989 movie.
Paul Regina was born in Brooklyn in 1956 and passed away from liver cancer in 2006.
Before his role on Joe and Valerie, he had parts in The Hardy Boys/Nancy Drew Hour and Police Woman both in 1978. After the show ended, his career stayed fairly busy. Throughout the 1980s and 1990s, he could be seen on many popular television shows including Benson, Gimme a Break, TJ Hooker, Hunter, and EmptyNest. He would be cast in three series: Zorro and Son in 1983, Brothers from 1984-89, and The Untouchables in 1993-94. He also had a recurring role as a lawyer on LA Law between 1988-1992.
Post 2000 before his death he was in Law and Order several times as well as two movies, The Blue Lizard and Eddie Monroe.
David Elliott had a successful career going when he received the role of Paulie. He began with several roles on tv including a mini-series, Pearl, that Char Fontane was also in. From 1972-1977, he had a role in The Doctors in 272 episodes. Before beginning Joe and Valerie, he had a role on Angie in 1979.
After the show ended, he continued showing up in television series including TJHooker, St. Elsewhere, Simon and Simon, and Murder She Wrote. He ended his credited acting career with seven movies in the 1990s.
He is an interesting guy. After dropping out of high school, he drove a cab in New York. He was a professional boxer, ran a PI business in Hollywood, received his pilot’s license, sat on the board of a major labor union, and traveled extensively through every continent except Africa and Antarctica. Recently he earned a certificate in both long and short fiction from the UCLA Writer’s program and has written a novel, The Star Shield, about a body guard trying to rescue a kidnapped movie star. Currently he is working on a collection of short stories.
The role of Frankie was played by two different actors, Bill Beyers in 1978 and Lloyd Alan in 1979.
Bill Beyers was born in New York in 1955 and died in 1992 in Los Angeles. His first role was that of Frankie on Joe and Valerie. Following the end of that show he was cast in several series including Barnaby Jones, Quincy ME, The Incredible Hulk, CHiPs, Too Close for Comfort, and Murder She Wrote. He had a recurring role on Capitol, appearing in 24 episodes from 1982-1987.
Lloyd Alan was in 1952. He might have had the shortest career of the cast. Before being cast in Joe and Valerie, he was in an episode of Eight is Enough. After he appeared in The Love Boat, Knight Rider, and Baywatch. His last credited acting job was 1998. I was unable to locate a photo of Lloyd Alan.
The actors with the longest careers were Robert Costanzo who played Joe’s father Vince; Arlene Golonka who was Stella, Valerie’s mother; and Donna Ponterotto who played Rita/Thelma, Valerie’s best friend.
Donna Ponterotto had a successful career following the cancellation of Joe and Valerie. She came to the show having appeared on The Police Story, Happy Days, and Rhoda.
Following the show, she appeared on Trapper John MD, Laverne and Shirley, TheLove Boat, Who’s the Boss, Murder She Wrote, Night Court, Murphy Brown, ER, Mad About You, Third Rock from the Sun, and NYPD Blue among others. Her last film was Sharkskin in 2015.
Arlene Golonka grew up in Chicago where she was born in 1936. She began taking acting classes when she was quite young. At age 19, she headed for New York and began a career on Broadway. In the 1960s she relocated to Los Angeles. She continued to appear in movies and appeared in dozens of television programs during the next three decades. While she is probably best known as Millie on Mayberry R.F.D., she has appeared in many respected series.
Golonka came into Joe and Valerie with a strong resume. She had made appearances in shows such as The Naked City, Car 54 Where Are You, The Flying Nun, Big Valley, Get Smart, I Spy, That Girl, M*A*S*H, All in the Family, Barnaby Jones, Alice, The Rockford Files, and Love American Style. She made five appearances on The Doctors with David Elliott.
After Joe and Valerie, she continued to receive many roles including on FantasyIsland, The Love Boat, Simon and Simon, Benson, and Murder She Wrote. Her last appearance was on The King of Queens in 2005, and she is now retired.
Robert Costanzo was born in New York in 1942. He also came into the show with a very strong string of shows, having been in Rhoda, The Bob Newhart Show, and Lou Grant. He also was in several profitable movies including Dog Day Afternoon, The Goodbye Girl, and Saturday Night Fever.
Following the end of Joe and Valerie, he would continue his successful career. Costanzo has been cast in recurring roles in ten shows: Last Resort, Checking In, The White Shadow, Hill Street Blues, LA Law, 1st Ten, Glory Days, NYPD Blue, Charlie and Grace, and Champions. He has continued to take roles on other series including Barney Miller, Alice, Who’s the Boss, Family Ties, St. Elsewhere, The Golden Girls, Friends, and Murder She Wrote.
His movie career has also been very successful, and he is remembered for his roles in Used Cars, Total Recall, Die Hard 2, and Air Bud.
Currently Costanzo is still acting and has several movies debuting in the next couple of years.
I have to admit I do not remember Joe and Valerie, and obviously I did not watch it, but I don’t think I missed much. It’s fun to learn about some of the more obscure shows that had a brief flicker in television history. There are many more shows that lasted for less than 20 episodes than there are the classics we remember today. If nothing else, the show captures a unique time in American history.
This month, my blog’s theme is “Valerie.” I apologize ahead of time to any of you who have the lyrics of the Amy Winehouse song running through your head all month. It’s a great song, but every January blog I wrote kept the song in my brain for a few days.
I decided to begin the series, and the new year, looking at the career of Valerie Harper who passed away in 2019.
Valerie Harper lived to be 80, despite being diagnosed with brain cancer in 2013.
Harper recalled attending an ice-skating show as a child and deciding she wanted to be involved in show business of some type. She loved the lighting, the audience, and the entire theatrical experience. She began her career as a dancer. Joining the Radio City Hall dancers, she transitioned into acting.
She eventually made her way to the Second City troupe in Chicago. After perfecting her comedy skills, she was on to Broadway, appearing in Dear Liar, Story Theatre, Something Different, and Metamorphosis.
Valerie appeared in a few movies and television series during the late ‘60s and early ‘70s.
From 1964-1978, she was married to Richard Schaal. The couple wrote a script for Love American Style in 1969 called “Love and the Visitor.” Harper also acted in the segment “Love and the Housekeeper” in 1971.
Her big break came when she was offered the role of Rhoda Morgenstern on The Mary Tyler Moore Show. Ethel Winant spotted her in a play and asked her to audition for the role. For four years, she played Mary’s best friend who lives upstairs. Rhoda was a window decorator for a large department store. The characters of Mary Richards and Rhoda Morgenstern were total opposites, but they had a tremendous chemistry and became best friends.
Although Mary was the nicest person on the show, we all wanted Rhoda to be our best friend. Her humor and attitude toward life made the world a more fun place to be.
In 1974, Valerie was rewarded with her own show, Rhoda. She marries and returns to New York. Harper won four Emmys during her time as Rhoda between the two shows. After capturing Rhoda’s Jewish persona so accurately, many people were surprised to learn she was not Jewish and grew up Catholic.
Some of the funniest moments on either of the sitcoms was Rhoda’s relationship with her mother Ida, played by Nancy Walker. Rhoda loved her mother, but was driven absolutely crazy by her.
When Rhoda was abruptly cancelled, Harper made a cluster of made-for-tv movies.
In 1986, Harper was cast as the lead in the show Valerie’s Family. After being abruptly fired from the show in 1987, she was replaced with Sandy Duncan as the children’s aunt. The plot line was that Valerie died in a car accident and Sandy comes to help out. The show changed its name to The Hogan Family and continued until 1991. Harper sued Lorimar Productions for breach of contract and was awarded $1.4 million plus part of the show’s profits.
In 1990, City debuted starring Harper. The show only lasted one season. I have never seen this show, but most of the reviews I read were by people who loved it. One write-up on imdb.com concluded “This was the funniest sitcom Valerie Harper has done (except of course for the Mary Tyler Moore Show). The city manager’s office that provided the setting is the perfect locale for the parade of crazies that give comedic impetus to this type of show, The funniest was James Lorinz as the security guard (in one episode, he was convinced that white-out was being stolen to aid illegal immigration; to prove his point, he painted his entire body with it). One of the Mysteries of the Universe is why this failed while “The Hogan Family,” a profoundly mediocre show, lasted several years.”
From that point on, Harper did not star in any other television series, but she did show up in a variety of series and made-for-tv movies, including a recurring role on The Office in 1995.
Valerie contributed to many causes during her career. She was a big advocate of the Equal Rights Amendment in the ‘70s and ‘80s. She co-founded L.I.F.E. with Dennis Weaver, a nonprofit that gave food to the hungry in Los Angeles.
Valerie re-married in 1987, wedding Tony Cacciotti whom she remained with until her death.
Harper continued in stage work throughout her career. From 2005-2006, she portrayed Golda Meir, touring throughout the US.
She accepted the role of Claire Bremmer on Desperate Housewives in 2011. In 2013, she returned to her dancing roots, appearing on Dancing with the Stars, partnered with Tristan MacManus.
In 2009, Valerie was diagnosed with lung cancer. She fought the illness, but in March of 2013, she was diagnosed with terminal brain cancer, given only months to live. Those couple of months turned into six years. Harper discussed her disease in 2015: “I talk to the cells all the time. I say, ‘What the hell are you doing? Not only are you destructive, coming in and ruining all my plans, but you are dumb! You are killing the host. If you take a low profile, I can live with you, here on the edge of the sword. You can fall one way or the other.’ Right now, things are working fantastically. Tomorrow, I don’t know.” Her philosophy was “We’re all terminal; none of us are getting out of this alive.”
Harper was fondly remembered by her co-stars when she passed away. Mary Tyler Moore who died before Harper, said she was devastated the day Valerie called her to tell her about the cancer. Ed Asner, who played Lou Grant on The Mary Tyler Show, remembered his years working with Harper: “A beautiful woman, a wonderful actress, a great friend. . . . Her brilliance burst through and shined its light upon all of us. Goodnight beautiful. I’ll see you soon.”
Alyssa Milano who played her daughter on an episode of Melrose Place, said “Valerie Harper was always the most gracious and kindest actor on the set. She will be missed. Rest in Peace. ”
Valerie Harper had a unique gift of making us laugh, not at her characters, but with her characters. We could all relate to her. She was a role model for how to keep a positive attitude about living with a terminal illness. It’s a rare person who learns to work hard while making it look easy, fight for causes that help others, inspire others to live better while she was dying, and infuse laughter into every aspect of her life. We will truly miss you Valerie Harper, but we will remember you for all the gifts you left behind for us.
In my tribute to television stars who passed away in 2019, I chose to end the series and the year with Doris Day. I have been a fan of hers for decades, and my heart was very sad when she left us in May. She died on a Monday; the day before was Mother’s Day, and we happened to watch Pillow Talk that day which I thought became a fitting tribute.
Although Doris Day is a huge star, she only has 45 acting credits, and 43 of them are movies. Of her two television appearances, one was for her voice only on The Governor and JJ. However, because her star was so bright, her five seasons of The Doris Day Show allows her to be included in the television star category.
As a disclaimer, I have to say that while I adored her in her movies, especially the comedies, I was not as big a fan of the television show. It was not a bad show, but it took a lot of liberties with format, as I mentioned in my Kaye Ballard blog earlier this month.
Doris had a lot of valleys as well as mountains in her life journey. Born in 1922 as Doris Mary Ann Kapelhoff, she wanted to be a dancer. At 14 she had formed a dancing act with Jerry Doherty. When they won $500 at a local contest, they traveled to Hollywood to check out the possibilities there. They were optimistic about a career for them in California, so they returned home to pack up their belongings and make the move permanent. Unfortunately, the night before they were scheduled to leave, Doris was involved in an accident when a train hit a car she was a passenger in. Her dancing career ended before it really began.
Her parents had divorced when she was young and her father was a music teacher and choir master. One of her brothers died before she was born and the other one, Paul, was a bit older than her. Following in her father’s footsteps, she took singing lessons, and by age 17 was touring with the Les Brown Band. The trombonist, Al Jorden, captured her heart and they married in 1941. Her two years of marriage was a deep valley; Al was abusive and soon after the birth of their son, Doris asked for a divorce. Her second marriage to George Weidler lasted less than a year.
Doris’s agent convinced her to make that trek to Hollywood again to tape a screen test for Warner Brothers. She was immediately signed to a contract. Her first role was in Romance onthe High Seas in 1948. They kept her busy. She made two films in 1949, three in 1950 and five in 1951. Audiences were attracted to her “girl-next-door” personality, beauty, and singing ability.
In 1951 she met Marty Melcher. They married, and he adopted her son Terry who would become a successful record producer. Her marriage to Marty seemed happy, but the union would also have its tragedies. Her brother Paul passed away in 1958.
She continued starring in movies throughout the fifties and in 1959, Pillow Talk, with co-star Rock Hudson, debuted and catapulted her to a new level. Melcher, who had become her agent, signed her to an unrealistic amount of work which led to her being diagnosed with exhaustion about this time. During the 1960s he had signed deals for Please Don’t Eat the Daisies (1960), Midnight Lace (1960), Lover Come Back (1961), That Touch of Mink (1962), Billy Rose’s Jumbo (1962), The Thrill of It All (1963), Move Over Darling (1963), Send Me No Flowers (1964), Do Not Disturb (1965), The Glass Bottom Boat (1966), Caprice (1967), The Ballad of Josie (1967), Where Were You When the Lights Went Out? (1968), and With Six You Get Eggroll (1968).
It was a grueling schedule, but Day was always the perfectionist and a professional, so she gave 100% to each production. Melcher had mentioned she could star in a television show which she objected to. Shortly after their discussion, Melcher passed away. To her shock, Doris was informed not only did he sign her to the television deal despite her refusal, but he had squandered millions of dollars, and she was basically broke. (Later she was awarded $22 million in court against an investor Melcher had worked with.)
She had no choice but to tackle the television series to try to recoup some of her money.
From 1968-1973 she would star in The Doris Day Show, which was almost like three different shows. The original concept was that widow Doris Martin and her two sons left the city to move back to her dad’s ranch. The theme song was “Que Sera Sera,” the song that would become synonymous with Doris.
In the second season, Doris drives back and forth from San Francisco to the ranch after getting a job as a secretary at Today’s World magazine. Rose Marie plays Myrna Gibbons, her friend at work.
In season three, the family moves into an apartment in San Francisco that is rented from the Palluccis who own a restaurant on the ground floor. Doris got to work with Billy de Wolfe again. He played her neighbor, a cranky bachelor who doesn’t like noise, especially made by children. However, he has a soft spot and becomes close to the family.
In the fourth and fifth seasons, there is no mention of the father, the kids, or the Palluccis! Doris is now a single person and is a staff writer for Today’s World.
When this show was good, it was really good, but often it was so-so; however, the skill of actors involved in the show kept it at a higher level. The first season was a bit corny with life down on the ranch. The second season felt like everyone was almost ready to break into song to celebrate the decency and clean-living of the country versus the corrupt city life. Season three it started coming into its own. Even though some of the characters were a bit stereotyped, the stars carried it.
The final two seasons were probably what the concept of the show should have been all along. After all, we viewed Doris as the country girl who moved to the city. She knew just what life would be like there and wanted to experience it all but retained just enough of her wholesomeness and morals to be likable and a bit innocent.
However, the ratings don’t really support my thesis. The show came in at #30 for season 1, #10 for season 2, #20 for season 3, #23 for season 4 and #37 for season 5. I’m guessing the real issue behind the lower-than-expected ratings was a result of scheduling and the constant changing of formats. The show began Tuesday nights against The Red Skelton Show and 60 Minutes. Season 2 it landed on Monday nights where it would remain. Season 2 and 3 it was opposite Mayberry RFD and The Carol Burnett Show. Season 4 it went against Here’s Lucy and The Sonny and Cher Show, and the last season was also Here’s Lucy and then the debut of The New Bill Cosby Show. The targeted audience was probably split. The same group who watched Doris Day would also be a fan of Carol Burnett, Red Skelton, and Lucille Ball. These three shows were all in the top 15 during this time.
I’m not sure why the show ended. Some references claim Day was tired and quit; others say the network cancelled the show. Either way, I think Doris was ready for retirement and certainly deserved it. One thing that doesn’t vary is that all the reviews I read, even those that criticized the format changes or the corniness of some situations, said it was a great show and that Doris Day made it fun and believable. I didn’t read any reviews that were negative about the show overall. Sometimes the quarterback truly does carry the team. And to be clear, there were many great teammates on the series during its run.
Doris gave marriage one more try in 1976 when she wed Barry Comden but they divorced in 1982. After that Doris settled into Carmel, California where she devoted her energies to animal rights. She and her son owned a boutique hotel, Cypress Inn.
Although Doris was never happy in marriage, she developed life-long, satisfying friendships with several men. Her costar Rock Hudson and she were very close. He called her Eunice just because he said when he thought of her as a Eunice, it made him laugh.
She was also very close to Billy de Wolfe. They first worked together in 1950 on the set of Tea for Two. He told her he didn’t see Doris Day when he looked at her; he saw Clara Bixby, and that remained his nickname for her from then on.
While The Doris Day Show can’t compete with Pillow Talk, it shouldn’t have to. It was what it was, and considering it wasn’t a show Doris even wanted to take on, she did her best with the crazy format changes and made it something worth revisiting. It may not be her best work, but it is far better than many television shows.
Doris was a truly great star. She was a consummate performer, gave everything she had to her scripts, and was never a diva or complainer. She worked hard for three decades and then earned a long retirement. Although I was sad when she was taken from us, she lived a long and full life, with its share of tragedy and joy. She left us an amazing variety of movies to remember her by. Thank you Doris for leaving us a legacy of comedy and drama to enjoy in our retirement.
We continue our series to honor television stars who passed away in 2019 by looking at the career of Georgia Engel.
Georgia was born in Washington DC in 1948 as Georgia Bright Engel. Although she attended several high schools, she graduated from the Academy of the Washington Ballet. Her father was an admiral, and perhaps her family landed in Hawaii, but she went on to earn a theater degree from the University of Hawaii at Manoa.
In 1969, Engel would move to New York City. She was in an off-Broadway production, Lend an Ear and as Minnie Fay in Hello Dolly! for a year. When she was appearing in The House of Blue Leaves, Mary Tyler Moore and her husband Grant Tinker saw her performance one night.
She was cast in The Mary Tyler Moore Show soon after, appearing in 57 episodes as Georgette Baxter, Ted’s girlfriend, and later, wife. Mary described the character as a cross between Stan Laurel and Marilyn Monroe. Georgette was devoted to Ted. She received two Emmy nominations for her role on the classic show.
Betty White played Sue Ann Nivens on The Mary Tyler Moore Show, and when White received a show of her own, The Betty White Show, in 1977, she brought Engel in as part of the new series as Mitzi Maloney. The plot featured White as a middle-aged actress who gets the starring role in a police series, Undercover Woman. Unfortunately, she soon learns her ex-spouse, whom she calls “old pickle puss” is the director. Mitzi is her naïve girlfriend and roommate.
In 1980 she joined the cast of Goodtime Girls as Loretta Smoot. Set in 1942, the show was about a group of women who shared a small apartment in the Coolidge Boarding House. Loretta was described as a middle-aged war bride waiting for her husband to come back home from the war.
Like so many well-known television stars, Engel did her duty, appearing on The Love Boat (4 episodes) and Fantasy Island (5 episodes).
In 1983 she took on the role of Susan Elliott on Jennifer Slept Here. Ann Jillian starred in this show as Jennifer Farrell. Farrell, a popular movie actress who was run over by an ice cream truck in 1963, had lived in the house. Twenty years later, the Elliott family moves in. Jennifer haunts the place but can only be seen by the Susan’s teenage son.
Between 1991 and 1997 she made 20 appearances on Coach as Shirley Burleigh. Shirley’s husband is the athletic director who clashes with Coach Hayden Fox.
From 2003-2005 she was cast as Amy’s mother, Pat MacDougall, on Everybody LovesRaymond. This role would reward her with three Emmy nominations. It’s hard to picture a better couple of wacky parents than Engel and Fred Willard!
The soap opera Passions beckoned her in 2007 where she made several portrayals of Esmeralda.
In 2012 she joined the cast of The Office as Irene, an older woman being aided by Erin.
The years 2012-2015 found her working with Betty White once again as Mamie, Elka’s (White) best friend in Hot in Cleveland. In the fourth season, the two friends run an illegal pharmacy.
Although Georgia was busy with television, she also found time to get back on the stage. In 2001, she toured with Barbara Eden in the female version of The Odd Couple. She appeared on Broadway in The Drowsy Chaperone with Sutton Foster and Edward Hibbert. She appeared in various productions at The Muny Theater in St. Louis between 2004-2010. 2005 found her playing Agnes Gooch in Mame; 2007 was Aunt Eller in Oklahoma!; 2009 was Mrs. Paroo in The Music Man.
In 2015 she was cast in an off-Broadway play, John. Engel won a 2016 Obie for Distinguished Performance by an Actress for her role. Following that play, Engel starred in Gotta Dance, a musical playing in Chicago.
Georgia passed away in Princeton, New Jersey in April of this year. We don’t know what her cause of death was. She was a member of the Christian Scientists. A friend of hers, Joe Quilty, told the New York Times that because of her religious beliefs, she did not contact any doctors.
Following Engel’s death, Betty White said she was “one of a kind and the absolute best.” During a 2012 TV Land interview, White commented on her relationship with Georgia: “You don’t get a chance very often in your life to meet a friend like Georgia, let alone an actress that you’re working with, and to suddenly find pure gold. That’s a privilege.”
Perhaps it’s best to end with Georgia Engel’s view of her career. Despite her being typecast as a bit of a ditzy blonde, she said, “Although I play silly parts, in order for others to share in the laughter, I think it’s important to have a heart that’s full of joy and gratitude. Joy is a very holy thing and we can never own it. We can only reflect it.”
Her lengthy and varied television career definitely reflected that joy.
As we take time to remember some of our favorite television stars who passed away this year, Kaye Ballard definitely comes to mind.
Apparently, no one was surprised to learn that Catherine Gloria Ballota planned on a career in entertainment. Born in Cleveland in 1925, she was performing by age 5 and was known as the class clown. At age 16 she performed in a Cleveland USO stage production of Stage Door Canteen and began perfecting impressions of stars for her comedy act.
At the young age of 18, she received a job touring with Spike Jones and His Orchestra as the featured vocalist and flute/tuba player. When that gig ended in 1945, she made her way to New York and appeared on Broadway in Three to Make Ready in 1946. While appearing in other musicals, she earned a reputation in the nightclub circuit as a comedian/singer. She traveled around the country with her act, popping up in clubs such as The Bon Soir in New York, The Hungry i in San Francisco, and Mr. Kelly’s in Chicago. One of her catch phrases was something her mother often said to her, “Good luck with your MOUTH.”
During the 1950s and 1960s, she began appearing on variety and talk shows. You would tune in and find her with Ed Sullivan, Jack Paar, Steve Allen, Perry Como, Red Skelton, Carol Burnett, Merv Griffin, Mike Douglas and Johnny Carson. In fact, she appeared on The Tonight Show 150 times. She continued her Broadway career during these two decades as well. She made a name for herself playing Helen of Troy in The Golden Apple in 1954. This same year she recorded “Fly Me to the Moon,” a song Frank Sinatra would make famous. She also was part of the casts of Wonderful Town (1958), Carnival (1961), and Cole Porter Revisited (1965).
In 1957 Julie Andrews starred in a live telecast of Cinderella, the Rodgers and Hammerstein’s version of the fairy tale. Ballard, along with Alice Ghostley, played the wicked stepsisters. It was at this time that Hollywood brought Ballard to Los Angeles. She was one of the comic foils, playing the friend of Jane Powell’s character in The Girl Most Likely. Although she would appear in several movies during her career, television is where she was best known.
In 1964 she played a teacher for models on The Patty Duke Show. In 1967 she was offered one of the leads, Kaye Buell, in The Mothers-in-Law. The other lead was played by Eve Arden as Eve Hubbard. When Kaye’s son married Eve’s daughter, it caused conflict between the neighboring families, especially with their kids living in the garage. The two families had very different lifestyles. Herb Hubbard was a wealthy attorney and his wife was a champion athlete and very organized. Roger Buell was a television writer and Kaye a stay-at-home mom who is a lazy housekeeper and very unorganized. Desi Arnaz produced the show which lasted two seasons.
The show followed The Wonderful World of Disney and preceded Bonanza but never received the ratings the network hoped for. Desi agreed to pay most of the stars $2000 per week with the intent of giving them a $250 raise the second year. Because the show was not as successful as everyone thought it would be, the network agreed to renew it on the condition that all expenses, including salaries, were frozen. With the exception of Roger Carmel, all the cast members agreed to freeze their salaries. He refused, so he was replaced with Richard Deacon. With the change in the cast, the ratings went down even further, and the show was not renewed for a third year.
Kaye was asked if she thought the $250 raise was a joke, and Kaye said she and Eve didn’t care about the money. They wanted to keep doing the show. At the time, Arden was making $5000 a week. The show was originally written for Arden and Ann Southern but the networks felt they were too much alike, so Ballard was brought in. Kaye couldn’t get over actors receiving one or two million dollars an episode a couple decades later.
A long-time friendship developed between Ballard and Arden during the filming of the show. Ballard fondly remembered her co-star, “Eve was a joy to work with, and we never had an unpleasant moment. . . She could read a script once and know it almost completely.”
Another long friendship was made when Kaye worked with Shelley Winters on a film in 1964. Kaye relayed that when Shelley was cast in The Poseidon Adventure, she “used my (Kaye’s) pool to practice swimming underwater because the studio wouldn’t let her rehearse until they started shooting. She was a great swimmer but ruined all my flashlights by swimming with them.”
The 1970s found Kaye very busy. From 1970-1972 she was a regular on The Doris Day Show, playing restaurant owner Angie Pallucci. The series took some liberties with format. The first two years had Doris moving back to her dad’s ranch to raise her kids after the death of her husband. The third season found Doris and her dad and kids living in an apartment above the Pallucci’s restaurant. In the fifth and final season, the kids, dad, and the Palluccis all disappeared and were never mentioned!
In 1971 she guest starred on her friend’s show, Here’s Lucy. In 1970 Ballard purchased Ball and Arnaz’s home after their divorce. She would live there the rest of her life. Her friend Lucy would often stop by and talked about Desi whom she never quite got over.
Ballard won the trifecta in the seventies, appearing on Love American Style, Fantasy Island, and The Love Boat. She accepted a handful of random roles on television shows after The Doris Day Show ended. You might have seen her on Police Story or Trapper John MD.
The 1990-1991 season found Kaye trying her hand at a situation comedy one more time. The show was called What a Dummy. This show did stretch reality a bit. Ed and Polly Branningan inherit his uncle’s trunk of props which includes his dummy Buzz who has been in the trunk for 50 years. Buzz can think and talk and likes to give the family his unsolicited advice. Ballard was Mrs. Tavalony, their next-door neighbor. No surprise that it was cancelled after 24 episodes.
In 1995, Ballard was rewarded with a Golden Palm Star on the Palm Springs Walk of Stars.
Kaye continued to take a few movies now and then, but most of her time was spent on the stage. In 2005, she went on the road in Nunsense. She also accepted roles in The Pirates of Penzance, High Spirits, Funny Girl, The Full Monty, and The Odd Couple.
In 2006, Kaye added author to her resume, publishing an autobiography, How I Lost 10 Pounds in 53 Years.
In 2015, Kaye announced her official retirement. She was interviewed by Nick Thomas that same year and talked about writing a second book. She explained to Thomas that she never married but did not have any regrets. “I was engaged four times, but couldn’t give my all to a marriage or wanted children unless I could give them my complete attention. But I’ve got to meet so many great people because of my career. Who could regret that?”
One of those great people was Mother Teresa whom she met in 1992. Kaye discussed that meeting: “I’m an Irish Catholic girl, so it was a thrill. I went to her private quarters where she was having breakfast –a piece of cheese, half an apple and some toast—and we drank Sanka together. She spoke in English, simply and quietly, and was just so modest and humble.”
Although she survived breast cancer, Kaye passed away at age 93 at her home from kidney cancer in January.
The girl from Cleveland with the MOUTH had a long, successful, and interesting career. In her own words, “I’m one of the lucky ones. People get Master’s Degrees and they say, ‘I don’t know what I wanted to do.’ I always knew what I wanted to do. Isn’t that nice?”
I have to agree; it was nice for her and even nicer for those of us she entertained.