During this month of Supportive Women, I am excited to learn more about Vera Miles. For four decades, Miles appeared in our homes as well as on the big screen. With 162 credits, she may have visited your living room more than most of your family members.
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Vera Ralston was born in Boise City, Oklahoma in 1929. She grew up in Pratt, Kansas, and later she moved to Wichita where she graduated from high school and worked nights as a Western Union operator-typist. In 1948 she won the Miss Kansas pageant and was third runner-up in the Miss America contest that year. Miss Minnesota won the crown.
A year later she moved to Los Angeles to pursue a career in television and movies. Not long after arriving in Hollywood, Vera married photographer and stuntman Bob Miles. One source said that she enrolled at UCLA, hoping to become a teacher.
Bob Miles has 13 acting credits and 14 stuntman credits. The cast of Bonanza must have liked him because he appeared as a stuntman 99 times and as an actor on the show 76 times.
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After the birth of her children, she began doing some modeling and taking on a few roles to help provide income. Vera used her husband’s last name because there was already a Vera Ralston in the industry.
She appeared as a contestant in a 1951 episode of You Bet Your Life with Groucho Marx. Along with her partner, she won $8 in the quiz portion of the show but gave the wrong response to the De Soto-Plymouth question which was “Who was the first Chief Justice of the Supreme Court?” When Groucho asked her what titles she had held as a beauty contestant, in addition to Miss Kansas, she mentioned that she was Miss Chamber of Commerce, Miss Wichita, Miss Texas Grapefruit, and Miss New Maid Margarine.
She received her first movie role in 1950 and her first credit in 1952. In The Rose Bowl Story, a romantic comedy, she played a Tournament of Roses Queen. She would appear in about 40 additional movies during her career and quite a few made-for-television movies as well. She often worked with Alfred Hitchcock and was cast in Psycho.
In 1951 she appeared on Fireside Theater, her first television role. While she had more than 100 credits performing on television, surprisingly she never starred in a series. The only recurring character she had was Ernestine Coulter on My Three Sons.
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In 1956 she married Gordon Scott after divorcing Miles in 1954. They also divorced in 1960. Scott appeared to only work in Hollywood for a five-year period according to imdb.com. From 1960-1971 she tried marriage again with Keith Larsen, but their marriage also ended in divorce. Since the third time was not the charm, for two years in the mid-seventies, she wed Robert Jones but that ended in divorce as well.
During the fifties, she fit roles around her movie appearances, and you can see her in episodes of dramatic theater shows. In the sixties, she had no trouble finding work and she showed up on The Twilight Zone, Route 66, Wagon Train, I Spy, The Man from UNCLE, The FBI, and Mannix. Work did not slow down in the seventies, and you can spot her in a variety of shows including Gunsmoke, Hawaii 5-O, Bonanza, Cannon, Columbo, and Barnaby Jones. She might have taken thing a bit easier in the eighties, but she still worked on four or five shows a year, including Magnum, PI; Little House on the Prairie; TheLove Boat; Hotel; and Murder She Wrote. Her last credit was for a movie titled Separate Lives in 1995.
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Miles was a member of the Church of Jesus Christ of Latter-Day Saints and visited Salt Lake City quite often.
Early in her career, Miles appeared to be almost a clone of Grace Kelly but that never materialized into a movie star career. Hitchcock hired her for Vertigo with Jimmy Stewart, but her pregnancy caused her to back out of the movie, and Kim Novak received the starring role. Perhaps, that movie would have changed the trajectory of her film career. I’m surprised that she was never given an opportunity to star in a television show. With 162 credits, she had a prolific and busy career. I will definitely try to spot her when I watch some of my favorite classic shows.
We are starting a blog about Supportive Women, great actresses who made classic television so much better. I’m beginning with Joan Tompkins.
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Tompkins was born in 1915 in Mount Vernon, NY. She began her career in stock theater companies in New York in the thirties before appearing on Broadway in several shows including “My Sister Eileen,” “Pride and Prejudice,” and “Fly Away Home.” Henry Fonda was in several the plays with Joan.
In 1936 she married actor Stephen Ker Appleby in New York, but five years later they divorced. Appleby was born in Wales and known best for his 1960s movies. He lived to be 100. From 1942-1951 she was married to Bruce MacFarlane before they divorced. McFarlane died in 1967 and had 28 acting credits in television and film. Joan would then marry a third actor in 1951, Karl Swenson, “the man of a thousand voices.” The two worked together on the radio. Many fans of Little House on the Prairie would recognize Karl as Lars Hanson. Swenson obtained an amazing 175 credits, primarily on television during the two decades before his death.
After WWII Joan became a foster parent for a crippled Polish boy, Tomasz Machcinski. He later became a photographer. In 1994, their story was made into a documentary, “Child from a Catalog.” Machcinski’s life story was very interesting. He was born in the Kampinos Forest in Gorki, Poland. He spent his childhood living in hospitals and orphanages. After developing a relationship with Joan, he graduated as a precision mechanic in 1963. In 1966, he took up photography and created thousands of self-portraits. Some were as historic characters. He chose the stories, make up, and costumes. He once said that he didn’t “use wigs, tricks, but I use everything that happens to my body, such as hair regrowth, tooth loss, diseases, aging, etc.” He has had exhibits in Copenhagen, Beverly Hills, Warsaw, New York, and Paris. Machcinski passed away in 2022.
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Tompkins had a long radio career. She was the voice of Nora Drake on “This is Nora Drake” which was on CBS radio until 1959.
She began her television career in 1954 on an episode of Ponds Theater. Almost all of her 93 acting credits were for television shows. She had a recurring role on a soap, Valiant Woman, appearing in 176 of the 1027 episodes of the show as Marion Walker. Throughout the fifties, she showed up in several dramas as well as The Donna Reed Show, Bachelor Father, and Father Knows Best.
During the sixties, she had two recurring roles. She played Mrs. Brahms on Occasional Wife in 1966-67. I remember her on My Three Sons; between 1967-1970, she appeared as Lorraine Miller, Katie’s mom, nine times.
You can catch glimpses of her on many of your favorite shows from the sixties and seventies, including Hazel; The Danny Thomas Show; Perry Mason; Gomer Pyle: USMC; Dr. Kildare; The Man From UNCLE; Bewitched; Bonanza; The Brady Bunch; MarcusWelby, MD; The Mary Tyler Moore Show; The Mod Squad; and The Bob Newhart Show.
📷imdb.com My Three Sons
Her last television appearances were in 1980. She played Grandma Gertie in an episode of Eight is Enough and a physician in a made-for-tv film, The Night the City Screamed.
Karl and Joan moved to Beverly Hills where they founded an acting company. Karl directed the plays Joan appeared in. After Karl’s death in 1978, Joan joined a writing group and wrote several books. She died at home in 89.
Joan Tompkins is another one of those actresses that made television better during the fifties, sixties, and seventies. I’m glad we could learn a bit more about her and her career.
We are winding up our series, Casting Celebrities. This month we have looked at several shows that relied on stars for their characters every week. We’ve checked out Love American Style, Fantasy Island, and The Love Boat. If you don’t remember today’s show, don’t beat yourself up about it. It was on the air for less than three months. That said, they still had a lot of stars show up. While Love American Style had 109 episodes, Fantasy Island claims 154, and The Love Boat includes 250, this show had 9!
Supertrain debuted on NBC in February of 1979. Here is part of the problem: it was described as a science fiction-adventure-drama. Sounds like a show that isn’t sure what it is.
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Instead of an exotic island or a cruise ship, this show takes place aboard a nuclear-powered high-speed super train. However, it might as well have been a cruise ship. You could swim in the pool, go to the gym, or the library. There was plenty of shopping and nightlife including a discotheque. It ran between New York City and Los Angeles, with stops in Chicago, Denver, and for some strange reason, a fictional town of Desert Junction in Texas.
Problem number two for the show: it was the most expensive series to be produced at that time. NBC paid $10 million for three trains. There was a full-size train with passenger cars and two model trains for exterior shots.
Ned Parsons was brought on as art director to build the train. Parsons moved from his home in Newport Beach to the MGM studio lot for three months. He was on call 24 hours a day, supervising 200 construction workers who covered three shifts. The costs to do this averaged $60,000 a day for building materials. The lumber used for the set could have built 22 homes.
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Before the show even aired, it was reported that the network had spent $12 million dollars. And despite the high cost of the train, there were a lot of complaints about it being unattractive and unrealistic. It was described as dark and dingy; one article said it was more of a superbus than a supertrain. Although they publicized this train as a high-speed one, viewers asked if it goes 200 mph, why does it take so long to go from New York to Los Angeles?
Problem number three: it was heavily advertised but received poor reviews and low ratings. More people tuned in to watch a 2-hour episode of Charlie’s Angels than the 2-hour debut of this show.
Problem number four: to help the quality and ratings, the producer was replaced, the cast was cut in half and some of them switched jobs, and it became more of a sitcom , and it was moved from Wednesdays to Saturdays. What? Remember this show only lasted nine episodes.
Once the cast shake up took place, five remaining characters were left. Dr. Dan Lewis (Robert Alda), nurse Rose Casey (Nita Talbot), conductor Harry Flood (Edward Andrews), relations officer Dave Noonan (Patrick Collins), and chief porter George Boone (Harrison Page). Seems like an experienced and quality cast, so I don’t think any of the blame falls on them.
The BBC bought the show for $25,000 an episode before it was shown on American television. Their plan was to begin airing the show in the fall of 1979, but remember by May of 1979 the show was off the network so BBC never aired any of the episodes.
One bright spot coming through the tunnel for the show was the music, with the exception of the second theme song which was listed as blah. Bob Cobert provided the primarily disco music. Cobert won an Emmy for his music in War and Remembrance.
Supertrain has been called one of the greatest television flops ever and that’s not an exaggeration. Here are a few of the reactions critics had to the show in 1979. A Variety review said “it’s a Love Boat on wheels which has yet to get on track.”
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TV Guide reviewer Robert MacKenzie said that “in the long two-hour premiere, Steve Lawrence was a talent agent and gambling addict in debt to a gangster named Big Ed. Aboard the Supertrain, someone kept trying to put Lawrence away by planting a suitcase bomb in his room, dumping him into a pool when he was unconscious, and locking him in a steam room with friend Don Meredith. Our attention was called to several suspects . . . sometime in the second hour I wanted to get off and catch a bus home.”
Telefilm Review shared that “NBC’s highly promoted show Supertrain features a slick new train of tomorrow, with a script from yesterday . . . it seeks to overwhelm but underwhelms instead.”
Nothing I read gives me any reason to contradict any of these reviews. One fun story I could take away from this debacle was building the train and then what happened to such a behemoth and the model trains? We know one of the model trains crashed and was ruined during the show’s production. Were the others scrapped to recoup at least a small cost? Nope.
📷theherald-mail.com
According to a Herald-Mail article from July of 2018, Ben Thoburn went to Hagerstown to pick up a jukebox he purchased and saw an old train in the guy’s barn. It was much bigger than a typical model railroad set. Plexiglass served as windows and it had a futuristic design.
Thoburn bought the train and then set about researching it. Jack Morrissey was a LA film producer who bought the train from Thoburn. According to Thoburn, NBC sold the model train to a manufacturer in Philadelphia. When the company went bankrupt (maybe the train is cursed), the train was left in its headquarters. A cabinet maker eventually bought the building and sold the train to the man Thorburn bought it from. Because some other items were stacked on some of the cars, there was a little bit of damage. Morissey didn’t have specific plans for the train; he just wanted a piece of television history. At least something good was salvaged from this otherwise not-good show.
📷losangelestimes.com bill barty
While we are finished with our exploration of the four shows that featured stars in their casts, I did promise to provide one more fun fact. There are a lot of stars who were on Fantasy Island and The Love Boat. When you add in Love American Style, that number is still quite high. However, remember Supertrain was only one the air for nine episodes. So what stars appeared on all four of these series? Let’s find out.
elaine joyce
That roster includes eleven stars. None of the crew or staff appeared on all four shows. Regular cast members Edward Andrews and Nita Talbot both appeared on all four shows. Henry Jones shows up on all of them, but I do have a disclaimer that he was on The New Love American Style, a reboot that happened in 1985. We are left with Billy Barty, Hans Conried, Steve Franken, Elaine Joyce, Bernie Kopell, Roddy McDowell, Abe Vigoda, and Keenan Wynn as the remaining stars who can be found on all four shows. Equally as fascinating was the fact that Ron Delaney, Al Hansen, Disco Flo, Michael Minor, Chris Moriana, Bob Shaw, and Annie Starr only appeared on Supertrain and they have no other acting credits at all. Was their affiliation with the show so bad they quit acting? Who knows without a lot more research.
I hope you enjoyed learning more about these celebrity shows and learning which stars managed to get jobs on all four of these shows.
This month in Casting for Celebrities, we are looking at some of the shows that used television and movie stars in their casts every week. The Love Boat was on the water from 1977 until 1986. An extension of the show, The Love Boat: The Next Wave, was on from 1998-1999 with many of the original characters. There were also four three-hour specials aired in 1986, 1987, and 1990.
If you are one of the five people in America that have never seen the show, it aired on ABC on Saturday nights. It was another Aaron Spelling production like Fantasy Island which we discussed last week.
A book, The Love Boats, by Jeraldine Saunders who was a cruise director for a passenger cruise line was used as the basis for the original made-for-tv movie in 1976.
The stars on this show played guests (and occasionally themselves) on the MS Pacific Princess run by Captain Merrill Stubing (Gavin MacLeod). His crew included Dr. Adam Bricker (Bernie Kopell), Purser Gopher Smith (Fred Grandy), bartender Isaac Washington (Ted Lange), and cruise director Julie McCoy (Lauren Tewes). In season three, Stubing’s daughter Vickie (Jill Whelan) came aboard. During the last three seasons, photographer Ace Covington Evans (Ted McGinley) joined the group and Judy McCoy (Patricia Klous) who was Julie’s sister took her place for the final two seasons.
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Lucky crew, this series was sometimes set on board the Pacific Princess or the Island Princess, depending on their schedules. A handful of other boats were used in several episodes and movies as well. Many of the shows were filmed in California. Unfortunately, both the Pacific Princess and the Island Princess were sold for scrap in 2013 and 2015 respectively.
Each episode contained several stories and all three titles are combined in one series title; for example “Captain & the Lady/Centerfold/One If by Land.”
Jack Jones sang The Love Boat theme. (Note: Dionne Warwick recorded the song for the final season, but I never learned why.) The lyrics were written by Paul Williams and the music was composed by Charles Fox. The words were:
Love, exciting and new Come aboard, we’re expecting you Love, life’s sweetest reward Let it flow, it floats back to you
Love Boat soon will be making another run The Love Boat promises something for everyone Set a course for adventure Your mind on a new romance
Love won’t hurt anymore It’s an open smile on a friendly shore Yes, love It’s love
Love Boat soon will be making another run The Love Boat promises something for everyone Set a course for adventure Your mind on a new romance
Love won’t hurt anymore It’s an open smile on a friendly shore It’s love, it’s love, it’s love It’s the Love Boat, it’s the Love Boat
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For its first seven seasons, the show was very successful. It usually ranked in the top twenty. However, after falling out of the top thirty and then the top fifty the next year, the show was canceled after nine years.
Spelling offered McLeod the role of Captain Stubing. Ted Lange did not have to audition. He was offered the role after being seen on a previous show, That’s My Mama. Spelling’s first choice for Dr. Bricker was Dick Van Patten but because he was involved with Eight is Enough, Kopell got the role. Lauren Tewes was chosen from a group of more than a hundred actresses auditioning for the role.
More than 550 guest stars appeared on the show during its run. There were movie stars like Gene Kelly, Ginger Rogers, and Joan Fontaine. There were Broadway stars including Ethel Merman and Robert Goulet. TV stars abounded like Don Adams, Lorne Greene, Florence Henderson, and Eve Arden. Music was represented by The Pointer Sisters, Cab Calloway, and Janet Jackson. Sports stars were on board including Dick Butkus and Joe Namath. And then there were the celebrities like Bob Mackie and Andy Warhol. Marion Ross holds the record with 14 appearances.
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For some reason, The Love Boat does not have the same “time warp” problems as Fantasy Island. It’s been translated into more than 29 different languages and appeared in more than 93 countries. It’s very popular in syndication.
Before the Hallmark Channel debuted, this is where you went to watch people fall in love every week. It’s hard to remember how many people just happened to run into an ex on the ship or meet the perfect soul mate after being mistreated.
Apparently, the cast is still close. In a recent interview, Lange said his experience on The Love Boat was life changing. He also said that the beauty of the show was that they are all still friends. “I just directed Fred in ‘Give ‘em Hell Harry’ in Indiana and I’m going to New York to stay with Bernie and his wife. . . . Bernie is more like my brother, and Fred is like my best friend.”
Whelan described McLeod as an “incredible, protective man. He was just like a dad.”
If you need a reminder that love is still alive and well, you can check out the show on DVD or on ME TV on Sundays.
This month our theme is Casting Celebrities. We are looking at a few shows that relied on a cast of famous stars for their weekly episodes. The world of island drama with Mr. Roarke and Tattoo was on television from 1977 to 1984 on Fantasy Island. Ricardo Montalban was Mr. Roarke and Herve Villechaize was his assistant Tattoo.
Instead of a vacation cruise, guests paid to travel to the island for their fantasy of choice.
Before airing as a regular series, the plot was developed for two made-for-tv movies in 1977 and 1978. The show was put on the fall schedule in 1978. All we knew about the island is that it was a mysterious place located somewhere near Devil’s Island in the Atlantic Ocean. (Most descriptions locate it in the Pacific Ocean but the show references being near Devil’s Island which is in the Atlantic.)
Even if you did not watch the show, you probably quoted Tattoo’s weekly comment, “De plane! De plane!” which is what he shouted when he rang the bell to indicate that the guests arrived. In 1981 Wendy Schaal joined the cast as Roarke’s assistant Julie, and we later learned she was his goddaughter. Villechaize was replaced in the fifth season by Lawrence (Christopher Hewett from Mr. Belvedere) who took on the role of an English butler type of character. Apparently Villechaize caused problems for the producers. He continually propositioned women and quarrelled with the staff. When he demanded the same salary as Montalban, he was fired.
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Once the guests departed the plane, Roarke gathered them around and explained to his assistant what the nature of their fantasy was. He then lifted his glass and said, “My dear guests, I am Mr. Roarke, your host. Welcome to Fantasy Island.”
The writers were a bit secretive about Roarke’s age. Some episodes mention he was friends with Helen of Troy and Cleopatra; others discuss the fact that he knew mermaids, ghosts, genies and even the devil (played by Roddy McDowall).
Most of the time, the guests’ fantasies did not work out quite the way they had planned. Roarke tried to use this as a life lesson. However, Roarke did make it clear that he had no way of interfering in a fantasy once it began, and the guests had to finish out the story.
According to the first television movie, guests paid $50,000 to live out their fantasy which would be about $175,000 today. Somehow a few people who were not well off won trips or Roarke accepted much less money, even $10, from one young girl.
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The plots of these fantasies varied quite a bit. Sometimes, someone was reunited with an old love. Sometimes they tracked down someone who had hurt, or even killed, a family member. Some had a tinge or more of supernatural elements.
The executive producer was Aaron Spelling. Spelling related a story that he and Leonard Goldberg were pitching some series ideas to ABC’s Brandon Stoddard. When he rejected all their ideas, a frustrated Spelling said, “What do you want? An island that people can go to for all their sexual fantasies will be realized?” Stoddard surprised them by saying yes.
The show was aired Saturday nights after The Love Boat for its entire run another Spelling show, which we’ll talk about next week.
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Despite the exotic location, most of the series was filmed in Burbank, California.
The theme song behind the show was composed by Laurence Rosenthal.
The part of Roarke was first offered to Orson Wells, but Spelling put the kibosh on that because he knew Wells could be temperamental.
Like Love American Style, rather than each episode having a title, each individual fantasy story had its own title, which made for a lot of confusion.
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Unfortunately, the show doesn’t hold up as well today as Love American Style or The Love Boat. It screams 1980s with the fashions and content echoing other shows of the era like Dynasty. Often lines were insensitive to specific people groups and cultural standards.
If I had to rate the four shows we are learning about this month, I have to admit that Fantasy Island would be the last one I would opt for. But if you have never seen the show, you should check out at least a couple episodes.
This month we are starting a new blog series, Casting Celebrities. We’re going to take a look at four shows that featured a group of celebrities every week. We’ll learn more about Love, American Style; Fantasy Island; The Love Boat, and Supertrain. When we discuss Supertrain, we’ll also look at the small number of stars who appeared on all four shows.
Today we begin with Love, American Style. This show was an iconic 1970s show. Like Laugh In, the clothing, furnishings, and vocabulary do not make it timeless. But it was a lot of fun. This fast-paced anthology series featured two to four mini episodes each week, and between them were quick skits, often featuring a brass bed. Each smaller episode is titled “Love and the _______.”
📷gms.com The regular cast
A troupe of players was featured on each show for the in-between skits. These regulars included William Callaway, Buzz Cooper, Phyllis Davis, Mary Grover, James Hampton, Stuart Margolin, Lynn Marta, Barbara Minkus, and Tracy Reed. Margolin went on to a regular role in TheRockford Files; Tracy Reed was featured in McCloud and Knot’s Landing; Phyllis Davis was part of the cast of Vega$ and Magnum PI, and James Hampton will be familiar if you watched The Doris Day Show or F-Troop.
The show had a memorable and catchy theme song. Written by Arnold Margolin, the first year it was performed by The Cowsills. The snappy melody was set to the following words:
Love, Love, Love
Love, American Style, Truer than the Red, White and Blue. Love, American Style, That’s me and you.
And on a star-spangled night my love,
My love come to me. You can rest you head on my shoulder. Out by the dawn’s early light, my love I will defend your right to try.
Love, American Style, That’s me and you.
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During the second and subsequent years that Love, American Style was on the air, the theme song was performed by the Ron Hicklin Group. The Ron Hicklin Group could be heard in a variety of motion pictures and commercials, and they also appeared on recordings with stars such as Paul Revere and the Raiders and Cher. John and Tom Bahler, brothers who sang under The Charles Fox Singers were also part of this group. The band provided television theme song recordings including Batman, That Girl, Happy Days, and Laverne and Shirley. They also did the singing for The Partridge Family theme and songs performed on the show as well as the Brady Bunch Kids. Ron retired in the early 2000s, and Tom does a variety of things. He is also known for writing Bobby Sherman’s hit, “Julie Do You Love Me?”. John married Janet Lennon, one of the Lennon sisters who performed on The Lawrence Welk Show. He currently lives in Branson and conducts the “new” Lawrence Welk orchestra.
Paramount Television developed the show. The executive producer of the show was Arnold Margolin, Stuart’s brother. There were 53 different directors during the four-year run. The series received Emmy nominations for Outstanding Comedy Series in 1970 and 1971; Best Music Composition in 1971, 1972, and 1973, winning in 1973; and winning the Emmy in 1970 for Outstanding Original Music and Lyrics.
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Many people wrote for the show, but Garry Marshall and Jerry Belson received the most credits. One of the writers, Peggy Elliott, was interviewed by the Huffington Post in May of 2013, and she talked about her time writing for the show.
“But the show I loved writing the most, was Love, American Style. For every other show, I was writing for characters created out of someone else’s head. Sure, we could create the occasional guest-star role, and we had been told to make every role, no matter how small, a real person. ‘Think of the actor who’s playing that delivery boy,’ I can hear Billy Persky, the co-creator or That Girl, say: ‘This is a big break for him — it’s the biggest role he’s had so far. Give him something to work with.’
But with Love, American Style, every character was our very own; every situation came out of our heads. Each segment of the hour the show ran each week was a one-act play created entirely by us. Added to the attraction was the fact that we could say and do things that were taboo on every other TV show in the early ‘70s. Arnold Margolin, co-creator of the show with Jim Parker, told me recently that the creative side of the network wanted the show to be more daring, while the censors kept their red pencils ready. There was a full-time position on the show just to run interference.
We must have put both sides through the hoops with one episode we wrote: ‘Love and The Hand-Maiden.’ A young guy was dating a centerfold model. As their relationship developed, he discovered that she had no problem with shedding her clothes, but she always kept her hands covered — with artful poses in magazines, and with gloves in real life. He became obsessed with seeing her hands and came up with one ruse after another to get her to take off her gloves. We had a ball writing it, with one double-entendre after another.”
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If you were a star of any kind in the early 1970s, you most likely were on Love, American Style. The show produced 108 episodes, and those shows featured 1112 different actors. Some of the famous names showing up in the credits include Milton Berle, Sid Caesar, Phyllis Diller, Arte Johnson, Ozzie and Harriet Nelson, Regis Philbin, Burt Reynolds, Sonny and Cher, Flip Wilson, and Jo Anne Worley.
Brad Duke wrote a biography about Harrison Ford, and he said Ford had fond memories of appearing on Love, American Style. “He recalled that he had been given little time to prepare his wardrobe for the role of a philosophical hippie in the November 1969 episode, “Love and the Former Marriage.” He appeared on set with long hair and a beard thinking they were appropriate for the role. He was surprised when he was told he needed a haircut and trim and then was given a navy blue dress shirt and vinyl burgundy jeans with a large belt. They even had a scarf with a little ring to put around my neck. And I thought, someone has made a mistake here. So, rather than argue with the wardrobe people, I put on the clothes and went to find the producer. I walked on the set and he was pointed out. I tapped his shoulder and when he turned around he had on the same clothes I did. He was a hippie producer I guess. At least the check went through, and I got paid.”
The best way to get a good understanding of what the show was like is to look at a couple of the episodes.
January 23, 1970: Love and the Big Night
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Starring Ann Elder, Buddy Lester, Frank Maxwell, Julie Newmar, and Tony Randall, this episode is often listed as a favorite of viewers. Randall is a married businessman who escorts his voluptuous secretary (Newmar) to her apartment after a late night at the office. Eager to get home to his wife, Randall hurriedly tries to open a stubborn jar of mayonnaise and winds up covered with mayo. Newmar cleans his suit, but while it’s drying, it’s stolen. After a series of amusing mishaps, Randall finally gets back to his own apartment and creeps into bed with his wife–only to find out she’s not there.
February 25, 1972: Love and the Television Set
📷that’s entertainment.com
It starred Harold Gould, Marion Ross, Ron Howard, and Anson Williams. Reading this list of names might give you a hint about what happened to this episode after it aired. Garry Marshall had written a pilot about a 1950s family that did not sell. He turned it into an episode for Love, American Style. George Lucas caught the episode and was impressed with Ron Howard and offered him a role in his new movie American Graffiti about 1950s teens. The movie was so popular that the network decided to put Marshall’s pilot in the fall line-up as Happy Days. Harold Gould’s role was given to Tom Bosley for the series. When Love, American Style went into syndication, this episode was retitled “Love and the Happy Days.”
October 22, 1970: Love and the Bashful Groom
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This is the episode I recall when I think of the series. When I watched it originally, I was staying overnight at my grandparents’ house and my grandmother was shocked at the “vulgarity.” It really seems quite tame today, but back then it probably was unexpected. She would approve of Tom Bahler marrying Janet Lennon though because I watched Lawrence Welk with her and my grandfather whenever I was at their house.
In this episode, Paul Petersen, Christopher Stone, Meredith MacRae, Jeff Donnell, and Dick Wilson are featured. Harold (Petersen) and Linda (MacRae) are getting married. He learns that she grew up in a nudist colony and is not comfortable being naked for his wedding. After a soul-searching talk with his best friend, and realizing he loves Linda enough to be uncomfortable, he decides to go through with the ceremony. He gets to the church a bit late and walks in, only to see that everyone else is dressed in their Sunday best. His bride informs him that they always dress up for weddings. One of the congregation members says something like “Let’s not make him uncomfortable,” and they all begin to undress. Of course, you see nothing improper, no naked bodies, only clothes flying. This was probably not the best episode to “expose” my grandmother to as a first glimpse of the show.
The show lasted for four years and was cancelled in 1973. In 1985, a reboot was created, but it was on in the mornings and only lasted a few months. The show was on at the same time as everyone’s favorite game show, The Price is Right. For the 1998 fall season, a pilot was created for prime time, but it was never ordered. While doing my research for this blog, I noticed that there was a Love, American Style project in production, so we may see it resurface again. I’m not sure I would want to watch a contemporary version of the show though. It was such a product of its time, and I fear what a current version would be like after seeing the reboot of Match Game which has been airing the past few years.
We are winding up the Sibling Rivalry series, and as promised, we are coming back to a comedy. In fact, this show had so much sibling rivalry, that could have been the title.
📷tvwunschliste.com
In 2015, CBS ordered a pilot called Life in Pieces, and it was on the schedule that fall. It was on the air for four seasons until it was canceled. This was a fast-paced and interesting show because it included four different stories each week. The show features the Short family who live in LA. Each episode breaks down into four “short” stories, and the fourth one tied them all together. Sometimes a story will go back in time, so we begin to understand the siblings’ relationships better.
The show was blessed with a wonderful cast. John Doe Short (James Brolin) is a retired airline pilot. Joan (Diane Wiest), his wife, is a therapist. They are a bit quirky and may have lived in a commune in the sixties for a year or two too long. They have three kids: Heather (Betsy Brandt) who is married to Tim, a doctor (Dan Bakkedahl), with two daughters and a son; Matt (Thomas Sadoski) who is recently divorced and dates and then marries Colleen (Angelique Cabral) during the series; and Greg (Colin Hanks) who is married to Jen (Zoe Lister-Jones) with two kids.
📷goodhousekeeping.com
Heather and Tim are typical parents of teens and preteens. Matt is the stereotypical middle child. He lives in his parents’ garage and never seems to grow up. Even when he tries to do the right thing, it seldom works out that way. Greg is the most normal kid, but when he gets around his siblings, he often becomes dysfunctional.
Greg’s wife Jen is my favorite character. She is the ”realistic” relative and often makes asides and assumptions about the situations they find themselves in that we can relate to. She shares exactly what is on her mind, and we typically agree with her. My second favorite character is the other in-law, Tim. He just can’t do things the easy way. He ruins the Thanksgiving turkey, removes most of his eyebrow, and seems to screw up in a new way every week. But he is fun and easy-going and fits into the family.
Some of the characters had worked together before. Weist and Brolin played a married couple in the film Sisters in 2015. The Brolin-Hanks family must like working together. James Brolin appeared with Tom Hanks in Catch Me If You Can in 2002; their sons Josh Brolin and Colin Hanks were in W. in 2008, and then Brolin and Colin teamed up for this show.
There were many recurring characters on the show as well. My favorites were Gigi, Joan’s mother, played by Ann Guilbert; Martin Mull who plays a neighbor of John and Joan’s and is president of their HOA; and Professor Sinclair Wilde (Cary Elwes) who is Joan’s creative writing teacher.
📷entertainmentweekly.com
Season one found the show highly rated, just behind The Big Bang Theory, but by season three, the ratings had dropped significantly and early in season four, the network canceled the show but aired the remaining nine episodes that had been filmed. Many fans blamed the network because of the scheduling. Season one began in September, but the rest of the seasons kept getting pushed later and later. Season four didn’t air the first show of the series until April which means fans had not seen the show for almost a year. The network justified the cancellation because it saw declining ratings, was refused an ownership stake in the show, and wanted to bring in four new sitcoms for the next season.
Many of the complaints I read about this show said it was just a clone of Modern Family. I don’t agree at all. While this show had some of the best one-liners I ever heard in a television series, the humor was not consistent and sometimes, especially when it featured Joan and John, it was just weird. Jay and Gloria were not John and Joan. Modern Family had it all: good writing, fun characters, realistic plots. The Short family had it all but never in the same episode. Sometimes the writing was good, sometimes the characters were fun, and sometimes the plots worked. While I didn’t mind watching this show, especially to catch those ultimate one-liners, I never felt bad when I didn’t see it. I knew that I had missed a fun part of the week if I missed Modern Family. I could connect to the characters on the show in a way I only connected with Jen and Tim with on Life in Pieces.
Just to give you an idea of what this show was like, I’ll summarize the first episodes of each season below.
In season one, Matt walks in on Joan and John in an intimate moment; Joan attempts to lead a group therapy session; Jen hires a breast-feeding consultant couple; and Heather and Tim move into a new home, using a company that employs ex-cons.
Season two was Heather and Tim ask Clementine’s parents (their son’s girlfriend) to convince Clementine and Tyler to get an annulment; Tommy moves in with Colleen to the dismay of her roommate; John takes the wrong dose of medication which leads to several complications.
For season three Tim and Heather move into John and Joan’s home after their kitchen is destroyed; Matt and Colleen expect a monetary settlement from Colleen’s fall; and John tries to get Sophia (his granddaughter) back on track when she begins acting up.
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Last, but not least, season four began with the Shorts vacationing in the Yucatan; the accommodations are not what they expected; Heather is overprotective of Sophia; Jen and Greg learn that Matt and Colleen have been lying to the family.
If I am honest, I think the network did not do the show any favors by messing up the schedule, but it was not destined to last more than the few seasons it was on the air. However, if you disagree with me, I would love to hear your reasons for loving the show.
As we continue our blog series on Sibling Rivalry, I had to include the show Brothers & Sisters which went off the air more than a dozen years ago. This was always called a family drama, but it had a lot of comedic moments as well. It was created by Ken Olin of thirtysomething and Jon Robin Baitz, one of Broadway’s most successful playwrights.
I think what I loved most about this show was the cast. The Walker family’s matriarch was Nora Walker played by Sally Field. Her husband Bill (Tom Skerritt) passed away before the start of the show. He left the family his business, Ojai Foods, to run, and he left them a lot of secrets. Field and Skerritt had played a married couple before in Steel Magnolias in 1989.
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The kids were Sarah (Rachel Griffiths), Kitty (Calista Flockhart), Tommy (Balthazar Getty), Kevin (Matthew Rhys), and Justin (Dave Annable). Bill’s mistress Holly (Patricia Wettig) and her daughter Rebecca (Emily VanCamp) are also regulars on the show, along with Saul (Ron Rifkin), Nora’s brother.
The pilot of the show looked a little different than the first episode. The Walker family had been the March family in the pilot—that reminds me of Little Women, not five siblings. Betty Buckley was Iva, the mother, who became Nora played by Sally Field. Kevin switched his name from Bryan after being played by Jonathan LaPaglia. There were a few other minor cast changes as well.
Of course, like in any normal family, the kids are very different. Sarah and Tommy work at the family business. Kitty is a conservative activist returning home. Kevin is a gay lawyer trying to deal with his identity, and Justin is the youngest, a former medical student, who came home from the Afghan War with some sad stories and an addiction problem. Sarah and Tommy both started the show married, and eventually they both went through a divorce. Kevin and Kitty both get married during the course of the show, so four spouses and children are added to the mix.
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Season one lets us get to know the siblings, and we learn about their dad through flashbacks. We also discover that he had a long-time mistress who has a child that may be another sibling.
The second season focused more on the personal lives of each character. Kitty is engaged. Kevin runs into an ex-boyfriend and begins seeing him again. Sarah gets a divorce and becomes a single parent. Tommy and Julia lose one of their twins while Nora begins dating.
Rebecca thought for most of season two she was a Walker but learns she is not and has to rework her relationship with the people she viewed as her siblings. Her father David, played by Ken Olin, was married to Wettig who played Holly in real life, so they needed little rehearsal for their relationship. Rebecca and Justin begin a romance when they realize they are not related. Then it is revealed that the siblings do indeed have a half brother and his name is Ryan (Luke Grimes). Holly gets entrenched in the family business, so Saul and Sarah leave the company to move on to other careers.
During season four, Kevin and Scotty toy with having a family. Kitty learns she has cancer. Sarah meets a man in France who moves to the US for her but it’s not as romantic back in California. Justin and Rebecca cancel their wedding when he returns to medical school; she finds out she is pregnant but then has a miscarriage.
📷entertainmentweekly.com
The final season finds Kitty’s husband Robert (Rob Lowe) in the hospital in a coma after a car accident. She turns off his life support. Kevin and Scotty begin the adoption process. The show ends with Holly having long-term memory problems. Nora finds a new profession in radio and meets up with her first love, Nick. It also brings us the revelation that Bill wasn’t the only one with secrets because Sarah is Nick’s daughter.
In looking at the plots and subplots from the different seasons, it could have been a very typical program about a family’s ups and downs. However, Ken Olin as producer ensured that this was a well-written and executed show. He also directed twenty of the episodes.
Another reason for the show’s success is that it was on Sunday evenings for its entire run. In early year, it didn’t have a lot of competition because the shows it was up against seemed to change quite a bit through seasons one and two. In 2009 the show was opposite Cold Case, but it kept its ratings in the top 30 for the third season in a row. In 2010 it lost the ratings battle to CSI: Miami and fell out of the top thirty before being cancelled the next year.
Fans fell in love with the show from the beginning, but it took longer to get the critics on board. The show received several Emmy nominations. Sally Field won for Best Actress in a Drama in 2007. That same year, Rachel Griffiths was nominated for Best Supporting Actress in a Drama but lost to Katherine Heigl from Grey’s Anatomy. In 2007, The Sopranos took home a lot of Emmy nominations. In 2008, Mad Men took over The Sopranos’ role. Field and Griffiths were nominated again, but Field lost to Glenn Close for Damages and Griffiths lost to Diane Wiest for In Treatment. In a déjà vu moment in 2009, Close again beat out Field for the Best Actress win.
Rob Lowe was smart to leave before the show ended. Like so many shows, it probably ran one season too long. I often look to the critics on imdb.com when I am considering a show or a movie. Their reviews are typically spot on when I watch the show. However, for this show, things were, like Olin’s thirtysomething, shows viewers absolutely adored or despised. I’ll leave you with two of the reviews, and you can watch an episode or two and decide where you fit on the spectrum.
“Brilliant Show by mtaffeot. 10/10. Brothers and Sisters is one of the finest TV dramas to come along in a very long time. The performances are superb from all involved, especially Sally Field, Rachel Griffiths, and Matthew Rhys.
Each Sunday night I am treated to one of the finest hours on television. The mixture of humor, drama and that whole family dynamic is very intriguing. This show takes you through a whole host of emotions in one sitting as the storylines of each family member unfold in such a way, it leaves you craving for the next episode.
The gay storyline involving Kevin and Scotty is outstanding. For once we have a complete and in-depth relationship between two men handled with maturity and intelligence. I’m so very pleased to see this on ABC network TV without much fuss being made. This is one of the finest gay storylines I’ve ever seen on TV.
Bravo to the writers, actors, and all involved in producing one of the finest TV dramas in years.”
Compare that review to this one:
“Can You Say: thirtysomething by Troubleboy. 2/10. Another dysfunctional family apparently representing today’s America, including a looney daughter as a conservative talk show pundit (gee, that’s unique) although Flockhart’s about 3 lbs heavier, but no less irritating, than Ann Coulter.
There’s no difference between this mob—their problems—and all the other sea of ‘look at me’ family-based reality programming on TV. How it garnered Golden Globes and has survived three seasons, one can only wonder.
Huff and Six Feet Under were head and shoulders over this dreg.”
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Obviously, there is a happy medium there somewhere. If you weren’t a thirtysomething fan, you probably won’t like Brothers & Sisters either. I was one of those people who loved thirtysomething in the eighties. I was also a huge fan of This is Us, which also had Olin on board. While I agree some of the plots on Brothers & Sisters were stretched to an almost unrealistic point, when the show was good, it was very good. The interactions between the siblings were very honest. They fought, they laughed, they cried, they got hurt, but they were always there for each other in the end. Were they dysfunctional? Yes, but I have yet to meet a family that isn’t. I hear rumors that there may be a few out there. But if we created a television show around them, I doubt the plots would be all that interesting. The show is not as well-written as This is Us, but it is so much better than a lot of what passes for television programming today. I’d love to hear your view on it.
This month we are examining shows about brothers and sisters in Sibling Rivalry. Today it’s Sisters.
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Sisters debuted on NBC in May of 1991 which was a weird time to start a show, but they decided to air seven episodes as a test run. It was successful, so it was put on the fall schedule for that year. It was on the air for six seasons. Ron Cowen and Daniel Lipman created the series and filled the role of producers.
The show featured four sisters, the Reeds, who live in Winnetka, Illinois. The sisters were very different but were close. Their father had been a successful doctor who was not involved in the girls’ lives much but was involved in the lives of other women. Their mother Beatrice (Elizabeth Hoffman) became an alcoholic to help her through his absence and affairs.
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Dr. Reed made it known he wanted sons and the girls all were given “boy” nicknames. Alex (Alexandra) (Swoosie Kurtz) was the oldest. She was wealthy and married to Wade (David Dukes), a plastic surgeon. They have one daughter Reed (played by three actresses over the course of the show: Kathy Wagner [s1], Ashley Judd [s2-4] and Noelle Parker [s6]. Teddy (Theodora) (Sela Ward) was a laid-back artist who never could figure out what she wanted to do with her life. She has a daughter Cat (Heather McAdam) from her prior marriage. Georgie (Georgiana) (Patricia Kalember) was married to John (Garrett M. Brown) and was a stay-at-home mom of two boys, Evan (Dustin Berkovitz) and Trevor (Ryan Francis). Frankie (Francesca) (Julianne Phillips) the youngest, was a businesswoman trying to make a name for herself. She was a bit of a workaholic and an overachiever.
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Ward was brought in to audition for the role of Frankie, but after reading the script she felt she was better suited to Teddy.
The first two seasons opened with the sisters having a weekly steam bath and chatting about what was going on in their lives. The sisters did not love this part of the show. Phillips said, “it was miserable.” She said “they were sprayed with mineral oil, sat in a cold towel for hours on a smoke-filled soundstage. . . . We were all severely uncomfortable, and it would go on forever.” Kalember said that it helped the actresses become close though. She said, “if you aren’t able to bond under those circumstances, you are not human.”
A lot of flashbacks are included on the shows, allowing us to learn where some of their personality traits developed and situations in their past that still influence the present. The show found the perfect blend of comedy and drama. They also had a few Moonlighting-like episodes where they were based on movies like The Wizard of Oz or the sisters were in fantasy situations.
📷parade.com Sela Ward
During season one Beatrice sells the family home and moves into a condo. She is arrested for driving under the influence. Alex suspects her husband of having an affair only to learn that he is a cross dresser. Teddy returns home to Winnetka and learns that her ex-husband Mitch (Ed Marinaro) is now dating Frankie. She struggles with this and pursues Mitch who discourages her. One night they end up together, but he asks Frankie to marry him, and they plan a quick wedding that Teddy ruins. Frankie stops seeing Mitch, and Teddy realizes she behaved badly and decides to go back to California; however, before leaving she learns Georgie’s son Evan has leukemia, so she stays to help her sister.
In season two, Georgie is dealing with Evan’s treatment. Alex realizes Wade has been cheating on her for six months and they divorce. Reed drops out of school to punish them. Frankie and Mitch spend some time together for a business investment and decide to elope. Teddy realizes she is pregnant and knows it is Mitch’s. She tells her family it was a one-night stand; later Mitch figures out it was his, but Teddy has a miscarriage. Beatrice starts dating Truman (Philip Sterling) who lives in a condo near her. Teddy gets a job at a boutique but that doesn’t last, and she goes through several jobs during the season, eventually designing clothing for local women. Wade tries to convince Alex to come back home and she oddly begins dating her plumber. Alex and Wade reconcile. Frankie learns she cannot have a child, so she asks Georgie to be her surrogate.
📷tvguide.com Swoosie Kurtz
Season three finds Beatrice eloping. There is an elaborate ceremony planned that they don’t show up to and Reed ends up marrying her boyfriend Kirby (Paul Rudd). Georgie gives birth to Thomas George and has a hard time not being a mom to him. Teddy finds an investor and is very successful but then he sells it to another person without consulting her. The new investor does not see eye-to-eye with Teddy’s vision, so she leaves the company. Frankie and Mitch divorce and fight over custody of Thomas. In another weird twist for Alex, she discovers she has breast cancer and develops a comedy routine to perform.
A lot of activity occurs in season four. Cat is raped and the police investigator, Falconer (George Clooney) helps her remember and identify him. He is eventually shot at the courthouse by a former victim. Frankie gets out of her stressful job and buys Sweet Sixteen, a local diner. Teddy runs into Falconer at an AA meeting, and they begin dating. Georgie struggles with a deep depression. Her son Trevor runs away from the school he was at and does not contact the family. Alex is hired for a television talk show. She meets Big Al (Robert Klein) who owns a large appliance store and sponsors her show. They eventually marry. Georgie and John have separated with all the drama in their family, and they reunite. You always know it’s a bad sign when another sibling is brought into the fold because it usually means ratings are down. In this show, Charley (Charlotte) (Sheila Kelley) meets her sisters because she needs a bone marrow match. None of them can help her but a donor is found, and she becomes part of the family. At the end of the year, Trevor returns after a tornado hits Winnetka, Reed comes home and gives birth to a daughter, Teddy and Falconer marry on a plane during a storm, and Big Al is arrested for tax evasion on his wedding night.
📷pinterest.com Patricia Kalember
Teddy learns in season five that she is not meant to be happy. Falconer is murdered by a criminal he was going to testify against in court, and Teddy starts drinking again. Georgie sees a therapist who causes her to remember things about her father molesting her that never happened. (The therapist was played by her real husband, Daniel Gerroll) They begin an affair, and she leaves John, thinking this is her great love, but the doctor ignores her. Frankie’s old investment ends in her managing a boxer whom she begins to date. Big Al gets out of prison and decides to run for mayor. Truman has Alzheimer’s and Beatrice has to deal with that. He wants her to end his life when the disease has advanced. She does and to help her afterward, Charley offers her a job as a receptionist at her free clinic. Teddy has a brief relationship with Jack Chambers (Philip Casnoff) the man who got Falconer’s transplanted heart. Frankie has moved to Japan to market a new cow character she created.
In the final season, Georgie goes to graduate school for psychology. She begins seeing a 24-year-old student. Teddy and Cat are carjacked. Teddy buys a gun for protection and is accidentally shot in the head with it. She is in a coma, and Alex convinces Dr. Sorenson (Stephen Collins) to operate. Teddy and Sorenson start a relationship after her recovery. Cat decides to enter the police academy. Reed returns to Winnetka after divorcing Kirby and losing custody of her daughter. She starts a high-priced prostitution company and Alex turns her in and Reed is sentenced to community service. Big Al needs a heart transplant which he survives.
📷imago.com Julianne Phillips
In the finale, Georgie reads her thesis about sisters which makes Alex and Charley mad. Beatrice has a major stroke and dies, which brings the sisters back together. Frankie moves back to Illinois. Georgie and John reconcile at Bea’s memorial service. Teddy is pregnant with a daughter she has already named Beatrice Rose.
The ratings for this show were never stellar. It was in the fifties for the early seasons but dropped to #75 for season five and #103 for season six. However, it received eight Emmy Award nominations. Sela Ward won for Outstanding Actress in 1994. Swoosie Kurtz was nominated that same year and in 1993. Kurtz was beat out by Kathy Baker for her role in Picket Fences.
I think the success of the show, despite some soap-opera-like plots was the fact that it blended humor with heart. Also, the actresses were believable as sisters. Phillips said that “if God himself came down and said, ‘I’m going to design a show: Who would you like to work with?’ you couldn’t pick better people.” She went on to say that “There was something that just clicked. That chemical, indescribable thing. There was a real comfort and connection. It doesn’t happen often.”
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Kurtz agreed. She said that “from the beginning we had chemistry on camera, but we had chemistry in real life too. . . . I’m an only child, so I thought this is my chance. Siblings by proxy.”
I could not find out why, but the show is not available on DVD. There is an avid fan club for this series, and they have campaigned to bring it to Netflix or another streaming service, but so far, they have had no luck. It’s too bad because it is a show well worth revisiting. For now, you’ll just have to take my word for it.
This month our blog is all about Sibling Rivalry. It’s a bit unusual because it features two sitcoms and two dramas. I thought it might be fun to start and end with the sitcoms, and today we are learning all about My Sister Sam.
From 1986 to 1988, My Sister Sam aired on CBS. Samantha Russell (Pam Dawber) is a freelance photographer who lives in San Franciso. Her life is turned upside down when her 16-year-old sister Patti (Rebecca Schaeffer) shows up on her doorstep to live with her. They are 13 years apart in age, and Patti had been living with their aunt and uncle in Oregon since the death of their parents. In real life, Schaeffer grew up in Oregon.
The cast is rounded out by coworkers Jordan Lucas, Sam’s agent (Joel Brooks); her assistant Dixie (Jenny O’Hara); and neighbor/photojournalist Jack (David Naughton), who is a ladies’ man.
The sisters have great chemistry, but they have very different personalities. Sam is a bit uptight and alphabetizes her juices in the refrigerator. Patti is a Valley girl, very laid back and a wanna-be rock star who plays the guitar.
In a Chicago Tribune interview in 1987, Dawber gave her philosophy of the show: “I see Sam as a woman who’s successful, who has a beautiful apartment but who doesn’t have the answers. Plus, she has to cope with a teenager who’d put her sister on a pedestal—she moved in because she thought Sam’s life was perfect—but finds out that she’s pretty neurotic. I mean, here is a woman, for openers, who’s compulsively neat, who needs to have control in her life.”
📷imdb.com
Their personal relationship mirrored their television one. Dawber said she considered Schaeffer a sister. She mentored her and even invited her to move into her home in LA where Dawber lived with Mark Harmon, her then-boyfriend, now husband. Dawber said that “We just kind of fell into this sisterly thing, . . . Cause I’d had a sister. My sister passed away when she was 22 and I was 25. And so having another young girl in the house was something I was very comfortable with. It was good for us.”
Pam Dawber’s production company, Pony Productions, developed the show created by Stephen Fischer. The screenplay was written by Fischer and Diane English. Dawber wanted to base her character a bit on Mindy from Mork and Mindy. She said that she was “not a comedian. I’m a reactor to all the zany people who revolve around me.” English and Mimi Weber took on the producer role, with the show filmed at The Burbank Studio. English would go on to write for Murphy Brown.
The theme song, which I admit I don’t remember, was called “Room Enough for Two,” and it was written by Steve Dorff and John Bettis. Kim Carnes, who had a hit with “Betty Davis Eyes,” sang the song. Dorff later was the composer for Murphy Brown and Murder She Wrote. Bettis worked on The Godfather, Part III and Star Trek V.
The show had a great time slot between Kate and Allie and Newhart on Monday nights. It ranked 21 overall. Of course, the networks rarely leave well enough alone, so they moved the show to Saturday nights opposite The Facts of Life. The end of the second season found the show down 50 points at 71overall. The network was toying with canceling the show, but after receiving a lot of fan letters, they brought it back in March of 1988. It moved to Tuesday nights and the ratings increased. However, the ratings did not stay that high, probably because the competition was Who’s the Boss and Matlock. In April, CBS canceled it outright, leaving 12 unaired episodes.
Sadly, a year after the show was canceled, Schaeffer was murdered in her home by an obsessed fan. After living with Pam, Schaeffer got her own place. She was living in West Hollywood when she was killed. Dawber said she told Schaeffer not to put her real name on her mailbox. Dawber had a scare with a stalker earlier in her career, and she learned not to put her real address on her driver’s license or anything that a fan could track you down with. Schaeffer didn’t listen and her name was on her mailbox.
The man who killed her, Robert Bardo, said he saw her in a promo in 1986 and began watching the show. He sent her fan letters. At one point, he flew from Arizona to LA to the studio to look for her. He took gifts to the studio several times, but studio security always stopped him. Bardo returned to Arizona. After the show was canceled, Schaeffer took on several movie roles which were very different from her role as Patti. One love scene enraged Bardo. Bardo was stopped from buying a gun due to mental health issues. He convinced his brother to buy him one for target practice. Then he boarded a bus to LA. He hired a private detective to find Schaeffer’s address; the detective located it through the Department of Motor Vehicles.
One morning Schaeffer was waiting for delivery of a script of The Godfather III for an audition with Francis Ford Coppola. Bardo rang her bell, and she answered thinking it was the delivery person. He introduced himself and told her she had sent him a card and photo after receiving fan mail. She explained she was busy that day, so he went to a local diner. He returned to her house, and she said he was wasting his time expecting any relationship with her. Then he shot her point blank. He got away and returned to Tucson but was apprehended a day later after running in and out of traffic, shouting that he was the one who killed Rebecca Schaeffer.
📷plex.com
Dawber was filled with grief and anger. She reunited with the cast of My Sister Sam for a Public Service Announcement for gun control, and she testified before Congress for stricter gun laws. After Schaeffer’s death, California passed an anti-stalking law in 1990. Now all fifty states have one on the books. Bardo was sent to California where he was found guilty of first-degree murder. He was sentenced to life in prison without the possibility of parole.
My Sister Sam was a ground-breaking show having women in so many of the critical roles. During the Chicago Tribune interview, Dawber said that “the significant thing is that My Sister Sam is a show about women that is run by women. . . . Not only are three of our five regular cast members women, but we have a female executive producer, two writer-producers, and a director. It really wasn’t intentional. It just happened that way.”
It would have been interesting to see how the show fared if it had kept its original time slot and the plots that would have been written as Patti became an adult. Did she begin to resemble her sister more or did she keep her carefree personality? And would her sister adopt some of her less serious traits? Almost every review I read about the show said it was genuinely funny, adorable, relatable, etc. With all the moving around the schedule and “is it on the air or not” decisions, only 44 episodes were created, so there aren’t enough for syndication or DVDs.
And of course, it’s devastating what happened to Rebecca Schaeffer. She was a rising star, and you have to wonder what type of career she would have had if she had lived more than 22 years. Dawber had to experience the death of another sister much too young to die. I’m glad a lot of laws came out of the experience, but it was such a brutal murder. Now, 35 years later, our country is still dealing with devastating murders because not enough laws have been created.
thewritelife61 