Month: May 2025

Camp Runamuck: Campers Loved It More than Viewers

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This month we are checking out a few sitcoms that are rarely remembered anymore. Today we are exploring the show Camp Runamuck. It debuted on NBC in 1965 and featured campers for 26 weeks before being cancelled.

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Dave Madden was counselor Pruett; Commander Wivenhoe was played by Arch Johnson, and senior counselor Spiffy was played by David Ketchum. In the pilot, one of my favorites, Frank DeVol, played Doc Joslyn but illness forced him to hand over the part to Leonard Stone. Bobby Darrin sang the theme song.

If you are a fan of The Partridge Family, you will appreciate that this show was the introduction of actor Dave Madden, later Rueben who would manage the Partridges. Johnson began on television in the fifties, but this was his first cast role. Ketchum started his career a decade after Johnson and this was his second starring role after being in I’m Dickens, He’s Fenster in 1962. One camper who is featured in two of the 26 episodes is Maureen McCormick. This was the year she started her acting career, also appearing in Bewitched, The Farmer’s Daughter, and Honey West. Before becoming Marcia Brady, she would also show up in My Three Sons and I Dream of Jeannie.

Wivenhoe was an interesting camp leader. He didn’t like kids, didn’t like to part with his money, and didn’t appreciate the 6am morning wake-up song sung by the girls across the lake accompanied by a bugle. He did like playing golf and enjoying a quince for breakfast.

Across the lake was Camp Divine owned by Eulalia (Hermione Baddeley) who was helped by counselors Mahalia May (Alice Nunn) and Caprice Yeudleman (Nina Wayne).

The opening featured a peppy tune with fifes and you see the lake and hear the music before you see the camp counselors leading the campers (all in white; the poor laundry crew) marching down the road.

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Most of the plots featured the counselors as opposed to the campers. Typical plots were the female campers being ordered to steal Wivenhoe’s bathtub so they could take a real bath and the boys getting it back. In another episode, the campers learn a civics lesson. They are given the task of electing a camp commander. However, the candidate who gets in becomes a dictator and tries to put everyone who had been in charge, namely the adults, in jail. This sounds vaguely familiar from the recent news.

In the credits I learned Cal Howard was in charge of visual gags. I never had seen that designation before in a sitcom. Howard, who was born in 1911 and passed away in 1993, had a long career as an actor and writer. He received 178 writing credits, mostly in animation. He worked for Walter Lanz and Walt Disney and wrote a few Bugs Bunny and Alvin and the Chipmunks episodes.

Just to add a sense of weirdness and whimsy to the series, two bears named Irving and Virginia would share their opinions of what was going on around the camp.

The series was up against The Wild Wild West and The Flintstones, pretty tough competition for the time. First of all it was on Friday nights when many viewers might be starting their weekend celebrations. The Flintstones was originally written for adults, but by 1965 families were watching the show together. The Wild Wild West was new, but immediately hit the top 30, and it was followed by another new CBS show, Hogan’s Heroes, and then Gomer Pyle, USMC, so most television fans were glued to that network Friday nights. Other new NBC shows included Get Smart, I Dream of Jeannie, and I Spy so competition was tough to retain a schedule spot. ABC didn’t have a lot of hits that year but they did debut three shows that I liked but all faded away within two seasons: Batman, Honey West, and Gidget.

Camp Runamuck might have gotten a second season if it didn’t have so much competition to deal with. If you loved camp as a kid, or hated camp as a kid, it might be worthwhile to watch a few shows and see what you think.

Occasional Wife: Occasionally Watched by Viewers

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We are in the midst of a month of blogs that feature sitcoms we don’t hear much about anymore. Today’s series is Occasional Wife.

In September 1966, the show debuted on Tuesday nights on NBC.

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The show was about Peter, a junior New York business executive (Michael Callahan). When he realized married men are more likely to be promoted at his company, Brahms Baby Food, he asks hat check girl Greta (Patricia Harty) to pose as his wife for company functions. When he offers to pay for her rent and art lessons, she agrees, thinking it will be an occasional performance, but every time someone from the office drops by, Peter runs upstairs to bring her down to his apartment until they leave. One of the funniest parts of the show was the tenant played by Bryan O’Byrne who watches Peter and Greta running up and down the fire escape.

If you wondered if the name Patricia Harty sounds familiar, yes it does. She was Blondie and we talked about her in the first blog of this series.

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The opening is reminiscent of Dragnet with its introduction “There are eight million stories in the Naked City. Some are violent, some sad, but one of them is just plain cuckoo. This is a modern fable about two young people who make a bargain only to find out they were going to get a lot more than they bargained for. We call our fable Occasional Wife and it stars Michael Callan and Patricia Harty.”

The series was created by Lawrence J. Cohen and Fred Freeman. Vin Scully, legendary sportscaster, provided the narration for the show. It started off ranked 18th but by the end of the season, it had dropped to 64th and was cancelled.

The show was up against The Red Skelton Hour and The Rounders. If you have been reading my blog any amount of time, you probably have heard me complaining about Red Skelton. I honestly could not stand watching the show and did not find it at all funny, but I also have read way too many accounts of what a jerk he was to his writers, cast members, and anyone else who he worked with. However, at this time, his show was in the top ten. The Rounders on the other hand, probably didn’t take many viewers away from this sitcom. The premise of the show, according to imdb.com, was that Howdy Lewis and Ben Jones are in debt to Jim Ed Love, second richest man in the state. They find some happiness with girlfriends Ada and Sally at the Longhorn Cafe.

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It sounds like Peter and Greta were flat characters and the comedy only relied on the situation of the fake marriage. Viewers would probably have liked to see some chemistry between the two and allow them to struggle with getting closer instead of both being happily single. There must have been some chemistry there because the actors married after the show ended. Just like their sitcom, their marriage failed to last two years.

This sitcom was one of the first series to eliminate the use of a laugh track. Now canned laughter is an industry standard, but they decided to can the canned laughter and not invite a live audience. I wonder if this might have affected viewers whether they knew it or not.

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Bob Claver discussed his time producing this show in a Television Academy interview. Claver thought the show was funny and peppy, but he said they couldn’t make it a hit, even with Harry Ackerman as executive producer.

As with the other two series we discussed this month, Blondie and My Sister Eileen, you might be better off to run up or down your own fire escape and skip watching the show to get in a few extra steps.

My Sister Eileen: Version Five

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As we look at a few little-remembered shows from the past, today we are learning about My Sister Eileen. The series was adapted from short stories by Ruth McKenney published in The New Yorker. The stories became a book in 1938, a play in 1940 and two movies in 1942 and 1955.

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In the 1955 Hollywood movie, two small-town sisters — an aspiring writer, Ruth (Betty Garrett), and a would-be actress, Eileen (Janet Leigh) — move to New York City. They find lodging in a shabby apartment and struggle to locate promising gigs. Ruth eventually meets magazine editor Bob Baker (Jack Lemmon), who tells her to write about her life experiences rather than fiction. As it turns out, Eileen’s life, with her various romantic encounters, is far more interesting, so Ruth steals the stories for herself.

This show joined the television schedule in 1960 and featured Elaine Stritch and Shirley Bonne (Ruth and Eileen Sherwood), who move to New York City. Like the movie, one is a writer and one is an actress. Living in a Greenwich brownstone, they become friends with a reporter Chick Adams (Jack Weston) and Ruth’s coworker Bertha (Rose Marie). Rounding out the cast is Eileen’s agent Marty Scott  (Stubby Kaye), their landlord Mr. Appopoplous (Leon Belasco), Ruth’s boss D.X. Beaumont (Raymond Bailey), and their Aunt Harriet (Agnes Moorehead). The sisters are stereotyped with Ruth being the smart, plain one and Eileen being the beautiful and naĂŻve one.

The pilot was seen on the Alcoa-Goodyear Theater with Anne Helm portraying Eileen.

Earl Hagen who composed “The Fishing Hole” for The Andy Griffith Show composed this theme as well.

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Rose Marie talked about being on this sitcom for the Television Academy. She said she was friends with the producer Dick Wesson. She said her character Bertha was a wise-cracking one similar to Sally on The Dick Van Dyke Show. Rose Marie didn’t like working with Elaine Stritch. She felt she was not very professional on this show; she said she came to work late and goofed off a lot.

In 1960 it appeared on the schedule on CBS opposite Hawaiian Eye and Perry Como’s Kraft Music Hall. Hawaiian Eye was on the air four years, and this was it’s second season. With Connie Stevens, Robert Conrad and Poncie Ponce, it was about two private investigators in Hawaii, a Korean war vet and a former police detective.

I don’t think the writing helped the show stay on the air too long. During the first season some of the plots included: Ruth’s boss ignores her pleas for a pay increase until he encounters her working as a waitress in a German restaurant — and in a skimpy costume and the Sherwood sisters decide to break their lease with a wild party to which they invite a one-man band, a junior Tarzan, and a fireman with his siren.

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I’m guessing part of the problem was that it had appeared in so many versions already. Many people read the book. Lots of people saw one, if not two, of the movies. And the play was being featured around the country. I can see that having a television series which has to expand the hour-and-a-half play and film might not have enough material to draw out the same old plot and keep it interesting for more than a few episodes.

This one is another one that you’re probably better off watching the 1955 silver screen adaptation and skipping the television series.

Blondie: Some Shows Are Better Being Forgotten

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This month we are taking a look at some classic sitcoms that many people don’t remember anymore.

Blondie is one of those shows. It was based on the Chic Young comic strip and debuted on NBC in 1957, lasting one year. The series was resurrected in 1968 and the reboot also lasted a season.

đź“·wikipedia.com The 1957 version

Blondie had become very popular with fans. Beginning in 1938, 28 movies were made starring Penny Singleton and Arthur Lake. Blondie also showed up on the radio from 1939 to 1950.  Many products had been based on the characters including comic books, coloring books, lunch boxes, and board games.

The 1957 series starred half the movie duo. Lake took on his role of Dagwood Bumstead, but Pamela Britton was offered the role of Blondie Bumstead. Their kids, Cookie and Alexander, were played by Ann Barnes and Stuffy Singer. Florenz Ames was boss J.C. Dithers with Elvia Allmana as his wife Cora. Rounding out the cast was Harold Peary as neighbor Herb Woodley.

đź“·imdb.com The 1968 version

A decade later Will Hutchins and Patricia Harty play Dagwood and Blondie, Jim and Henny Backus play the Dithers, and Pamelyn Ferdin and Peter Robbins are their kids. The only advantage this series had over the original was color.

The comic strip, movies, radio show and both sitcoms all encompassed the familiar Bumstead elements: Dagwood being physically and socially awkward; their dog Daisy, and Dagwood’s love of napping and huge sandwiches.

The reboot was produced by Joe Connelly and Bob Mosher, the faces behind Leave It to Beaver and The Munsters. There was room in the schedule after the network cancelled He and She, a sitcom starring real life spouses Paula Prentiss and Richard Benjamin. The show is described on imdb.com as “Dick and Paula Hollister are a couple living in New York. Dick is a comic-book artist who has become famous for creating a superhero called Jetman, which has been turned into a TV show starring egocentric actor Oscar North.” During its one season of 26 episodes, the show received seven Emmy nominations, including a win for writing. It’s too bad that show was given the axe and Blondie moved in because the Prentiss-Benjamin show was much more creative and felt new, while Blondie felt extremely old.

No surprise, the ratings were not great. This is even worse when you see what the show was in competition with: The Ugliest Girl in Town, which would also be gone by 1969, and Daniel Boone. The one new 1968 show to return on CBS was Hawaii Five-0 which seems so much more sophisticated than Blondie; it’s hard to believe they both debuted the same year.

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Perhaps the fans didn’t tune in because the critics panned the show before it aired. The Milwaukee Journal’s Wade Mosby said it was “a horrendously contrived piece of fluff that should have never been snatched from the comic pages.” Don Page of the Los Angeles Times called it “an unmitigated disaster,” and Cynthia Lowry of the Associated Press described it as “dismal.”

By November, rumors were that the show was already cancelled, and its last episode aired in January. The show probably relied too much on slapstick and unsophisticated humor; things that might have been fine in the 1930s but were passe by the 1960s. Sometimes a show is cancelled just because it’s a badly written and executed show. It seems Blondie fell into this category not once but twice.

Off the top of my head, I can only recall two comic strips becoming popular television shows: The Archies and The Addams Family. Because the Blondie characters were not very dimensional and got into the same situations over and over, they just never were able to translate into sustainable television characters. I think there’s a good reason that many people don’t remember this show and perhaps it’s better that way.