Sibling Rivalry Might Have Been a Better Name Than Life in Pieces

We are winding up the Sibling Rivalry series, and as promised, we are coming back to a comedy. In fact, this show had so much sibling rivalry, that could have been the title.

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In 2015, CBS ordered a pilot called Life in Pieces, and it was on the schedule that fall. It was on the air for four seasons until it was canceled. This was a fast-paced and interesting show because it included four different stories each week. The show features the Short family who live in LA. Each episode breaks down into four “short” stories, and the fourth one tied them all together. Sometimes a story will go back in time, so we begin to understand the siblings’ relationships better.

The show was blessed with a wonderful cast. John Doe Short (James Brolin) is a retired airline pilot. Joan (Diane Wiest), his wife, is a therapist. They are a bit quirky and may have lived in a commune in the sixties for a year or two too long. They have three kids: Heather (Betsy Brandt) who is married to Tim, a doctor (Dan Bakkedahl), with two daughters and a son; Matt (Thomas Sadoski) who is recently divorced and dates and then marries Colleen (Angelique Cabral) during the series; and Greg (Colin Hanks) who is married to Jen (Zoe Lister-Jones) with two kids.

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Heather and Tim are typical parents of teens and preteens. Matt is the stereotypical middle child. He lives in his parents’ garage and never seems to grow up. Even when he tries to do the right thing, it seldom works out that way. Greg is the most normal kid, but when he gets around his siblings, he often becomes dysfunctional.

Greg’s wife Jen is my favorite character. She is the ”realistic” relative and often makes asides and assumptions about the situations they find themselves in that we can relate to. She shares exactly what is on her mind, and we typically agree with her. My second favorite character is the other in-law, Tim. He just can’t do things the easy way. He ruins the Thanksgiving turkey, removes most of his eyebrow, and seems to screw up in a new way every week. But he is fun and easy-going and fits into the family.

Some of the characters had worked together before. Weist and Brolin played a married couple in the film Sisters in 2015. The Brolin-Hanks family must like working together. James Brolin appeared with Tom Hanks in Catch Me If You Can in 2002; their sons Josh Brolin and Colin Hanks were in W. in 2008, and then Brolin and Colin teamed up for this show.

There were many recurring characters on the show as well. My favorites were Gigi, Joan’s mother, played by Ann Guilbert; Martin Mull who plays a neighbor of John and Joan’s and is president of their HOA; and Professor Sinclair Wilde (Cary Elwes) who is Joan’s creative writing teacher.

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Season one found the show highly rated, just behind The Big Bang Theory, but by season three, the ratings had dropped significantly and early in season four, the network canceled the show but aired the remaining nine episodes that had been filmed. Many fans blamed the network because of the scheduling. Season one began in September, but the rest of the seasons kept getting pushed later and later. Season four didn’t air the first show of the series until April which means fans had not seen the show for almost a year. The network justified the cancellation because it saw declining ratings, was refused an ownership stake in the show, and wanted to bring in four new sitcoms for the next season.

Many of the complaints I read about this show said it was just a clone of Modern Family. I don’t agree at all. While this show had some of the best one-liners I ever heard in a television series, the humor was not consistent and sometimes, especially when it featured Joan and John, it was just weird. Jay and Gloria were not John and Joan. Modern Family had it all: good writing, fun characters, realistic plots. The Short family had it all but never in the same episode. Sometimes the writing was good, sometimes the characters were fun, and sometimes the plots worked. While I didn’t mind watching this show, especially to catch those ultimate one-liners, I never felt bad when I didn’t see it. I knew that I had missed a fun part of the week if I missed Modern Family. I could connect to the characters on the show in a way I only connected with Jen and Tim with on Life in Pieces.

Just to give you an idea of what this show was like, I’ll summarize the first episodes of each season below.

In season one, Matt walks in on Joan and John in an intimate moment; Joan attempts to lead a group therapy session; Jen hires a breast-feeding consultant couple; and Heather and Tim move into a new home, using a company that employs ex-cons.

Season two was Heather and Tim ask Clementine’s parents (their son’s girlfriend) to convince Clementine and Tyler to get an annulment; Tommy moves in with Colleen to the dismay of her roommate; John takes the wrong dose of medication which leads to several complications.

For season three Tim and Heather move into John and Joan’s home after their kitchen is destroyed; Matt and Colleen expect a monetary settlement from Colleen’s fall; and John tries to get Sophia (his granddaughter) back on track when she begins acting up.

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Last, but not least, season four began with the Shorts vacationing in the Yucatan; the accommodations are not what they expected; Heather is overprotective of Sophia; Jen and Greg learn that Matt and Colleen have been lying to the family.

If I am honest, I think the network did not do the show any favors by messing up the schedule, but it was not destined to last more than the few seasons it was on the air. However, if you disagree with me, I would love to hear your reasons for loving the show.

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Brothers and Sisters: Love It or Hate It?

As we continue our blog series on Sibling Rivalry, I had to include the show Brothers & Sisters which went off the air more than a dozen years ago. This was always called a family drama, but it had a lot of comedic moments as well. It was created by Ken Olin of thirtysomething and Jon Robin Baitz, one of Broadway’s most successful playwrights.

I think what I loved most about this show was the cast. The Walker family’s matriarch was Nora Walker played by Sally Field. Her husband Bill (Tom Skerritt) passed away before the start of the show. He left the family his business, Ojai Foods, to run, and he left them a lot of secrets. Field and Skerritt had played a married couple before in Steel Magnolias in 1989.

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The kids were Sarah (Rachel Griffiths), Kitty (Calista Flockhart), Tommy (Balthazar Getty), Kevin (Matthew Rhys), and Justin (Dave Annable). Bill’s mistress Holly (Patricia Wettig) and her daughter Rebecca (Emily VanCamp) are also regulars on the show, along with Saul (Ron Rifkin), Nora’s brother.

The pilot of the show looked a little different than the first episode. The Walker family had been the March family in the pilot—that reminds me of Little Women, not five siblings. Betty Buckley was Iva, the mother, who became Nora played by Sally Field. Kevin switched his name from Bryan after being played by Jonathan LaPaglia. There were a few other minor cast changes as well.

Of course, like in any normal family, the kids are very different. Sarah and Tommy work at the family business. Kitty is a conservative activist returning home. Kevin is a gay lawyer trying to deal with his identity, and Justin is the youngest, a former medical student, who came home from the Afghan War with some sad stories and an addiction problem. Sarah and Tommy both started the show married, and eventually they both went through a divorce. Kevin and Kitty both get married during the course of the show, so four spouses and children are added to the mix.

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Season one lets us get to know the siblings, and we learn about their dad through flashbacks. We also discover that he had a long-time mistress who has a child that may be another sibling.

The second season focused more on the personal lives of each character. Kitty is engaged. Kevin runs into an ex-boyfriend and begins seeing him again. Sarah gets a divorce and becomes a single parent. Tommy and Julia lose one of their twins while Nora begins dating.

Rebecca thought for most of season two she was a Walker but learns she is not and has to rework her relationship with the people she viewed as her siblings. Her father David, played by Ken Olin, was married to Wettig who played Holly in real life, so they needed little rehearsal for their relationship. Rebecca and Justin begin a romance when they realize they are not related. Then it is revealed that the siblings do indeed have a half brother and his name is Ryan (Luke Grimes). Holly gets entrenched in the family business, so Saul and Sarah leave the company to move on to other careers.

During season four, Kevin and Scotty toy with having a family. Kitty learns she has cancer. Sarah meets a man in France who moves to the US for her but it’s not as romantic back in California. Justin and Rebecca cancel their wedding when he returns to medical school; she finds out she is pregnant but then has a miscarriage.

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The final season finds Kitty’s husband Robert (Rob Lowe) in the hospital in a coma after a car accident. She turns off his life support. Kevin and Scotty begin the adoption process. The show ends with Holly having long-term memory problems. Nora finds a new profession in radio and meets up with her first love, Nick. It also brings us the revelation that Bill wasn’t the only one with secrets because Sarah is Nick’s daughter.

In looking at the plots and subplots from the different seasons, it could have been a very typical program about a family’s ups and downs. However, Ken Olin as producer ensured that this was a well-written and executed show. He also directed twenty of the episodes.

Another reason for the show’s success is that it was on Sunday evenings for its entire run. In early year,  it didn’t have a lot of competition because the shows it was up against seemed to change quite a bit through seasons one and two. In 2009 the show was opposite Cold Case, but it kept its ratings in the top 30 for the third season in a row. In 2010 it lost the ratings battle to CSI: Miami and fell out of the top thirty before being cancelled the next year.

Fans fell in love with the show from the beginning, but it took longer to get the critics on board. The show received several Emmy nominations. Sally Field won for Best Actress in a Drama in 2007. That same year, Rachel Griffiths was nominated for Best Supporting Actress in a Drama but lost to Katherine Heigl from Grey’s Anatomy. In 2007, The Sopranos took home a lot of Emmy nominations. In 2008, Mad Men took over The Sopranos’ role. Field and Griffiths were nominated again, but Field lost to Glenn Close for Damages and Griffiths lost to Diane Wiest for In Treatment. In a déjà vu moment in 2009, Close again beat out Field for the Best Actress win.

Rob Lowe was smart to leave before the show ended. Like so many shows, it probably ran one season too long. I often look to the critics on imdb.com when I am considering a show or a movie. Their reviews are typically spot on when I watch the show. However, for this show, things were, like Olin’s thirtysomething, shows viewers absolutely adored or despised.  I’ll leave you with two of the reviews, and you can watch an episode or two and decide where you fit on the spectrum.

“Brilliant Show by mtaffeot. 10/10.  Brothers and Sisters is one of the finest TV dramas to come along in a very long time. The performances are superb from all involved, especially Sally Field, Rachel Griffiths, and Matthew Rhys.

Each Sunday night I am treated to one of the finest hours on television. The mixture of humor, drama and that whole family dynamic is very intriguing. This show takes you through a whole host of emotions in one sitting as the storylines of each family member unfold in such a way, it leaves you craving for the next episode.

The gay storyline involving Kevin and Scotty is outstanding. For once we have a complete and in-depth relationship between two men handled with maturity and intelligence. I’m so very pleased to see this on ABC network TV without much fuss being made. This is one of the finest gay storylines I’ve ever seen on TV.

Bravo to the writers, actors, and all involved in producing one of the finest TV dramas in years.”

Compare that review to this one:

“Can You Say: thirtysomething by Troubleboy. 2/10. Another dysfunctional family apparently representing today’s America, including a looney daughter as a conservative talk show pundit (gee, that’s unique) although Flockhart’s about 3 lbs heavier, but no less irritating, than Ann Coulter.

There’s no difference between this mob—their problems—and all the other sea of ‘look at me’ family-based reality programming on TV. How it garnered Golden Globes and has survived three seasons, one can only wonder.

Huff and Six Feet Under were head and shoulders over this dreg.”

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Obviously, there is a happy medium there somewhere. If you weren’t a thirtysomething fan, you probably won’t like Brothers & Sisters either. I was one of those people who loved thirtysomething in the eighties. I was also a huge fan of This is Us, which also had Olin on board. While I agree some of the plots on Brothers & Sisters were stretched to an almost unrealistic point, when the show was good, it was very good. The interactions between the siblings were very honest. They fought, they laughed, they cried, they got hurt, but they were always there for each other in the end. Were they dysfunctional? Yes, but I have yet to meet a family that isn’t. I hear rumors that there may be a few out there. But if we created a television show around them, I doubt the plots would be all that interesting. The show is not as well-written as This is Us, but it is so much better than a lot of what passes for television programming today. I’d love to hear your view on it.

Sisters: “All kinds of weather, we stick together”

This month we are examining shows about brothers and sisters in Sibling Rivalry. Today it’s Sisters.

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Sisters debuted on NBC in May of 1991 which was a weird time to start a show, but they decided to air seven episodes as a test run. It was successful, so it was put on the fall schedule for that year. It was on the air for six seasons. Ron Cowen and Daniel Lipman created the series and filled the role of producers.

The show featured four sisters, the Reeds, who live in Winnetka, Illinois. The sisters were very different but were close. Their father had been a successful doctor who was not involved in the girls’ lives much but was involved in the lives of other women. Their mother Beatrice (Elizabeth Hoffman) became an alcoholic to help her through his absence and affairs.

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Dr. Reed made it known he wanted sons and the girls all were given “boy” nicknames. Alex (Alexandra) (Swoosie Kurtz) was the oldest. She was wealthy and married to Wade (David Dukes), a plastic surgeon. They have one daughter Reed (played by three actresses over the course of the show: Kathy Wagner [s1], Ashley Judd [s2-4] and Noelle Parker [s6]. Teddy (Theodora) (Sela Ward) was a laid-back artist who never could figure out what she wanted to do with her life. She has a daughter Cat (Heather McAdam) from her prior marriage. Georgie (Georgiana) (Patricia Kalember) was married to John (Garrett M. Brown) and was a stay-at-home mom of two boys, Evan (Dustin Berkovitz) and Trevor (Ryan Francis). Frankie (Francesca) (Julianne Phillips) the youngest, was a businesswoman trying to make a name for herself. She was a bit of a workaholic and an overachiever.

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Ward was brought in to audition for the role of Frankie, but after reading the script she felt she was better suited to Teddy.

The first two seasons opened with the sisters having a weekly steam bath and chatting about what was going on in their lives. The sisters did not love this part of the show. Phillips said, “it was miserable.” She said “they were sprayed with mineral oil, sat in a cold towel for hours on a smoke-filled soundstage.  . . . We were all severely uncomfortable, and it would go on forever.” Kalember said that it helped the actresses become close though. She said, “if you aren’t able to bond under those circumstances, you are not human.”

A lot of flashbacks are included on the shows, allowing us to learn where some of their personality traits developed and situations in their past that still influence the present. The show found the perfect blend of comedy and drama. They also had a few Moonlighting-like episodes where they were based on movies like The Wizard of Oz or the sisters were in fantasy situations.

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During season one Beatrice sells the family home and moves into a condo. She is arrested for driving under the influence. Alex suspects her husband of having an affair only to learn that he is a cross dresser. Teddy returns home to Winnetka and learns that her ex-husband Mitch (Ed Marinaro) is now dating Frankie. She struggles with this and pursues Mitch who discourages her. One night they end up together, but he asks Frankie to marry him, and they plan a quick wedding that Teddy ruins. Frankie stops seeing Mitch, and Teddy realizes she behaved badly and decides to go back to California; however, before leaving she learns Georgie’s son Evan has leukemia, so she stays to help her sister.

In season two, Georgie is dealing with Evan’s treatment. Alex realizes Wade has been cheating on her for six months and they divorce. Reed drops out of school to punish them. Frankie and Mitch spend some time together for a business investment and decide to elope. Teddy realizes she is pregnant and knows it is Mitch’s. She tells her family it was a one-night stand; later Mitch figures out it was his, but Teddy has a miscarriage. Beatrice starts dating Truman (Philip Sterling) who lives in a condo near her. Teddy gets a job at a boutique but that doesn’t last, and she goes through several jobs during the season, eventually designing clothing for local women. Wade tries to convince Alex to come back home and she oddly begins dating her plumber. Alex and Wade reconcile. Frankie learns she cannot have a child, so she asks Georgie to be her surrogate.

📷tvguide.com Swoosie Kurtz

Season three finds Beatrice eloping. There is an elaborate ceremony planned that they don’t show up to and Reed ends up marrying her boyfriend Kirby (Paul Rudd). Georgie gives birth to Thomas George and has a hard time not being a mom to him. Teddy finds an investor and is very successful but then he sells it to another person without consulting her. The new investor does not see eye-to-eye with Teddy’s vision, so she leaves the company. Frankie and Mitch divorce and fight over custody of Thomas. In another weird twist for Alex, she discovers she has breast cancer and develops a comedy routine to perform.

A lot of activity occurs in season four. Cat is raped and the police investigator, Falconer (George Clooney) helps her remember and identify him. He is eventually shot at the courthouse by a former victim. Frankie gets out of her stressful job and buys Sweet Sixteen, a local diner. Teddy runs into Falconer at an AA meeting, and they begin dating. Georgie struggles with a deep depression. Her son Trevor runs away from the school he was at and does not contact the family. Alex is hired for a television talk show. She meets Big Al (Robert Klein) who owns a large appliance store and sponsors her show. They eventually marry. Georgie and John have separated with all the drama in their family, and they reunite. You always know it’s a bad sign when another sibling is brought into the fold because it usually means ratings are down. In this show, Charley (Charlotte) (Sheila Kelley) meets her sisters because she needs a bone marrow match. None of them can help her but a donor is found, and she becomes part of the family. At the end of the year, Trevor returns after a tornado hits Winnetka, Reed comes home and gives birth to a daughter, Teddy and Falconer marry on a plane during a storm, and Big Al is arrested for tax evasion on his wedding night.

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Patricia Kalember

Teddy learns in season five that she is not meant to be happy. Falconer is murdered by a criminal he was going to testify against in court, and Teddy starts drinking again. Georgie sees a therapist who causes her to remember things about her father molesting her that never happened. (The therapist was played by her real husband, Daniel Gerroll) They begin an affair, and she leaves John, thinking this is her great love, but the doctor ignores her. Frankie’s old investment ends in her managing a boxer whom she begins to date. Big Al gets out of prison and decides to run for mayor. Truman has Alzheimer’s and Beatrice has to deal with that. He wants her to end his life when the disease has advanced. She does and to help her afterward, Charley offers her a job as a receptionist at her free clinic. Teddy has a brief relationship with Jack Chambers (Philip Casnoff) the man who got Falconer’s transplanted heart. Frankie has moved to Japan to market a new cow character she created.

In the final season, Georgie goes to graduate school for psychology. She begins seeing a 24-year-old student. Teddy and Cat are carjacked. Teddy buys a gun for protection and is accidentally shot in the head with it. She is in a coma, and Alex convinces Dr. Sorenson (Stephen Collins) to operate. Teddy and Sorenson start a relationship after her recovery. Cat decides to enter the police academy. Reed returns to Winnetka after divorcing Kirby and losing custody of her daughter. She starts a high-priced prostitution company and Alex turns her in and Reed is sentenced to community service. Big Al needs a heart transplant which he survives.

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In the finale, Georgie reads her thesis about sisters which makes Alex and Charley mad. Beatrice has a major stroke and dies, which brings the sisters back together. Frankie moves back to Illinois. Georgie and John reconcile at Bea’s memorial service. Teddy is pregnant with a daughter she has already named Beatrice Rose.

The ratings for this show were never stellar. It was in the fifties for the early seasons but dropped to #75 for season five and #103 for season six. However, it received eight Emmy Award nominations. Sela Ward won for Outstanding Actress in 1994. Swoosie Kurtz was nominated that same year and in 1993. Kurtz was beat out by Kathy Baker for her role in Picket Fences.

I think the success of the show, despite some soap-opera-like plots was the fact that it blended humor with heart. Also, the actresses were believable as sisters. Phillips said that “if God himself came down and said, ‘I’m going to design a show: Who would you like to work with?’ you couldn’t pick better people.” She went on to say that “There was something that just clicked. That chemical, indescribable thing. There was a real comfort and connection. It doesn’t happen often.”

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Kurtz agreed. She said that “from the beginning we had chemistry on camera, but we had chemistry in real life too. . . . I’m an only child, so I thought this is my chance. Siblings by proxy.”

I could not find out why, but the show is not available on DVD. There is an avid fan club for this series, and they have campaigned to bring it to Netflix or another streaming service, but so far, they have had no luck. It’s too bad because it is a show well worth revisiting. For now, you’ll just have to take my word for it.

My Sister Sam: Sisters in Every Way

This month our blog is all about Sibling Rivalry. It’s a bit unusual because it features two sitcoms and two dramas. I thought it might be fun to start and end with the sitcoms, and today we are learning all about My Sister Sam.

From 1986 to 1988, My Sister Sam aired on CBS.  Samantha Russell (Pam Dawber) is a freelance photographer who lives in San Franciso. Her life is turned upside down when her 16-year-old sister Patti (Rebecca Schaeffer) shows up on her doorstep to live with her. They are 13 years apart in age, and Patti had been living with their aunt and uncle in Oregon since the death of their parents. In real life, Schaeffer grew up in Oregon.

The cast is rounded out by coworkers Jordan Lucas, Sam’s agent (Joel Brooks); her assistant Dixie (Jenny O’Hara); and neighbor/photojournalist Jack (David Naughton), who is a ladies’ man.

The sisters have great chemistry, but they have very different personalities. Sam is a bit uptight and alphabetizes her juices in the refrigerator. Patti is a Valley girl, very laid back and a wanna-be rock star who plays the guitar.

In a Chicago Tribune interview in 1987, Dawber gave her philosophy of the show: “I see Sam as a woman who’s successful, who has a beautiful apartment but who doesn’t have the answers. Plus, she has to cope with a teenager who’d put her sister on a pedestal—she moved in because she thought Sam’s life was perfect—but finds out that she’s pretty neurotic. I mean, here is a woman, for openers, who’s compulsively neat, who needs to have control in her life.”

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Their personal relationship mirrored their television one. Dawber said she considered Schaeffer a sister. She mentored her and even invited her to move into her home in LA where Dawber lived with Mark Harmon, her then-boyfriend, now husband. Dawber said that “We just kind of fell into this sisterly thing, . . . Cause I’d had a sister. My sister passed away when she was 22 and I was 25. And so having another young girl in the house was something I was very comfortable with. It was good for us.”

Pam Dawber’s production company, Pony Productions, developed the show created by Stephen Fischer. The screenplay was written by Fischer and Diane English. Dawber wanted to base her character a bit on Mindy from Mork and Mindy. She said that she was “not a comedian. I’m a reactor to all the zany people who revolve around me.” English and Mimi Weber took on the producer role, with the show filmed at The Burbank Studio. English would go on to write for Murphy Brown.

The theme song, which I admit I don’t remember, was called “Room Enough for Two,” and it was written by Steve Dorff and John Bettis. Kim Carnes, who had a hit with “Betty Davis Eyes,” sang the song. Dorff later was the composer for Murphy Brown and Murder She Wrote. Bettis worked on The Godfather, Part III and Star Trek V.

The show had a great time slot between Kate and Allie and Newhart on Monday nights. It ranked 21 overall. Of course, the networks rarely leave well enough alone, so they moved the show to Saturday nights opposite The Facts of Life. The end of the second season found the show down 50 points at 71overall. The network was toying with canceling the show, but after receiving a lot of fan letters, they brought it back in March of 1988. It moved to Tuesday nights and the ratings increased. However, the ratings did not stay that high, probably because the competition was Who’s the Boss and Matlock. In April, CBS canceled it outright, leaving 12 unaired episodes.

Sadly, a year after the show was canceled, Schaeffer was murdered in her home by an obsessed fan. After living with Pam, Schaeffer got her own place. She was living in West Hollywood when she was killed. Dawber said she told Schaeffer not to put her real name on her mailbox. Dawber had a scare with a stalker earlier in her career, and she learned not to put her real address on her driver’s license or anything that a fan could track you down with. Schaeffer didn’t listen and her name was on her mailbox.

The man who killed her, Robert Bardo, said he saw her in a promo in 1986 and began watching the show. He sent her fan letters. At one point, he flew from Arizona to LA to the studio to look for her. He took gifts to the studio several times, but studio security always stopped him. Bardo returned to Arizona. After the show was canceled, Schaeffer took on several movie roles which were very different from her role as Patti. One love scene enraged Bardo. Bardo was stopped from buying a gun due to mental health issues. He convinced his brother to buy him one for target practice. Then he boarded a bus to LA. He hired a private detective to find Schaeffer’s address; the detective located it through the Department of Motor Vehicles.

One morning Schaeffer was waiting for delivery of a script of The Godfather III for an audition with Francis Ford Coppola. Bardo rang her bell, and she answered thinking it was the delivery person. He introduced himself and told her she had sent him a card and photo after receiving fan mail. She explained she was busy that day, so he went to a local diner. He returned to her house, and she said he was wasting his time expecting any relationship with her. Then he shot her point blank. He got away and returned to Tucson but was apprehended a day later after running in and out of traffic, shouting that he was the one who killed Rebecca Schaeffer.

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Dawber was filled with grief and anger. She reunited with the cast of My Sister Sam for a Public Service Announcement for gun control, and she testified before Congress for stricter gun laws. After Schaeffer’s death, California passed an anti-stalking law in 1990. Now all fifty states have one on the books. Bardo was sent to California where he was found guilty of first-degree murder. He was sentenced to life in prison without the possibility of parole.

My Sister Sam was a ground-breaking show having women in so many of the critical roles. During the Chicago Tribune interview, Dawber said that “the significant thing is that My Sister Sam is a show about women that is run by women. . . . Not only are three of our five regular cast members women, but we have a female executive producer, two writer-producers, and a director. It really wasn’t intentional. It just happened that way.”

It would have been interesting to see how the show fared if it had kept its original time slot and the plots that would have been written as Patti became an adult. Did she begin to resemble her sister more or did she keep her carefree personality? And would her sister adopt some of her less serious traits? Almost every review I read about the show said it was genuinely funny, adorable, relatable, etc. With all the moving around the schedule and “is it on the air or not” decisions, only 44 episodes were created, so there aren’t enough for syndication or DVDs.

And of course, it’s devastating what happened to Rebecca Schaeffer. She was a rising star, and you have to wonder what type of career she would have had if she had lived more than 22 years. Dawber had to experience the death of another sister much too young to die. I’m glad a lot of laws came out of the experience, but it was such a brutal murder. Now, 35 years later, our country is still dealing with devastating murders because not enough laws have been created.